EL 68C Course Syllabus

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20 Oct.

27 Oct.

3 Nov.

10 Nov.

17 Nov.

24 Nov.

1 Dec.

8 Dec.

15 Dec.

22 Dec.

EL 68 C Stories in Verse: Narrative Poetry

Instructor: Özlem Görey

E-mail: gorey@boun.edu.tr

Schedule: T 2 3 4

Office hours: TBA TB 440

Storytelling and construction of narratives is central to the way human beings think and make sense of the world. The term ‘narrative’ itself has been much used and abused and a consensus on a definition and the nature of narrative remains elusive.

Even so, the theory of the narrative, or narratology, has become an important area of study for the last few decades as both the narrative and the narrative structure influence our perception and the ultimate creation of meaning.

Narrative poetry relates a series of events through the use of the voices of a narrator and specific characters. Similar to the construction of a short story or novel, narrative poetry usually contains the elements of plot, character, conflict and setting.

Although the narratological approach has been widely applied to novels and short stories, poetry has remained out of its area of interest.

This course explores narrative poetry from the narratological point of view and how narrative voice impacts the narrative as a whole. The aim is to investigate the

“story” in poetry and the voice(s) that tell(s) it.

29 Sept. Introduction to Narrative Theory

6 Oct.

13 Oct.

Narrative Theory cont.

William Shakespeare, ‘Venus and Adonis’ and ‘Rape of Lucrece’

Christopher Marlowe, ‘Hero and Leander’

Alexander Pope,

William Wordsworth, ‘The Idiot Boy’, ‘The Mad Mother’, ‘Michael’

John Keats, ‘La Belle Dame sans Merci’, ‘Lamia’

Samuel Taylor Coleridge,

Robert Browning,

H.D.,

The Ring and the Book

Helen in Egypt

Vikram Seth,

Ted Hughes,

The Golden Gate

Birthday Letters

Derek Walcott,

Jackie Kay,

The Rape of the Lock

Omeros

The Rime of the Ancient Mariner

The Adoption Papers

Alice Oswald, Dart

Tennyson, ‘Tithonus’, ‘Ulysses’, Christina Rossetti, ‘Goblin Market’

Response Papers : You are expected to present six response papers of approximately

750-800 words each throughout the semester.

Term Paper: The final essay of this course should be around 3000 words. You may choose to write about one of the texts discussed in class. You might also write on a narrative poem of your choice.

Suggested Reading:

Abbott, H. P. (2002). The Cambridge Introduction to Narrative . Cambridge:

Cambridge University Press.

Alber, Jan and Fludernik, Monika. (eds.). (2010). Postclassical Narratology :

Approaches and Analyses.

Columbus: Ohio State University Press.

Barthes, Roland. (

1966

1977). “Introduction to the Structural Analysis of

Narratives,” trans. S. Heath. In Image Music Text . pp. 79-124. New York: Hill

& Wang.

Barthes, Roland. (1975). The Pleasure of the Text . Trans. Miller, Richard. New York:

Hill and Wang.

Booth, Wayne C. (1961). The Rhetoric of Fiction . Chicago: University of Chicago

Press.

Genette, Gérard (1980). Narrative Discourse: An Essay in Method . Trans. Jane E.

Levin. Ithaca and New York: Cornell University Press.

Herman, David. (ed.). (2007). The Cambridge Companion to Narrative . Cambridge:

Cambridge University Press.

Herman, David. (2009). Basic Elements of Narrative . Oxford: Wiley-Blackwell.

Herman D., Phelan J., Rabinowitz, P. J., Richardson, B., Warhol, R. (2012). Narrative

Theory: Core Concepts and Critical Debates . Columbus: Ohio State

University Press.

Herman, Luc and Vervaeck, Bart. (2005). Handbook of Narrative Analysis . Lincoln and London: University of Nebraska Press.

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