List of Literature
IMSB23 The Aesthetics of Popular Culture
Institutionen för kulturvetenskaper
Avdelningen för xxx
Godkänd av institutionsstyrelsen xx.xx.2010,
reviderad via kursplanegruppen den xx.x.2013
IMSB23 The Aesthetics of Popular Culture
Ackerman, Alan “The Urge for Totality”, Review of The Total Work of Art: From Bayreuth to
Cyberspace by Matthew Wilson Smith In: Twentieth Century Literature. Summer, 2007, Vol. 53,
Issue 2, p224-231, 8p
http://ludwig.lub.lu.se/login?url=http://search.ebscohost.com/login.aspx?direct=true&AuthType=
ip,uid&db=edsjac&AN=edsjac.10.2307.20479808&site=eds-live&scope=site
Berns, Ute: "Performativity". In: Hühn, Peter et al. (eds.): the living handbook of narratology.
Hamburg: Hamburg University Press.
(c 14 )
URL = hup.sub.uni-hamburg.de/lhn/index.php?title=Performativity&oldid=2039
[view date: 24 Feb 2014]
Bolter Jay David; Grusion Richard, ”Introduction: The Double Logic of Remediaion” in In Bolter and
Grusin, Remediation: Understanding New Media. Cambridge (MA): MIT Press, 1999. 2000, 2-15 (13)
Clü ver, Claus, ”Intermediality and Interarts Studies”, Changing Borders. Contemporary
Positions in Intermediality, Intermedia Studies Press: Lund 2007, pp. 19–38. ISBN 97891-976670-0-5 (20)
Eco, Umberto. ”Semiotics of Theatrical Performance:” The Drama Review Volume: 21 Issue: 1
(1977-03-01) p. 107-117. ISSN: 0012-5962 (10)
http://www.jstor.org/stable/10.2307/1145112
Eco, Umberto Travels in Hyperreality (38)
http://www.google.se/url?sa=t&rct=j&q=&esrc=s&source=web&cd=2&ved=0CDYQFjAB&url=http
%3A%2F%2Fpublic.callutheran.edu%2F~brint%2FAmerican%2FEco.pdf&ei=rHIzUavsPNGN4gS
W3oFY&usg=AFQjCNHlpr1sdgYTXsuDEk, Richard; Larsen Jonas; Hornskov Søren Buhl; Mansfeldt Ole Kjær “Dynamic Framework of
Tourist Experiences”, Scandinavian Journal of Hospitality and Tourism, Volume 8, Issue 2, 2008,
122-140 (18)
http://ludwig.lub.lu.se/login?url=http://search.ebscohost.com/login.aspx?direct=true&AuthType=
ip,uid&db=edselc&AN=edselc.2-52.0-48549095859&site=eds-live&scope=site
Elleström, Lars ”The Modalities of Media: A Model for Understanding Intermedial Relations” Media
Borders, Multimodality and Intermediality by Edited by Lars Elleström, Palgrave Macmillan, March
2010, ISBN: 978-0-230-23860-2, ISBN10: 0-230-23860-2, pp. 11-48 (37)
http://www.palgrave.com/PDFs/9780230238602.pdf
Falconi, Jorge Perez “Space and Festivalscapes” in Platform, (2011) 5(2), 12-27. (15)
Fischer-Lichte, Erika “Culture as Performance” in ACTAS/ PROCEEDINGS
HISTÓRIA DO TEATRO E NOVAS TECNOLOGIAS ” (14p),
1
http://www.google.se/url?sa=t&rct=j&q=&esrc=s&source=web&cd=7&cad=rja&ved=0CGMQFjAG
&url=http%3A%2F%2Fww3.fl.ul.pt%2Fcentros_invst%2Fteatro%2Fpagina%2FPublicacoes%2FAc
tas%2Ferika_def.pdf&ei=PJwrUfeCFc7GtAbJqYDYCw&usg=AFQjCNHcBAMuuSUif83Qo33O5HEjZAR
TFg&sig2=adwPJ0whniLEGFpFCd_UqQ&bvm=bv.42768644,d.Yms
Fiske, John "Popular Culture"in: Frank Lentrichchia & Thomas McLaughlin, Critical Terms for
Literary Study. The University of Chicago Press, 1995, 321 – 335 (14)
http://faculty.washington.edu/cbehler/teaching/coursenotes/fiskepopcult.html
Foucault, Michel “Out of Spaces” translated from "Des Espaces Autres," and published by the French
journal Arch~tecture-Mouvement-Continuitein October, 1984 by lay Miskowiec (9p)
http://www.google.se/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CDEQFjAA&url=http
%3A%2F%2Fwww.colorado.edu%2Fenvd%2Fcourses%2Fenvd4114001%2FFall09%2FTheory%2FFoucaultOther%2520Spaces.pdf&ei=Sr88UauLLoiS4ASXqYDYCQ&usg=AFQjCNFB3yGRx8l7i7VmM6GkvlFw
Vr39cA&sig2=b05uRJvqkpZRNZ0kWkNUkQ&bvm=bv.43287494,d.bGE&cad=rja
Führer, Heidrun "Astrid Lindgren World - a Total Work of Art?" in Surmatz Astrid, KümmerlingMeibauer Bettina (eds) Beyond Pippi Longstocking : intermedial and international approaches to
Astrid Lindgren's work, 2010, 239 – 257 (18)
Goffman, Erwin "The nature of deference and demeanor" American Anthropologist. Jun., 1956, Vol.
58, Issue 3, p473-502, 30p
http://www.jstor.org.ludwig.lub.lu.se/stable/665279
Hilliker, Rebecca, Rennert, Hellmut Hal ”Brecht's Gestic Vision for Opera: Why the Shock of
Recognition Is More Powerful in The Rise and Fall of the City of Mahagonny than in The Three
Penny Opera” in : Essays on Twentieth-Century German Drama & Theater: An American Reception
1977-1999, 2004, pp. 225-235 (11)
http://ludwig.lub.lu.se/login?url=http://search.ebscohost.com/login.aspx?direct=true&AuthType=
ip,uid&db=lfh&AN=19288494&site=eds-live&scope=site
Hinton, Stephan “Die Dreigroschenoper” in Grove Grove Music Online, 1992; Oxford University
Press, ca 5 p
http://www.oxfordmusiconline.com.ludwig.lub.lu.se/subscriber/article/grove/music/O006155?q
=Dreigroschen&search=quick&pos=1&_start=1#firsthit
Iser, Wolfgang “Mimesis and Performance.” The Fictive and the Imaginary: Charting Literary
Anthropology. Baltimore MD: Johns Hopkins University Press, 1993. 281-295. (14)ISBN 0-80184498-3.- ISBN 0-8018-4499-1 (pbk.)
Kattenbelt, Chiel ” Performativity and Corporeal Literacy. Intermediality in Performance and as a
Mode of Performativity” in Sarah Bay-Cheng, Chiel Kattenbelt,
Andy Lavender, and Robin Nelson Mapping Intermediality in Performance, Amsterdam University
Press, 2010 , pp. 27-37 (11)
www.oapen.org/download?type=document&docid=406430
Kowalke, Kim H. “ Singing Brecht vs. Brecht Singing: Performance in Theory and Practice”
Cambridge Opera Journal , Vol. 5, No. 1 (Mar., 1993), pp. 55-78 (23)
Article Stable URL: http://www.jstor.org.ludwig.lub.lu.se/stable/823750
Kurzon, Dennis “Hush… The Lights are Dimmed: A Case of Situational Silence”, Journal of Music and
Meaning, 2011, Vol. 10, 26-44 (18)
2
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ip,uid&db=a9h&AN=74125905&site=eds-live&scope=site
Leitch, Thomas M ”Twelve Fallacies in Contemporary Adaptation Theory”, Criticism, Volume 45,
Number 2, Spring 2003, pp. 149-171 (30)
Lizardo, O. and Sara Skiles "Cultural consumption in the fine and popular arts realms" 2008,
Sociology Compass 2: 485–502 (17)
Madison, D.S.; Hamera, J Performance Studies at the Intersection, Madison, D. Soyini and Judith
Hamera (eds.). The Sage Handbook of Performance Studies, p. Xi - . (15).
http://knowledge.sagepub.com.ludwig.lub.lu.se/view/hdbk_performance/d27.xml
(Via LUB search).
McConachie , Bruce “An Evolutionary Perspective on Live and Mediated Popular Performance”,
Popular Entertainment StudiesISSN 1837‐9303 , Vol. 1, Issue 1, pp.26‐43. 2010 (18)
https://www.google.se/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&ved=0CDkQFjAA
&url=https%3A%2F%2Fnovaojs.newcastle.edu.au%2Fojs%2Findex.php%2Fpes%2Farticle%2Fvie
w%2F10%2F4&ei=kg0UefyMMXK4ATV9IFw&usg=AFQjCNEX4KdYootU6qw__Yda1UDntImsdA&sig2=a8ELgFWeHR43
fBRtiSHQlQ&bvm=bv.43148975,d.bGE
Novitz, David ”Aestehtics of Popular Art” The Oxford Handbook of Aesthetics (2005-01-27) pp. 733747 (14)
http://www.oxfordhandbooks.com.ludwig.lub.lu.se/view/10.1093/oxfordhb/9780199279456.001
.0001/oxfordhb-9780199279456-e-44
Page Michael “Notes Toward A Thesis in Theatre and Memory”, EKPHRASIS, 1/2008
Visual Anthropology Research and the Cinema of Reality, p 58-71 (13)
http://www.google.se/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&ved=0CDMQFjAA
&url=http%3A%2F%2Fekphrasis.accentpublisher.ro%2Ffiles%2Farticles_content%2F46%2F5.pdf
&ei=CnYeUdKwHob_4QT1nYCoBg&usg=AFQjCNHal9kg4bLW3HX_56l2kF47kOzJw&sig2=ZPNzep9SYiNjW8nFgD3yJg&bvm=bv.42553238,d.bGE
Pavis, Patrice (1997). 'The state of current theatre research' in Applied Semiotics / Sémiotique
appliquée 2 (1997), 3: 125-140. (25)
www.chass.utoronto.ca/french/as-sa/ASSA-No3/index.html
Robbins, D. High Entertainment, Published as a free website 2009
http://www.high-entertainment.com/ (ca 20 p)
Sauter, Willmar “Unknown Woman by Anna Odell: The Event, the Trial, the Work –
264 (15)
doi:10.1017/S0307883312000909
http://journals.cambridge.org/abstract_S0307883312000909
-
Siegel, Tatiana The Making of Anna Karenina, 00183660, Nov2012 Special: Awards (2 p)
http://eds.a.ebscohost.com.ludwig.lub.lu.se/eds/detail?vid=8&sid=1f6dd4d4-7beb-464f-b28150d3c1993d73%40sessionmgr4002&hid=4113&bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l
0ZQ%3d%3d#db=bth&AN=84321222
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Schechner, Richard; Performance Studies: An Introduction - Broad Spectrum of Performance (ca 5
min) http://www.youtube.com/watch?v=KO-ebw_vJ3c
Schechner, Richard : Performance Studies: An Introduction - Make Believe/Make Belief (ca 5 min)
Youtube film http://www.youtube.com/watch?v=YG6fMnH17GU
Storey, John, “What is Popular Culture?” in An Introduction to Cultural Theory and Popular Culture,
Prentice Hall: London 1996, p. 1-19 (19p)
Thoss , Jeff ”Tell it Like a Game: Scott Pilgrim and Performative Media Rivalry“ forthcoming article
in Marie-Laure Ryan / Jan-Noel Thon (Hrsg.): Storyworlds across Media: Towards a MediaConscious Narratology. Frontiers of Narrative. Lincoln: University of Nebraska Press., p. 187- 205
(18)
Wolf, Werner “Intermediality” in Routledge Encyclopedia of Narrative Theory, p 252b-256b (4)
Recommended
Tolstoy, Anna Karenina English edition provided via internet
Min. 569 p
4