THE SHORT STORY As a distinct literary form the short story has existed for only about 150 years During the 1600s and 1700s, most American prose consisted of accounts of travel & exploration, histories, biographies, autobiographies, sermons, political tracts Long works of fiction did not gain significant critical attention or wide readership until the 1820s, with the appearance of the novels of James Fenimore Cooper Short stories published in magazines were very popular in the mid 1800s - early 1900s It was not until Washington Irving's The Sketch Book of Geoffrey Crayon, Gent. was published in 1820 that the short story or tale assumed a separate role in American literature; for this creation, Irving deserves recognition as the American godfather of the form we know today as the short story Hawthorne, Melville, & Poe can be considered the fathers of the modern form of the short story What is the short story? - an uncertain and ambiguous genre - not a mini-novel - not a simple tale or account of a simple incident - not merely an anecdote or sketch William Faulkner believed it was easier to write a novel than a short story because he could be more careless; in a short story, almost every word must be exactly right Edgar Allan Poe: - short story should be able to be read in one sitting (between 1/2 hour and 2 hours to read) - during that time, the reader is at the writer's control; free of external influences or interruptions - writer attempts to create a "single dominant effect"; every word contributes to that "single effect" Short stories are reflective of America - the fragmentation, chaos, and diversity of American life makes short stories a natural expression - eager, hasty, impatient country responds to the minimal time requirement of the short story Short stories celebrate not only particular regions and ethnic strains of America, but also the entire national personality