Sources Secondary Sources Books and Exhibition Catalogues Adams, H. Art of the Sixties, London, Phaidon, 1978 Amaya, M. Pop As Art: A Survey of the New Super-Realism, London, Studio Vista, 1965 Anstey, T., Grillner, K. And Hughes, R. (Eds) Architecture and Authorship, London, Black Dog Publishing, 2007 Arts Council, Eduardo Paolozzi: Sculpture, Drawings, Collages and Graphics, London, 1976 Arts Council, Edward Wright: graphic work & painting, London, 1985 Atkinson, P., Coffey, A., Delamont, S., Lofland, J. and Lofland, L. (Eds) Handbook of Ethnography, London, Sage Publications, 2001 Aynsley, J. and Atkinson, H. (Eds) The Banham Lectures: Essays on Designing the Future, Oxford, Berg, 2009 Bal, M and Boer, I E (Eds) The Point of Theory: Practices of Cultural Analysis, New York, Continuum, 1994 Banham, M. (ed) A Tonic To The Nation, London, Thames and Hudson, 1977 267 Banham, R. Theory and Design in the First Machine Age, London, Architectural Press, 1966 Banham, R. The New Brutalism: Ethic of Aesthetic? , London, Architectural Press, 1966 Banham, R. Edited by Sparke, P. Design by Choice, London, Academy Editions, 1981 Banham, R. A Critic Writes Selected Essays by Reyner Banham, University of California Press, Berkley and Los Angeles, 1996. Barker, M. A Haunt of Fears: The Strange History of the British Horror Comics Campaign, London, Pluto Press, 1984 Barker,M. Comics-Ideology, Power and the Critics, Manchester, Manchester University Press, 1989 Barthes, R. Mythologies, London, Paladin, 1973 Booker, C. The Neophiliacs, London, Collins, 1969 Boyle, A. A Climate of Treason, London, Coronet Books, 2nd edition, 1980 Bracewell, M. Re-make/Re-mould, London, Faber and Faber, 2007 Breward, C. Fashioning London, Oxford, Berg, 2004 Breward, C. and Evans, C. (Eds) Fashion and Modernity, Berg, Oxford, 2005 268 Breward, C. and Wood, G. (Eds) British Design from 1948: Innovation in the Modern Age, London, V & A Publishing, 2012 Brown, P., Gere, C., Lambert, N. and Mason, C. (Eds) White Heat, Cold Logic: British Computer Art 1960-1980, Cambridge, Massachusetts and London, The MIT Press, 2008 Carey, J. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia 1880-1939, London, Faber and Faber, 1992 Church, R. The rise and decline of the British motor industry, Cambridge University Press, Cambridge, 1994 Clocktower Gallery, Modern Dreams: The Rise and Fall of Pop, Cambridge, Massachusetts and London, MIT Press, 1988. Cohen, S. Folk Devils and Moral Panics, Adingdon, Routledge, 3rd edition 2002, 1st published 1972 Compton, M. Pop Art, London, Hamlyn, 1970 Crinson, M and Zimmerman, C (Eds) Neo-avant-garde and Postmodern: Postwar Architecture in Britain and Beyond, Studies in British Art 21, the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art, New Haven and London, 2010 Crinson, M. (Ed) James Stirling: Early Published Writings on Architecture, London, Routledge, 2010 269 Dorfles, G. Kitsch: The World of Bad Taste, London, New York, Universe Books, 1969 Eshun, E. How Soon Is Now: 60 Years of the Institute of Contemporary Arts, London, ICA, 2007 Finch, C. Image as Language: Aspects of British Art, London, Penguin, 1969 Fiske, J. Understanding Popular Culture, London, Unwin Hyman, 1989 Flowers, Eduardo Paolozzi: Projects 1975-2000, London, Angela flowers Gallery, 2005 Ford, H. These Were The Hours: Memoirs of My Hours Press, Reanville and Paris 1928-31, London, Fieffer and Simons, 1968 Foster, H (Ed) ‘Richard Hamilton’, October Files, No 10, MIT Press, Cambridge, Mass. and London, 2010 Foster, H. The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha , Princeton University Press, Princeton and Oxford, 2012 Friedman, A. T., American Glamour and the Evolution of Modern Architecture, Yale University Press, New Haven and London, 2010 Geraghty, C. British Cinema in the Fifties: Gender, Genre and the ‘New Look’, London, Routledge, 2000 270 Gere, C. Digital Culture, expanded 2nd edition, London, Reaktion, 2008 Gioia, T. The History of Jazz, 2nd Edition, Oxford, Oxford University Press, 2011 Girouard, M. Big Jim: The Life and Work of James Stirling, Chatto & Windus, London, 1998 Guggenheim, P. Out of this Century: Confessions of an Art Addict, London, Andre Deutsch, 1980 Hall, S. And Whannel, P. The Popular Arts, London, Hutchinson, 1964 Hamilton, R. Imaging Ulyssess, British Council, London, 2002 Harrison, T. Britain Revisited, London, Gollancz, 1961 Hebdige, D. Subculture: The Meaning of Style, London, Methuen, 1979 Heuvel, D. Van den and Risselada, M (Eds) Alison and Peter Smithson – from the House of the Future to a House of today, Rotterdam, 010 publishers, 2004 Heynen, H. Architecture and Modernity: A Critique, London and Massachusetts, MIT Press, 1999 Hewison, R. In Anger: Culture in the Cold War, 1945-60, London, Weidenfeld & Nicolson, 1981 Hillier, B. Austerity Binge: The Decorative Arts in the Forties and Fifties, London, Studio Vista, 1975 271 Hoggart, R. The Uses of Literacy, London, Penguin, 1973, first published 1957 Hornsey, R. The Spiv and the Architect: Unruly Life in Postwar London, Minneapolis and London, University of Minnesota Press, 2010 Horowitz, D. Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World, Philadelphia, University of Pennsylvania Press, 2012 Huyssen, A. After the Great Divide: Modernism, Mass Culture, Postmodernism, Bloomington, NY, Indiana University Press, 1986 Kitnick, A.and Foster, H. (eds) ‘New Brutalism’, October No1, Volume 36, New York, Massachusetts Institute of Technology Press, Spring 2011 Kitnick, A. (Ed) The Expendable Reader, John McHale, New York, GSAPP BOOKS, 2011 Kynaston, D. Austerity Britain 1945-51, Bloomsbury, London, 2007 Kynaston, D. Family Britain 1951-57, London, Bloomsbury, 2009 Les Abattoirs, Blast to Freeze: L’Art Britannique au XXe Siecle, Toulouse, 2003 Lewis, P. The 50s, Heinemann, 1978 Lichtenstein, C. and Schregenberger, T. (Eds) As Found: The Discovery of the Ordinary, Zurich, Lars Muller Pubishers, 2001 272 Livingstone, M. Pop Art: A Continuing History, London, Thames and Hudson, 1990 MacCarthy, F. A History of British Design, London, George Allen and Unwin, Ltd., 1979 McGuigan, J. Cultural Populism, London, Routledge, 1992 Marwick, A. British Society Since 1945, London, Penguin, 1982 Marwick, A. Culture in Britain Since 1945, Oxford, Basil Blackwell, 1991 Mason, C. A Computer in the Art Room: The Origins of British Computer Arts 1950-80, Hindrigham, JJG Publishing, 2008 Massey, A. The Independent Group: Modernism and Mass Culture, 194559, Manchester, Manchester University Press, 1995 Massey, A. Hollywood Beyond the Screen: Design and Material Culture, Oxford, Berg, 2000 Mellor, D. The Sixties Art Scene in London, London, Phaidon, 1993 Melly, G. Revolt into Style: The Pop Arts in Britain, London, Penguin, 1970 Menin, S. and Kite, S. An Architecture of Invitation: Colin St John Wilson, Ashgate Publishing, Aldershot, 2005 Miles, B. London Calling: A Countercultural History of London Since 1945, Atlantic Books, London, 2010 273 Miller, D. Material Culture and Mass Consumption, London, Blackwell, 1987 Muncey, T. Creating Auto-Ethnographies, London, Sage, 2010 Norwich Gallery, Things: Assemblage, Collage and Photography Since 1935, Norwich, 2000 Obelkevich, J. and Catterall, P. (Eds) Understanding Post-War British Society, London, Routlege, 1994 Pallant House Gallery, Modern British Art at Pallant House Gallery, London, Scala, 2004 Penrose, R. Scrap Book, London, Thames and Hudson, 1981 Philadelphia Art Alliance, An Unnerving Romanticism: The Art of Sylvia Sleigh & Lawrence Alloway, Philadelphia, 2001 Powers, A. Britain: Modern Architecture in History, London, Reaktion, 2007 Reed, C. (Ed), Not at Home: The Suppression of Domesticity in Modern Art and Architecture, Thames and Hudson, London, 1996, Reed-Danahay, D. E. (Ed) Auto/Ethnography: Rewriting the Self and the Social, Oxford, Berg, 1997 274 Rendell, J. Art and Architecture: A Place Between, London, I B Tauris, 2006 Risselada, M. (Ed) Alison & Peter Smithson: A Critical Anthology, Barcelona, Ediciones Poligrafa, 2011 Robbins, D. (Ed) The Independent Group: Postwar Britain and the Aesthetics of Plenty, Cambridge, Massachusetts and London, 1990 Rose, B. American Art Since 1900, London, Thames and Hudson, 2nd edition, 1975 Russell, J. and Gablik, S (Eds) Pop Art Re-Defined, London, Thames and Hudson, 1969 Ryan, D. S. The Ideal Home Through the 20th Century, London, Hazar Publishing, 1997 Schneede, U. M. Paolozzi, London, Thames and Hudson, 1971 Scott, R. Some of My Best Friends Are Blues, Northway Publications, London, 1st edition 1979, 2nd edition 2004. 275 Seago, A. Burning the Box of Beautiful Things: The Development of a Postmodern Sensibility, Oxford, Oxford University Press, 1995 Serpentine Gallery, Richard Hamilton: Modern Moral Matters, London, 2010 Sparke, P. A Century of Car Design, Mitchell Beazley, London, 2002 Spencer, R. (Ed), Eduardo Paolozzi: Writings and Interviews, Oxford University Press, Oxford, 2000 Stonehouse, R. Colin St John Wilson: Buildings and Projects, London, Black Dog Publishing, 2007 Strinati, D. And Wagg, S. (eds) Come On Down: Popular Media Culture, London, Routledge, 1992 Tate Gallery, Richard Hamilton, London, 1992 Tate Gallery, William Turnbull: Sculpture and Painting, London, 1973 Tate Liverpool, Making History: Art and Documentary in Britain from 1929 to Now, Liverpool, 2006 276 Thompson, D. (ed) Discrimination and Popular Culture, London, Penguin, 1964 Varnedoe, K. And Gopnik, A. (eds) Modern Art and Popular Culture: Readings in High and Low, New York, Museum of Modern Art, 1990 Vidler, A. James Frazer Stirling: Notes From the Archive, New Haven and London, Yale University Press, 2010 Walker, J. A. Art in the Age of Mass Media, London, Pluto Press, 1983 Walker, J. A. Art Since Pop, New York, Woodbury, 1978 Wallis, B. Modern Dreams: The Rise and Fall of Pop, New York, 1988 Walsh, V. Nigel Henderson: Parallel of Life and Art, London, Thames & Hudson, 2001 Webster, D. Looka Yonder! The Imaginary America of Populist Culture, London, Routledge, 1988 Whiteley, N. Pop Design: Modernism to Mod, London, Design Council, 1987 277 Whiteley, N. Reyner Banham: Historian of the Immediate Future, Cambridge, Mass and London, Massachusetts Institute of Technology Press, 2002. Whiteley, N. Art and Pluralism: Lawrence Alloway’s Cultural Criticism (Value, Art, Politics), Liverpool, Liverpool University Press, 2012. Wilson, E. Adorned in Dreams: Fashion and Modernity, London, Virago, 1985 Wilson, E. And Taylor, L. Through the Looking Glass: A History of Dress From 1860 to the Present Day, London, BBC Books, 1989 Wilson, S. Pop, London, Thames and Hudson, 1974 Wollen, P. Raiding the Icebox: Reflections on Twentieth Century Culture, London, Verso, 1993 Wright Mills, C. ‘On Intellectual Craftmanship’, Appendix to The Sociological Imagination, Oxford, Oxford University Press, 1959 278 Secondary Sources Articles Berry, K. and Clair, R. P. ‘Reflecting on the Call to Ethnographic Reflexivity: A Collage of Responses to Questions of Contestation’, Cultural Studies –Critical Methodologies, 11 (2), 2011, pp199-2-9 Crinson, M. ‘Picturesque and Intransigent: “Creative Tension” and Collaboration in the Early House Projects of Stirling and Gowan’, Architectural History, Vol 50, 2007, pp267-295 Haraway, D. ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’, Feminist Studies, Autumn 1988, pp575-599 Hebdige, D. ‘Towards a Cartography of Taste 1935-1962’, Block, No 4, 1981, pp39-56 Highmore, B. ‘Richard Hamilton at the Ideal Home Exhibition of 1958: Gallery for a Collector of Brutalist and Tachiste Art’, Art History, Volume 30, Issue 5, November 2007, pp712-737. Massey, A. and Sparke, P. ‘The Myth of the Independent Group’, Block, 10, 1985, pp.48-56 279 Pillar, A. ‘Edward Wright’s “Written Volume” ‘, Forum: Journal of Letter Exchange, Issue 22, September 2011, pp8-13 Stanfield, P. ‘Maximum movies: Lawrence Alloway’s pop art film criticism’, Screen, Summer 2008, pp179-193 Stanfield, ‘Regular Novelties: Lawrence Alloway’s Film Criticism’, Tate Papers, Issue 16, Autumn 2011 Stonard, J P, ‘Pop in the Age of Boom: Richard Hamilton’s “Just what is it that makes today’s homes so different, so appealing?”, The Burlington Magazine, September 2007, pp607-620 Stonard, J P, ‘The “Bunk” collages of Eduardo Paolozzi’, The Burlington Magazine, April 2008, pp238-249 Vidler, A. ‘Whatever Happened to Ecology? John McHale and the Bucky Fuller Revival’, Log, Fall 2008, pp24-33 Websites www.independentgroup.org.uk www.leemiller.org.uk 280 Films Fathers of Pop, Arts Council, 1979. Directed by Julian Cooper, Research by Penny Sparke. Beyond Time: William Turnbull, a film by Alex Turnbull and Pete Stern, narrated by Jude Law, 2011 Primary Sources Books and Exhibition Catalogues Alloway, L. Nine Abstract Artists, London, Alec Tiranti Ltd, 1954 Alloway, L. ‘The Development of British Pop’ in Lippard, L. Pop Art, London, Thames and Hudson, 3rd Edition, 1970, first published 1967, pp26-67 Alloway, L. Violent America: The Movies 1946-64, New York, Museum of Modern Art, 1971 Alloway, L. Topics in American Art Since 1945, New York, W. W. Norton & Company Inc, 1975 Cox, I. The South Bank Exhibition: A Guide to the Story it Tells, London, HMSO, 1951 Hamilton, R. Collected Words, London, Thames and Hudson, 1982 281 Hanover Gallery, Eduardo Paolozzi Sculpture and Graphics, London, 1967 Korzybski, A. C. Science and Sanity: An Introduction to Non-Aristotelean Systems and General Semantics, Lancaster, Pennsylvania, The International Non-Aristotelean Library Publishing Co., the Science Press Printing Co., 1933 Lambert, M. And Marx, E. English Popular Culture, London, Batsford, 1951 McHale, J. ‘The Plastic Parthenon’ in Dorfles, G. Kitsch: The World of Bad Taste, London, Studio Vista, 1969, pp98-110 McHale, J. The Future of the Future, New York, Braziller, 1969 Middleton, M. Eduardo Paolozzi, London, Methun, 1963 Packard, V. The Hidden Persuaders, London, Longman, 1957 Paolozzi, E with a commentary by Alloway, L. The Metallization of a Dream, London, Lion and Unicorn Press, 1963 Payne, R. Fabulous America, London, Victor Gollancz, 1949 Riesman, D. The Lonely Crowd, New Haven, Yale University Press, 1961, first published 1950 Smithson, A. A Portrait of the Female Mind as a Young Girl, London, Chatto & Windus, 1966 Smithson, A. AS IN DS: AN EYE ON THE ROAD, Baden, Switzerland, Lars Muller Publishers, 2001 282 Smithson, A & P, Urban Structuring, London, Studio Vista, 1967 Spectorsky, A. C., The Exurbanites, Philadelphia and New York, J. B. Lippincott & Co, 1955 Tate Gallery, Eduardo Paolozzi, London, 1971 Whitechapel Art Gallery, This is Tomorrow, London, 1956. Reprinted 2010 Articles Alloway, L. ‘Re: Vision’, Art News and Review, Vol 6, January 22nd 1955, p5 Alloway, L. ‘Technology and Sex in Science Fiction, ARK, No 17, 1956, pp19-23 Alloway, L. ‘Personal Statement’, ARK, No 19, March 1957, p28 Alloway, L. ‘The Arts and the Mass Media’, Architectural Design, February 1958, pp.84-5 Alloway, L. ‘Notes on Abstract Art and the Mass Media’, Art News and Review, 27th February-12th March 1960, pp3 and 12. L. Alloway, ‘Artists as Consumers’, Image, No 3, 1961, pp14-19 Alloway, L. ‘Architecture and the Modern Cinema’, The Listener, June 22nd 1961, p1085-6 283 Alloway, L. ‘ “Pop Art” Since 1949’, The Listener, 27th December 1962, pp1085-87 Alloway, L. ‘The Iconography of the Movies’, Movie, No 7, Feb-March 1963, pp4-6 Banham, R. ‘Vision in Motion’, Art, 5th January 1955, p4 Banham, R. ‘Industrial Design e arte popolare’, Civilta delle Macchine, November 1955 Banham, R. ‘The New Brutalism’, Architectural Review, 118, December 1955, pp355-361 Banham, R. ‘New Look in Cruiserwights’, ARK, No 16, Summer 1956, pp44-47. Banham, R. ‘Alloway and After’, The Architects’ Journal, December 26th 1957, p941 Banham, R. ‘TOP POP BOFFIN’, Architects’ Journal, February 20th 1958, pp83-4 Banham, R. ‘Space, Fiction and Architecture’, The Architects’ Journal, April 17th 1958, pp557-559. Banham, R. ‘Machine Aesthetes’, New Statesman, 16th August 1958, pp192-193 Banham, R. ‘Home of Taste’, New Statesman, October 11th 1958, pp488-9 284 Banham, R. ‘Corb Goes To Liverpool’, New Statesman, 20th December 1958, p882-3 Banham, R. ‘Lecturing at Ulm’, The Architects’ Journal, April 16th 1959, p587 Banham, R. ‘HM Fashion House’, New Statesman, January 27th 1961, pp151-2 R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, p? Banham, R. ‘Who is this “Pop”?, Motif, No 10, Winter 1962/3, pp3-13 R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, pp91-7 Banham, R. ‘Softer Hardware’, Ark, Summer 1969, pp2-11 Banham, R. ‘Detroit Tin Re-visited’ in Faulkner, T. (Ed) Design 19001960: Studies in Design and Popular Culture of the 20th Century, Newcastle upon Tyne Polytechnic, Newcastle, 1976, pp120-140 del Renzio, T. ‘after a fashion...’, ICA publications, No 2, 1956 Hamilton, R. ‘Homage a Chrysler Corp’, Architectural Design, March 1958, pp120-2 R. Hamilton, ‘Persuading Image’, Design, February 1960, pp28-32 285 R. Hamilton, ‘Art and Design’, Popular Culture and Personal Responsibility, October 26-28, 1960, pp135-55. McHale, J. ‘Buckminster Fuller’, Architectural Review, July 1956, pp12-20 McHale, J. ‘Technology and the Home’, ARK, 19 March 1957, pp24-27 McHale, J. ‘Marginalia’, Architectural Review, May 1957, p291 McHale, J. ‘The expendable ikon1’, Architectural Design, February 1959, pp82-3 J. McHale, ‘The expendable ikon 2’, Architectural Design, March 1959, pp116-7 McHale, J. ‘The Future of the Future’, Architectural Design, May 1967, pp65-6 Reichardt, J. ‘Pop Art and After’, Art International, 7, 2 ,25th February 1963, pp42-47. Smithson, A. & P., ‘But Today we Collect Ads’, ARK, No 18, 1957, 49-50 Smithson, A. ‘The future of furniture’, Interior Design Supplement, Architectural Design, Vol XXVIII, April 1958, pp175-178 A. Smithson, ‘Caravan-embryo “Appliance House” P, Architectural Design, September 1959, p348 286 Smithson, P. ‘And now Dhamas are dying out in Japan’, Architectural Design, 36, September 1966, p448 Archive Sources Getty Archive The Getty holds the Alloway and Banham papers, but most material relates to their later work after moving to America National Galleries Scotland The Paolozzi Gift is held in Edinburgh at the Dean Gallery, including the artist’s studio Tate The Tate Archives holds the Nigel Henderson Archive, the ICA Archive, the Dorothy Morland Papers and various BBC Transcript materials. Archive of Art and Design, V & A Museum Paolozzi’s Krazy Kat Arkive Whitechapel Gallery This is Tomorrow Archive Yale Center For British Art Holds some material relating to John McHale, including original collages 287