MUSEUMS ASSOCIATION ANNUAL CONFERENCE 2008 Call for Sessions The Museums Association Annual Conference is Europe’s largest gathering of museum and gallery professionals. It’s also one of the UK’s largest arts conferences. We welcome proposals for sessions from anyone with a good idea. The Conference will be held in Liverpool, October 6-8, 2008. If you want to talk through any ideas you may have for any session please contact Ratan Vaswani: ratan@museumsassociation.org 020 7426 6956 The deadline for receipt of proposals is noon, FEBRUARY 15, 2008 How to submit a Session Proposal 1. Visit the Museums Association website at www.museumsassociation.org/proposal 2. Key the details of your proposed session directly into the session proposal form. 3. Make sure you’re happy with all the details before you hit ‘submit’. The Museums Association is not responsible for proposals emailed but not received or received late. You must submit your proposal as outlined above. Proposals sent in any other way will not be considered. Key dates 12.00 noon February 15, 2008: deadline for receipt of proposals End February: proposals considered by Museums Association Conference Advisory Panel March: notification of the Conference Advisory Panel’s decisions May: publication of preliminary conference programme and booking form June-September: circulation of guidelines for session organisers, chairs and speakers General proposals and proposals relating to conference themes Conference proposals are not required to relate to a particular theme. We welcome sessions on any topic. We will select sessions using these criteria: balance of topics and session formats across the programme relevance of sessions to a broad variety of museum types relevance of sessions to those who work in different functions and at different levels in museums variety of perspectives on the topic being proposed clarity of aims, outcomes and procedure for achieving them extent to which the session offers insights into the future of museums and the public they must serve extent to which the session gives attendees an opportunity to participate beyond passive listening General proposals are those on any topic, unrelated to conference themes. A panel will be appointed to help select them. Theme proposals are those that relate to either of three conference themes: 1. Places and spaces: museum architecture and the relationship of museums to their locations 2. Democracy and dialogue 3. Collections life cycles If you submit a theme proposal it will be closely scrutinised by advisers appointed by the MA who will be involved in constructing themed content. There are fewer slots available for theme proposals. The content must cover centrally and explicitly one of twelve topics, listed below. We will identify theme proposals by their title. So, the title for a theme proposal must be one of these twelve. Places and spaces 1. Museums of cities; cities without museums of the city 2. Creating museum quarters within cities 3. Museums as architectural objects 4. Using museum spaces to create interior spectacle Democracy and dialogue 5. Sharing authority: a challenge to institutional expertise? 6. Collaborative dialogue with audiences on sensitive issues 7. Co-producing exhibitions with the public 8. Can we sustain long-term relationships with local partners? Collections life cycles 9. Common problems arising from how collections were established 10. Changing meanings of museum collections 11. Renewing collections through loans, acquisition and disposal 12. Rethinking preservation for posterity What to include in your session proposal We will consider anything that’s interesting, well thought-out and feasible. However, you will find that your proposal is more likely to gain support if you can supply solid information under the following headings. Session title Select a straightforward, descriptive session title of no more than eight words. Format Details of suggested formats are given below. You can choose to use a different format but if you do so please include an explanation of it and why you have chosen it. With the exception of platform sessions, all slots are timetabled to last either 75 or 90 minutes. You must allow time for delegates to speak. Preference will be given to proposals based on formats other than the panel discussion. Panel Discussion Consists of a chair and no more than three speakers who explore one topic from different angles. Speakers discuss issues arising from the presentations with each other and with the audience. Debate Consists of a chair moderating the discussion of two speakers contesting each other’s point of view. Works best with well-drawn arguments and a controversial topic over which opinion in the audience is likely to be divided. Case study Consists of a chair and no more than three speakers. The speakers, not necessarily colleagues in the same museum, briefly illustrate how they went about a project or an aspect of their work. They then offer advice on what they learnt and how colleagues elsewhere can apply the lessons in other situations. Works best when speakers not only ‘show and tell’ but draw insightful conclusions with general applicability. Workshop Consists of facilitators getting delegates in pairs or groups to engage with each other, sharing experiences and ideas to produce collective insight into problems or issues. Experiential Consists of facilitators using role-play, a game or some other technique to lead delegates to an understanding of key principles or the perspective of people with whom they must connect, such as museum visitors of different ages and backgrounds or staff from different disciplines. Audience Give an honest assessment of who you think will attend and why. Some sessions do capture the imagination of the broad range of delegates who attend a general museums conference. However, most sessions have greater appeal to those most directly affected by the issues raised. Sessions are more likely to be attended if descriptions of them specify at what level and in what functions and disciplines delegates most affected by the issues will be. Session content In this section please supply information under the following headings. Aims: What will delegates know, learn or be able to do as a result of attending Relevance: What is the significance of the session to the field? Why is it important or timely? Does it illustrate standards or best practice? Does it offer new insight or propose innovation? Content: What points will be covered? From what perspective? Procedure: How will the session begin, develop and conclude? What will the presenters do and, crucially, how will the audience be engaged? Audience involvement: Apart from having an opportunity to ask questions at the end, in what way will the audience be involved as more than passive listeners? Will you include, for example, opportunities for brainstorming in pairs at the beginning? Description of Session for promotional material Write no more than 100 words describing your session. The clearer your description the more likely it is to be selected and attended. Session organiser The session organiser must supply contact details, recruit and confirm chair and speakers. If the session is accepted he or she must respond to contact from Museums Association staff over matters such as audio-visual requirements, dispatch of presentations and editing of descriptions for the conference programme. Chair For many sessions the session organiser will also act as chair. All sessions must have a chair responsible for introducing and keeping speakers to time, taking questions from the floor and so on. Speakers/Facilitators Preference will be given to proposals that confirm participation of a complete set of named individuals with job titles and contact details.