McHenry1 Meghan McHenry Dimensions of Culture & Society December 4, 2012 Gender Roles in Media Although women make up 51% of the country they comprise only 17% of Congress. At this rate women may not receive equality for 500 years. Women are also extremely underrepresented in media. When women are represented they are usually viewed as sex objects or secondary characters. This is sending the wrong message to both young men and women. When women are only represented in the media as “eye candy” that sends a message to young girls that appearance is everything. This creates an unrealistic body image, which leads girls to feel badly about themselves, causing them to have depression, eating disorders, self-harm problems, etc. In children’s media girls are outnumbered three to one by boys. Girls all around the world are watching an average of seven hours of television a day. If girls are represented they are usually the same type of character: few career options, little or no opinion, and lack of ambition. Young women and girls need to be shown a healthy image of women in the media. To show successful women, and teach girls that it’s not just boys who can dream big. Developing minds have a hard time distinguishing fantasy from reality; children often take what they see in books, movies, and television to be fact. Research found that children between eight and nine years old find characters, situations, and storylines in Saturday morning cartoons to be realistic. Taking this into consideration, entertainment McHenry2 producers need to be more cautious about what messages they are sending to their influential audiences. Within the superhero genre of children’s cartoons portrayed concerning gender stereotypes. Male superheroes outnumber their female counterparts at least two to one. Female superheroes are presented as slimmer, wearing more revealing clothing, having more human-like features, and are portrayed more often as a team member than a leader. Male superheroes are portrayed as more muscular, wearing more modest clothing, and are either the leader of a team or act alone more often than female superheroes. Outside of the superhero genre, women and girls still face stereotypes. Female characters have interpersonal roles that involve romance, family, and friends. While male characters are more likely to enact work-related roles. Programs with one or more women writers and creators are more likely to feature both female and male characters in interpersonal roles whereas programs with all male writers and creators are more likely to feature both female and male characters in work roles. Furthermore, marriage, home, family, and romance are important aspects of the way characters are portrayed and tend to be more developed in female characters than in male characters. There needs to be a realistic balance; not all women are mothers, but all mothers are women. The longer an individual views television, the more he or she is presented television’s view of reality, over time the individual’s view of social reality may begin to mirror the version of reality portrayed on television. Children need to be shown gender equality, and balanced representation, in order for girls to have equal opportunity to have support for and in turn achieve their dreams. McHenry3 Though there is some variety in today’s programming research has still found the content to both reinforce and challenge gender stereotypes. Without the proper media representation society can never hope to gain gender equality. Educating children on gender roles and the equal opportunities they all have a right to, must be the first step. Show empowered female characters alongside accepting male characters. Men must also standup against sexism if we wish to create gender equality. There are U.S. organizations fighting for gender equality within the media, organizations such as, the Geena Davis Institute on Gender in Media and Miss Representation. However, Western European countries have the greatest gender equality. According to the annual Gender Gap Report, the United States has made improvements in gender equality. The 2011 documentary Miss Representation written and directed by Jennifer Siebel Newsom exposes how mainstream media contributes to the under-representation of women in positions of power and influence in America. While women have gained influence over the past few decades, the United States is still ranked 94th in the world for women in national legislatures. Outside of the film, the website MissRepresentation.org was created as a call-to-action campaign that seeks to empower females to challenge limiting labels, to achieve their potential and encourage males to stand up to sexism. Taking action with Miss Representation as of now 175,000 people have pledged to make a difference, by creating awareness about media sexism in hopes of bringing about gender equality. Through the use of social media women and girls are telling their stories and advocating change, while men and boys are standing up to sexism. Schools are adopting the Miss Representation curriculum in order to educate students about media McHenry4 literacy. The Geena Davis Institute on Gender in Media is another U.S. base organization created to fight against gender stereotyping and underrepresentation in the media. Actress and advocate, Geena Davis founded the organization in 2004. The institute and its programming arm, See Jane, are leading the fight against gender stereotypes in children’s media and entertainment. The institute’s mission is to alter how girls and women are reflected in the media. The institute is the only research-based organization working within the media and entertainment industry to engage, educate, and influence the need for gender balance. This process of advocacy has allowed the institute to lead media and entertainment companies, organizations, educational institutions and multinational companies such as the United Nations, the U.S. Chamber of Commerce Business Civic Leadership Center, and the Wall Street Journal Women in the Economy Task Force. Making a difference, the biennial Geena Davis Institute Symposium on Gender in Media convenes over three hundred entertainment industry decision makers, thought leaders, and content creators to work toward gender equality in children’s media. After the 2010 symposium a survey found that more than 90% of attendees stated that the information they learned would influence how they perceive gender balance and stereotypes in their work, and 98% would share and utilize the institute’s research findings with their companies. The U.S. is not the only country to have gender bias in the media Great Britain faces similar problems. An article was published to BBC News Magazine’s website in 2012 highlighting the five ways women are highlighted in the press. First they are McHenry5 depicted as sex objects, the article found that in many cases there is no difference between pornography and some of the pictures shown in tabloids. There is also a large focus on the relationship status of women in the media, the WAG or wife and girlfriend mentality. Women are celebrated for whom they are dating rather than what they do. Passive roles are also established for women in the media, there is a tendency across all media, for women to disproportionately appear in passive roles; instead of leaders. Relative invisibility is another issue within the media, looking at a month of national newspapers it was found that men wrote three quarters of all front-page articles and 84% of those mentioned or quoted in lead pieces were male. Too fat/thin/old/young within the media and entertainment industry women’s appearance is regarded more highly than her achievements. One advocate for European gender equality is the Gender Institute. Established in 1993, it is the largest research and teaching unit of its kind in Europe. The Gender Institute is interested in mapping and intervening in gender equality, the institute is the only gender center globally that combines theory and practice with such an interdisciplinary and transnational scope. The work of the institute addresses the tenacity of gender power relations and gendered inequalities in a period of global transformation. The research of the institute can be divided into four themes. Bodies and sexualities; addresses the relationship between gender and sexuality with an emphasis on local and transnational spaces. Gender and social policy, using a gendered perspective, research in this theme documents social, economic and political change, and critically analyses individual, family, and policy responses. Globalization, development and inequalities, research in this theme focuses on gendered relations, rights, citizenship and McHenry6 social justice and resilience and change in work, security, migration, and poverty. Representation, narrative and culture, this theme brings colleagues together to work on gendered representation in film, literature, and theory. Global Girl Media is a non-profit organization dedicated to empowering high school age girls from under-served communities around the world through media, leadership, and journalistic training to have a voice in global media. The organization was created out of a coalition of women broadcasters and journalists from around the world who recognized that much of mainstream reporting focuses on violence, celebrities, and disasters, while the voices of young women are ignored. Global Girl Media seeks to address the digital divide between girls of impoverished communities and media sources. By supplying the equipment, education, and support necessary young women are able to become digital and blog journalists. Bringing their own perspective of local and global events to the global web and social media community. The belief of Global Girl Media is that by working with young women around the world to find and share their voices is an investment in our global future. With organizations such as the Geena Davis Institute on Gender in Media, the goal of gender equality within media and entertainment is in sight. Advocates must gain attention; with the help of films such as Miss Representation people are learning about the underrepresentation and disrespect of powerful women within U.S. media. Global Girl Media is helping the U.S. and global populations become informed about women empowerment and representation. Better role models need to be in the minds of young girls; politicians, businesswomen, leaders, etc. McHenry7 The annual World Economic Forum (WEF) grades countries five ways: economic participation and opportunity, educational attainment, health and survival, and political empowerment. Countries are scored between 0.0 for the most unequal; women have zero access, or 1.0; women have full access to equal opportunities. The 2012 report ranks the United States 22nd in the world on the scale of gender equality. The only non-Western nations to rank higher than the U.S. were South Africa, Cuba, Lesotho, Nicaragua, and the Philippines. The U.S. is ranked a better place for women compared to Europe as a whole. McHenry8 Works Cited Baker, Kaysee, and Arthur A. Raney. "Equally Super?: Gender-Role Stereotyping of Superheroes in Children’s Animated Programs." Mass Communication & Society 10.1 (2007): 24-41. Print. "Five Things About Women in the Press." Editorial. BBC News Magazine 3 Dec. 2012: 1-6. BBC. Web. 3 Dec. 2012. <http://www.bbc.co.uk/news/magazine20554942>. Fisher, Max. "The U.S. Is Catching up to Europe on Gender Equality." Editorial. The Washington Post. N.p., 25 Oct. 2012. Web. 30 Nov. 2012. "The Gender Institute." London School of Economics and Political Science, 2012. Web. 30 Nov. 2012. <http://www2.lse.ac.uk/genderInstitute/about/home.aspx>. "Geena Davis Institute on Gender in Media." Geena Davis Institute on Gender in Media. N.p., 2012. Web. 30 Nov. 2012. <http://seejane.org/index.php>. "GlobalGirl Media." GLOBALGIRL MEDIA RSS. N.p., 2012. Web. 30 Nov. 2012. <http://globalgirlmedia.org/>. "Miss Representation." Miss Representation Home Comments. N.p., 2011. Web. 30 Nov. 2012. <http://www.missrepresentation.org/>. Lauzen, Martha M., David M. Dozier, and Nora Horan. "Constructing Gender Stereotypes Through Social Roles in Prime-Time Television." Journal of Broadcasting & Electronic Media (2008): 200-14. Print. Rudy, Rena M., Lucy Popova, and Daniel G. Linz. "The Context of Current Content Analysis of Gender Roles: An Introduction to a Special Issue." Sex Roles 62 (2010): 705-20. Web. 30 Nov. 2012. McHenry9 Schooler, Deborah, Monique L. Ward, Ann Merriwether, and Allison Caruthers. "Who’s That Girl: Television’s Role in the Body Image Development of Young White and Black Women.” Psychology of Women Quarterly 28 (2004): 38-47. 2004. Web. 30 Nov. 2012. Taylor, Laramie D., and Tiffany Setters. 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