Voice Organization Ideas & Content Informational/Expository Rubric - Student Friendly 1 2 3 4 My idea is not clear, or I did not answer a key question. It does not tell the reader what I want to say. I guessed or had random thoughts about this idea or key question. I did not provide my reader with clear, accurate, insightful information. Too many questions were asked. I did not gather information from other sources, so I did not make my own meaning. Little-to-no support to the idea or key question makes what I write unconvincing to the reader. My idea is somewhat clear, or I somewhat answer a key question. It does not tell the reader completely what I want to say. I do not know enough or feel comfortable with this idea or key question. I somewhat provided my reader with clear, accurate, insightful information. Some questions were asked. I gathered some information from sources, and I attempted to make my own meaning. Some support to the idea or key question makes what I write somewhat convincing to the reader. My organization occasionally uses informational form and paragraphing appropriately from point to point. It is organized to make learning about this topic somewhat easy. My lead is somewhat functional and may kick things off. The conclusion weakly signals the end of discussion and may not help the reader draw conclusions. Transitions may not be clear, may be missing, or may not be helpful to the reader in linking ideas or key questions. The piece has a quiet voice, which dampens the reader’s enthusiasm for the topic. The writer’s confidence and comfort with the topic seem limited. A quiet voice hinders the reader’s enthusiasm for the topic. The reader may struggle through the piece. The piece is not quite ready to share aloud. The piece has potential. My idea is clear, or I answer a key question. It tells the reader what I want to say. I know this idea or key question. I give my reader accurate, insightful information with maybe just a question or two from the reader. I gathered information from several sources, and I wove it together to make my own meaning. Support to the idea or key question makes what I write convincing to the reader. My idea is crystal clear, or I completely answer a key question. It tells the reader all I want to say. I know this idea or key question so well it shows. I give my reader clear, accurate, insightful information. No questions from the reader. I gathered information from multiple and varied sources, and I wove it together to make my own meaning. Strong support to the idea or key question makes everything I write convincing to the reader. My organization generally uses informational form and paragraphing appropriately from point to point. It is organized to make learning about this topic for the most part easy. My lead is functional and kicks thing off. The conclusion signals the end of discussion and helps the reader draw conclusions. Transitions make most connections clear and helpful to the reader in linking ideas or key questions. My organization uses informational form and paragraphing appropriately from point to point. It is organized to make learning about this topic easy. My lead clearly sets up the discussion and invites the reader to be a part of it. The ending allows the reader draw important conclusions. Transitions consistently make important connections clear and helpful to the reader in linking ideas or key questions. The piece has a professional, enthusiastic voice, which welcomes the reader into the discussion. The confidence of the piece reflects the writer’s knowledge and inspires the readers trust. The writer’s clear enthusiasm for the topic is compelling and contagious. The reader feels eager to read this piece aloud. My organization does not use informational form and/or paragraphing appropriately. This piece is confusing. It is not organized to make learning about this topic easy. My lead does not set up the discussion and it does not invite the reader to be a part of it. The ending does not help the reader draw any conclusions. Transitions are unclear, missing, or not helpful to the reader in linking ideas or key questions. The piece has a distant, encyclopedic or just the wrong voice for the audience or topic. The writer’s limited knowledge of the topic keeps the voice in check. The writer often hides behind facts and generalities. The reader struggles to pay attention to the piece and complete the reading. The piece is not a read aloud candidate. It feels stiff and mechanical if read aloud. The piece has a sincere, appropriate voice, which signals the writer’s presence. The writer’s confident moments reflect the writer’s variable knowledge of the topic. The writer’s enthusiastic moments encourage the reader to hang in and complete reading the piece. The entire piece is not ready to be read aloud. Yet, there are some parts, which could be read aloud. Informational/Expository Rubric - Student Friendly Conventions Sentence Fluency Word Choice 1 2 The writer uses imprecise or vague language, which creates confusion or an incomplete picture. The writer uses terms incorrectly or omits terms. The writer uses language, which is general, unclear, wordy or jargonistic. The reader must work hard to understand the message. The weak sentence structure causes the reader to take more time to read the piece, plus, use effort and attention to maintain focus on the piece. A confusing structure makes the reader pause and go back, requiring constant mental editing. Sentence beginnings are repetitive or hard to spot. It is hard to tell where sentences begin and end. The piece has tangled, awkward, choppy sentences using repetitive patterns. The piece has frequent, distracting errors in editing. These errors reflect minimal editing. The writer’s error in the use of conventions does not support the meaning and voice of the piece. Word-by-word editing is need prior to publication. 3 4 The writer uses words, which make the message generally clear to the reader. Some parts of the piece may be unclear or vague. The writer does not always define or explain new words or concepts. The writer is not comfortable with the language of the content area and may misuse terms. The reader must work hard to make sense of the message. Sentences are readable. Awkward moments make rapid reading difficult. The piece has repetitive sentence beginnings, which are noticeable. The piece needs more transitions. Sentences could use some variety. Some sentences are overly long or short. The writer uses words, which make the message clear to the reader. The writer defines or explains new words or concepts. The writer is comfortable with the language of the content area. The reader can readily make sense of the message. The writer uses explicit, precise words which make the message consistently clear to the reader The writer clarifies new words or concepts for the reader. The writer’s uses of language supports the reader’s understanding of the message. The reader easily understands and follows the piece. Sentences are clear and direct. The piece has few to no awkward moments to slow the reader. Purposeful sentence beginnings connect ideas and set up examples. Sentences are balanced without extremes of too long or too short. Sentences are consistently clear, direct, and to the point. Smooth phrasing enhances the readability. The text is graceful and is designed to promote rapid easy, reading. Purposeful sentence beginnings help the reader follow the text. Sentences are varied and balanced with no extremes of long or short sentences. The piece has noticeable, districting errors in editing. The editing is erratic and mistakes are missed. The writer’s error in the use of conventions interferes with the meaning and voice of the piece. Thorough, careful editing needed prior to publication. The piece has noticeable errors in editing. Yet, the reader breezes right through them. The writer’s use of conventions supports the meaning and voice of the piece. Ready to publish with light touch-ups. The piece is edited well. Minor errors are easily overlooked. The use of conventions enhances the meaning and voice of the piece. Ready to publish. Adapted from Spandel, V. (2008). Creating Writers through 6-trait Writing Assessment and Instruction (5th ed.). Boston: Pearson.