Godly Play Nourishing Children's Spirituality: A Case Study Author: Brendan Hydea Affiliation: a Australian Catholic University, Fitzroy, Victoria, Australia Published in: Religious Education, Volume 105, Issue 5 October 2010 , pages 504 - 518 Publication Frequency: 5 issues per year To cite this Article: Hyde, Brendan 'Godly Play Nourishing Children's Spirituality: A Case Study', Religious Education, 105:5, 504 - 518 Abstract Godly Play, an approach to Religious Education in early childhood devised by Jerome W. Berryman, has been utilized by many Christian denominations in Sunday school contexts and it is currently influencing the design of early years' Religious Education curricula in many Catholic dioceses. One of the appealing qualities of the Godly Play process is that it is understood to nurture the spiritual dimension of children's lives. But how exactly does it do this? In drawing on the author's own research, this exploratory article examines, through a case study, the way in which four particular characteristics of children's spirituality—the felt sense, integrating awareness, weaving the threads of meaning, and spiritual questing—are brought to the fore and are nurtured during the Godly Play process. In this way, the article attempts to demonstrate how, in a practical sense, the Godly Play process may nurture the spirituality of children who engage in this process. With the growing interest in the field of children's spirituality in recent times, religious educators in a number of Christian denominations have utilized Jerome W Berryman's Godly Play method (2009), praising it for its ability to nurture the spiritual dimension of children's lives (see for example, Beckwith 2004; Carter 2007; Lamont 2004, 2007). Indeed Berryman (2002) himself maintains that Godly Play provides opportunities for children to find spiritual direction in their lives, particularly through enabling them to confront and address the existential limits to their being. However, questions remain in terms of how in practice this particular method of Religious Education actually nurtures children's spirituality. In this author's earlier research (Hyde 2004), some preliminary work was undertaken to explore connections between both Godly Play and The Catechesis of the Good Shepherd (Cavalletti 1983) and children's spirituality. In drawing on more recent research into the spirituality of children in an Australian context by the author (Hyde 2008), this article takes a case study involving one child to examine the way in which four particular characteristics of children's spirituality—the felt sense, integrating awareness, weaving the threads of meaning, and spiritual questing—were brought to the fore and nurtured through the Godly Play process.1 The case study involved one three-and-a-half year old child, Daniel, and his work in revisiting the Parable of the Good Shepherd during the response time of a Godly Play session. In order to explore the way in which this child's spirituality was nurtured, hermeneutic phenomenology was utilized as a theoretical tool for reflecting on the life expression (Dilthey 1994) of the child in the case study. Whereas the natural sciences seek truth through adherence to a set of rules pertaining to a particular method, hermeneutic phenomenology seeks understanding through the interpretation of “texts.” Although originally referring to written composition, the concept of “texts” has come to be understood more broadly. Texts could refer not only to biblical and literary works, but also to a wide range of phenomena, including human discourse, as well as the expressions of human life (Dilthey 1994; Sharkey 2001). Hermeneutic phenomenology then seeks to describe the essence of that which is being studied in order that the interpreter might come to new understanding in relation to the phenomena. While the author has elsewhere described in greater detail the use of hermeneutic phenomenology as a theoretical framework for gaining insight into children's spirituality (Hyde 2005), the influence of Gadamer's (1989) notion of understanding as a “fusion of horizons” (306) was pivotal to the reflection upon this case study. Gadamer maintained that genuine understanding occurred when the horizon projected by the text combined with the interpreter's own comprehension and insight. In this way hermeneutic phenomenology results in the production of something new. Meaning and understanding are co-determined by the particularity of the interpreter and the text itself. The case study reported in this article represents a “double” fusion of horizons. First, the horizon of the child, Daniel, fused with the horizon of meaning presented by the parable story that was the focus of his work. Daniel's own understandings were brought into dialogue with this parable, resulting in the production of meaning for him. Such understandings are explored in this paper. Second, through an engagement with the life of expression of the child in this case study the researcher himself was able to fuse his own understandings with those of Daniel's life expression, in which meaning—the way in which spirituality was nourished through the Godly play process—was productive, and co-determined by the contexts of the researcher and the life expression of the child. AN UNDERSTANDING OF SPIRITUALITY While acknowledging that spirituality is a contested concept (see for example Erricker 2001; Priestley 1997; Wright 2004), a broad understanding of spirituality has been adopted throughout this author's research. Spirituality is ontological. Groome (1998) maintains that “it is more accurate to call ourselves spiritual being who have a human life, than human beings who a spiritual life” (332). As an ontological category, spirituality is a natural human predisposition, something that people are born with and “something dynamic that forever seeks articulation and expression in human living” (O'Murchu 1997, 37). In the broadest sense, spirituality is concerned with a person's sense of connectedness and relationship with self, others, the cosmos, and for many, with a Transcendent dimension (God) (Fisher 2008; Hay with Nye 2006; Tacey 2003). In expanding on such an understanding, de Souza (2006) argues that spirituality involves a journey toward Ultimate Unity. Such a movement can be understood to spiral through different layers of connectedness with self, others, the world, and possibly, with God, which generally move forward towards deeper and wider levels, but which could recede depending on the particular contexts of an individuals' experience. de Souza further maintains that such a forward movement, for some individuals, has the potential to lead to the deepest and widest levels of connectedness, whereby the individual experiences becoming One with Other, that is, Ultimate Unity. These conclusions support aspects of neurobiological research, particularly Austin (2000) and Newberg and colleagues (2001), who describe the neurobiology of transcendence as a movement towards Absolute Unitary Being, when Self blends into Other and mind and matter become one and the same. Newberg and his colleagues propose the notion of a “unitary continuum” (145), where at one pole a person may interact with the world and with others, but may experience this interaction as something from which she or he is apart. As the person progresses along the unitary continuum the sense of separateness becomes less distinct and could lead to individual experiences of sacredness and experiences of unity. Children's spirituality may also be described in terms of the type of unity described earlier, that is, in terms of being located somewhere along the unitary continuum. The research of Hart (2003), Hyde (2008), and Adams, Hyde, and Woolley (2008) in particular indicate that some children are in fact capable of such a movement, and may experience Ultimate Unity, albeit for short periods of time. GODLY PLAY As a way of Religious Education for early, middle, and late childhood, as well as for adults, Berryman (2009) describes Godly Play as play with the language of God and of God's people—sacred stories, parables, liturgical action, and silence. It is an approach to Religious Education deeply rooted in the Montessori method, and carries forward the work of Montessori (1948), Standing (1965 [1929]) and Cavalletti (1983). It is a method that engages the whole child—hands, heart, mind, senses, and intuition. Children prepare for Godly Play by crossing the threshold from the world outside into the carefully prepared environment of the Godly Play classroom, infused with the language of the Christian people. Children are invited to enter this space. The child her- or himself decides within limits whether or not she or he is ready to enter. The Doorperson assists in helping children to prepare for entering this space. If crossing the threshold is not well managed the children may not be ready, and being ready is important for developing one's spirituality. After entering the Godly Play classroom, the children sit in a circle where the Storyteller presents the day's lesson. The lesson may take the form of a sacred story from scripture (stories that are concerned with the identity of God's people), a parable (stories which Jesus told to challenge a worldview or way of thinking), or a liturgical action (an element from the liturgy, such as Baptism, or from the flow of the liturgical year, such as Advent). The telling of the story is accompanied by the use of the two and three dimensional materials, which are manipulated by the Storyteller so as to model for the children how the story is told. This is followed by Group Wondering in which the Storyteller invites the children to wonder together about the lesson. There are no predetermined answers to wondering posed by the Storyteller. It is not a “question and answer time,” but rather an opportunity for the children and the Storyteller to engage playfully with the lesson of the day. The children's wondering emerges from their own lives, their relationship to God and their participation in the lesson. The role of the Storyteller is to support their wondering. When the wondering concludes, the Storyteller helps the children to choose their work in response to the lesson. This is “deeply playful 'work' ” (Berryman 2002, 56) and allows the children to respond to both the lesson and to other events in their own lives. The children may choose to respond to the story of the day through art or drawing, using any of the materials available in the room. Alternatively, they may choose to work with a story they have already heard, using the two- and three-dimensional materials to engage with that story. The responding is followed by the opportunity to share in the feast, usually consisting of cordial, biscuits, or fruit. The feast is important in concluding the session, as it, together with the other elements of the process, mirrors the pattern of Christian worship. At the conclusion of the feast, the children are again assisted by the Doorperson to get ready to leave the Godly Play classroom. Saying goodbye and leaving is an important and necessary part of the Godly Play process, and indeed of Christian worship. It should not be minimized. Godly Play takes place is a space that has been specifically prepared for that purpose. The space is managed so that children who enter it find themselves surrounded by the language of the Christian people. It is a safe and stimulating environment that provides sensorial materials with which children can touch, manipulate, and with which they can work. It combines and integrates two primary gateways to knowing for young children—language (the verbal system) and play (the nonverbal system) (Berryman 2002). Although both are involved, it is the latter of these two gateways—the nonverbal system—which, according to Berryman, may particularly nurture the spirituality of children. The case study that follows, and the reflection on it that follows after, illustrates the way in which four characteristics of children's spirituality—the felt sense, integrating awareness, weaving the threads of meaning, and spiritual questing—were brought to the fore during the Godly Play process. The case study has, in the first instance, been written as hermeneutic phenomenological text—the findings (see Gadamer 1989; van Manen 1990) consistent with the author's original program of research (Hyde 2008). The discussion that follows the text attempts to reflect on it so as to discern how the four characteristics of children's spirituality emerge, are brought to the fore, and are nurtured during the Godly Play process. THE FINDINGS On the day of the researcher's visit there were four children in the Godly Play classroom. Their fictionalized names were Daniel, Susan, Emily, and Natasha. The Storyteller had presented to the children the Parable of the Great Peal. The following text centers on one of the students—Daniel— during the response element of the process, when the children were invited to take out their work. Although the Parable of the Great Pearl was the presentation of that day, Daniel chose to work with the Parable of the Good Shepherd materials. Daniel was three-and-a-half years of age and of Anglo-Saxon descent. His grandparents were well known within the parish community. In fact, it was his grandfather who had brought him to the Godly Play classroom on this occasion. Daniel was attracted to the Parable of the Good Shepherd materials, which had been presented some weeks beforehand. With care, he unpacked the contents of the parable box. Slowly and deliberately, he manipulated the pieces of the presentation. In particular, he took great care in placing each of the sheep, one by one, onto the shoulders of the Good Shepherd, just as the Good Shepherd put the lost sheep onto his shoulders in the parable. He then manipulated the materials so that the Good Shepherd individually took each one of the sheep on his shoulders into the sheepfold. Daniel seemed to be absorbed in this activity. The care with which he displayed in moving of the pieces suggests that, for him at that moment in time, nothing else existed outside of this activity. Daniel appeared to have “unfinished business” (Lamont 2007) with this parable. The Storyteller later indicated to me that Daniel had also chosen this parable for his work in the session the previous week. He was in the process of making meaning from this parable. He had taken the Storyteller's words to heart—that if at first you can't get inside the parable, don't be discouraged, but keep coming back to it. For Daniel it seemed that this particular presentation held particular significance. He was searching for that significance by revisiting the parable and manipulating the materials. The significance may have been in his placing, one by one, each of the sheep onto the shoulders of the Good Shepherd so that each could be individually carried safely back into the sheepfold. Throughout his engagement in this activity, Daniel did not speak. He looked intently at the materials as he maneuvered them, slowly and deliberately. He was engaged in seriously playful play, which carried with it a sense of sacredness, which he honored through silence and reverence. DISCUSSION The text above is now reflected on and discussed in terms of each of the four characteristics of children's spirituality that have emanated from the author's own research. The Felt Sense The first characteristic that Daniel exhibited was the felt sense. The felt sense refers to the way in which a child draws on the wisdom of her or his own body as a natural and primal way of knowing. It involves an awareness of the immediacy of experience and tactile, sensory activity. In Hyde's (2008) study, the following example of a ten-year-old child planting seeds is indicative of the felt sense: He seemed to acknowledge the texture and consistency of the soil by rubbing it between his finger tips and thumb before patting it into each of the sockets. Then, delicately, he placed one or two of the seeds into each of the sockets, and gently compressed them into the potting mixture. In a way that could almost be described as lovingly, he added a little water to each. (87) In the case study that is the focus of this article, Daniel was engaged in a sensory and tactile activity. Using his hands and fingers, he manipulated each of the individual pieces of the Parable of the Good Shepherd slowly and deliberately in his quest to find meaning in the parable. He was drawing on the wisdom of his body as a natural way of knowing. This parallels with Berryman's (1991) notion of a “sensorial logic” (140-141) as an alternative way of knowing, whereby a child might be convinced about something that has been experienced, and express this using the words “I know what I know.” It is pertinent to note here that bodily wisdom refers to a holistic understanding that includes both mental and physical capacities, rather than a separation of them (cf. Gendlin 1981). Therefore, the whole of Daniel's body was engaged in this activity. His perception of, as well as his bodily interactions with these materials led to his conscious thinking and acting on the parable materials. Christian mystic Thomas Merton referred to this holistic apperception as an ontological awareness (Del Prete 2002). Effectively, Daniel's whole being was involved in the experience. His bodily and tactile encounter with the materials of the parable engaged his whole Self in a direct, experiential, and concrete way. The divide between Self and object was, for a short time, bridged. In some instances, such an ontological awareness may lead to a sense of unity with Other (God), since the separation between Self and Other becomes less distinct. In this act of being, Merton might have said that Daniel had experience something of the presence of God, for God had been present to Daniel in the very act of his own being (Del Prete 2002). This idea is explored further using the lens of spiritual questing later in this article. In being absorbed in this activity, Daniel was also attending to the here-and-now of his experience. His temporal horizon was situated in the immediate present. In the phenomenological literature, time plays a significant role (see for example Merleau-Ponty 1996, 2004; van Manen 1990). Time exists for an individual because she or he is situated in it (Merleau-Ponty 1996). The concept of time also has relevance in this discussion of the felt sense. Daniel was situated in the immediate temporal horizon. He experienced it as significant time. Berryman (2002) refers to such an understanding of time as kairos time. Kairos time is significant time. It is time which is both orderly and leisurely.2 It is time that allows children to remain in the present moment of their experiences. In this instance, kairos time operated so as to enable Daniel to have all the time that was required for him to draw upon his felt sense to engage meaningfully with the parable materials. Through the provision of kairos time Daniel was able to draw on the wisdom of his body to experience an alternative way of knowing to experience the presence of God. Through this type of sensorial logical, emanating from his own felt sense, Daniel “knew what he knew” (cf. Berryman 1991, 140-141). Integrating Awareness Integrating awareness refers to an emerging level of consciousness enveloping, or integrating, a previous level of awareness. This might typically occur, for example, when a person meditates—the awareness of the individual's own breathing and position on the floor is enveloped by the emerging level of consciousness, in which Self and Other become less distinct (and in some instances, become one and the same). The author's research indicates that children are able to achieve this, albeit for short periods of time. Although difficult to ascertain with absolute certainty, some evidence in the text outlined above can be found to suggest that Daniel also exhibited the characteristic of integrating awareness. First, he was absorbed in a tactile and sensory activity. This has been identified a prerequisite for integrating awareness (Hyde 2008), and constitutes the initial level, or wave, of consciousness. The second, or emerging level of awareness for Daniel may have been the action of the Good Shepherd in placing each one of the sheep onto his shoulders and carrying them safely back to the sheepfold. This seems to have been a repetitive action which clearly held some significance for Daniel. A focus on repetition, for example one's breathing in and out while meditating, or repeating the prayers of the Rosary, has been argued to result in the emergence of higher waves of consciousness that envelope previous levels of awareness (Wilber 2000). This repetitive action may have led Daniel to become aware of Jesus as the Good Shepherd and of himself as one of the sheep who was carried to safety. It would be plausible to suggest that this may have constituted a second wave of consciousness that enveloped the initial level of awareness of manipulating the materials of the parable. In this second wave of consciousness Daniel encountered Jesus, the Good Shepherd, as one who protects and comforts, as one who guides and leads to safety. Weaving the Threads of Meaning Weaving the threads of meaning refers to the child drawing on her or his own sense of wonder as a means by which to make sense of the world and events from the many and diverse frameworks of meaning that are available. The following example from Hyde's (2008) research involving a group of eight-year-old children is indicative of this characteristic. The children were shown a photograph of a large rock formation, and they were attempting to create meaning for themselves from it: “I wonder: how did it get so big?” (asked Rosie) “I wonder if it's is a volcano,” said Ali, who seemed to be drawing upon some recent work in the classroom which had involved an exploration of a volcano that erupted some time ago … … “Maybe it just dropped from the sky,” offered Tran. “It could have fallen, like how hail stones come out of the sky,” replied Rosie, “and there could have been so many of them, and the Aboriginals [sic] could have stacked them up and painted the rock that red color.” (109) The fact that Daniel in the case study focused on in this article had chosen to work with this parable on more than one occasion during recent weeks in the Godly Play classroom is significant. It suggests that he may have had “unfinished business” (Lamont 2007) in relation to it, and to which he felt that he must attend. In coming back to the parable again in an attempt to uncover its meaning for him, Daniel was involved in the process of weaving together the many threads of meaning so that he might discover the parable's significance for himself. While there are potentially many frameworks of meaning from among which children may choose elements, in this instance, Daniel was clearly drawing on the Christian story as one key source. A key to the significance of this parable for Daniel lay in his manipulating of the Good Shepherd and the sheep. He individually placed each of the sheep, one by one, onto the Good Shepherd's shoulders, and took each safely back to the sheepfold. In doing so, it is possible that he was confronting at least one existential issue in his life. Berryman (1991, 2009) maintains that existential issues mark the boundaries of human experience. They include the experience of what happens at death, the sense of aloneness, the need to create meaning, and an appreciation of what it means to be free (see also Yalom 1980). Berryman maintains that these limits are just as fundamental to the lives of children as they are to adults. While children may experience them, speak of them and approach them in ways different to adults, they are nonetheless real for them. Daniel's life expression suggests that there may have been two existential issues he was confronting. First, he was confronting the need to create meaning from this parable. Earlier work with this parable in previous weeks had not enabled Daniel to derive sufficient meaning, and so he chose deliberately to work with the parable again in an attempt to complete his unfinished business. Some early research of Berryman (1991) indicates that children may return to the same presentation many times over a number of Godly Play sessions in order to make meaning from it. It is therefore necessary that children be allowed to do so, and that they are supported by the adults in the Godly Play classroom in their quest. Secondly, Daniel may also have been confronting the existential issue of freedom. Freedom can present as a paradox for human beings. People crave freedom, yet when it is acquired people often retreat to the safety of boundaries. In some sense, freedom is perceived as a threat by people. It is eagerly sought after, yet when attained people often do not know what to do with their new found freedom. Somehow, it is safer to remain within the confines of boundaries. In the parable, the Good Shepherd guides and shows the way. He shows the sheep how to be free by leading them to the “good grass,” to the cool, fresh water, through the places of danger, and back safely to the sheepfold. When freedom leads to one of the sheep finding of itself lost and in dangerous territory, the Good shepherd leads it to safety. The Good Shepherd even searches in the places of danger for the sheep, which, because of an excess of freedom, has become lost. In working with the parable materials again, Daniel was confronting this existential issue, and possibly coming to see that Jesus—the Good Shepherd—was one who, rather than curtailing his freedom, could lead and guide him safely to it. Of importance here is the space which enabled Daniel to weave together the threads of meaning and to confront these existential issues. The space in the Godly Play classroom is carefully managed so as that the children who enter it are surrounded by the language of the Christian people “in all it beautiful, touchable richness” (Berryman 2002, 51; italics in the original). But more than this, it is a safe space in which children are free to seek meaning and direction in their lives. The adults in the Godly Play classroom support, but do not interfere with children's confronting of their existential limits, thereby rendering it a safe space for children. The space that had been created and carefully managed in this particular instance enabled Daniel to attend to this important work in finding meaning in his life. Spiritual Questing Spiritual questing refers to the fact that children are seekers. They are actively searching for a sense of life's meaning and purpose, and this is often reflected in what they claim to value most. The following example, from Hyde's (2008) study is indicative of this. A group of ten-year-old children had been asked what really, really mattered to them: “Freedom really matters,” [replied John] “because, a long time ago slavery was not illegal, and some people didn't have freedom, which everybody should be able to have.” The reflection upon the case study in this article suggests that through his engagement with the parable materials, Daniel was searching for a sense of meaning and purpose through identifying for himself what really mattered to him, that is, what he valued most. The notion of freedom was important to him, but it was not the freedom of being alone. It was a freedom concerning the possibility of being in relationship with others in community. Daniel's placing of sheep onto the shoulders of the Good Shepherd was not an isolated act. It was a deliberately repeated action so that eventually all of the sheep were taken safely back to the sheepfold. Daniel did not want to be alone. His work with the parable materials suggests that he was seeking to belong in community. Working again with these materials provided him with the opportunity to see and to perhaps affirm himself, his family, and other significant people in his life as being together in community—all of the “sheep” who are looked after and who are led to safety by the Good Shepherd. In this parable, and as the result of his spiritual questing, Daniel experienced something of the presence of God who, as discussed, was already present to Daniel in the very act of his own being (Del Prete 2002). More specifically, he encountered and met the person of Jesus as the Good Shepherd. It was an experience far more profoundly sacred than merely manipulating a set of parable materials. In this spiritual questing, Daniel not only played quite literally in the presence of God. He actually encountered and met Jesus, the Good Shepherd who guides, protects and leads his sheep—his community—to safety, in a personal way. Put another way, it was as if the creator of the parable (Jesus) and the seeker of meaning (Daniel) met in their common creative acts and at the edges of knowing and being as Creator and creature, who play and co-create together.3 CONCLUSION The case study presented in this article does suggest that each of the four characteristics of children's spirituality as identified in the original research of this author—the felt sense, integrating awareness, weaving the threads of meaning, and spiritual questing—were brought to the fore and were nourished as a result of the Godly Play process. The case study, which utilized hermeneutic phenomenology as a tool for reflection, thereby serves to shed some light on how in a practical sense Godly Play may nurture the spirituality of children who engage in this process. Daniel's spirituality was nourished through the Godly Play process because he was able to draw on the wisdom of his body as a natural way of knowing, because he was able to create meaning and confront existential issues, because he was able to identify for himself what really mattered to him—belonging in community, and because he was able meet Jesus through the parable story. There are, however, two important points that have emerged in light of this case study that need to be articulated. The first concerns Daniel's choice and use of the Good Shepherd parable materials. If Daniel had been allowed only to work with the lesson of the day (which was the Parable of the Great Pearl), he would not have been able to return to the Parable of the Good Shepherd to create meaning, to confront his existential limits and so complete his unfinished business with the parable. Additionally, the insights into spirituality offered in this article would not have emerged. Similarly, if Daniel had simply been told by the Storyteller that, in reality, he was one of the sheep, and that Jesus was the Good Shepherd, then he would have been robbed of the opportunity of making such a discovery for himself, and the parable would not have impacted upon him in a way that enabled his spirituality to be nurtured. Therefore, children must be given agency in their choice of work. This reiterates Berryman's (1991) contention that children need to be able to choose their own work in the Godly Play classroom so that they can return again and again to images that bear meaning for them to enable them to confront and cope with their existential limits and ultimate concerns. Second, while Daniel was using the Parable of the Good Shepherd to make meaning about his life, he was internalizing not only the parable itself, but also how to use it in his developing understanding of the Christian language system. Although in this particular case study, Daniel used meditative silence rather than spoken language, he has clearly drawn on the Storyteller's original telling of the parable in his usage of the materials. This became evident in watching him manipulate the lesson materials. In meditative silence, Daniel used the Storyteller's original language in his own meaning-making process. Importantly also, Berryman (2002) reiterates that the Christian language system includes not only parables, sacred stories, and liturgical actions, but also meditative silence. There was considerable meditative silence in Daniel's work in this particular case study. It enabled him to engage meaningfully with this parable in nurturing his spiritual life. Acknowledgments Brendan Hyde, Ph.D., is Senior Lecturer in the National School of Religious Education at Australian Catholic University in Melbourne, Australia. E-mail: brendan.hyde@acu.edu.au REFERENCES 1. Adams, K. , Hyde, B. and Woolley, R. 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Newberg, A. , d'Aquili, E. and Rause, V. (2001) Why God won't go away: Brain science and the biology of belief Ballantine , New York 27. O'Murchu, D. (1997) Reclaiming spirituality: A new spiritual framework for today's world Gateway , Dublin 28. Priestley, J. (1997) Spirituality, curriculum and education. International Journal of Children's Spirituality 2:1 , pp. 23-34. [informaworld] 29. Sharkey, P. Barnacle, R. (ed) (2001) Hermeneutic phenomenology. Phenomenology: Qualitative research methods pp. 16-37. RMIT University Press , Melbourne 30. Standing, E. M. (1965) The child in the church Catechetical Guild , St. Paul, MN — (Original work published 1929) 31. Tacey, D. (2003) The spirituality revolution: The emergence of contemporary spirituality HarperCollins , Sydney 32. van Manen, M. (1990) Researching lived experience: Human science for an action sensitive pedagogy Althouse , Ontario, Canada 33. Wilber, K. (2000) Integral psychology: Consciousness, spirit, psychology Shambhala , London 34. Wright, A. (2004) Religion, education and postmodernity RoutledgeFalmer , London [ crossref ] 35. Yalom, I. D. (1980) Existential psychotherapy Basic Books , New York Notes The author acknowledges the support, encouragement, and suggestions offered by Jerome W. Berryman in the development of this article. It is pertinent to note here also that this type of orderly and leisurely time is the gift which the mystics throughout Christian history have given themselves to experience their prayer with God (Berryman 2002). This particular insight was developed through personal communication with Jerome W. Berryman, July 9, 2009.