LCC 8.13.2 Current Programme Specification Programme Specification Template Please see Guidance Notes in the Programme Approval Guidance for Programme Teams to assist in the completion of this template. 1. Awarding Institution/Body Teesside University [TU] 2. Teaching Institution Leeds City College 3. Collaborating Organisations (include type) n/a 4. Delivery Location(s) [if different from TU] 5. Programme Externally Accredited by (e.g. PSRB) Leeds City College – Park Lane Campus West Yorkshire Playhouse - First Floor Red Eric Studios n/a 6. Award Title(s) BA (Hons) Performance Practice 7. LeadSchool School of Arts and Media 8. Additional Contributing Schools n/a 9. FHEQ Level [see guidance] FHEQ Level 6 10. Bologna Cycle [see guidance] First cycle 11. JACS Code and JACS Description 12. Mode of Attendance [full-time or part-time] W400 Drama The study of and/or training in acting and stagecraft. May include the study of theatre management and the supervision and production of scenery, costume, lighting, etc. Full time and Part time 13. Relevant QAA Subject Benchmarking Group(s) Dance, drama and performance 2007 14. Relevant Additional External Reference Points (e.g. National Occupational Standards, PSRB Standards) National Occupational Standards – Community Arts BA (Hons) Performance Practice – Version 2 – Aug 2015 LCC 8.13.2 Current Programme Specification 15. Date of Production/Revision 16. Criteria for Admission to the Programme (if different from standard University criteria) March 2013 A typical offer is likely to be 55% average at Foundation Degree or a Merit profile in a relevant HND, together with GCSE grades at C or above in English and Maths. Alternative qualifications at an appropriate level may be considered. In the absence of formal learning qualifications applications are welcomed from persons who can demonstrate relevant work experience, including work in a voluntary capacity. The course structure actively supports claims for Accreditation of Prior Certified Learning (APCL) and Accreditation of Prior Experiential Learning (APEL). We welcome applications from mature candidates who may not have met the academic criteria, but can demonstrate a range of experience in their chosen field. Candidates in this category will be interviewed to assess their suitability for the course and asked to attend a workshop / audition, which is standard procedure for all candidates. Suitability for the course based on prior experience will be assessed at this stage. During the course, students may be asked to work with children so a DBS certificate will be beneficial. However, this can be organised during the course. International qualifications will be assessed against these criteria. Speakers of other languages need to have an IELTS score of at least 6.0 or a recognised level 2 English qualification. All students must be able to demonstrate either by qualifications or testing that they have the required literacy skills to complete the course. 17. In semester one, students will be required to complete an industry placement so successful applicants are required to source their own work based placement to be conducted between October and December of year 1. Educational Aims of the Programme The overall aims of the programme are to: Provide a comprehensive and challenging vocational programme in performance, including core and specialist modules, which facilitate access and progression for a wide range of students from diverse backgrounds into various community practice contexts. Offer a robust BA hons programme that is relevant to current performance practice in the creative industries, that will allow students to be autonomous and progress into their chosen trajectory Produce graduates who have the ability to critically reflect and learn from their workplace experience in a performance context and relate this experience to relevant theory and practical projects Produce graduates who have both subject specific skills (expressive, creative, BA (Hons) Performance Practice – Version 2 – Aug 2015 LCC 8.13.2 Current Programme Specification 18. technical) and transferable skills (communication, teamwork, project management) which are key to being employable as a performance practitioner in the creative industries Produce graduates who have an analytical and reflective understanding of performance in the context of the workplace today and in relation to the wider social and cultural environment Learning Outcomes The programme will enable students to develop the knowledge and skills listed below. On successful completion of the programme, the student will be able to: Knowledge and Understanding(insert additional rows as necessary) K1 Plan, undertake and evaluate a negotiated, self-managed major project K2 Demonstrate detailed and comprehensive knowledge of the skills and artistry required to realise performances K3 Demonstrate a comprehensive and detailed knowledge of chosen aspect of performance, whilst proving able to synthesise and critically appraise K4 Be able to analyse and evaluate the impact of ethical and legal issues relevant to the generation of knowledge within the context of performance K5 Evaluate appropriate knowledge as an aid to problem-solving whilst working creatively Cognitive/Intellectual Skills(insert additional rows as necessary) C1 Present independent judgements about a chosen aspect of performance through synthesis, appraisal and evaluation of appropriate sources C2 Discuss accepted views / techniques of performance using balanced, logical and supported argument C3 Demonstrate intellectual flexibility and openness to new ideas in a creative context. C4 Be confident and flexible in identifying and defining complex creative problems and the application of appropriate knowledge, tools/methods to their solution Practical/Professional Skills(insert additional rows as necessary) P1 Demonstrate the ability to operate ethically in complex and unpredictable contexts P2 P3 P4 Be able to operate autonomously with limited supervision or direction within agreed guidelines and/or constraints Be able to apply safe practice autonomously to practical working situations within performance practice. Be able to apply a full range of performance skills with autonomy Key Transferable Skills(insert additional rows as necessary) T1 Plan, manage and evaluate the acquisition of new knowledge and skills as part of a lifelong learning strategy T2 Demonstrate both employment potential and ability to manage future professional development within a performance context T3 Communicate clearly, fluently and effectively in a range of styles appropriate to the context T4 Select and apply appropriate numerical and statistical methods for complex tasks T5 Employ software applications for different tasks within the context of performance T6 Recognise and evaluate factors which enhance group processes and team-working, and modify and evaluate own personal effectiveness within a team BA (Hons) Performance Practice – Version 2 – Aug 2015 LCC 8.13.2 Current Programme Specification 19. Key Learning & Teaching Methods There is an emphasis on tailored learning to the individual Practical skills-based delivery underpins further autonomous practice The lecture programme and technical performance delivery will impart the necessary principles and concepts The seminars will be a mixture of student and tutor led sessions considering practical examples of the principles and concepts introduced in the lecture programme, which will support learning through an experiential approach Group work will allow students to develop their research, communication and teamwork skills Tutor and peer led reflective feedback form the basis of student learning programmes in the form of personal and professional action planning embedded in practical modules Tutorials will support independent research enquiry Opportunities will be provided to work within the creative industries using our strong links with working professionals and industry partners Key Assessment Methods 20. Practical Assessments are key to the student development including: Technique classes in-class observation monitoring sustained practical engagement (public) performances Students need to be able to apply this practical knowledge to the management of others through similar processes as well as developing new choreographic skills. This is assessed through: Choreographed performance Reflective practices are key to supporting practical assessments: Reflective journal: reflecting on elements of learning by applying theories and concepts Reflective portfolio: documenting a process from initial research to outcome Academic underpinning is identified through: Dissertation Presentation to a panel of a research proposal Practice based lecture-demonstrations (optional part of the Negotiated Dissertation module) BA (Hons) Performance Practice – Version 2 – Aug 2015 LCC 8.13.2 Current Programme Specification 21. Programme Modules (additional copies to be completed for each named pathway) Level 6 Code Title Negotiated Dissertation Actors Workshop Alternative Studio Practice Creativity and Critical Awareness Industry Placement Credits Status 30 Pathway core 30 Programme Core 20 Pathway core 20 Pathway core 20 Programme Core NonCompensatable Compensatable 5 LCC 8.13.2 Current Programme Specification 22. Programme Structure Overview of structure of the modules across the Academic Year. Practical Work related Industry Placement 20 Credits Alternative Studio Practice Actors Workshop 30 Credits 20 Credits 30 Credits Semester 2 Negotiated Dissertation Creativity and Critical Awareness 20 Credits Tutorials – Career planning / enterprise support Academic Semester 1 Level 6 Full-time route: Level 6: This course will build on technical performance skills gained during the foundation degree, focusing in Actors Workshop on how to apply these skills to the creation of performance. Alongside this will be holistic and philosophical alternative studio practices to create a more rounded and self-aware performer. Individual engagement with industry professionals and working companies will be explored in the Industry Placement module, giving the student a real experience of work in the Creative Industries. Group creativity will be explored through the Creativity and Critical Awareness module, allowing students the opportunity to realise their own socially aware performances; and their attached workshop provision. They will also be challenged to critically reflect on their own work as well as that of their peer group. Negotiated dissertation will allow the student to select and guide their own independent and autonomous research enquiry. The presentation of which can be negotiated to be either all written or part written and part lecture-demonstration. It is recognised that there is a step up in the level of complexity between L5 and L6, and this is prepared for by a process of knowledge and skills consolidation during the beginning of each semester 1 module. This is to ensure that the requisite skills are in place for the student to achieve. It is essential that the student’s prior learning is assessed and then built upon to facilitate a smooth transition from level 5 to level 6. To achieve this, a process of recapping core level 5 skills and information will be provided to set a framework for the new skills required and delivered for working at level 6. Negotiated Dissertation, 30 credits Actors Workshop, 30 credits Alternative Studio Practice, 20 credits Creativity and Critical Awareness, 20 credits Industry Placement, 20 credits 6 LCC 8.13.2 Current Programme Specification A part-time route can be negotiated up to a maximum of five years of study, as in the example below. A Typical offer of part time would be two years: Year 1: Actors Workshop, 30 credits Industry Placement, 20 credits Creativity and Critical Awareness, 20 credits Year 2: Negotiated Dissertation, 30 credits Alternative Studio Practice, 20 credits Negotiated Dissertation Actors Workshop 30 Credits 30 Credits Tutorials Year 1 Semester 2 Semester 1 Level 6 Year 2 Alternative Studio Practice Industry Placement 20 Credits Semester 2 20 Credits Creativity and Critical Awareness Tutorials Semester 1 Level 6 20 Credits 7 LCC 8.13.2 Current Programme Specification 23. Support for Students and Their Learning Tailored induction support begins before students arrive with the admissions team, and is reinforced at the detailed induction programme A robust communications system functions to give students access to lecturers and management; this includes e-mail, the VLE and notice boards in studios. All necessary information about the programme is provided by means of the student handbook, module handbooks and the VLE. Each student is allocated a tutor for regular tutorials and personal development planning. This is implemented in the first term and continued throughout the course timeframe There is an extensive range of learning resources in the Library, supported by specialist staff who provide bespoke study skills sessions for students. The University provides an extensive range of services for students, including support for those with special needs There is a range of student services such as welfare, counselling, financial and careers advice 8 LCC 8.13.2 Current Programme Specification 24. Distinctive Features An emphasis on the balance between continuing with core performance training, whilst allowing the individual to explore their creative trajectory and context within the industry. Students have access to an excellent range of facilities including: professional rehearsal buildings, HE base room, Mac suite, a purpose built theatre and bookable rehearsal space in the evenings The double pathways of Dance and Performance offer the opportunity to work across disciplines. This provides an innovative and contemporary exploration of creative approaches Strong links with West Yorkshire Playhouse and various local theatre companies including Red Ladder Theatre, Proper Job Theatre Company, Leeds Theatre In Education, I.O.U. Theatre, Northern Creative, Alive and Kicking Theatre Company, KPM (Kingdom Performance Ministries), Opera North, Righthook Physical Theatre, Monkeyheads, Duende, and New Chapter Theatre, with weekly use of professional studios and access to industry staff Strong teaching team that are actively involved in the Performance scene in Leeds A core principle to develop performers who are equipped to work within community settings The provision of work placement which provides real experience of working within the industry Many creative spaces throughout the region are accessible to students: Seven Arts, The Carriageworks, Left Bank, Wharf Chambers, Wakefield Theatre Royal, Lawrence Batley Theatre, The Square Chapel, The Viaduct Theatre, Dean Clough Mill and East Street Arts. There are numerous performance festivals that are accessible for students to perform in. On The Edge, Emerge, Ilkley Literature Festival, Halifax Festival, Light Night & Newk. These are sometimes used as assessment points within the year. This allows the students to have a public performance as assessment. These festivals give opportunities to network within the local arts community. In addition to this there are many organisations locally that aid professional networking: New Work Yorkshire, Live Art Symposium, WYTN (West Yorkshire Theatre Network). 9 LCC 8.13.2 Current Programme Specification Map of Outcomes to Modules Please provide a map for each named pathway or separate award. Insert outcomes key across the top of each column, adding in additional columns where necessary, insert module names in the left of the grid and place an “A” in the box where the programme outcome is assessed. For Undergraduate programmes please provide a map for each Stage, e.g. Stages 1 and 2 and programme outcomes for Honours degrees, and Stage 1 and programme outcomes for Foundation Degrees. Outcome Key Module Name Negotiated dissertation Actors Workshop Alternative Studio Practice Creativity and Critical Awareness Industry Placement K1 A K2 A A A K3 A K5 C1 A C2 A A A A A K4 A A A A C3 C4 A A A P1 P2 A P3 P4 A A A A A A A A A T1 A T2 T3 A T5 A A T6 A A A A T4 A A A A A A 10 LCC 8.13.2 Current Programme Specification 11