Assessment Schedule (Sample) Media Studies 90602: Explain the interrelationship between society and a media genre Evidence Statement Question Evidence One Note: the essay below is an example of the sorts of evidence students could look at. Students may decide to focus on one or two aspects such as technology and fashion, as time will constrain them completing every aspect. At excellence level, there needs to be some discussion as to the degree of influence on genre/society as well as the reasons for this influence. Achievement Merit Excellence Eg. Science fiction Science fiction films are influenced by the technological, artistic and political developments happening in the era which they are created. In each era aspects of contemporary society (eg fashion, artistic and technological developments, societal issues such as the cold war, terrorism, the rise of feminism, shifts in political trends etc) have influenced all media products, and science fiction films are no exception. At times they act as a commentary on society but often they use these aspects to target their audience by tapping into what is seen as popular … The inevitable nature of films set in the future is that they are grounded in such things as the political and ideological values and technology of society at the time they are created … One influence on the genre was the artistic style-of-the-moment in the society in which the film was created. For example, arguably the first influential sci-fi film ever made was German director Fritz Lang’s classic, expressionistic masterpiece Metropolis (1926) with a mad scientist, a beautiful but sinister female robot (the first film featuring a robot!), and an oppressed enslaved race of underground workers. Even today, the film is recognised for its original, futuristic sets and use of basic technological tricks such as matting two images over each other. The design of the sets was obviously shaped by the skewed angles and perspectives, and plays with light and shadow that was part of the expressionistic Students will have raised valid points about society’s influence on a genre – and/or vice versa. Evidence must relate to at least three texts from different time periods. (see explanatory note #2 in the achievement standard for a possible range of discussion) New Zealand Qualifications Authority, 2003 All rights reserved. This publication may be reproduced for use with students and the training of teachers for the implementation of NCEA. 2 artstyle in vogue at the time. The other visual arts (eg painting, sculpture, etc) were more influential on the design or ‘look’ film in its earlier years as many film makers were artists in other forms before trying their hand at this new medium. Achievement + analysing their impact on society/genre. Fashion in general, in many sci-fi films, was also merely an adaption of the fashion of the time it was filmed; longer hair in the 1970’s (Logan’s Run, Planet of the Apes etc) for example. There has also been an influence on society in terms of fashions in sci-fi films. Hair styles and even clothing has been adopted as fashionable (Neo’s sunglasses in The Matrix became popular after the film). Art trends and fashion will always have an impact on media product, perhaps more easily seen in Sci-fi, as film makers try to imagine the future without creating places and clothing that are ridiculous to contemporary audiences. Merit + evaluation as to the extent of influence of society on genre and vice versa. also evaluated. Here is another example of the levels Technological developments within society influenced the genre. In response to a growing interest in rocketry (drawn from the scientific advancements in WW2) and the potential for space exploration, featurelength space travel films gained popularity in the early 1950s, pioneered by the space mission film Rocketship X-M (1950), although the space flight destined for the moon landed on Mars. As early as George Pal’s Destination Moon (1950), the science fiction film ‘invented’ the look of spacesuits, rocket ships, and the lunar surface. They weren’t too far off the mark, judging by the actual astronauts’ outfits 10 years later. However, the rudimentary computers with tickertape printouts, painted backdrops and copious silver paint in 1950’s films like Forbidden Planet were improved on in the 1960’s and reached their peak through the visionary imagination of Stanley Kubrick coupled with new cinematic technology in 2001: A Space Odyssey. This film, utilising revolutionary visual matting techniques and rotating sets, as well as extensive and realistic model work, was a breakthrough in this genre that came about through technological developments in the 1960’s. This film set a benchmark that pushed new filmmakers to try to out do the ‘realism’ of the effects in creating other worlds and life forms. The technical impact of this film could even be seen ten years later in the sophisticated model-work Achievement Merit 90602 Media Studies Assessment Schedule (Sample) 3 created by George Lucas’ ILM in Star Wars. Later key technological breakthroughs included ‘morphing’ in Terminator 2: Judgement Day and ‘bullet time’ in The Matrix. All of these films utilised the most up-to-date technology in their society to create their future worlds. The impact was that these films appeared more ‘realistic’. The influence of society on the technological developments, both in the film industry and in general society were critical to the development of this genre and continues to create increasingly believable imaginary worlds. As the boundaries of CGI technology expand, the sci-fi films will continue to be shaped by these developments. Excellence Here is another example of the levels In terms of content, Metropolis was seen as a commentary on the dangers of totalitarian society: directed towards the rising political organisations of communism and fascism. It also is a treatise on the impact of future technologies on society … In the paranoid cold war climate of US. society in the 1950’s, content in many sci-fi films involved murderous aliens seeking to wreak destruction on the human race and were to be destroyed at all costs. Many other sci-fi films of the 1950s portrayed the human race as victimized and at the mercy of mysterious, hostile and unfriendly forces. Cold War politics undoubtedly contributed to suspicion and paranoia of anything ‘unAmerican’. The storylines of many science fiction films reflected the general mood of society and often commented upon political powers, threats and evils that surrounded them (alien forces were often a metaphor for Communism), and the dangers of aliens taking over our minds and territory. Films like Invasion of the Body Snatchers, a perfect post-McCarthy era film from a story by sci-fi writer Jack Finney, exploited the communist paranoia of the 50s with chilling fright and warned about the dangers of an existence of numbing conformity and mindless apathy that a communist takeover would inflict on America. In H. G. Wells’ The War of the Worlds (1953), the aliens invaded in manta ray-like space ships with cobra-like probes and zapped objects with green disintegration rays to destroy 1950s Los Angeles, beaten only by minute bacterial agents. Achievement Science Fiction films of this ‘golden era’ in 90602 Media Studies Assessment Schedule (Sample) 4 USA were influenced both by tapping into the population’s concerns about nuclear holocaust and the backlash of more liberal film-makers with benign aliens, such films Robert Wise’s The Day the Earth Stood Still with the Christ-like Klaatu…. Films at the turn of the millennium had an apocalyptic flavour, such as Armageddon and Independence Day, reflecting the Y2K concerns of moving into the next millennium … Sci-fi films will often reflect the political mood of society, but sometimes will consciously go against it, depending on the beliefs of the film maker (and the bravery of the producers) For example … Excellence Judgement Statement To gain Achievement: candidates must, in an essay, explain the interrelationship between society and a media genre. Their response must be supported with evidence from at least three texts. To gain Merit: candidates must, in an essay, analyse the interrelationship between society and a media genre. Their response must be supported with evidence from at least three texts from different times. To gain Excellence: candidates must, in an essay, evaluate the interrelationship between society and a media genre. Their response must be supported with evidence from at least three texts from different times. 90602 Media Studies Assessment Schedule (Sample)