Outline of Core Module Seminars Term 1, 2012 Section 1: Mapping the Renaissance Week 1. Renaissance Humanism in Italy: from Petrarch to Machiavelli (Maude Vanhaelen). Monday 1 October, 2:30-4:00, H450. (CM) Week 2. Renaissance Humanism in Northern Europe: Erasmus (Paul Botley). Monday 8 October, 10:00-12:00, H450. (CM) Week 3. The Political, Social and Economic Landscape of the Renaissance (David Lines). Monday 15 October, 10:00-12:00, H450. (CM) Week 4. Renaissance Art (Joanne Anderson). Monday 22 October, 10:00-12:00, H450. (CM) Week 5. Renaissance Philosophy: More’s Utopia (Mark Knights). Tuesday 30 October, 1:00-3:00, H450. (CM) Week 6. Reading Week (no classes). Section 2: Renaissance Literary Culture Week 7. English Literature (Paul Botley). Monday 12 November, 10:00-12:00, H450. (CM) Week 8. Italian Literature (Simon Gilson). Monday 19 November, 12:00-2.00, H450 (CM) Week 9. French Literature (Michael Harrigan). Monday 26 November, 10:00-12.00, H450. (CM) Week 10. Greek Literature (Paul Botley). Monday 3 December 2012, 10:00-12:00, H450. (CM) Outline of Core Module Seminars Term 2, 2013 Section 3: Renaissance Thought, Science and Art Week 1. Collecting in the Renaissance: Libraries and Museums (David Lines). Monday 7 January 2013, 10:00-12:00, H450. (CM) Week 2. Renaissance Scholarship (Paul Botley). Monday 14 January, 3.30-5:30, H450. (CM) Week 3. Renaissance Medicine (to be confirmed) Monday 21 January, 2:00-4:00, H450. (CM) Week 4. Aristotle in the Renaissance (Eva Del Soldato) Monday 28 January, 2:00-4:00, H450. (CM) Week 5. Renaissance Art: Neoplatonism (Lorenzo Pericolo). Monday 4 February, 2:00-4:00, H450. (CM) Week 6. Reading Week (no classes) Section 4: Renaissance Society, Power, and Religion Week 7. Printing and Popular Culture (Rosa Salzberg). Monday 18 February, 2:00-4:00, H450. (CM) Week 8. The Universities and Political Power (Jonathan Davies). Monday 25 February, 2:00-4.00, H450. (CM) Week 9. Religion and Renaissance Women: Spirituality and Poetry in England (Femke Molekamp). Monday 4 March, 10:00-12:00, H450. (CM) Week 10. Identifying the Renaissance: Current Debates and Methodological Problems (Jonathan Davies). Monday 11 March, 10:00-12:00, H450. (CM) Week 1. Humanism in the Italian Renaissance: From Petrarch to Machiavelli Maude Vanhaelen Questions The following questions intend to provide you with an overview of key figures, important concepts and themes, and main scholarly debates on Renaissance thought. Please prepare notes on some of the following questions, with reference to relevant secondary sources: Why is the period 1300-1600 called ‘The Renaissance’, and who were the first to use this terminology of ‘rebirth’? What is ‘humanism’? How were ancient Greek authors (e.g. Homer, Plato) transmitted in Renaissance Italy? What was the contribution and role of Petrarch, and how far can we call him ‘the father of humanism’? In what ways do Leonardo Bruni and Lorenzo Valla symbolise what we call ‘Renaissance humanism’? Identify Angelo Poliziano, Giovanni Pico della Mirandola and Marsilio Ficino and situate them in the context of the Medici’s patronage and politics. What is the ‘Baron thesis’? Discuss Machiavelli’s contribution to political thought. How ‘machiavellian’ was Machiavelli? Discuss the ways in which ‘humanism’ has been defined by the two founding fathers of Renaissance studies (Eugenio Garin and Paul Oskar Kristeller) and reflect on the various ways in which one can combine both approaches (see Celenza). Readings R. Black, Renaissance Thought. A Reader (London: Routledge, 2001) [Key articles on ‘The Renaissance’ by anglo-saxon scholars. Several important articles by Kristeller, one of the founding fathers of Renaissance studies] C. Celenza, The Lost Italian Renaissance: Humanists, Historians and Latin’s Legacy (Baltimore: Johns Hopkins University Press, 2004) [includes an interesting chapter on Garin vs. Kristeller] R. Fubbini, Humanism and secularization: from Petrarch to Valla, translated by Martha King (Durham, N.C.: Duke University Press, 2003) E. Garin, Italian Humanism: Philosophy and Civic Life in the Renaissance, translated by Peter Munz (Wesport, Conn: Greenwood, 1975) [The other founding father of Renaissance studies] P. Godman, From Poliziano to Machiavelli: Florentine Humanism in the High Renaissance (Princeton, Princeton University Press, 1998) [a good synthesis of the topic] J. Hankins (ed), Renaissance Civic Humanism: Reappraisals and Reflections (Cambridge: Cambridge University Press, 2000) [A good reappraisal of the Baron thesis] J. Kraye, The Cambridge Companion to Renaissance Humanism (Cambridge: Cambridge University Press, 1996) A. Mazzocco (ed), Interpretations of Renaissance Humanism (Leiden: Brill, 2006) Q. Skinner, ‘Political philosophy’, in C. B. Schmitt and Q. Skinner (eds), The Cambridge History of Renaissance Thought (Cambridge: Cambridge University Press, 1988), esp. pp. 408-442 [useful introduction on Machiavelli] N. Wilson, From Byzantium to Italy. Greek studies in the Italian Renaissance (London: Duckworth, 1992) [excellent account of the revival of Greek culture in 15th-century Italy] R. B. Witt, In the Footsteps of the Ancients: the Origins of Humanism from Lovato to Bruni (Leiden: Brill, 2000) Week 2. Renaissance Humanism in Northern Europe: Erasmus Paul Botley Questions Is the Northern European Renaissance different from the Italian Renaissance? Does the term ‘humanism’ remain as useful for describing the activities of the sixteenth century as it is for the fifteenth? Why is Erasmus important? What information do you need to answer the question ‘What was the Reformation?’ What was the Reformation? Reading Please read Erasmus’ satirical dialogue The Praise of Folly, and his public letter to Maarten Van Dorp. Both are available in a modern English translation in Erasmus, Praise of Folly and Letter to Maarten Van Dorp. tr. Betty Radice, intro. and notes A. H. T. Levi, London, Penguin, 1971 (repr. 1993). The University Library has several copies of this edition. If you’re feeling more adventurous, you can read it in a sixteenth-century English translation: Erasmus, The Praise of Folie by Sir Thomas Chaloner, ed. Clarence H. Miller, Oxford, 1965. The Praise of Folly is a slipperly text, so be prepared to read slowly. Secondary sources The bibliography below is suggested (not required) reading. The University Library holds a very large number of works on Erasmus, most of which are good. Bainton, Roland H. Erasmus of Christendom. London, 1969. A very readable and relatively short biography, available to read online vis the Library catalogue. Bietenholz, Peter G. ed. Contemporaries of Erasmus: A Biographical Register of the Renaissance and Reformation. Asst. ed. Thomas B. Deutscher. 3 vols. Toronto, 1985-1987. An invaluable guide to all the names which appear in Erasmus’ works. Dolan, John P. The Essential Erasmus. New American Library, 1964. This contains translations of a number of important works: the Encheiridion, Praise of Folly, Complaint of Peace, Inquisitio de fide, De immensa misericordia Dei, De sarcienda Ecclesiae concordia. Erasmus, Paraclesis. An English translation of this important work is available in: Christian Humanism and the Reformation: Selected Writings, ed. J. C. Olin (New York, 1965), pp. 92106. Erasmus, Enchiridion Militis Christiani: An English Version, ed. Anne M. O’Donnel. Oxford, 1981. An edition of a sixteenth-century English translation. Erasmus, The Collected Works of Erasmus, 86 vols to date, Toronto, 1974-2011. The complete works of Erasmus are available in a reliable English translation in this series. Jardine, Lisa. Erasmus Man of Letters: The Construction of Charisma in Print. Princeton, 1995. Kraye, Jill. ‘Erasmus and the Canonisation of Aristotle: The Letter to John More’, in England and the Continental Renaissance, ed. E. Cheney and P. Mack (Bury St Edmunds, 1990) 37-49. Maguire, J. B. ‘Erasmus’ Biographical Masterpiece: Hieronymi Stridonensis Vita.’ Renaissance Quarterly 26 (1973) pp. 265-73. This is on JSTOR. Phillips, Margaret Mann. Erasmus and the Northern Renaissance. London, 1949. Reprint 1961. Phillips, Margaret Mann. The Adages of Erasmus: A Study with Translations. Cambridge, 1964. Rabil, Albert. Erasmus and the New Testament: The Mind of a Christian Humanist, San Antonio, 1972. Rummel, Erika, The Erasmus Reader, Toronto, 1990. A collection of extracts from some of Erasmus’ most influential works. Rummel, Erika. Erasmus on Women, Toronto, 1996. Rummel, Erika. Biblical Humanism and Scholasticism in the Age of Erasmus, Leiden and Boston, 2008. Sowards, J. K. ‘Erasmus and the Apologetic Textbook: a Study of the De Duplici Copia Verborum ac Rerum.’ Studies in Philology 55 (1958) pp. 122-35. Week 3. Renaissance Europe: the economic, political and social landscape David Lines Questions Think about the following issues as you read around in the items listed below: To what extent did the flourishing of the art and literature of the Renaissance correspond to a economic high-point as well? To what extent was the Renaissance a period of socio-political tensions and rivalries? Why? What effects are visible on institutions and cultural developments? Where did the demographic expansion especially take place, and how did it effect relationships between city and countryside? Did the Renaissance mainly involve the higher classes? Were social structures affected at all? Did women have a Renaissance? Did any new economic models develop? And how did Europe’s economy expand or contract in the wake of the new geographical discoveries? Reading Eugene F. Rice, Jr. and Anthony Grafton, The Foundations of Early Modern Europe, 1460– 1559, 2nd ed. (Norton, 1994), chs. 2, 4–6. Read selected articles in Handbook of European History, 1400–1600, 2 vols., ed. Thmas A. Brady, Jr. and others (Leiden: Brill, 1994–95), esp. vol. 1, ch. 16 (The Art of War) by Michael Mallett. John M. Najemy, Italy in the Age of the Renaissance (Oxford, 2004), chs. 4–5, 8–9. Week 4. Renaissance Art Joanne Anderson Questions What kind of art history does Vasari construct? Who does it privilege and why? What challenges to this model are laid down by Welch, Burke and Harrison? How else might we study the art of the Renaissance? Is 'Renaissance' a valid term? Reading Compulsory Reading Evelyn Welch, 'Engendering Italian Renaissance Art - A Bibliographic Review', Papers of the British School at Rome 68 (2000), pp. 201-216 (Arts Periodicals). Giorgio Vasari, Prefaces to The Lives of the Artists (2nd edition, 1568). See http://www.gutenberg.org/ebooks/25326 Available online, but there are also numberous copies in the Library and the Learning Grid. Jill Burke, 'Florentine art and the public good', in Viewing Renaissance Art, K. Woods, C. M. Richardson and Angeliki Lymberopoulou (The Open University Press, 2007) (N6370.W655) Charles Harrison, 'Giotto and the Rise of Painting', in Siena, Florence and Padua: art, society and religion, 1280-1400, vol. 1, ed. Diana Norman (New Haven: Yale University Press, 1995), pp. 73-95 (N6931.S44) Further Reading On Renaissance Art: Evelyn Welch, Art in Renaissance Italy (Oxford University Press, 2000) (N6915.W3) William Hood, 'The State of Research in Italian Renaissance Art', The Art Bulletin 69 (1987), pp. 174-186 (Art Periodicals) Luba Freedman, The Revival of the Olympian Gods in Renaissance Art (Cambridge University Press, 2003) (N6915.F7) Larry Silveer, 'The State of Research in Northern European Renaissance Art', The Art Bulletin 68 (1986), pp. 518-35 (Arts Periodicals) Susie Nash, Northern Renaissance Art (Oxford University Press, 2008) (N6370.N2) Jeffrey Chipps Smith, The Northern Renaissance (Phaidon, 2004) (N6370.55) On Art History Methodology: Michael Hatt and Charlotte Klonk, Art History. A Critical Introduction to its Methods (Manchester University Press, 2006) (N7480.H2) Donald Preziosi, The Art of Art History: A Critical Anthology (Oxford University Press, 1998) (online through library) (2009 edition, N7475.A7) Eric Fernie, Art History and its Methods: A Critical Anthology (Phaidon, 2003) (N85.F3) Week 5. Renaissance Philosophy: More’s Utopia Mark Knights Reading Primary source More’s Utopia (any edition will do, though there is an especially good and cheap one by David Wootton and I have ordered some of these for the bookshop). Please ensure that you have read the text before the seminar. Secondary sources Historical/cultural background Amy Boesky, Founding Fictions: Utopias in Early Modern England (Athens: University of Georgia Press, 1996) Burns and Goldie (eds), The Cambridge History of Political Thought, 1450-1700 (1991) P. A. Fideler and T.F. Mayer, Political Thought and the Tudor Commonwealth: Deep Structure, Discourse and Disguise (1992) A. Fox, Politics and Literature in the Reigns of Henry VII and Henry VIII (1989) S. Greenblatt, Renaissance Self-fashioning: From More to Shakespeare (1980) J. Guy, Tudor England (OUP 1988) A. Hadfield, Literature, Politics and National Identity : Reformation to Renaissance (1994) P. C. Herman, Rethinking the Henrician Era: Essays on Early Tudor Texts and Contexts (1994) D. MacCulloch, The Reign of Henry VIII: Politics, Policy and Piety. J. McConica, English Humanists and Reformation Politics under Henry VIII and Edward VI (1965) J. Pocock (ed), The Varities of English Political Thought 1500-1800 (1993) Q. Skinner, The Foundations of Modern Political Thought vols 1 (Renaissance) and 2 (Age of Reformation) (1978) G. Walker, Persuasive Fictions: Faction, Faith and Popular Culture in the Reign of Henry VIII (1995) On More/Utopia specifically: Brendan Bradshaw, 'More on Utopia', Historical Journal, 24 (1981), 1-27 R. W. Chambers, Thomas More (1935) J. C. Davis, Utopia and the Ideal Society: A Study of English Utopian Writing, 1516-1700 (1981), chapter 2. G. R. Elton, ‘The Real Thomas More’ in Reformation Principles and Practice ed. by P. Brooks (1980) D. Fenlon, ‘England and Europe: Utopia and Its Aftermath’ Transactions of the Royal Historical Society (1975) A. Fox, Thomas More: History and Providence (1982) Carlo Ginzburg, No Island is an Island: Four Glances at English Literature in a World Perspective, trans. by John Tedeschi, Italian Academy Lectures (New York: Columbia University Press, 2000), ch. 1 J. Guy, The Public Career of Sir Thomas More (1980) J. Hexter, Introduction to Yale edition of Utopia (vol 4 of the Complete Works) More’s ‘Utopia’ (1952) The Vision of Politics on the Eve of the Reformation (1973) A. Kenny, Thomas More J. Levine, ‘Thomas More and the English Renaissance: History and Fiction in Utopia’ in The Historical Imagination in Early Modern Britain, ed D. Kelley and D. Harris Sacks (1997) G. Logan, The Meaning of More's 'Utopia' (1983) A. L. Morton, The English Utopia (1969) F. Manuel, Utopian Thought in the Western World F. Manuel (ed) Utopias and Utopian Thought R. Marius, Thomas More (1984) E. Reynolds, The Field is Won: The Life and Death of Saint Thomas More (1968) Q. Skinner, Section in Foundations of Modern Political Thought (1978) Q. Skinner, ‘Sir Thomas More’s Utopia and the Language of Renaissance Humanism’ in A. Pagden (ed) The Languages of Political Theory in Early Modern Europe (1987) R. Sylvester (ed), Essential Articles for the Study of Thomas More (1977) Thomas White, 'Pride and the Public Good: Thomas More's Use of Plato in Utopia', Journal of the History of Philosophy, 20 (1982), 329-54 David Wootton, 'Friendship Portrayed: A New Account of Utopia', History Workshop Journal, 45 (1998), 29-47 If you are interested in Utopianism more generally see http://www.trin.cam.ac.uk/rws1001/utopia/default.htm, where you will also find a very extensive bibliography on More. Week 6. Reading Week (no classes). Section 2: Renaissance Literary Culture Week 7. English Literature: Shakespeare’s Rome Paul Botley Questions During your reading you may want to bear in mind the following questions: What contitutes tyranny in Shakespeare’s Rome? What do the Roman gods think of the events of these play? Where is the Christian God? Does Shakespeare approve of suicide? Who is the hero in Julius Caesar? Who is the hero in Antony and Cleopatra? What is the role of restraint in both plays? What is the role of fate in both plays? Please bring your own questions to the classroom: we’ll try to answer them. Reading Please read Shakespeare’s Julius Caesar and his Antony and Cleopatra. If you are not very familiar with Shakespeare, you will find this slow work, but persevere, it gets easier. You can find the two plays in any text of the complete works of Shakespeare, but you’ll be better off with a single play edition with lots of explanatory footnotes. Get the most recent edition you can find: the best start to reading secondary literature will be the introduction to your edition. I like the New Cambridge editions, but the Arden Shakespeare and the Oxford Shakespeare are also good. If you have time, you might want to look at Shakespeare’s other Roman plays: Titus Andronicus (a little crude, astoundingly gory) and Coriolanus (a dense, confusing, magnificent play). Bibliography The secondary literature on Shakespeare is vast and unwieldy, and that on Shakespeare and Rome only a little smaller. The following list of recommended (not required) reading includes some of the more notable and more easily available works. Many of the essays are in JSTOR. Brower, R. A. Hero and Saint: Shakespeare and the Graeco-Roman Heroic Tradition, Oxford, 1971. Cantor, P. A. Shakespeare's Rome: Republic and Empire, Ithaca, NY, 1976. Charney, M. Shakespeare's Roman Plays, Cambridge, MA, 1968. D’Amico, Jack, ‘Shakespeare’s Rome: Politics and Theater’, Modern Language Studies 22 (1992) pp. 65-78. Dean, Paul, ‘Tudor Humanism and the Roman Past: A Background to Shakespeare’, Renaissance Quarterly 41 (1988) pp. 84-111. Kalmey, Robert P. ‘Shakespeare’s Octavius and Elizabethan Roman History’, Studies in English Literature, 1500-1900, 18 (1978) pp. 275-87. Martindale, Charles and Michelle, Shakespeare and the Uses of Antiquity: An Introductory Essay, London and New York, 1990. This is available to read online via the University Library catalogue: see especially pp. 12164. Miles, Gary B. ‘How Roman are Shakespeare’s “Romans”?’ Shakespeare Quarterly 40 (1989), pp. 257-83. Miles, Geoffrey, Shakespeare and the Constant Romans, Oxford, 1996. There are two copies of this in the University Library. Miola, Robert S. Shakespeare's Rome, Cambridge, 1983. Miola, Robert S. ‘Julius Caesar and the Tyrannicide Debate’, Renaissance Quarterly 38 (1985) pp. 271-89. Platt, M. Rome and the Romans according to Shakespeare, Salzburg, 1976. There is a copy of this in the University Library. Rebhorn, Wayne A. ‘The Crisis of the Aristocracy in Julius Caesar’, Renaissance Quarterly 43 (1990), pp. 75-111. Ronan, Clifford, Antike Roman: Power Symbology and the Roman Play in Early Modern England, 1585-1635, Athens, GA, and London, 1996. Sacharoff, Mark. ‘Suicide and Brutus’ Philosophy in Julius Caesar’. Journal of the History of Ideas 33 (1972) pp. 115-22. Wells, C. The Wide Arch: Roman Values in Shakespeare, London, 1993. Williamson, Marilyn, ‘The Political Context in Antony and Cleopatra’, Shakespeare Quarterly 21 (1970) pp. 241-51. Week 8. Italian Literature: Reading and Writing in the Renaissance Simon Gilson Questions You should prepare notes on the following questions: How and for what purposes was the language of rebirth used in relation to literature (especially Dante and Petrarch)? [see McLaughlin] What styles of reading were practiced in the Renaissance? [See Grafton and Kallendorf] How did print culture affect the author-reader-writer relationship? [See Chartier, Richardson] In what ways was the vernacular literature of Dante read and reinterpreted in Renaissance Florence? (See set text, part 3; Garin, Gilson, Grayson, Parker) Set Text (for point 4) Images of Quattrocento Florence: Selected Writings in Literature, History and Art, ed. and trans. Stefano Ugo Baldassarri and Arielle Saiber (New Haven-London, 2000) Bibliography Roger Chartier, The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries, trans. Lydia G. Cochrane (Cambridge, 1994) Roger Chartier, The Culture of Print: Power and the Uses of Print in Early Modern Europe (Cambridge, 1989) Elizabeth Eisenstein, The Printing Press as an Agent of Change, 2 vols. (Cambridge-New York, 1979) Eugenio Garin, ‘Dante nel Rinascimento’, Rinascimento, 2ser./7 (1967), 3-28; English translation in The Three Crowns of Florence: Humanist Assessments of Dante, Petrarca, and Boccaccio (London, 1972) Simon Gilson, Dante and Renaissance Florence (Cambridge: Cambridge University Press, 2005) Anthony Grafton, Commerce with the Classics: Ancient Books and Renaissance Readers (Ann Arbor, MI, 1997) Anthony Grafton, ‘Renaissance Readers and Ancient Texts: Comments on Some Commentaries’, Renaissance Quarterly 38 (1988), 615–49 Cecil Grayson, ‘Dante and the Renaissance', in Italian Studies presented to E.R. Vincent (Cambridge: Heffer, 1962), pp. 57-75 Craig Kallendorf, Virgil and the Myth of the Renaissance: Books and Readers in the Italian Renaissance (Oxford, 1999) Martin L. McLaughlin, ‘Humanist Concepts of Renaissance and Middle Age in the Tre- and Quattrocento’, Renaissance Studies 2:2 (1988), 131–42 Deborah Parker, Commentary and Ideology: Dante in the Renaissance (Durham-London: Duke University Press, 1993) [with chapter on Landino's commentary] Brian Richardson, Print Culture in Renaissance Italy. The Editor and the Vernacular Text, 1470-1600 (Cambridge, 1994) Brian Richardson, Printing, Writers and Readers in Renaissance Italy (Cambridge, 1999) Week 9. French Literature: Encountering the New World – Jean de Léry Michael Harrigan Questions How is intertextuality manifested in Jean de Léry? What does Léry’s text tell us about the religious climate of his time? What can Léry’s text tell us about ideas of ‘human nature’ in the sixteenth century? To what extent was the ‘New World’ new? Required Primary Reading Léry, Jean de, Histoire d’un Voyage faict en la Terre du Brésil (Geneva: Antoine Chuppin, 1578) ; 2nd edition repr. ed. by Frank Lestringant (Paris: Livre du Poche, 1994) ; trans. by Janet Whatley as History of a Voyage to the Land of Brazil (Berkeley: University of California Press, 1990). Useful [not essential] Primary Reading Léry, Jean de, Histoire Mémorable du Siège de Sancerre (Geneva: n. pub., 1574) ; repr. as Au Lendemain de la Saint-Barthélemy: guerre civile et famile [et] Histoire Mémorable du Siège de Sancerre (1573) (Paris: Editions Anthropes, 1975). [Original text can be accessed on www.bnf.fr]. Montaigne, Michel de, ‘Des Cannibales’ (Book 1, ch. 31) and ‘Des Coches’ (Book 3, ch. 6) in Essais, ed. Marie-Madeleine Fragonard (Paris: Pocket, 1998); trans. as ‘Of Cannibals’ and ‘Of Coaches’, in The Complete Essays, by M. A. Screech (London: Penguin, 1995). Staden, Hans, Hans Staden: the True History of his Captivity (1557), trans. ed. Malcolm Letts (London: Routledge, 1928); also repr. as The Return of Hans Staden: a Go-Between in the Atlantic World, ed. by Eve M. Duffy and Alida C. Metcalf (Baltimore: Johns Hopkins University Press, 2012). Secondary Reading Certeau, Michel de, L'Écriture de l'histoire (Paris: Gallimard, 1975); transl. as The Writing of History by Tom Conley (NY: Columbia University Press, 1988). Chiappelli, Fredi, ed., First Images of America: the Impact of the New World on the Old (Berkeley: University of California Press, 1976). Davis, Natalie Zemon, Society and Culture in Early Modern France (Stanford: Stanford University Press, 1975) [see chapter 6, The Rites of Violence, pp. 152-187]. Greenblatt, Stephen, Marvelous Possessions: the Wonder of the New World (Oxford: Clarendon, 1991). Greenblatt, Stephen, ed., New World Encounters (Berkeley; Oxford: University of California Press, 1993). Hulme, Peter and Whitehead, Neil, Wild Majesty: Encounters with Caribs from Columbus to the Present Day: an Anthology (Oxford: OUP, 1992). Lestringant, Frank, Jean de Léry, ou, l'invention du sauvage: essai sur l'Histoire d'un voyage faict en la terre du Brésil (Paris: H. Champion, 2005). Lestringant, Frank, Le Cannibale: grandeur et décadence (Paris: Perrin, 1994); trans. by Rosemary Morris as Cannibals: the Discovery and Representation of the Cannibal from Columbus to Jules Verne (Cambridge: Polity, 1997). Lestringant, Frank, Le Huguenot et le Sauvage, 3rd ed. (Geneva: Droz, 2004). Levin, Harry, The Myth of the Golden Age in the Renaissance (London: Faber, 1970). Pagden, Anthony, European Encounters with the New World: from Renaissance to Romanticism (New Haven; London: Yale University Press, 1993). Pagden, Anthony, The Fall of Natural Man: the American Indian and the Origins of Comparative Ethnology (Cambridge University Press, 1982). Todorov, Tzvetan, Nous et les autres: la réflexion française sur la diversité humaine (Paris: Éditions du Seuil, 1989); trans. by Catherine Porter as On Human Diversity: Nationalism, Racism and Exoticism in French Thought (London: Harvard University Press, 1993). Further secondary readings Duall, Scott D., ‘Beaucoup plus barbares que les Sauvages mesmes: Cannibalism, Savagery, and Religious Alterity in Jean de Léry's Histoire d'un voyage faict en la terre du Brésil (15991600)’, L’Esprit Créateur, vol. 48, 1 (spring 2008), 58-71. Frisch, Andrea, ‘In a Sacramental Mode: Jean de Léry’s Calvinist Ethnography’, Representations, vol. 77, 1 (winter, 2002), 82-106. Jeanneret, Michel, ‘Léry et Thevet: comment parler d’un monde nouveau ?’, Mélanges à la mémoire de Franco Simone, vol. 4: Tradition et originalité dans la création littéraire (Geneva: Slatkine, 1983), 227-245. Rubies, Joan-Pau, ‘Texts, Images and the Perception of the ‘Savages’ in Early Modern Europe: What we can Learn from White and Harriot’, in European Visions: American Voices, ed. Kim Sloan (British Museum Research Publication, 2009), 120-130. [available through website of British Museum]. Shullenberger, G., ‘Analogies of the Sacrament in Sixteenth-Century French and Spanish Ethnography: Jean de Léry and José de Acosta’, Romance Studies, vol. 28, 2 (2010), 84-95. Whatley, Janet, ‘Food and the Limits of Civility: The Testimony of Jean de Léry’, Sixteenth Century Journal, vol. 15, 4 (winter 1984), 387-400. Whatley, Janet, ‘Impression and Initiation: Jean de Lery's Brazil Voyage’, Modern Language Studies, vol. 19, 3 (summer 1989), 15-25. Whatley, Janet, ‘Une révérence réciproque: Huguenot Writing on the New World’, University of Toronto Quarterly, 57, 2 (winter 1987-88): 270-89. Week 10. Greek Literature Paul Botley Questions In the course of your reading for this class, you should consider the following issues: All of these renaissance writers make assumptions about what it is valuable to know. What are these assumptions, and are they still valid? What was the role of translation in the renaissance classroom? How useful is the distinction between translations made ‘ad sensum’ and those made ‘ad verbum’? The account of the Septuagint translation in the Letter of Aristeas is now regarded as a myth. Do you think it was regarded as a myth in the fifteenth or sixteenth centuries? How would we know? Try to identify some Greek author or authors which you are particularly interested in. We may be able to talk about their fortunes during the period in the class. Reading The class will be divided into two parts. The first will look at educational practices in the renaissance generally, and at the teaching of Greek specifically. The second will examine the ideas about translation during the period, with particular emphasis on translations of Greek authors. Please read the following four primary sources: Pier Paolo Vergerio, De ingenuis moribus (pp. 93-118 in Woodward's translation; pp. 2-91 in Kallendorf's Latin-English text). Battista Guarino, De ordine docendi et studendi (Woodward, pp. 159-78; Kallendorf, pp. 260309). Aristeas, The letter of Aristeas, tr. H. Thackeray, London, 1917. This is available to read and download at: http://www.archive.org/details/theletterofarist00unknuoft. If you want a more authentically Early Modern experience, try reading John Donne’s translation of this work (1633), available to read via Early English Books Online. James Hankins' translations of Leonardo Bruni, Selected writings on education and on translation in Griffiths, Hankins, and Thompson, The Humanism of Leonardo Bruni, pp. 197254. Secondary Literature The bibliography below is suggested (not required) reading. Everything here is good, and it's all available in the University Library. Don't worry too much about the Catalogus Translationum et Commentariorum: I'll talk a little about it in class. Botley, Paul. Renaissance Latin Translations: Leonardo Bruni, Giannozzo Manetti and Desiderius Erasmus. Cambridge, 2004 (paperback 2008). Botley, Paul. Learning Greek in Western Europe, 1396-1529: Grammars, Lexica, and Student Texts. Philadelphia, 2011. Copeland, Rita. ‘The Fortunes of ‘Non Verbum pro Verbo’: Or, Why Jerome is Not a Ciceronian’, in The Medieval Translator: The Theory and Practice of Translation in the Middle Ages, ed. Roger Ellis (Cambridge, 1989) pp. 15-35. Geanakoplos, Deno John. Greek Scholars in Venice: Studies in the Dissemination of Greek Learning from Byzantium to Western Europe. Cambridge MA, 1962. Grendler, Paul. Schooling in Renaissance Italy: Literacy and Learning 1300-1600. Baltimore, 1989. Griffiths, Gordon, James Hankins, and David Thompson, eds. The Humanism of Leonardo Bruni: Selected Texts. Binghamton, New York, 1987. For an overview of Bruni's work, the prefaces to each section are a good place to start. Kallendorf, Craig. ed. and tr. Humanist Educational Treatises. I Tatti Renaissance Library. Cambridge MA and London, 2002. Includes parallel Latin-English texts of Vergerio's and Guarino's treatises (pp. 2-91; 260-309). Kelly, Louis. The True Interpreter: A History of Translation Theory and Practice in the West. Oxford, 1979. Kristeller, Paul O., et al., eds. Catalogus Translationum et Commentariorum: Medieval and Renaissance Latin Translations and Commentaries. 8 vols to date. Washington D.C., 19602003. Norton, Glyn P. The Ideology and Language of Translation in Renaissance France and their Humanist Antecedents. Geneva, 1984. Schwarz, Werner. Principles and Problems of Biblical Translation. Cambridge, 1955. Short, clear and to the point. Weiss, Roberto. ‘Learning and Education in Western Europe from 1470-1520’, in New Cambridge Modern History, vol. I: The Renaissance, 1493-1520. Cambridge, 1957. Wilson, Nigel. From Byzantium to Italy: Greek Studies in the Italian Renaissance. London, 1992 [Written from the perspective of a classicist, but very readable]. Woodward, William H. Vittorino da Feltre and Other Humanist Educators, Cambridge, 1897. Reprinted Cambridge, 1905, 1912, 1921; New York, 1970; Toronto, 1996. (http://www.archive.org/details/vittorinodafelt00woodgoog) Term 2 Section 3: Renaissance Thought, Science and Art Week 1. Collecting in the Renaissance: Libraries and Museums David Lines Questions Libraries: when did public libraries develop, and how did they compare to private ones? How large were libraries? How were their size and layout affected by changes in book production and the classification of knowledge? What was the proportion of manuscripts to printed editions? How different was a library then to what it is now? How easy is it to reconstruct holdings and classification systems? Were there any forces limiting the acquisition of books? Museums: what is the difference, if any, between a museum and a Wunderkammer in the Renaissance? How are objects collected and displayed? What is the purpose? Who is the audience? Art collections: who assembles them, and for what purpose? How do issues of patronage, status and wealth affect the way in which collections take shape? How different are Renaissance art collections to others we see in galleries and art museums today? Is there a common driving force to the building of libraries, museums and art collections in the Renaissance, perhaps related to historical, geographical, or scientific changes? Do the three phenomena proceed at the same pace, or not? What are the differences between Renaissance understandings of the purpose and public for such collections? Reading Note: our seminar session will focus on the library and museum of natural history of Ulisse Aldrovandi in Bologna, on the basis of unpublished documents (to be distributed and discussed) and of the secondary literature. It will be particularly important to read the relevant studies of Paula Findlen listed below, but also to read around the general subject of libraries and collections in the Renaissance. Particularly important items are marked below with an asterisk. The bibliography is arranged in chronological order. Anthony Hobson, Great Libraries (London, 1970) *B. L. Ullman, The Public Library of Renaissance Florence (Padua, 1972) Marcella T. Grendler, ‘A Greek Collection in Padua: The Library of Gian Vincenzo Pinelli (1535–1601),” Renaissance Quarterly, 33.3 (1980), 386–416 Elisabeth Pellegrin, Bibliothèques retrouvées: manuscrits, bibliothèques et bibliophiles du Moyen Age et de la Renaissance (Paris, 1988) *Paula Findlen, ‘The Museum: Its Classical Etymology and Renaissance Genealogy’, Journal of the History of Collections 1 (1989): 59-78. [republished in Bettina Messias Carbonell, ed., Museum Studies: An Anthology of Contexts (Oxford: Blackwell, 2003), pp. 23-50; and Donald Preziosi and Claire Farago, eds., Grasping the World: The Idea of the Museum (London: Ashgate Publishing, 2004)]. *Krzysztof Pomian, Collectors and Curiosities: Paris and Venice 1500–1800 (Cambridge: Polity, 1990) David Vaisey, The Foundations of Scholarship: Libraries and Collecting, 1650–1750: Papers Presented at a Clark Library Seminar, 9 March 1985 (Los Angeles: William Andrews Clark Memorial Library, University of California, Los Angeles, 1992) *Bibliothecae selectae da Cusano a Leopardi, ed. by Eugenio Canone (Florence: Leo S. Olschki, 1993) *Roger Chartier, The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries (Cambridge, 1994). The Cultures of Collecting, ed. by John Elsner and Roger Cardinal (London: Reaktion Books, 1994). *Paula Findlen, Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modern Italy (Berkeley: University of California Press, 1994). David Murray, Museums, Their History and Their Use, 3 vols. (London: Routledge, 1996; rpt. 2003). *Werner Arnold, Bibliotheken und Bücher im Zeitalter der Renaissance (Wiesbaden: Harrassowitz, 1997). *Paula Findlen, ‘Possessing the Past: The Material World of the Italian Renaissance’, American Historical Review, 103 (1998), 83–114. (available on JSTOR) Anthony Hobson, Renaissance Book Collecting: Jean Groller and Diego Hurtado de Mendoza, Their Books and Bindings (Cambridge: Cambridge University Press, 1999) *Brian Richardson, Printing, Writers, and Readers in Renaissance Italy (Cambridge: Cambridge University Press, 1999) *Paula Findlen, ‘The Formation of a Scientific Community: Natural History in SixteenthCentury Italy’, in Natural Particulars: Renaissance Natural Philosophy and the Disciplines, ed. Anthony Grafton and Nancy Siraisi (Cambridge, MA: MIT Press, 1999). *A History of Reading in the West, ed. by Guglielmo Cavallo and Roger Chartier (Cambridge: Polity Press, 1999). Especially chapters 7–10. The Structure of Knowledge: Classifications of Science and Learning since the Renaissance, ed. by Tore Frangsmyr (Berkeley, 2001). Includes Paula Findlen: ‘Building the House of Knowledge: The Structures of Thought in Late Renaissance Europe’. Marjorie Swann, Curiosities and Texts: The Culture of Collecting in Early Modern England (Philadelphia: U. of Pennsylvania Press, 2001). *Libri, biblioteche e cultura nell’Italia del Cinque e Seicento, eds. Edoardo Barbieri and Danilo Zardin (Milan: Vita e Pensiero, 2002) *Les humanistes et leur bibliothèque / Humanists and Their Libraries, ed. by Rudolf De Smet (Leuven: Peeters, 2002). Especially the essays by Walker, Bianca, Nelles, De Smet, Dierkens. *Merchants and Marvels: Commerce, Science, and Art in in Early Modern Europe, ed. by Pamela H. Smith and Paula Findlen (New York: Routledge, 2002). Especially the essays by Silver and Smith, Sandman, Barrera, van Berkel. Matthew Battles, Library: An Unquiet History (London: Heinemann, 2003). Collecting Prints and Drawings in Europe, c. 1500–1750, ed. by Christopher Baker, Caroline Elam, and Genevieve Warwick (Aldershot, 2003) La storia delle Biblioteche: temi, esperienze di ricerca, problemi storiografici. Convegno internazionale (L’Aquila, 16–17 settembre 2002), ed. by A. Petrucciani and P. Traniello (Rome, 2003) Alessandra Petrina, Cultural Politics in Fifteenth-Century England: The Case of Humphrey, Duke of Gloucester (Leiden, 2004) Biblioteche private in età moderna e contemporanea. Atti del convegno internazionale Udine, 18-20 ottobre 2004, ed. by Angela Nuovo (Milan: Bonnard, 2005) *Ian Maclean, Learning and the Marketplace: Essays in the History of the Early Modern Book (Brill, 2009) Andrew Pettegree, The Book in the Renaissance (New Haven: Yale University Press, 2010). Esp. Ch. 15, ‘Building a Library’ Week 2. Renaissance Scholarship Paul Botley Questions What does the word ‘scholar’ mean? Would you want to be one? Who was Aulus Gellius and how would you summarise his work? Who was Saint Jerome and what did he mean to the Renaissance? What was Ciceronianism? What do you understand by the term ‘textual scholarship’? What is the Principle of the Harder Reading? Who was Joseph Scaliger and why did Mark Patisson admire him? Reading First, look at a copy of the Attic Nights by the ancient author Aulus Gellius. It’s arranged in very short chapters. Browse through, reading a few of these chapters, in order to get some idea of the sort of work it is. The class itself will be divided into two parts. In the first part we’ll talk about Ciceronianism. Please read the Cinzio-Calcagnini-Lilio Exchange in J. DellaNeva, ed. Ciceronian Controversies, tr. Brian Duvick. I Tatti Renaissance Library 26, Cambridge, MA, 2007, pp. 126-89. This collection of Renaissance letters and treatises on the subject is available to buy. The Library has one copy and I have another, so you’ll need to share the book or photocopy the relevant portions. Let me know if you have problems getting hold of the text. In the second part of the class, we’ll talk about textual scholarship. Please read the following articles, all available on JSTOR, and come prepared to talk about one other article or book of your own choice on the subject: Tony Grafton, ‘On the Scholarship of Politian and its Context.’ Journal of the Warburg and Courtauld Institutes 45 (1977) pp. 150-88. Jerry H. Bentley, ‘Biblical Philology and Christian Humanism: Lorenzo Valla and Erasmus as Scholars of the Gospels.’ Sixteenth Century Journal 8, no. 2 (1977) pp. 8-28. Jerry H. Bentley, ‘Erasmus, Jean le Clerc, and the Principle of the Harder Reading.’ Renaissance Quarterly 31 (1978) pp. 309-21. Aldo Scaglione, ‘The Humanist as Scholar and Politian’s Conception of the Grammaticus.’ Studies in the Renaissance 8 (1961) pp. 49-70. Bibliography The following is a list of recommended, not required, reading. On Ciceronianism: Copeland, Rita. ‘The Fortunes of ‘Non Verbum pro Verbo’: Or, Why Jerome is Not a Ciceronian’, in The Medieval Translator: The Theory and Practice of Translation in the Middle Ages ed. Roger Ellis (Cambridge, 1989) pp. 15-35. Erasmus, Ciceronianus, tr. A. H. T. Levi, in Collected Works of Erasmus, vol. 28, Toronto and London, 1986. An English translation, with notes. Gouwens, Kenneth. ‘Ciceronianism and collective identity: defining the boundaries of the Roman Academy, 1525.’ Journal of Medieval and Renaissance Studies 23 (1993) pp. 173-95. Harvey, Gabriel, Gabriel Harvey's Ciceronianus, intro Harold S. Wilson, tr. Clarence A. Forbes. Lincoln, Nebraska, 1945. Mesnard, Pierre. ed. Ciceronianus, in Opera Omnia Desiderii Erasmi Roterodami, I, pt 2 (Amsterdam, 1971) 581-710. The Latin text of Erasmus work, with valuable notes and introduction. Pigman, G. W. ‘Imitation and the Renaissance sense of the Past: the reception of Erasmus’ Ciceronianus.’ Journal of Medieval and Renaissance Studies 9 (1979) pp. 155-77. Sandys, John Edwin, ‘The History of Ciceronianism’, in Harvard Lectures on the Revival of Learning, by J. Sandys (Cambridge, 1905) pp. 145-73. Telle, Emile V. ‘Erasmus’s Ciceronianus: A Comical Colloquy’, in Essays on the Works of Erasmus. ed. Richard de Molen (New Haven and London, 1978) pp. 211-20. On Textual Scholarship: Bentley, Jerry H. Humanists and Holy Writ: New Testament Scholarship in the Renaissance. Princeton, 1983. Grafton, Anthony. ‘The Origins of Scholarship.’ American Scholar (Spring, 1979) pp. 236-61. Kenney, E. J. The Classical Text: Aspects of Editing in the Age of the Printed Book. Berkeley, 1974. The University Library has two copies of this book. Reynolds, L. G., and N. G. Wilson, Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature, 3rd edn. Oxford, 1991. Perhaps the best book-length introduction. Reynolds, L. D. ed. Texts and Transmissions: A Survey of the Latin Classics. Oxford, 1983. A collection of brief textual histories, to give you an idea of what a textual history light look like. Wilamowitz-Moellendorf, U. von. History of Classical Scholarship. tr. A. Harris, ed. H. Lloyd-Jones. London, 1982. On scholarship generally: Grafton, Anthony. ‘The Availability of Ancient Works’, in The Cambridge History of Renaissance Philosophy. ed. C. B. Schmidt, with Q. Skinner, E. Kessler and J. Kraye (Cambridge, 1988) pp. 767-91. Grafton, Anthony. Joseph Scaliger: A study in the history of classical scholarship. Vol.1: Textual criticism and exegesis. Oxford, 1983. The University Library has two copies of this book. Kristeller, Paul Oskar. ‘The Scholar and his Public in the late Middle Ages and the Renaissance’, in Medieval Aspects of Renaissance Learning: Three Essays. ed. and tr. E. P. Mahoney (Durham, North Carolina, 1974) pp. 3-25. McManamon, John M. ‘Pier Paolo Vergerio (the Elder) and the Beginnings of the Humanist Cult of Jerome.’ Catholic Historical Review 71 (1985) pp. 353-71. Nuttall, A. D. Dead from the waist down: scholars and scholarship in literature and the popular imagination. Newhaven and London, 2004. If you’ve read Eliot’s Middlemarch, you’ll enjoy this. Pattison, Mark. ‘Joseph Scaliger’, in H. Nettleship, ed. Essays by the Late Mark Pattison sometime Rector of Lincoln College, 2 vols (Oxford, 1889) I, pp. 132-95. Previously published in Quarterly Review, July 1860. Pattison, Mark. ‘Life of Joseph Scaliger (fragments)’, in H. Nettleship, ed. Essays by the Late Mark Pattison sometime Rector of Lincoln College, 2 vols (Oxford, 1889) I, pp. 196-243. Robinson, G. W. tr. and intro. Autobiography of Joseph Scaliger with autobiographical selections from his letters, his testament and the funeral orations by Daniel Heinsius and Dominicus Baudius. Cambridge, MA, 1927. Pfeiffer, Rudolph. History of Classical Scholarship from 1300 to 1850. Oxford, 1976. Reeve, Michael D. ‘Classical Scholarship’, in The Cambridge Companion to Renaissance Humanism. Ed. Jill Kraye (Cambridge, 1996) pp. 20-46. Rice, Eugene F. Saint Jerome in the Renaissance. Baltimore and London, 1985. Rice, Eugene F. ‘The Renaissance Idea of Christian Antiquity: Humanist Patristic Scholarship’, in Renaissance Humanism: Foundations, Forms and Legacy. ed. A. Rabil (Philadelphia, 1988) I, pp. 17-28. Sandys, John Edwin, A History of Classical Scholarship. Vol. 2: From the Revival of Learning to the End of the 18th Century in Italy, France, England and the Netherlands. Cambridge, 1908. Thomson, Ian. ‘The Scholar as Hero in Janus Pannonius’ Panegyric on Guarinus Veronensis.’ Renaissance Quarterly 44 (1991) pp. 197-212. Weiss, Roberto. ‘The New Learning: Scholarship from Petrarch to Erasmus.’ The Age of the Renaissance, ed. Denys Hay (London, 1986) pp. 120-44. Week 3. Renaissance Medicine Jacomien Prins [tbc] Week 4. Aristotle in the Renaissance Eva Del Soldato Questions In the course of your reading for this lesson, you should consider the following issues:Was Renaissance Aristotelianism a monolithic movement or was it receptive to external stimulus from other philosophical schools? Did Humanism affect its developments in any way? Try to support your answer with examples taken from the On the Immortality of Soul by Pietro Pomponazzi. Though Renaissance Aristotelianism was mainly practised within University halls, it also flourished in other environments, like courts and academies. Did these different contexts affect the works which they produced? In your opinion, why? How were Aristotle and Aristotelianism described by their opponents, like Petrarch and Bessarion? What were the issues that put Aristotle in their firing line? Between the Middle Ages and the Renaissance several works falsely attributed to Aristotle met with great success. Can you explain the reasons for this? Primary Sources Francesco Petrarca, On his own ignorance and that of many others, in Invectives, ed. by D. Marsh, Cambridge MA, 2003, pp. 113-185. Bessarion, Against the Slanderer of Plato, in Cambridge Translation of Renaissance Philosophical Texts: I, Moral Philosophy, ed. by J. Kraye, Cambridge 1997, pp. 134-145. Pietro Pomponazzi, On the Immortality of Soul, in The Renaissance Philosophy of Man, ed. by E. Cassirer, P. O. Kristeller, J. H. Randall Jr., Chicago 1948 (only chapter 14, pp. 350377). Secondary Sources Required readings are highlighted with an asterisk: L. Bianchi, ‘Continuity and change in the Aristotelian tradition’, in The Cambridge Companion to Renaissance Philosophy, ed. by J. Hankins, Cambridge, 2007, pp. 49-71.* E. Del Soldato, ‘Simone Porzio, an Aristotelian at the Academy’, in Bilingual Europe: Latin and vernacular cultures ca. 1300-1800, ed. by Jan Bloemendal, Brill, Leiden 2012 (photocopies to be provided). P. Grendler, ‘Intellectual Freedom in Italian Universities: The Controversy over the Immortality of the Soul’, in Le control des idées a la Renaissance, ed. J . M. De Bujanda, Geneva, 1996), pp. 31-48. J. Kraye, ‘Aristotle’s God and the Authenticity of De mundo: An Early Modern Controversy’, Journal of the History of Philosophy 28 (1990), pp. 339-358. P. O. Kristeller, ‘Petrarch's 'Averroists', "Bibliothèque d'Humanisme et Renaissance, XIV (1952), pp. 59-65. D. A. Lines, ‘The Importance of Being Good: Moral Philosophy in the Italian Universities, 1300–1600’, Rinascimento, 36 (1996), 139–193. C. Martin, “Rethinking Renaissance Averroism,” Intellectual History Review 17 (2007), pp. 3-19. C. B. Schmitt, Aristotle and the Renaissance, Cambridge MA, 1983.* Week 5. Renaissance Art: Neoplatonism Lorenzo Pericolo Questions What are the textual sources that allow us to link Michelangelo's creative process and work to late quattrocento Neoplatonism in Florence? According to Erwin Panofsky, how does Michelangelo's notion of the body's prison translate into some of the sculptural motifs in the project for Julius II's Tomb and the Medici Tomb? According to Irving Lavin, Michelangelo, in carving his famous David, compared himself to David slaying Goliath. How does this parallel convey a Neoplatonic take on art making? Reading Compulsory Reading Erwin Panofsky, "The Neoplatonic Movement and Michelangelo," in Idem, Studies in Iconology: Humanistic Themes in the Art of the Renaissance (New York: Harper & Row, 1972): 171 ff. Irving Lavin, "David's Sling and Michelangelo's Bow: A Sign of Freedom," in Idem, PastPresent: Essays on Historicism from Donatello to Picasso (Berkeley: University of Califormia Press, 1993): 29-61. Further Reading Leatrice Mendelsohn, Paragoni: Benedetto Varchi's Due Lezzioni and Cinquecento Art Theory (Ann Arbor: UMI, 1981). Leonard Barkan, "Vat. Lat. 3211," in Idem, Michelangelo: A Life on Paper (Princeton: Princeton University Press, 2011): 235-86. Week 6. Reading Week (no classes) Section 4: Renaissance Society, Power, and Religion Week 7. Printing and Popular Culture Rosa Salzberg Reading Peter Burke, ‘Oral Culture and Print Culture in Renaissance Italy’, ARV: Scandinavian Yearbook of Folklore (1998), 7–18. Brian Richardson, ‘The Debates on Printing in Renaissance Italy’, La Bibliofilia 100 (1998), 135 -55. Carlo Ginzburg and Marco Ferrari, ‘The Dovecote Has Opened Its Eyes’, in Microhistory and the Lost Peoples of Europe, edited by Edward Muir and Guido Ruggiero (Baltimore: Johns Hopkins University Press, 1991), pp. 11–19. Further Reading Peter Burke, Popular Culture in Early Modern Europe (Aldershot: Scolar Press, 1994). Peter Burke, “Learned Culture and Popular Culture in Renaissance Italy” in The Renaissance in Europe: A Reader, edited by Keith Whitlock (New Haven & London: Yale University Press inassociation with The Open University, 2000), pp. 73–81. Filippo De Vivo, Information and Communication in Venice: Rethinking Early Modern Politics (Oxford: Oxford University Press, 2007). Paula Findlen, “Humanism, Politics and Pornography in Renaissance Italy”, in The Invention of Pornography: Obscenity and the Origins of Modernity, 1500 - 1800, edited by Lynn Hunt, (New York: Zone Books, 1993), pp. 49–108. Francesco Doni, Nicolò Franco and Ortensio Lando (Madison, Milwaukee and London: University of Wisconsin Press, 1969). Carlo Ginzburg, The Cheese and the Worms: The Cosmos of a SixteenthCentury Miller (London & Henley: Routledge & Kegan Paul, 1980; 1st Italian ed., 1976). Paul F. Grendler, Critics of the Italian World, 1530 - 1560: Anton Francesco Doni, Nicolò Franco and Ortensio Lando (Madison: University of Wisconsin Press, 1969). Paul F. Grendler, “Form and Function in Italian Renaissance Popular Books”, Renaissance Quarterly 46, no. 3 (1993), 451–85. Craig Kallendorf, Virgil and the Myth of Venice: Books and Readers in the Italian Renaissance (Oxford: Clarendon Press, 1999). Brian Richardson, Printing, Writers and Readers in Renaissance Italy (Cambridge: Cambridge University Press, 1999). Brian Richardson, “Print or Pen? Modes of Written Publication in Sixteenth-Century Italy”, Italian Studies 59 (2004): 39–64. Rosa Salzberg, “‘In the Mouths of Charlatans’: Street Performers and the Dissemination of Pamphlets in Renaissance Italy,” Renaissance Studies (2010) Anne Jacobson Schutte, “Teaching Adults to Read in Sixteenth-Century Venice: Giovanni Antonio Tagliente's Libro Maistrevole”, Sixteenth Century Journal 17, no. 1 (1986), 3 - 16. Week 8. The Universities and Political Power Jonathan Davies Questions Why did political authorities support universities in the Renaissance? How did political authorities control universities in the Renaissance? Reading Davies, Jonathan, Culture and Power: Tuscany and its Universities 1537-1609 (Leiden, 2009) Davies, Jonathan, Florence and its University during the Early Renaissance (Leiden, 1998) Frijhoff, Willem, 'Patterns', in Hilde de Ridder-Symoens, A History of the University in Europe, vol. II Universities in Early Modern Europe (1500-1800) (Cambridge, 1996), pp. 43112 [with bibliography] Grendler, Paul F., The Universities of the Italian Renaissance (Baltimore, 2002) Grendler, Paul F., 'The Universities of the Renaissance and Reformation', Renaissance Quarterly 57/1 (2004), 1-42 [with bibliography] Hammerstein, Notker, 'Relations with Authority' in Hilde de Ridder-Symoens, A History of the University in Europe, vol. II Universities in Early Modern Europe (1500-1800) (Cambridge, 1996), pp. 114-54 [with bibliography] Nardi, Paolo, 'Relations with Authority' in Hilde de Ridder-Symoens, A History of the University in Europe, vol. I Universities in the Middle Ages (Cambridge, 1992), pp. 77-107 [with bibliography] Verger, Jacques, 'Patterns' in Hilde de Ridder-Symoens, A History of the University in Europe, vol. I Universities in the Middle Ages (Cambridge, 1992), pp. 35-76 [with bibliography] Week 9. Religion and Renaissance Women: Spirituality and Poetry in England Femke Molekamp Reading Primary Sources Aemelia Lanyer, Salve Deus Rex Judaeorum (1611); see Women Writers Online Elizabeth Melville, Ane Godlie Dreame (1603); see Women Writers Online Secondary Sources Erica Longfellow, Women and Religious Writing in Early Modern England (Cambridge, 2004), Introduction & Ch. 1. Helen Wilcox, ‘“My Hart Is Full, My Soul Dos Ouer Flow”: Women’s Devotional Poetry in Seventeenth-Century England’, The Huntington Library Quarterly, 63. 4 (2000), pp. 447-466. Gary Kuchar, The Poetry of Religious Sorrow in Early Modern England (Cambridge, 2008), Ch. 4. Week 10. Identifying the Renaissance: Current Debates and Methodological Problems Jonathan Davies Questions Consider the following questions: When would you date the beginning and end of the renaissance? What is the difference (in some field of study already known to you, such as French literature, Italian painting, political theory) between medieval and renaissance? What is the difference between renaissance and baroque (or whatever other period you would place after the renaissance)? The reading list below should help you think about: What are the ideological implications of the term “renaissance”? To what extent has the improvement in our understanding of medieval intellectual life rendered the term “renaissance” obsolete? What are the advantages and disadvantages of the competing term “early modern”? What would we identify as the distinguishing marks of renaissance civilisation? What differences might there be between the renaissance (or whatever term we would wish to use in its place) in Italy and in northern Europe? Reading Bouwsma, William J., ‘Eclipse of the Renaissance’, American Historical Review 103 (1998), 115-17. Bouwsma, William J., ‘The Renaissance and the Drama of Western History’, American Historical Review 84 (1979), 1-15. [Reprinted in an abridged form in John Jeffries Martin (ed.), The Renaissance: Italy and Abroad (London, 2003), pp. 27-42]. Findlen, Paula, ‘Possessing the Past: The Material World of the Italian Renaissance’, American Historical Review 103 (1998), 83-114. Findlen, Paula, and Kenneth Gouwens, ‘Introduction: The Persistence of the Renaissance’, American Historical Review, 103 (1998), 51-54. Gouwens, Kenneth, ‘Perceiving the Past: Renaissance Humanism after the “Cognitive Turn”’, American Historical Review 103 (1998), 55-82. Grafton, Anthony, ‘The Revival of Antiquity: A Fan’s Notes on Recent Work’, American Historical Review 103 (1998), 118-21. Hay, Denys, ‘Introduction’ to The New Cambridge Modern History, I, The Renaissance 1493-1520 (London, 1957): 1-19. Kristeller, P. O., ‘Humanism and Scholasticism in the Italian Renaissance’, in his Renaissance Thought and its Sources (New York, 1979): 85-105, 272-87 and in other collections of his papers. Martin, John Jeffries, in John Jeffries Martin (ed.), ‘Introduction. The Renaissance: Between Myth and History’, in The Renaissance: Italy and Abroad (London, 2003): 1-23. Nauert, Charles G., Jr., Humanism and the Culture of Renaissance Europe (Cambridge: Cambridge University Press, 1995) Starn, Randolph, ‘Renaissance Redux’, American Historical Review, 103 (1998), 122-4. NOTE: THE AMERICAN HISTORICAL REVIEW IS AVAILABLE ONLINE VIA CAMPUS COMPUTERS