Part II. Program Data, Short Narratives – School of Art and Design (A) Productivity The School of Art and Design (SoAD) is the largest and most comprehensive art and design school in the state. SoAD has twice as many MFA students than any other program in the North Carolina system and has the largest BFA program in the UNC system. 2009-2010 SoAD Statistics from General Administration. The School had: 637 BFA and BA students in the program; 71 BFA students graduated that year. 46 MFA students in the program; 14 MFA students graduated that year. 24 MAEd upper division students in the program; 13 MAEd students graduated that year. During the academic year 2009-2010, Media Production (MPRD) was transferred from the School of Communication (SoC) to the SoAD. MPRD consisted of five full-time faculty members. This past year, these five full-time faculty members had to cover twenty-nine courses in the SoC, averaging 15 students per course: 435 x 3 = 1305 Media Production (MPRD) SCH for which the SoC was given credit. SoAD included these additional 5 FTE without any SCH counting toward their benefit. There are now 67 MPRD students in the SoC. MPRD is transitioning out of SoC and will become CAMP (Cinematic Arts and Media Production) at SoAD. Two years from now all MPRD students will have graduated and all CAMP majors, an anticipated 130 students, will be in SoAD. Our faculty teach eighteen contact hours per semester (eighteen is the maximum that our national accreditation organization, National Association of Schools of Art and Design, allows). Even with the high number of contact hours our faculty have been very productive. The SoAD faculty are recognized nationally and internationally for their work; during the last three academic years our faculty participated in 746 exhibitions and professional presentations in 35 states and 16 countries. It is important to point out that our graduate students are also very productive professionally. During the academic years of 2008-2009 and 2009-2010 (the last time these statistics were gathered) graduate students in SoAD participated in 428 exhibitions in 26 states and they received 110 honors, scholarships and awards. Our on-campus programs will continue to be viable and affordable. The presence of creative activity in different parts of the campus invigorates the community and helps to integrate its parts. This experience can assure that ECU students are afforded servicelearning projects and professional opportunities in the field during their course of study. This prepares them for their career and allows them to excel in the development of holistic approaches to their learning and cultural competencies. Even non-art majors will benefit from the experience and be prepared to participate in cultural organizations. Volunteers invest over $13 million in time spent supporting cultural organizations. NCSU Arts Organizations Study Nonprofit and public sector arts organizations working directly with the North Carolina Arts Council in 2005 provided more than 1,200 full-time jobs earning more than $47 million in total salaries and involved nearly 43,000 volunteers whose time is valued at $13 million. Cultural offerings create a quality of life that recruits new talent and keeps skilled workers. N.C. Department of Commerce Business Development Asset The Business Services Site Selectors Toolkit touts cultural amenities: “North Carolina offers an exceptional quality of life that contributes to a highly desirable place for businesses to attract and keep skilled workers with a culture rich in history and the arts. The state’s cultural offerings, rich history and variety of arts, and intense collegiate and professional sports rivalries create a quality of life that recruits new talent.” Across the state there are more than 1,000 arts facilities in cities and towns. The arts have 1 been a catalyst for downtown and neighborhood revitalization since the early 1980s. Many new major art centers have opened in our larger cities across the state in the last two years and many of our graduates work in and for these facilities. Help local rural communities expand their understanding of their own creative economies and how these can be leveraged to improve their overall economic fortunes. Although many small rural communities know that they are home to a variety of artists and artisans and value their presence, they have not yet thought extensively about how this artistic activity can translate into expanded economic activity. Most do not know how to examine the status of their own creative assets nor how to leverage them. Expanded opportunities for rural communities to understand what the creative economy is, and how it can be built upon in their own local economies, could do a great deal to help rural communities exploit their creative assets. NC Arts Council/NC Rural Economic Development Center Public support of the arts helps ensure that all citizens have access to the arts, regardless of economic status, education, geographic location, level of artistic talent or special needs. Steady interest in and attendance at arts events throughout the state indicates that the intrinsic benefits gained from the arts have importance to North Carolinians. (B)Centrality The visual arts have been a major component of instruction at ECU since the first faculty class was hired in 1909 (Kate Lewis). ECU has always believed that knowledge of and participation in visual art and design preparing graduates to deal with the complexity, diversity, and ambiguity of human societies, qualities required of strong leaders. Graduates will lead and inspire, understanding complexity, finding creative solutions to problems, and navigating the richness of human culture while advancing the arts and humanities. Faculty contribute by promoting and providing opportunities within national and international arts programs. Students and faculty integrate these experiences into their classes and communities through exhibitions, service-learning projects, teaching workshops and programming such as the Youth Arts Festival that attracts thousands of families. We fill an important role in the cultural life of the area, both “town and gown.” The School of Art and Design has long been held as a cornerstone of East Carolina University in part by providing these opportunities to the community at large. In turn, this allows us to contribute to the culture and quality of life in our community, stimulate the local creative economy, and promote Greenville as an arts destination. Additionally, our close relationship with Emerge Gallery/the Pitt County Arts Council serves to further this mission. Given the scale and significance of our school state-wide, it is clear that the School of Art and Design is a major contributor to North Carolina’s creative industry. The following examples are an indication of how important the creative sector is to the North Carolina economy. Examples of Art Career Earnings for Artists and Related Workers in NC Category Median Salary Middle 50% Top 10% Salaried Art $76,980 between $54,490 and $154,840 Directors $108,090 + Salaried Craft Artists $29,080. between $20,730 and $54,550+ $39,120 Salaried Fine Artists $42,650 between $29,230 and $83,410+ $60,650 Multimedia artists & $56,330 between $41,710 and $100,390 2 Animators $77,010 + Median annual wages were $65,600 in motion picture and video industries, and $52,530 in advertising and related services. Overview of North Carolina’s Creative Industry Category Establishments Design manufacturing 317 Artists 15,571 Design services 14,175 Other services 3,910 Retail 7,271 Information and entertainment 4,343 Public sector and education 635 Publishing and printing 1,323 Total 47,545 Workers 7,387 17,727 24,453 9,422 19,903 29,343 26,127 29,963 164,325 Every 100 jobs in the arts in North Carolina can be expected to support an additional 29 jobs in other industries. UNC-G School of Business Economic Impact Study This study calculates the economic impact of 263 selected non-profit arts organizations directly connected to the N. C. Arts Council in 2006. In FY 2006, the aggregate state- wide economic impact of these arts organizations was $367.4 million of final demand (revenue), $184.9 million in value added (product), and 8,559 full and part-time jobs. The core creative enterprise cluster employs more people than biotechnology, computers and electronics, machinery, or transportation equipment. Regional Technology Strategies (RTS) Clusters of Creativity Study This 2005 study found that the presence of creative professionals in a given county is the single most important factor associated with the amount that visitors will spend. The presence of creative workers is also strongly associated with rising household incomes. Counties with higher proportions of workers in arts-related occupations are more likely to retain current residents and attract new ones. In 2006, this creative sector employment was analyzed to include nonprofit and public sector as well as the private sector and was estimated at more than four percent of total employment in North Carolina. Nearly 159,000 people were employed in creative industries, with total wages of more than $3.9 billion. The Arts = Jobs: A National Perspective The United States arts industry supports: • $5.7 million jobs • 100,000 nonprofit arts organizations • 612,000 arts-centric businesses • $29.6 billion in tax revenues • $166.2 billion total economic impact (C)Quality Actively seizing the opportunity to integrate the arts with its tradition of world-class scholarship and learning in the humanities, SoAD and the College of Fine Arts and Communication send a clear message that the creative arts are worthy of a prominent voice and presence within ECU and the community. Ensure that the arts are integrated into ECU’s academic and campus life, rather than isolated from it, giving the arts a visible place that communicates ECU’s commitment to cultural enrichment and an improved quality of life. The following events are examples of this commitment. • Print Summit – the 2010 printmaking summit brought national artists to campus in 3 conjunction with the “Survey of Contemporary Printmaking” exhibition in the Gray Gallery. • Art Without Borders is an art exhibition accompanied by series of events, such as panel discussions, artists’ talks, concerts, films, and bilingual workshops, and introduced the goal of building and strengthening ties between the diverse groups that make up our community, and between ECU and the broader community in eastern N C. •Hosting Jingdezhen’s White and Blue | A Ceramics Conference Celebrating the Tradition of Chinese Porcelain: This two-day event brought attendees from schools and ceramics studios throughout North Carolina. An important exchange took place both in artistic and cultural practices between Jingdezhen, China and our communities. • East Carolina University’s Belk Distinguished Professor Robert “Bob” Ebendorf was honored Oct. 7, 2010, for his contributions in the arts; he was among six North Carolinians to receive the state’s highest civilian honor, the North Carolina Award. •Additional Symposia and Conferences: Material Topics (which brings in students from 11 states and 8 Universities), Tri-State Sculpture, Pulp Culture (papermaking), and others •Italy Program (now at the college level) was initiated for its first few years at SoAD. (D) Opportunity (SWOT) Analysis Strengths •The School of Art and Design (SoAD) is the largest and most comprehensive art and design school in the state, consisting of 13 concentrations, some of which have national and inter- national reputations; our faculty also share this high reputation for quality. •SoAD has the largest BFA programs in Art Education in the state. Most of our students, upon graduation, are able to find positions in the K-12 system. •Over the past several years, there has been a significant increase in the growth of our school in terms of undergraduate and graduate majors. •Exemplified in our partnerships with Emerge Gallery, Greenville Museum of Art, and the very successful Youth Arts Festival, our community outreach is expanding each year. Weaknesses We need more space for the Cinematic Arts and Media Production and Photography areas. We need one more faculty member in the following areas because of higher demand: Graphic Design, Animation/Interactive Design and Foundations/Interdisciplinary programming. Opportunities •We are developing interdisciplinary and cooperative partnerships with the following: North Carolina Pottery Center in Seagrove; Coastal Studies Institute in Manteo; and the College of the Albemarle in Manteo. •We are working to promote interdisciplinary course development and programming, including papermaking. •We are working with the city of Greenville to develop an arts incubation space. •It would be beneficial for ECU to consider bringing the Interior Design program back into the School and align their design work with SoAD’s programs. The challenge is that they need to retain their space. Threats •There is a concern of diverting resources from SoAD because of the emphasis on STEM. •Due to the increasing numbers of students attending SoAD, there is a need for additional space. •There is a concern with the aging of our facilities and a lack of appropriate ventilation. Data gathered from the following organizational websites: US Department of Labor Bureau of Labor Statistics Occupational Outlook Handbook; North Carolina Arts Council; American for the Arts; UNC General Administration website; National Governors Association Center for Best Practices 4