TPCASTT Template TPCASTT: Poem Analysis Method: title, paraphrase, connotation, diction, attitude, tone, shift(s), title revisited and theme T P I think the Title of poem means: The title of the poem describes a simplistic action of the narrator, but simultaneously prepares the reader for something that happens while the narrator walked out one evening. With “as” used as a conjunction at the beginning of the title, it prepares the audience for something to be happening during the narrator’s stroll. Paraphrase parts of the Poem In the first stanza of the poem, Auden establishes the setting of the poem, which is on Bristol street, which may be assumed to be in the city of Bristol, which is just west of London. Auden also establishes the season of the poem by saying “the crowds upon the pavement were fields of harvest wheat,” implying that it’s autumn. In the following stanza, the speaker comes to a river, where he hears a lover singing about how “love has no ending.” The speaker continues to listen to the lover’s declaration, which continues throughout the next two stanzas. In the following stanzas, the lover continues to describe his everlasting love, saying that he’ll love until “China and Africa meet,” when the river moves over the mountain, and salmon sing in the street. He continues emphasize how he’ll continue to love until the impossible happens. In the fifth stanza, the lover’s ardent declaration concludes as he says that their love is the first of the world. In the following stanza, Auden gives the nearby chiming clocks voices, who begins to argue with the lover, saying that the lover cannot conquer time. Time waits and interrupts the lovers just when they’d be together, reminding them that their time together is only of brevity. When the end comes for the lovers, they won’t have been the first because “into many a green valley drifts the appalling snow.” The clocks encourage the lovers to cleanse their hands, and imagine what it’d be like to reflect on their lives with all the time having gone by. The stanzas following assume a much more whimsical tone, which almost makes the tone of the passage more morbid than it already is. Time again encourages the lovers to look into the mirror again to consider what’s already there. It’s reiterated that life is given to the lovers, but they’re not in control of what happens throughout that journey, especially in regard to time. In the last stanza of the poem, the speaker resumes the narration of the poem, saying that the lovers had left, the clocks had stopped chiming, and the river ran on. Connotation of some of the words—changing literal meaning to implied or associated values C Auden frequently uses symbolism throughout this poem to help emphasize that time is ultimately in control of everything else, and we’re just subject to the turning of time. For instance, in the setting of the poem, the two lovers are standing by the river. In the last stanza, Auden reiterates how the river continues to flow on. The reiteration of the river’s flow is symbolic for time, because like a river, time doesn’t stop on command. Other connotation that serves as important parts to understanding the meaning of the poem is in the twelfth stanza, when Auden references nursery rhymes in his description. Nursery rhymes are often associated with simplicity and innocence. However, Auden’s reference to the nursery rhymes, such as “Jack and the Beanstalk” or “Jack and Jill,” makes the description more haunting, since he’s talking about something rather morbid instead of light and whimsical, as is often associated with nursery rhymes. Attitude—What is the attitude of the author, characters, or yourself? Auden’s poem has three main attitudes in it: One attitude is the indifferent narration of the speaker, who simply observes the exchange A of sweet words between lovers by a riverside and imagines the voice of time speaking to the them. The second attitude in the poem is that of the lover who talks. The lover is confident that their love is the first of the world, and that he’ll be able to continue to love her until time stops. The attitude of the lover is very naïve, with a blatant disregard for the passing of time, or for the people who have loved and died before them. The last major attitude in the poem is that of time, which bluntly reminds the lovers that life is only brief, their love isn’t the only love to have not withstood the tests of time. Shift—At first we think or feel one way—then there is a shift: identify the shifts and explain them S There’s one major shift in this poem, with two minor shifts to help make the poem more fluid. The most noticeable shift in this poem is when the narration of the poem switches from the lover to the clocks. While the lover makes confident declarations of his love, the clocks bring more of a reality to the situation, reminding the lovers that their love can only be ephemeral in the long run because of the course of time. Other, more minor, shifts in he poem are located at the beginning and end, when the narration of the poem goes from the narrator to the lover, then from the clocks back to the narrator again at the end. Title revisited—any new insights on meaning or significance of title. T The title of this poem doesn’t serve as a good representation of the overall theme of Auden’s poem. I stand by the basic assumption that the title of the poem simply prepares the reader for something that happens while the speaker “went out one evening” because of the “as” used in the conjunctive form. Theme or Author’s Purpose T Auden’s main purpose throughout this poem is to emphasize that everything in life can’t last forever because of the brief time we’re allotted to live. This theme is most embellished through the personification of time, s the lovers stand by the river and declare their dedication to one another. Some other pretty major themes throughout the poem include the cycle of life and death. These other themes are especially apparent because a majority of the poem discusses life’s brevity, which just emphasizes the nearness of death, and the shortness of life’s cycle, compared to most other things.