Further information on Higher English Course Assessment (January 2014) Key messages SQA is currently developing Course and Unit assessments. This document outlines our progress in Course Assessment for the Higher Course in English. The new English Higher Course will maintain the standard of the current qualification at Higher and will continue to be benchmarked against SCQF level 6 as well as ensuring that the level of demand for candidates is consistent with other Higher qualifications. The Higher English Course has been designed to build on the skills, knowledge and understanding developed at National 5, and to provide clear progression from National 5. The course will provide opportunities to develop breadth and depth of knowledge and understanding, and the application of skills, through the contexts of literature, language and media. The Course develops the skills of reading, listening, writing and talking. Course Assessment will consist of two question papers (Reading for Understanding, Analysis and Evaluation – 30 marks; and Critical Reading – 40 marks), and a portfolio of writing (30 marks). The Course will be graded A–D. The question papers and the portfolio will be marked by SQA. Personalisation and choice are offered in the portfolio, for which candidates produce two pieces of writing, and in the Critical Reading question paper, in which candidates have a choice of texts. The question paper will sample the skills, knowledge and understanding detailed in the English (Higher) Course Specification and in the English (Higher) Course Assessment Specification. The question paper will draw on styles of questions used in current Higher English papers. The portfolio will assess the skill of writing. Candidates will produce two pieces of writing: one broadly creative and one broadly discursive. CONFIDENTIAL DRAFT January 2014 Points of change and points of stability in Higher English Points of Stability Skills Knowledge Reading, listening, writing and talking skills in the contexts of literature, language and media Knowledge and understanding of language Question stems / command words Unit Assessment Course Assessment The same skills of Reading, Critical Reading and Writing will be assessed. Candidates have choice of texts for Critical Reading. Types of Question Most questions in the Reading for Understanding, Analysis and Evaluation paper will be broadly similar. There will be two nonfiction passages. Marking instructions Level of demand Points of Change The Critical Essay paper questions will be broadly similar. Will continue to be available. Benchmarked against SCQF level 6 and current Higher Marks Greater clarity on use of command words in questions, followed through into marking instructions. Two Units (Analysis and Evaluation, Creation and Production) in which the four skills of reading, listening, writing and talking are assessed. Increased flexibility in approaches to gathering evidence. Question Paper; Paper 1- Reading for Understanding, Analysis and Evaluation (1 hour 30 minutes) and Paper 2 – Critical Reading (1 hour 30 minutes). Assessment of Scottish literature from a specified list through questions. One extended response (critical essay) question. Some questions in Reading for Understanding, Analysis and Evaluation will be broader and more open, and will include summarising. Substantially more detail and advice and guidance for centres in how marks are allocated to a range of responses. Greater clarity in marking principles. Improved alignment with other subjects at Higher. 100 marks: 70 from question papers, 30 from portfolio. Higher specimen question papers (publication by 28 February 2014) The purpose of these question papers is to demonstrate challenge and application by sampling from skills, knowledge and understanding in the English (Higher) Course Specification and in the English (Higher) Course Assessment Specification. This question papers will give candidates an opportunity to demonstrate the following skills, CONFIDENTIAL DRAFT January 2014 knowledge and understanding: understanding, analysing and evaluating detailed and complex texts, as appropriate to purpose and audience in the contexts of literature, language and media using knowledge and understanding of language There will be two question papers. Question paper 1 (Reading for Understanding, Analysis and Evaluation) will have one section. Question paper 2 (Critical Reading) will have two sections. Each question paper will be made up of questions requiring candidates to draw on their knowledge and understanding and apply skills. These question papers will be set and marked by SQA, and conducted in centres under conditions specified for external examinations by SQA. Question paper 1 (Reading for Understanding, Analysis and Evaluation) is worth 30 marks. The duration of this question paper will be 1 hour and 30 minutes. Question paper 2, Critical Reading, is worth 40 marks. The duration of this question paper will be 1 hour and 30 minutes. Specimen question paper 1 —Reading for Understanding, Analysis and Evaluation This question paper will assess the candidate’s ability to apply reading skills in understanding, analysing and evaluating two unseen non-fiction texts. Candidates will answer questions, including inference-making and summarising questions. The total number of marks will be 30. Each question will have between 2 and 5 marks. Specimen question paper 2 —Critical Reading This Question Paper has two sections and will assess the candidate’s ability to apply reading skills in understanding, analysis and evaluating previously studied texts. Section 1 will assess their understanding, analysis and evaluation of a Scottish text(s) from the genres of Drama, Prose and Poetry. Section 2 will assess their understanding, analysis and evaluation of literature, language or media. In Section 2 the candidate will have a choice of Drama, Prose (Fiction or Non-Fiction), Poetry, Film and Television Drama, or Language. Each Section will be worth 20 marks. Higher Portfolio (publication by 31 March 2014) This portfolio will give candidates an opportunity to demonstrate their skills in writing in different genres for different purposes and audiences by requiring candidates to produce two pieces of writing: one broadly creative, one broadly discursive. This portfolio is worth 30 marks out of a total for Course assessment of 100 marks. CONFIDENTIAL DRAFT January 2014 Appendix: Draft Marking Instructions for the portfolio Draft General marking principles for Higher English portfolio This assessment will be marked by SQA. Separate information will be given on arrangements for submission of evidence. The candidate’s essays will be marked in terms of content, accuracy, language use and ability to achieve the intended purpose. Assessment should be holistic. There will be strengths and weaknesses in every piece of writing; assessment should focus as far as possible on the strengths, taking account of weaknesses only when they significantly detract from the overall performance. Marks should be awarded for the quality of the writing, and not deducted for errors or omissions. Writing does not have to be perfect to gain 15 marks. Assessors should assess the essay in terms of content, accuracy, language use and ability to achieve the intended purpose and arrive at a final mark. The band descriptors in the Marking Instructions refer to the middle of each marks band. For each of the essays, the marker should select the band containing the descriptors that most closely describe the piece of writing. Once that best fit has been decided, then: where the evidence almost matches the level above, the highest available mark from that band range should be awarded where the candidate’s work just meets the standard described, the lowest available mark from that band range should be awarded otherwise the mark from the middle of that band range should be awarded Consistent technical accuracy is a requirement for a mark of 8 or above. Consistent technical accuracy means that few errors will be present; paragraphs, sentences and punctuation will be accurate and organised so that the writing can be clearly and readily understood; and spelling errors (particularly of high frequency words) will be infrequent. The following tables for each genre of writing should be used in helping assessors arrive at a mark. CONFIDENTIAL DRAFT January 2014 Writing which is broadly creative Range of Marks Content The creative essay demonst rates, as appropri ate to genre: Style Marks Marks Marks Marks Marks Marks 15-13 12-10 9-7 6-4 3-1 0 committed attention to purpose and audience strong creative qualities evident command of the genre thematic concerns which are clearly introduced and developed Ideas/feelings/ experiences which are explored with a strong degree of mature reflection/selfawareness/ involvement/insight/se nsitivity the writer’s personality and individuality in full linguistic features of the chosen genre CONFIDENTIAL DRAFT clear attention to purpose and audience clear creative qualities insight into the genre thematic concerns which are introduced and developed adequate attention to purpose and audience adequate creative qualities understanding of the genre thematic concerns which are introduced Ideas/feelings/ experiences which are explored with an adequate sense of reflection and involvement Ideas/feelings/ experiences are explored with a clear sense of reflection/ self-awareness/ involvement /insight /sensitivity the writer’s personality clearly the writer’s personality linguistic features of the chosen genre linguistic features of the chosen limited attention to purpose and audience limited creative qualities a limited use of conventions of genre little attention to purpose and audience few creative qualities conventions of genre few thematic limited ideas/feelings/ experiences explored limited sense of the writer’s personality limited linguistic features of the of the skills required in terms of content, accuracy, language use and ability to achieve the intended purpose little use of limited thematic concerns no evidence concerns little evidence of exploration of ideas or feelings little sense of the writer’s personality no attempt at using language effectively January 2014 used skilfully to create a strong impact The creative essay demonst rates, as appropri ate to genre: confident and varied expression an effective structure which enhances the purpose/ meaning CONFIDENTIAL DRAFT used successfully to create impact confident expression genre used successfully a clear structure which enhances the purpose/ meaning chosen genre adequate expression an adequate structure limited expression many errors in punctuation/ syntax/ spelling little use of structure a limited use of structure January 2014 Writing which is broadly discursive Range of Marks Content The discursive essay demonstra tes, as appropriat e to genre: Marks Marks Marks Marks Marks Marks 15-13 12-10 9-7 6-4 3-1 0 committed attention to purpose and audience full understanding and engagement evidence of full research and selection, as appropriate a clear and sustained line of thought/ convincing stance CONFIDENTIAL DRAFT clear attention to purpose and audience adequate attention to purpose and audience limited attention to purpose and audience clear understanding and engagement clear understanding limited understanding evidence of careful research and selection, as appropriate a clear line of thought/clear, engaged stance evidence of relevant research and selection, as appropriate evidence of limited relevant research, as appropriate a line of thought/clear stance an unclear line of thought little attention to purpose and audience little understanding little evidence of research a confused line of thought no evidence of the skills required in terms of content, accuracy, language use and ability to achieve the intended purpose January 2014 Style linguistic features of the chosen genre used comprehensively to argue/discuss/ persuade and convey depth and complexity of thought/ objectivity/insight /persuasive force linguistic features of the chosen genre used clearly to argue/discuss/ persuade and convey thought/objectivity/ insight/persuasive force linguistic features of the chosen genre used adequately to argue/discuss/ persuade and convey thought/objectivity/ insight/persuasive force linguistic features of the chosen genre used in a limited way to argue/discuss/ persuade and convey thought/objectivity/ insight/persuasive force confident and varied expression an effective structure which enhances the purpose/ meaning confident expression adequate expression limited expression a structure which enhances the purpose/ meaning an adequate structure a limited use of structure The discursive essay demonstra tes, as appropriat e to genre: CONFIDENTIAL DRAFT no attempt at using language effectively many errors in punctuation/ syntax/ spelling little use of structure January 2014