English Composition I: Argument and Analysis ENG 101-56 SPRING 2011 HEHP 319 TR 12:30-1:45 Instructor: Ryland Bowman Office: 328 McIver (ph: 256.8553) Office Hours: 10:30-12:00 TR Email: rgbowman@uncg.edu Required Texts Babb, Benson, Dodson, eds. Technê Rhêtorikê: Techniques of Discourse for Writers and Speakers. UNCG/Fountainhead Press, 2010. (ISBN: 978-1598713855) Birkenstein, Durst, Graff, eds. They Say/I Say: The Moves that Matter in Academic Writing (2nd ed.). W.W. Norton, 2008. (ISBN 978-0-393-93174-7) Readings via Blackboard Course Overview ENG 101 is intended to give a thorough introduction to the processes of reading critically, understanding and shaping arguments, and writing within the framework of academic discourse. We’ll start by reading a wide range of essays: some seem, on the surface at least, more academic or formal than others, but they all share the same principles of employing rhetorical analysis and techniques to add complexity to their arguments. As we read these essays (these readings are mostly on Blackboard), we’ll also examine the principles of rhetoric and academic inquiry that are presented in Techne Rhetorike. For the first few weeks, students will be expected to complete several writing assignments that address some aspect of the topics and readings under discussion. These short writing assignments will form the basis of the first essay, a rhetorical analysis. We’ll follow a similar process for the second paper, which will you ask to synthesize and discuss the arguments presented in a group of readings while providing an individual perspective. A major component of this class is the portfolio assignment, which is a collection of your work (about 25 pages) that reflects extensive revision and critical engagement and re-engagement with the readings. While some of your work from the first part of the semester will be included, at least half of the writing in the portfolio will be generated by the third essay, which will be a combination of the first two essay approaches along with a significant research component. The portfolio assignment will also include some shorter assignments such as reviews, annotated bibliographies, discussions of visual rhetoric, etc. For each major assignment, we’ll either meet during an individual conference to discuss your work and revision strategies or have an in-class editing workshop. Student Learning Goals This course is intended to: help students develop the ability to analyze texts, construct cogent arguments, and provide evidence for their ideas in writing; provide students with multiple examples of argumentative and analytical discourse as illustrated via student and professional/ published texts; introduce students to rhetorical concepts of audience, writer, message and context, and how to employ these concepts in both formal and informal writing situations; help students develop the ability to summarize, paraphrase, and use direct quotations in writing; promote to student writers the value of writing-to-learn through sequenced assignments rooted in a common theme or focus; introduce students to the act of writing as a public and community-based process through the activities of drafting, peer review, and revisions. Evaluation All assignments will be discussed in class and posted on Blackboard. Participation: 10% Everyone is expected to have thoroughly prepared the readings for each class and to contribute regularly to class, including in-class writing and peer-editing exercises. If you do not have the right texts or materials for class or are otherwise unprepared, or if you are late to class, this grade will be severely impacted. The same goes for violating the laptop or phone policy Short Writing Assignments: 10% Five writing assignments and/or Blackboard posts that will ask you to critically assess the readings or otherwise provide analysis or complete assignments such as an annotated bibliography. Rhetorical Analysis Essay: 20% (Initial Grade 10%, Portfolio Revision 10%) Argumentative Essay: 20% (Initial Grade 10%, Portfolio Revision 10%) Research, Analysis, and Argument Essay: 30% (Initial Grade 20%, Portfolio Revision 10%) Portfolio: 40% (30% Revision of 3 Essays, 10% Other Work) Academic Integrity “Academic integrity is founded upon and encompasses the following five values: honesty, trust, fairness, respect, and responsibility. Violations include, for example, cheating, plagiarism, misuse of academic resources, falsification, and facilitating academic dishonesty. If knowledge is to be gained and properly evaluated, it must be pursued under conditions free from dishonesty. Deceit and misrepresentations are incompatible with the fundamental activity of this academic institution and shall not be tolerated” (from UNCG’s Academic Integrity Policy). Please review the guidelines and list of violations at http://academicintegrity.uncg.edu to ensure that you understand the university’s policy on academic integrity (including knowing what your rights are in the event of an accusation). All students are expected to abide by this policy. We will discuss this further in class, but please keep the following in mind. A minor offense of the policy (inadvertent failure to cite a source, for example) will be handled at my discretion. If I suspect you of violating a more serious policy (such as cheating or plagiarism) I will schedule a conference to discuss it with you; if, after the conference, I believe you have violated the policy, you will, at the minimum, receive a zero on the assignment; keep in mind that harsher penalties, including failing the course, may be enacted. A second violation (or an egregious first one) will be referred to the English Department and University for further discipline (including possible suspension). Attendance Policy Students may miss two classes without penalty. Missing an additional class will lower your overall grade by five points, and after missing four classes you will fail the class. This is the official attendance policy of the English Department, so do not expect exceptions to be made. Official University-related absences will be excused; otherwise, an absence is an absence (except in the event of very serious circumstances). Please take this into consideration and use your absences with care. Also, please note that being late to class more than once may result in being counted absent as well, in addition to affecting your participation grade. You are, by state law, allowed two excused absences due to religious holidays, which do not count toward your total absences allowed. If you plan to miss class because of religious holidays, you must notify me in advance of your absence. Laptop/Phone Policy Laptops may be used in class only by students having a special need for purposes of note-taking or other classroom activities. Students with such a need should make specific arrangements with the instructor. No student may use a laptop in class without a prior arrangement with the instructor. Please turn off all cell phones during class. Email Policy I will respond to your emails within forty-eight hours (usually sooner). If I do not, please resend the email. Office of Disability Services Students with documentation of special needs should arrange to see me about accommodations as soon as possible. If you believe you could benefit from such accommodations, you must first register with the Office of Disability Services on campus before such accommodations can be made. The office is located on the second floor of the Elliott University Center (EUC) in Suite 215, and the office is open 8am to 5pm, Monday - Friday. 334-5440; e-mail: ods@uncg.edu. Writing Center The Writing Center (3211 MHRA) is a free service available to all UNCG students, and is an excellent resource if you need additional feedback during any stage of the writing process. ENG 101-56 Course Calendar The following is an overview of the readings and the schedule of assignments. Please have all readings done by the day on which they’re listed. Assignments will be discussed in class and will also be posted on Blackboard. You’ll also be responsible for short supplemental readings which will occasionally be added to Blackboard. Any new reading assignments (or other changes to the calendar/syllabus) will be discussed in class as well as announced on Blackboard. If you miss class, remember to check Blackboard. Unless otherwise discussed, you are required to bring hard copies of the readings on Blackboard. T 1/11: Introduction to Course/Discuss Syllabus R 1/13: “Introduction to Rhetorical Concepts,” Dodson (pp. 12-23, TR) T 1/18: Excerpt from The Tipping Point, Gladwell (E-Reserve) 1st Short Writing Assignment (Blackboard Post, Due 1/20) R 1/20: “Performing Rhetorically: Understanding the Movements of Tone in Text,” Webb (pp. 63-69, TR) “Developing an Idea of the Audience,” Babb (pp. 56-62, TR) Excerpt from Baghdad Burning, Riverbend (E-Reserve) 2nd Short Writing Assignment (Due 1/25) T 1/25: “The Genre of Academic Discourse,” Morehead (pp. 33-40, TR) Excerpt from “Letter from Birmingham Jail,” King (E-Reserve) 1st Essay Assigned (Rhetorical Analysis) R 1/27: Rhetorical Analysis Readings Part I (under Course Materials) T 2/1: Rhetorical Analysis Readings Part II (under Course Materials) R 2/3: 1st Essay Due (First Draft)/“Revision Is Writing,” Mullins/Student Revision Example (pp. 76-101, TR) T 2/8: Individual Conferences/Classes Cancelled R 2/10: Individual Conferences/Classes Cancelled T 2/15: They Say/I Say: Part I/Pollan Essay (E-Reserve) 1st Essay Due (Final Draft) 3rd Short Writing Assignment (Blackboard Post, Due 2/17) R 2/17: They Say/I Say: Part II, Deborah Tannen, “Agonism in the Academy: Surviving the Argument Culture” T 2/22: They Say/I Say: Gerald Graff, “Hidden Intellectualism” 2nd Essay Assigned (Argumentative) R 2/24: They Say/I Say: Richard A. Muller, “Nuclear Waste” Read Example Paper in class T 3/1: First Drafts of 2nd Essay Due/In-Class Workshops R 3/3: Final Draft of 2nd Essay Due ENG 101-56 Calendar 3/8, 3/10: Classes Cancelled for Spring Break T 3/15: “Finding a Conversation to Find Research,” Wooten (pp. 118-124, TR) “The Art of Annotation,” Dodson (pp. 124-128, TR) 4th Short Writing Assignment (Due 3/22) R 3/17: Research Class (Meet in Jackson Library) T 3/22: 3rd Essay Assigned (Research, Analysis, Argument) Portfolio Assignment R 3/24: Research-driven writing: excerpt from King Leopold’s Ghost, Hochschild (E-Reserve) 5th Short Writing Assignment (Due 3/29) T 3/29: “The Portfolio Process,” Ray (pp. 181-189, TR) R 3/31: First Draft of 3rd Essay Due T 4/5: Individual Conferences/Classes Cancelled R 4/7: Individual Conferences/Classes Cancelled T 4/12: “Rhetoric and the Creative Writer,” Welden (pp. 138-147, TR) Final Draft of 3rd Essay Due R 4/14: “Argument and Persuasion,” Hall (E-Reserve) T 4/19: In-Class Portfolio Workshop R 4/21: Portfolios Due SAT 4/30 12:00 Final Exam Meeting