TOWN & GOWN PLAYERS’ MAIN STAGE SUBMISSION PROPOSAL TO DIRECT SLOT 1: SLOT 2: SLOT 3: SLOT 4: SLOT 5: Dec 4-13 2009 Feb 19-28 2010 Apr 23-May 2 2010 July 9-28 2010 Sep 17-26 2010 PRODUCTION STAFF Please provide as complete a list as possible of your production team for the show. We know that it is difficult to fill all these positions so far in advance, but it is important to “staff up.” A good production starts with a good staff. Please number the slots above by order of preference, “1” being most preferred, “5” being least preferred. If you would be unavailable to direct the show during a particular slot, put an “X” in the corresponding box. THEATRICAL RESUME DIRECTOR ASSISTANT DIRECTOR(S) MUSICAL DIRECTOR CHOREOGRAPHER (for MUSICALS) STAGE MANAGER(S) SET DESIGNER COSTUMER Please list your previous theatre experience, in order of: 1) director/ assistant director credits at Town & Gown (please specify Main or Second Stage), 2) directing credits with other theatre organizations, 3) non-directing theatre credits with Town & Gown, 4) non-directing theatre credits with other organizations, 5) other relevant experience or skills that might have merit on your proposal. Feel free to continue on another page or attach a separate resume. LIGHTING DESIGNER SOUND DESIGNER BOARD OPERATOR POSTER DESIGNER SHOW PUBLICIST MASTER CARPENTER(S) PRODUCTION COORDINATOR RUNNING CREW & OTHER STAFF (please list positions) CONTACT INFO PHONE NUMBER EMAIL ADDRESS By submitting this written proposal, you are agreeing to the guidelines set out in the director’s covenant. Additionally, you will be expected to meet with members of the T&G board to discuss the proposal before a decision is made. You are welcome to submit multiple proposals for multiple shows; however, each proposal must be made separately in order to be considered. Also, be aware that more than one director may submit to direct a show, and a decision will be made by the board based on a number of factors. If your proposal is not selected, please do not take it as a comment on you personally or let your rejection prevent you from submitting for other shows. We appreciate you interest! 1 TOWN & GOWN PLAYERS’ MAIN STAGE SUBMISSION PRODUCTION BLURB PRODUCTION BUDGET In thirty-five words or less, describe the show and your production of it in such a way that people would want to come see it--this should be able to serve as an advertising blurb on the T&G website or on the season brochure Main Stage productions are allocated a standard budget of $2,150. This amount includes all onstage expenses, the opening night reception, and a $100 honorarium paid to the director after a production successfully closes. Scripts, royalties, poster, and program costs do not come out of the show budget. Musicals receive an additional $700 for band/musician expenses, for a total budget of $2,850. Should a production need additional funding, a formal request must be made to the Town & Gown Players’ Board before expenses are incurred. No expenses above the allocated budget will be reimbursed without prior board approval. All show expenses (excepting the director’s honorarium) must be documented for accounting and reimbursement purposes. DIRECTOR’S VISION Explain why you would like to direct this specific show and how you envision its production. Share your distinct and interesting take on the show. While you don’t need to list every single detail of staging and design, please be as specific as you can in your proposal regarding what you and your production staff have planned for this show and what you hope the production will accomplish. Feel free to continue this on a separate page or to include attachments with this proposal. ONSTAGE EXPENSES (including opening night reception) DIRECTOR’S HONORARIUM STANDARD MAIN STAGE BUDGET ADDITIONAL FOR MUSICALS MUSICAL BUDGET $2050.00 $100.00 $2150.00 $700.00 $2850.00 Should for any avoidable reason a Main Stage production be cancelled, the director may, at the Board’s discretion, be held accountable for all expenses incurred by the Town & Gown Players, including royalties, script costs, honorarium, and any purchases made towards the cancelled show. EXPECTATIONS: THE DIRECTOR’S COVENANT The director of a Town & Gown Main Stage production is ultimately responsible for making and implementing all decisions about creative aspects of the production. However, the director: --must familiarize him/herself with the policies of the Town & Gown Players by receiving proper briefings on current Town & Gown Players’ policies and facilities either through orientation sessions or as independently arranged. --must implement and enforce the policies of the Town & Gown Players, cooperate with the T&G board and individual board members in the performance of their responsibilities, and ask the board or individual board members for advise and help whenever it is necessary --is expected to gather and manage the cast, crew, and creative staff of a production, and do so in a way that follows established Town & Gown protocol --is expected to meet board-set deadlines for publicity materials, poster design and distribution, and program materials --must take care of the theatre and all Town & Gown property entrusted to the production, maintain the playhouse in clean, sound condition throughout the production cycle, and, on strike day, return all keys issued to the show --must plan or arrange for a reception after the opening night performance, and clean the theatre after the reception before departing --must stay accessible to communications from the T&G board, and is expected to deliver progress reports to the board throughout the production 2