The 50mm f/1.4 lens: Photography's Magic Bullet The Nikon 50mm f/1.4 "normal" lens is really, not that normal at all. With this lens a photographer can achieve amazing photographs with any situation. Low light, portraits, indoor action, extreme close-ups, street photography and soft-focus romance are all able to be achieved with the 50mm f/1.4 lens. It is compact for travel and it’s light enough to carry with you all the time. That big maximum aperture delivers a blindingly bright finder image. Also, the 50mm f/1.4 lens is a very reasonable price and that is the reason why so many professionals have it. While teles compress space and wide-angles expand space, the 50mm renders special arrangements almost exactly as your eye sees them. If you were to look through your viewfinder and then slowly lower the camera, there is little difference between the views. The distortion-free magnification, perspective and angle of view is why it’s called a “normal” lens. There are many good techniques and times for using this normal lens and one of them is portraiture. For much of the film era, 35mm portraits opted preferred focal lengths between 70mm and QuickTime™ and a decompressor are needed to see this picture. 135mm. They preferred these because they flatter the human face. Theyre neither long enough to compress space, with flattens contours, or wide enough to expand a nose. This got rid of the 50mm lens in the portrait business. The 50mm though, even beats “portrait” lenses (105mm f/2.8 or 135mm f/2.8) allowing convenient working distances and beautifully out-of-focus backgrounds. With this lens you can stand close to your subject and get a nice shot. Column2 Tested Focal Length and Maximum Aperture Canon EF 50mm f/1.4 USM AF 51.68mm f/1.46 Nikon 50mm f/1.4D AF 51.68mm f/1.46 Pentax Sigma SMCP-FA 50mm 50mm f/1.4 f/1.4 EX AF DG HSM AF Sony 50mm f/1.4 AF 51.93mm f/1.45 48.00mm f/1.48 51.58mm f/1.46 Sony AF, Minolta AF Mounts Canon AF Nikon AF, Fujifilm AF Pentax AF, Samsung AF Canon AF, Nikon AF, Pentax AF, Sigma AF, Sony AF Weight 0.62 lb 0.51 lb 0.50 lb 1.16 lb 0.49 lb Length 1.96 in. 1.65 in. 1.44 in. 2.68 in. 1.67 in. Filter Size 58mm 52mm 49mm 77mm 55mm For action shots, this lens is also great. With its bright apertures of f/1.4, f/2, and f/2.8 letting in generous amounts of light through the image sensor, the 50mm f/1.4 affords shutter speeds fast enough to freeze most common forms of human motion. Because most of today’s 50mm f/1.4 lenses have their origins in the film era, their autofocus is rarely fast. But that shouldn’t discourage you, because most indoor sports move within the plane of focus. Also, because the 50mm lenses are so compact, they’re a lot easier to focus manually than most zoom lens and in really low light, manual is preferable to auto. Soft focus works the best when you have such a large aperture. You usually use this lens for focusing on small details and successfully throwing everything but your subject out of focus. It strongly forces viewers’ attention to where you want it, while simultaneously casting a soft focus over everything else. Shooting in low light has endless possibilities with the 50mm f/1.4 lens. Today’s 50mm f/1.4 lenses make sharp photography possible in the kind of light so dim, you probably would never even take out your camera before. There are numerous factors that contribute to give the 50mm its awesome low-light performance. Obviously, the high-speed f/1.4 maximum aperture allows more light through the image sensor than almost any other lens available. Also, the compact dimensions of the 50mm lens are less likely to cause camera shake. And last, if your camera body has sensor-based shake control, it will give you yet another stop of sharpness when lights are low. With all these factors you can see how with this lens you can leave your flash and tripod at home. The 50mm f/1.4 lens seems really amazing. I would love to get one. The possibilities of the aperture and the size of the lens itself seem so easy to handle. All of the techniques with this lens seem achievable for an amateur photographer, like myself, and not just professionals. It is also a very affordable price unlike everything else in photography, but for all that it can do it is definitely worth buying without a doubt.