Forthcoming in Disturbing Differences: Working with Affect in Feminist Readings, Marianne Liljeström & Susanna Paasonen (eds) London: Routledge. Please do not cite without permission. Working with affect in the corporate university Melissa Gregg The INSIGHT Project Team would like to invite all staff to attend a presentation on the development of [the university’s] brand values, new visual identity and plans for our brand launch and rollout in 2009. Presentations of all the latest developments and material will be held at various locations in December… Email to all staff, 2008 Over recent decades, scholars have experimented with a range of methodologies to describe the emotional and affective investments involved in everyday media consumption. From studies that highlight the role of popular culture in ‘making it through the day’ (Grossberg 1997: 115) to accounts of fan cultures that develop around particular television shows or book characters (e.g. Tulloch & Jenkins 1995; Penley 1997; Saxey 2001), researchers have sought to explain what is meaningful and pleasurable about favoured texts and objects – the ‘mattering maps’ (Grossberg 1992) that guide people’s media and cultural preferences. In these situations, academics have occupied an ambiguous role given that, as Henry Jenkins (1992) has perhaps most forcefully demonstrated, scholars are often also fans of the media products they seek to study. Subsequent generations of critics have shown that researchers blur the line between expert and fan in studies of media texts and their accompanying subcultures (e.g. Hills 2002; Jenkins et al. 2003). This is not to say that their work cannot be considered authoritative as a result. Rather, it is this partial perspective that allows insight into a cultural phenomenon (Morris & Frow 1993). In this way, one of the foundational premises of cultural studies approaches to media and popular culture has been to recognise that the distinction between scholar and fan is often secondary in understanding how something works. Cultural studies insists that the judgment of the scholar is itself affected by the culture of which he or she is part. By admitting this from the outset, researchers can be held to account for the benefits and limitations of the techniques they adopt to study others. This chapter develops this principle in relation to the growing interest in the concept of ‘affective labour’ in media and cultural studies. It begins with an overview of two discernible trends in the field: the fan tradition pioneered by Jenkins and a range of other media scholars, and a developing area of research which studies the conditions of the contemporary workplace. Drawing connections between these two trajectories, the second half of the chapter describes recent changes to the white-collar workplace and discusses the consequences for scholarship given that academics encounter a range of incentives to hold a strong investment in the workplace as a source of identity. Just as fan studies encouraged academics to recognise their complicity in the Forthcoming in Disturbing Differences: Working with Affect in Feminist Readings, Marianne Liljeström & Susanna Paasonen (eds) London: Routledge. Please do not cite without permission. leisure cultures of consumption they sought to study, the chapter suggests a companion move is necessary in studies of affective labour: that academics must acknowledge the context of their own labour to provide more comprehensive accounts of the contemporary workplace—specifically the production cultures of knowledge work. More reflexive studies of the academic workplace can reveal the ways that scholars are already “working with affect” as part of the portfolio of attributes and responsibilities expected of employees in today’s corporate university. Urging increased attention to the experiences and motivations shared between academics and other white-collar workers, the chapter considers which methodologies best assist in understanding the seductive appeal of the information workplace and the production cultures it rewards and sanctions. Affective labour: Two histories The work of media consumption In media and cultural studies, affective labour has most often been illustrated in studies that reflect the amount of energy and time that fans dedicate to discussing and consecrating love of a particular book, character, series, game, brand or application (e.g. Harrington & Bielby 1995; Green et al. 1998; Harris & Alexander 1998; Baym 2000; Gray et al. 2007, Deuze et al. 2007). Here affective labour is used to explain meaningful and productive human activity that does not result in a direct financial profit or exchange value, but rather produces a sense of community, esteem and/or belonging for those who share a common interest. These practices have enjoyed accelerated scholarly interest in the wake of technological changes and the amount of ‘user-generated content’ now being produced online (Bruns, 2008; cf Peterson, 2008; Jarrett 2008). Tiziana Terranova (2000) was among the first to note the trend for new media industries to deploy the free labour of fans in the service of profitable designs and innovations. The ‘gift economy’ characteristic of online and hacking cultures fits neatly with the profit-seeking, crowd-sourcing aspirations of both established and budget-conscious start-up media companies. Mark Andrejevic (2008) suggests that interactive websites such as Television Without Pity harness fan labour to a new level. He observes content producers incorporating user recommendations to adapt scripts and communicate with fans who take such recognition as further encouragement to perform what amounts to unpaid market research. Indeed, for Andrejevic (2004; 2007) the most pernicious and highly developed form of affective labour to date is the ‘work of being watched’, where consumers embrace the participatory ethos of web 2.0 to willingly engage in peer monitoring, behaviour broadcasting and self-surveillance through digital and online networks. While ostensibly reporting activities and tastes for the knowledge of friends, such practices also provide an intricate archive of cultural preferences for savvy marketers to exploit. Forthcoming in Disturbing Differences: Working with Affect in Feminist Readings, Marianne Liljeström & Susanna Paasonen (eds) London: Routledge. Please do not cite without permission. Terranova describes the significance of affective labour is to combine specific technical skills which are often unpaid and self-taught with ‘forms of labour we do not immediately recognise as such: chat, real-life stories, mailing lists, amateur newsletters, and so on’ (2000: 38). Her account complements the history of fan activity represented by Jenkins and others such as Matt Hills (2002), as well as a further group of scholars who note the significance of ‘vernacular theory’ (McLaughlin 1996) and ‘vernacular creativity’ (Burgess 2007). The significance of this branch of research has been to show that ‘academic knowledge remains permeated by forms of “common sense”’, displaying ‘tacit “subcultural” assumptions’ that decide which knowledge and which forms of labour will be institutionally sanctioned and rewarded (Hills 2002: xii). Immaterial labour? Terranova’s account also develops from a tradition of theory which uses affective labour to describe the work of those employed in the service of information or symbolic manipulation in the new economy. Mario Lazzarato (1996), Michael Hardt (1999; 1996) and Hardt & Negri (2000) write about so-called ‘immaterial labour’, drawing on principles from Italian autonomist Marxism. This writing highlights the shift to ‘more immaterial and cybernetic forms of labour, flexible and precarious networks of employment, and commodities increasingly defined in terms of culture and media’ (Hardt 1996: 4). A further feature observed by these writers is the growth in labour activities ‘that are not normally recognized as “work”’: in other words, the kinds of activities involved in defining and fixing cultural and artistic standards, fashions, tastes, consumer norms, and, more strategically, public opinion. (Lazzarato 1996: 133; cf. Bourdieu 1984) In this way the notion of immaterial labour contributes to, at the same time as it sits uncomfortably with, an already strong legacy of writing on affective labour in feminist research (Huws 2003; Fortunati 2007; 1995). This awkward relationship stems from the problematic division in conventional economic theory that segregates private (unpaid) and public (paid) spheres, implying that work in the home is less ‘material’ than that in the formal workplace. The affective labour of the household sector has in these formulations often been measured in terms of ‘consumption’, meaning that all of the work women do to reproduce the economy – housing, feeding, clothing and resting the worker – counts for nothing. Fortunati offers the clearest evidence that ‘the real promoters of the recent discourse on immaterial labour have been feminists’ (2007: 139) because debates in other circles ‘completely ignored the material labour of the domestic sphere… as well as the other fundamental parts of the immaterial sphere (affect, care, love, education, socialization, communication, information, entertainment, organization, planning, coordination, logistics)’ (2007: 144). Forthcoming in Disturbing Differences: Working with Affect in Feminist Readings, Marianne Liljeström & Susanna Paasonen (eds) London: Routledge. Please do not cite without permission. Feminist studies have been vital to overturning the conceptual divisions underpinning these assumptions (see also Gibson-Graham 1996). Key among these achievements has been highlighting the significance of the ‘emotion work’ involved in care and service jobs such as the airline and retail industries (Hochschild 1983). By explaining the consequences for workers whose job it is to manage the concerns and feelings of customers, Arlie Hochschild has offered exemplary studies to prove that ‘working with affect’ can be physically tiring in the same way as apparently more physical, ‘manual’ work. Service industry jobs rely on the emotional lives of employees for company benefit – as captured in the adage ‘service with a smile’. With this realisation, research is now beginning to explore how other industries, such as the entertainment professions, also involve a high degree of affective labour (Dowling et al. 2007; Hesmondhalgh & Baker 2008). Hochschild’s ethnographic and interview techniques – which include methods like listening to the number of footsteps that women take in the home compared to their partners – have provided important contributions to research into the lives of employees and especially the time pressure felt by working families (Hochschild 1989; 1997). One of her most significant findings has been to explain how women regularly work a ‘second shift’ once they come home from paid work, given men’s ongoing refusal to share the burden of household maintenance. i Hochschild demonstrates that for both women and men, paid work provides a reliable source of self-esteem, fulfilment, happiness and control that rivals many home-based or personal leisure pursuits. While this was often assumed to be the case for well-educated employees, she suggests this to be so for workers across class and hierarchy in organisations. Hochschild is one of a number of scholars contemplating what it means for society that work has come to take such a prominent role in affirming identity (see also McRobbie 2002; Lewis 2003). What remains important to acknowledge, however, is that this change pertains to academics’ own work lives as much as it does to others’ – a point developed in the remainder of this chapter. Workplace affects: Learning to love labour Alan Liu has suggested that, in order to gauge ‘the tone of modern emotional experience’, attention must turn from the private sphere to ‘the great impersonal organizations of modernity—above all, the workplace’ (Liu 2004: 89). Hochschild also confirms that in her studies the workplace is a ‘vast, compelling, dramatic, socially shared world’ for employees compared to the lifeless, empty suburban neighbourhoods they leave behind each day (Wilson & Lande 2005: 276). Indicating the central importance of work for sociality and fulfilment, Liu explains how the salaried class came to negotiate ‘the allowable range and intensity of productive affect’ in the workplace and how the office took a leading role in such attempts at regulation: Forthcoming in Disturbing Differences: Working with Affect in Feminist Readings, Marianne Liljeström & Susanna Paasonen (eds) London: Routledge. Please do not cite without permission. However important it was for a child to learn to manage anger in the presence of father or mother, it was now even more important that father and mother learn to manager their anger, resentment, joy, lust, distraction, or boredom in a workplace cut off from the farm or town that had been the customary, ambient field of emotion (2004: 90). The modern white-collar workplace relied on perceptions of competence and professionalism for its functioning - ideals that are fundamentally affective judgments. Developments in management techniques also allowed workers to exercise growing autonomy, giving rise to the feelings of enterprise and esteem central to the psychological appeal of work. The ‘new spirit of capitalism’ Boltanski and Chiapello describe ‘guarantees the workers’ commitment without recourse to compulsion, by making everyone’s work meaningful’ (2005: 76). The fulfilling nature of one’s job makes employees self-motivated agents, ready and willing to work. In Boltanski and Chiapello’s account, everyone knows what they must do without having to be told. Firm direction is given without resorting to orders, and employees can continue to organize themselves. Nothing is imposed on them since they subscribe to the project. (2005: 76) From this point of view, affect is the route to bringing about employee complicity with the new demands of the workplace. Workers can be relied upon ‘to control themselves, which involves transferring constraints from external organizational mechanisms to people’s internal dispositions’ (Boltanski and Chiapello, 2005: 79). In the academic context, this situation plays out in scenarios where academics are entrusted to define their own objectives, which will be assessed in a continuing cycle of annual appraisals. In an environment of benchmarking and auditing, it is taken for granted that academics carry the weight of responsibility for the university’s reputation. They share traits with other employees I now study – they check their work email late into the night, take business calls while grocery shopping or schedule catch-up work for their days off – who have little need to modulate their subjectivity to fit workplace demands. They are already subscribed to the firm’s project far beyond paid hours: the affective labour these workers engage in is the psychological preparation to be ready for work’s potential (Gregg, forthcoming). Online technologies and the sheer convenience of being able to log on to see what is awaiting them before they reach the office adds a new ambient awareness of work in locations that were once reserved for leisure, which changes the venue for performing a professional persona. The ‘anticipatory affects’ of the constantly connected information workplace include the anxiety of missing emails and a general concern with staying on top of information. In the worst instances, it can culminate in a subtle but pervasive paranoia about being ‘off the grid’, making time ‘the medium of pressure’ for today’s young professionals (Morris 2008). Forthcoming in Disturbing Differences: Working with Affect in Feminist Readings, Marianne Liljeström & Susanna Paasonen (eds) London: Routledge. Please do not cite without permission. This preparatory labour is part of the wider requirement placed on white-collar workers to continually demonstrate their ongoing employability. The ‘activity par excellence’ for today’s academic, as for other workers in information jobs, ‘is integrating oneself into networks’. Taking advantage of networks is ‘to put an end to isolation, and have opportunities for meeting people or associating with things, proximity to which is liable to generate a project’ (Boltanski and Chiapello 2005: 110). The content of the project is less important than the general fact of activity. The priority is for employees ‘never to be short of a project, bereft of an idea, always to have something in mind, in the pipeline, with other people one meets out of a desire to do something’ (ibid). Such productivity is institutionally rewarded in universities, where staff are encouraged to prepare, workshop and submit applications for research grants while also engaging in a combination of qualitative and quantitative output measures. This regime of preparing and asking for potential work, while also reiterating the significance of past work, adds to the labour already expected on the job. The ostensible ‘security’ of tenure is no longer the achievement by which one proves career success; rather it is confirmed through regular accounts of one’s ongoing productivity. The responsibility on employers to provide adequate support for workers in the information workplace is avoided by making a virtue out of individuals’ capacities to juggle multiple projects and commitments at once. The sense of instability and being overloaded these changes may foster are dealt with by professional development courses and ‘dealing with change’ programs, which urge employees to feel comfortable with the unease of constant churn. The affective labour involved here is the formation of somatic and psychic strategies appropriate for positions and workloads that have no definitive beginning or end. Paolo Virno has noted the consequences of this ‘dramatic lack of foundation’ including the rise of opportunism: ‘This sensitivity to abstract opportunities constitutes the professional requirement of post-Taylorist activity, where the labour process is regulated by no single goal, but by a class of equivalent possibilities redefinable in every particular instance’ (1996: 17). Virno summarises the anxieties of many white-collar employees in saying that: Fears of particular dangers, if only virtual ones, haunt the workday like a mood that cannot be escaped. This fear, however, is transformed into an operational requirement, a special tool of the trade. Insecurity about one’s place during periodic innovation, fear of losing recently gained privileges, and anxiety about being ‘left behind’ translate into flexibility, adaptability, and a readiness to reconfigure oneself (1996: 17). This description puts a contemporary spin on the observations offered by C. Wright Mills, whose classic account defined the white-collar worker as having ‘no firm roots, no sure loyalties to sustain his life and give it a centre’. Mills’ famous phrasing suggested that Forthcoming in Disturbing Differences: Working with Affect in Feminist Readings, Marianne Liljeström & Susanna Paasonen (eds) London: Routledge. Please do not cite without permission. [p]erhaps because he does not know where he is going, he is in a frantic hurry; perhaps because he does not know what frightens him, he is paralysed with fear (Mills 1973: xvi). The persistent themes in each of these descriptions are the affects of fear and anxiety, the ontological bearing more recent researchers describe as the state of ‘precarity’ (e.g. Gill & Pratt 2008; Berlant 2008). Given that researchers in universities are themselves also subject to these feelings of ‘suspense’ and ‘impasse’ (Berlant 2008; see also Gill, forthcoming), this poses particular methodological problems. In my own study, which follows Hochschild’s method of studying workers in the workplace and the home, the already frantic pace of the office environment adds a sense of pressure to the interviews conducted, just as the window of opportunity to pursue research in the tightly scheduled academic calendar creates a sense of urgency to complete projects on time and on budget. Asking workers about their feelings towards work can run the risk of having the interview situation resemble a confessional opportunity to vent about shared problems. As the relationship with participants develops over time, there is also the risk of forming empathy, and the ethical questions of reporting information without judgment or censorship when researcher and researched maintain similar habits and behaviour. In previous work I have described the benefits of eliciting empathy as a methodological imperative for cultural studies and its project of bringing transformative political change to the university (Gregg 2006). In this context however the possibility that scholar and participant share a belief in the intrinsic value of work and career fulfilment can threaten the researcher’s capacity to contextualise the practices displayed by participants in relation to other work cultures. Compared to the forms of anxiety suffered by workers in the resourcesupply and assembly-line manufacture of digital devices—including the literally punishing regimes enforced by traditional employment hierarchies in the factories where office technology is built—the anticipatory affects and self-discipline of the mobile office worker are far from the highest priority for global labour politics (see McLaughlin 2008). The insularism that can arise in studying white-collar work is in this sense a pressing ethical issue. Feminist research into work cultures stays within a neoliberal Western horizon when it celebrates the independence and empowerment to be gained from the choice to engage in paid work (Gregg 2008). Such research can be justifiably accused of solipsism and narcissism if it seeks merely to defend the work- and life-style preferences of the professional middle class. Here the recent focus on achieving successful ‘work/life balance’ is a strangely atomised understanding of labour history and a poor response to the ongoing challenge of demanding work limits. This is why additional methodologies, such as participant observation in institutional settings, discourse Forthcoming in Disturbing Differences: Working with Affect in Feminist Readings, Marianne Liljeström & Susanna Paasonen (eds) London: Routledge. Please do not cite without permission. and semiotic analysis of media representations and forms of auto-ethnography can be useful comparative techniques. Such methods add weight and context to the empirical data gleaned from interviews with workers in information jobs, providing a wider picture than the spoken word. They are the further critical skills that scholars have at their disposal to create awareness of the ways professional knowledge work fits in relation to the wider socio-economic conditions affecting the fortunes of all workers. Emotionally invested: Studying production cultures As Andrew Ross (2004) argues, it is the extraordinary ability of academics to excavate working hours from a range of times in the day that has provided a model for the flexible work arrangements now formalised in information jobs across many sectors. ‘Sacrificial labour’ is clearly ingrained in an industry where the notion of ‘service’ neatly obscures the amount of unpaid work inherent to major activities like journal publishing. This symbolic and voluntary labour whitecollar workers engage in signifies vocational commitment, consolidates the transferability of reputation and sustains notions of professionalism. But by routinely discounting the amount of time and attention their job takes from other pursuits, academics have often been guilty of normalising the self-exploiting tendencies now mirrored in further segments of the white-collar demographic. This makes it difficult for researchers to understand such behaviour in terms of labour politics; still more so to use findings to formulate convincing grounds for critique. The language of affective labour is an important resource for employees to draw on to describe the new kinds of commitment demanded by the information workplace. For academics in particular, affective labour explains how the university manipulates the psychological lives of its staff to simultaneously exploit and disguise the ‘immaterial’ dimensions of working life. In the drive to succeed in rankings, outputs and quantitative economic measures, management’s demands that academics be productive erase mention of the human elements that complicate the tasks of thinking, writing and delivering the timely outcomes rewarded with career success. In the language of campus mission statements and marketing campaigns, inspiration strikes regularly, research teams are assembled easily and teachers are always pursuing excellence. Such branding initiatives celebrate creativity and innovation to promote the university at the same time as they empty out the very language employees might otherwise choose to express loyalty to the institution. The focus on captivating students, delivering performance indicators and maintaining a competitive edge over aspiring colleagues instead makes the idea of commitment to a profession feel somewhat naïve and old fashioned. Recognising their own investments in the work cultures they study – including the feelings of insecurity and vulnerability produced by the corporate university – is a Forthcoming in Disturbing Differences: Working with Affect in Feminist Readings, Marianne Liljeström & Susanna Paasonen (eds) London: Routledge. Please do not cite without permission. necessary part of academics’ efforts to document the culture of the information workplace. Theorising affective labour in ways that can distinguish between the mobilising power of vocational calling and the cynical language of business opportunism may even help to re-awaken passion for scholarship motivated by curiosity rather than careerism. Academic studies of labour would certainly benefit from the kind of ‘affective reflexivity’ Hills describes when he encourages scholarship that admits ‘its own neoreligiosities, its own fandoms, and its own “reflexive pre-reflexivities” or self-absences’ (2002: 184). But to achieve this first involves finding a common voice that can demand an end to the individual psychological insecurity upon which the white-collar workplace remains dependent. 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