“ Divine Whisperings “ low relief sculpture by Vig. h= 34 cm b= 52 cm
Divine Whisperings
Why are only children noticing that the emperor is naked?
Or , in other words why are grown up white Europeans buying crap art from
Jew owned art galleries, or, in down to earth language: why are we so
degenerated?
The question has to be raised also on behalf of our ethno nationalists movement.
If one thing is important it is to make clear that a healthy body and a sound
mind are preconditioned to each other.
If a reader is out for literary entertainment here , he or she had rather skip my
article, especially when they have bought or own some crap art.
For the minority that will keep reading after this statement there are at least
some visually interesting items .
I like to hammer down my question in manifold ways as to be sure to get to the
rock bottom, or as a sculptor would formulate it: to get the right image.
Traditionally art had always a high status in the European history. Monarchs
and the very rich were always keen to attract the best artists to be able to show
off their power and status, and the church knew very well that to convince the
masses you need art.
With the waning of the power of Christianity over peoples minds and the
coming up of the rich bourgeoisy in the 19th century the status quo changed .
The void that religion left behind needed to be filled up for people to be able to
bear existence. The seductive power that art always had was now steered by
other energies that were more earthly and mundane. The urge of the common
people to worship something of a higher order gave rise to the phenomenon of
the Art Museum and the Art gallery. Institutions that never existed before in
Europe when the arts and crafts were just a normal part of life
As a perfect expression of the commercial mindset of the new times these
institutions started gathering the “goodies” and store them in huge costly
palaces , very often designed as classical temples, and do “business” with those
art pieces next to the selling of entrance tickets.
The game that was developing out of this new situation was that it made the
people who organised this, ostensibly the rich and the elites, feel very powerful!
With their money they could decide whose works could be shown in the “holy
temple of art” and thus which artist could gain respect and status! By and by
they started to feel themselves as “kingmakers” . They could decide what is
“art” and thus educate the masses.
Just like the hoarding of gold it gave them an illusion of power. Gold is just
shiny metal, you cant eat it and it is not fit to make tools of it. When everybody
who is taking part in this game is sticking to his role the power game works, as
long as there are artists struggling to make impressive pieces . After all “they”
know that the artist is just driven by an urge to create and that as a rule he is not
business minded. The image that comes to mind is that of a chicken farmer who
just picks up the eggs and rewards the chickens with some food. I think the
relationship of pimps and prostitutes would be a better description here. The
former cashing and the latter sweating.
Is it not amazing that exactly in this period in the history a tremendous
sophistication in financial and economic thinking took place ? This was coming
out of the same treacherous mindset of politics, profits and prostitution. The ppp
mentality.
Now in our modern times since the beginning of the 20th century things started
to change in the spirit of the European artists, and the above mentioned game
became very complicated.
Through a number of causes the mindset of the artists in the European heartland
became upset, depressed and many started freaking out into uncharted
expressions. After a few decades the continuous change in art expressions and
styles became an unspoken rule. The verbally agile amongst artists called that
“ to be avant garde”. All definition of what was for centuries , nay thousands of
years considered to be beautiful was suddenly outdated and rejected. In my
opinion the Jugendstil period around 1900, which lasted only two decades, is
the last authentic expression of European art. After that came the nervous
disorder and the first Worl War.
Half of my life I have been seeking an answer to the question of what the roots
of those changes are.
The answer I have now is that it is the end phase of a cultural decline . The
major influences here are a degeneration of instinctive health caused by 2000
years of Christianity and an injury to the human nervous system through the
effects of the industrialisation of Europe. The white European does not know
his identity anymore because he allowed that identity to be erased very slowly
by the effects of his own culture.
Also the “kingmakers” got their share of degeneration. They too noticed that it
would be smarter to declare “avant garde “ to be good art, at least as long as the
chickens were laying eggs. In their mental preoccupation with “art” another
illusion got the upper hand. Namely that by naming and verbalising about art
(they call it education) you can exert influence. Even artists got so derailed that
the talking about their new works became more important than he work itself.
“It s the concept stupid !” ( with thanks to Bill Clinton ).
To me this gives rise to the suspicion that when no concept is put into the brain
of a viewer the work is powerless, or the viewer is so confused about his own
likings that you have to shove it into his throat with verbal means.
And that is where mister Jew came confidently into the game. He smelled
business potential. With the help of talented psychiatrists he started redefining
the mumbo jumbo of the art “kingmakers” in such a way that his own
perversions would come to be seen as the perfect expressions of modern times .
I have been long enough in the art world to be able to know that in our days
most of the directors of the great museums in the world are either homosexual,
lesbienne, feminist, transgender, hermaphrodite or god knows what but natural.
As I stated in my last article “Phoenix Teutonicus” it is no good to blame the
Jew always for everything. It is not fair. If I were a parasite I would also do the
same as they do to get my juice.
It is us who give them the chance. Only small children , who are fresh in life
and whose nervous system is not yet destroyed by the zog have the capacity to
be authentic. But we don’t take that serious.
It is high time that we are going to adore our children for that.
To convince the reader that our state of mental and physical health is in a dire
state I have added a Video in which one can see how in the last 2000 years
artists depicted the female face.
www.youtube.com 500 Years of Female Portraits in Western Art
All viewers will agree with me that at the end around the beginning of the 20th
century a change is happening in the faces. Not only abstraction comes in but
also distortion! which is in that measure indicative of a pathology of the artist
his mind. Around that time also psychiatry got into the forefront. Just think of
“The Scream” by Edgar Munch as an example. This is not art but art therapy for
the artist.
“The Scream” woodcutting by Edvar Munch
Small distortions of bodily anatomy are frequently used in visual art. But when
it gets into such extremes is that an unusual sign seeing the history of art.
Everybody knows that if you go to a casting or modelling agency with such a
face you will be rejected! So on that level there is another kind of beauty!
The artists expressions are on the private emotional and instinctual level.
Exactly on this level is the pathology.
The conclusion is that this pathology has to do with self hate.
It means that on a practical intellectual level there is another standard for beauty
than on the emotional and instinctual level, which comes down to a form of
schizophrenia.
In the private sphere one starts to hate when one has been betrayed, misled
exploited or physically wounded. One feels cheated by society, its values that
say that ones body has to be like a fashion model, being cool and have no
emotions, and have a sex life which is completely heartless, not to say
degenerate. Calculation instead of naturalness.
It is representative for the culture of the western world.
The serious thing is that this mindset has consequences that are devastating. See
my drawing.
“ Female Nude” drawing by Vig 2014.
What about the obesity epidemy and the fast deterioration of body composure
after middle age that one sees in all the big cities? And the tired and exhausted
looks of people nearing pension age.
If you ask me I would say that nature will soon be merciless with this state of
affairs.
There is a speedy development in the field of artificial intelligence these days. It
is an irony that western man who can hardly claim to have a sound biological
body is trying to develop artificial super intelligence. There are scientists
worrying that it could be dangerous for humanity when these artificial super
minds take over.
Browsing on the internet I found an interesting comment to conclude with.
“We should be concerned about our own nature in stead of worrying about
Artificial Intelligent Machines in the future”.
In other words the only type of man worthy of surviving in the future is the
completely integrated human being, taking responsibility for what he is, what he
thinks and what he feels.
Vig.