FRAMING THEORY IN PRODUCT PLACEMENT Framing theory in product placement: A study of theoretical integration Jonathan D. Herzberger Cleveland State University April 10, 2013 Abstract Product placements are often studied in a stark, black and white fashion, where they are either present and presumed effective, or they are absent, or ineffective enough that the distinction is irrelevant. Building on prior research, however, it is clear that many differences exist in how a given product is placed, and to what degree. Rather than using an ad-hoc model to explain the type of placement, framing theory was employed to provide a greater richness of understanding. The effects of positively, negatively, and unframed contexts, as well as incidental appearance of products within said frames were studied, and the implications of the findings and potential impact on future research was discussed. FRAMING THEORY IN PRODUCT PLACEMENT Introduction We live in a world very different from the one we inherited. Long gone are the days where advertisements were relegated to a few short, fact-laden blurbs in newspapers, the odd billboard or side of a barn adorned with some brisk slogan. In the modern era, advertisements permeate just about every corner of modern society – and while this effect can seem most pronounced in the kinetic glow of digital displays and neon light of cities such as New York and Hong Kong, in a world of smartphones, tablets, and wireless connectivity, consumers don't need to live in a metropolis to find themselves besieged by persuasive advertising; the messages will come to them. (Williams et al., 2011) One of the factors signaling the ascent of this new era is the new found prevalence of product placement. While hardly a new phenomenon, the pervasiveness of the method throughout media – from film and television to sporting events, video games, blogs, Broadway musicals and plays, mobile phones, and numerous other outlets (Stephen and Coote, 2005) – makes it a worthy object of study. While much research has been done on both the effectiveness of product placements (Yang & Roskos-Ewoldsen, 2007; Panda, 2004; Pokrywczynski, 2005), and the interaction of message framing on advertising (Dardis and Fuyuan, 2008; Orth et al., 2008; Duhachek et al., 2012; Shimp et al.,1988), very little has been said regarding potential interactions or synergies between the two. Doubtless, this is at least partially due to the knotty nature of distinguishing between how a message is framed, and the basic underlying structure of product placement research, which emphasizes positive association. This study attempts to close in on that distinction, and refine its focus upon the true differences between these two phenomena; differentiating between what it means to be the beneficiary of positive association, mere exposure, and other standbys of product placement, and what it means to be the focus of a positive frame. FRAMING THEORY IN PRODUCT PLACEMENT In the extant research, many different models are employed to study the impact and efficacy of product placements (Yang and Roskos-Ewoldsen, 2007; Balasubramanian et al., 2006), yet there is little to no research that applies the robust theoretical trappings of framing theory to the matter at hand. By viewing this phenomena through the lens of framing theory, we can hopefully glean additional understanding, and gain a richness of detail that has not yet been expressed in current research. As such, this study is designed to combine the study of framing theory with the extant body of work on product placement; and in doing so, hopes to expand the practical and theoretical knowledge of the subject. Literature Review Framing theory Standing in stark contrast to the relative dearth of research into product placements through the lens of framing theory, numerous studies have examined the relationship between message framing and advertising. Dardis and Fuyuan (2008), building on prior research into the persuasive effects of gainversus-loss framed messages, found that loss-framed messages were effective in high-involvement contexts, but only when paired with sound logical arguments; what Petty & Cacioppopo (1986) would call centrally-processed appeals. In lower-involvement contexts, however, they failed to find support for their hypothesis. This perhaps suggests that loss-framed messages may not be reliably linked with evidence type, as other research (Gleicher and Petty, 1992; Block and Keller, 1995) suggests. Still, the study illustrates how evidence type and product involvement can influence the effects of message framing within advertising. FRAMING THEORY IN PRODUCT PLACEMENT As it turns out, the use of framing theory in the field of advertising – both as way to understand advertisements, and indeed, to craft them is hardly uncommon (Duhachek et al., 2012). Indeed, in a content analysis of 1,415 magazine advertisements by Shimp et al. (1988), it was hypothesized that magazine advertisements would be disproportionately more likely to employ framed than unframed messages, which turned out to be the case roughly 92% of the time. Additionally, in regards to search goods – that is, goods whose qualities can be confirmed prior to purchase (Nelson, 1970) – framing was used in 99.7% of occurrences. To truly attempt to summarize the extant research on framing in advertising would be a colossal undertaking beyond the scope of this paper; nevertheless, there is a treasure trove of richly detailed research on the topic. Product placement The extant literature regarding product placement is likewise both prolific and diverse; unsurprisingly so, considering the billions of dollars spent on product placement every year (McDonnel and Drennan, 2010). Williams et al. (2011) estimate that global product placements were valued at roughly $3.07 Billion in 2006, with another $6 Billion worth of unpaid product placements – a number that grew to $7.45 Billion in 2006. And the market is growing, not slowing. According to market research company PQ Media (2012), product placement spending rose 10.2% to $4.26 billion in 2011 in the United States alone, even as spending on product placement worldwide likewise increased 9.8% to a grand total of $7.39 billion in 2011. To that effect, there is a treasure trove of studies detailing product placement. Product placement has been shown to be effective in increasing brand memory and brand choice (Yang & Roskos-Ewoldsen, 2007; Panda, 2004; Pokrywczynski, 2005), as well as increasing FRAMING THEORY IN PRODUCT PLACEMENT the stock value of companies that employ product placement techniques (Wiles & Danielova, 2009), Yang & Roskos-Ewoldson (2007) studied product placement in cinema, utilizing a 3-level model designed specifically for the study. Focused on the depth, or levels of placement, the model distinguishes between placements occurring in the background, placements utilized by the main character, and finally, placements that featured a connection to the story and were used to further the plot in some fashion. The study found that placements at all three levels enhanced implicit product memory and recall, measured via word-fragment completion tests, and explicit memory as measured via product preference tests. As hypothesized, recognition rates for featured products were highest in the “story-connection” condition, followed by the “used-by-character” condition, and lastly by the “background” condition. Yet, despite the similarity between several of the models used to test product placement efficacy and framing theory, we essentially see no attempt to couple the two concepts, with researchers instead relying on atheoretical models, essentially reinventing the wheel for each new study. This study proposes that there exists an elegant solution to be had by wedding the two concepts, and that the richness of detail, and robust body of research regarding framing theory would provide hithertountapped insight into product placement research. Explication of Relevant Theories Framing Framing theory assembles a narrative connecting disparate elements to promote a given interpretation (Entman, 2004), and can be highly effective in shaping how a given element is perceived (Entman, 2007). Product placements are occurring at an all-time high rate, and while their efficacy varies, their overall influence is impossible to ignore (Williams et al., 2011). The way that a given FRAMING THEORY IN PRODUCT PLACEMENT advertising message is framed can have a powerful impact on its efficacy (Dardis et al., 2008), and by studying the interaction between advertising and mass media, new insights as to how these messages affect us can be gleaned (Hisrshman et al., 1997). A frame can be defined as a central organizing idea or story line that provides meaning to an unfolding strip of events, weaving a thread of connection between them (Gamson & Modiglini, 1987). Framing theory can then be defined as selecting and highlighting certain facets of events or issues, and making connections among them so as to promote a particular interpretation, evaluation, and/or solution. Fully developed frames typically perform four functions: defining and/or introducing a problem, providing a causal analysis, or implying causality, levying a moral judgment, and introducing, suggesting and/or promoting a remedy to said problem (Entman, 2004). Using this definition as a guide, we can better measure the placement of a given product, while retaining the detailed structure inherent to a strong theoretical foundation. This leads to the study's first hypothesis: H1: Product placements will be viewed more positively when occurring within a positively framed context than in negative or unframed contexts. By utilizing framing theory to develop a more robust understanding of how products are placed, we can delve deeper into our description of how, precisely, a given product is placed. Any object that is the subject of a complete frame, that is, a situation wherein: A problem is introduced and/or defined Causal analysis is provided and/or causality implied A moral judgment is levied, and FRAMING THEORY IN PRODUCT PLACEMENT A remedy is introduced/suggested/promoted. In the extant literature, distinctions between an object that is the focus of a given frame, and one that simply reaps association benefits due to its inclusion in a positive frame is difficult to determine. Based on this, our second hypothesis takes a closer look at product placement, with framing theory at the forefront: H2: Product placements will be viewed more positively when the product itself is the beneficiary of a positive frame, as opposed to simply being featured in one. Method Participants One hundred and twenty undergraduate students will be recruited from communication classes at a mid-western, urban university for course credit, as well as extra credit. Materials This study requires a media lab in which to conduct the experiment, a television, DVD player, selected video clips of different frames for participants to view, a computer with access to Survey Monkey to conduct pre and post-test surveys, and word fragment completion tests. Media To illustrate the different framing scenarios, a custom series of clips will be created in conjunction with the organization :FR:AMES (Film Research: Advanced Methods for Empirical Study). The conceit used for the clips will be that of a detective story; this structure will allow for the FRAMING THEORY IN PRODUCT PLACEMENT inclusion of several different frames, while keeping the tone, pacing and genre of clips as consistent as possible between the different conditions. Additionally, this should allow for a plausible obfuscation of the study's purpose, lending additional robustness to the findings. Procedure Participants would engage in a brief pre-test, gathering basic demographic data, after which they would view one of three different video clips, dependent upon which group they had been randomly assigned to. After viewing the clip, participants would then proceed to a different room to engage in a word-completion test, followed by a brief presence measure (to obfuscate the study's purpose, and finally, a brand attitude assessment survey. The order in which these occur has been carefully selected, so as not to bias the word-completion/implicit memory test toward higher levels of recollection. The study would consist of a modified 3x2 experimental pre-test/post-test design, with two positive frames – one where the product is the focus, the other where it is merely featured, a negative frame and a universal control group, as shown in table #1. This will require 4 different clips; where products are placed both incidentally and the focus of the frame for the positive conditions, and the product appears in a negative frame, but is not the focus of a complete frame. Additionally, a control group will view a video clip that is similar in pacing, narrative and genre, but features no product placements of any sort. Featured in Frame Positive Negative Focus of Frame FRAMING THEORY IN PRODUCT PLACEMENT Neutral Table 1.1 For the purposes of this experiment, soft drinks will be used as the object of study. The body of literature on soft drinks in product placement is robust (Yang & Roskos-Ewoldson, 2007) and as such, is well suited to our experiment. Since many product placement studies have focused on popular colas such as Pepsi and Coca-Cola, one or both would seem a natural fit; however, consumers can hold very strong opinions on their brand of choice (Moraru, 2010; Yang & Roskos-Ewoldson, 2007), which could muddy results. As such, this experiment will use Mountain Dew as the placed product; as a wellknown brand without a clear direct competitor, it would seem to introduce the fewest confounding variables. For the first condition, the clips will depict a scene in which the product is merely the beneficiary of a positive association, such as a detective hero enjoying the taste of a Mountain Dew during a long investigation, in which they come to an epiphany regarding the nature of the case. Likewise, for the negative condition, we set essentially the same scene, except when the detective reaches for a can of soda on his desk and takes a drink, he realizes that it is stale and flat, and spits it back out again before continuing with the scene as normal. For the fully framed positive condition, the clips feature the product as the beneficiary of a complete and positive frame, such as a detective hero on a stakeout needing to stay awake, realizing that a Mountain Dew might do the trick, recognizing that the villain might do terrible things if he can't stay awake, and finally, managing to make it through the stakeout, thanks to the sugary, caffeinated soda. The control group would also simply view a similarly themed and paced clip sans product FRAMING THEORY IN PRODUCT PLACEMENT placement of any sort. Discussion The proposed study aims to bridge the gap between the study of product placement, and the embarrassment of riches that is the body of work on framing theory. It hopes to add additional layers of richness to the understanding of a complex field, and in doing so, expand the overall understanding and increase the capacity to better describe this phenomenon. FRAMING THEORY IN PRODUCT PLACEMENT References Balasubramanian, S.K.; Karrh, J.A. & Patwardhan, H.(2006). Audience Response to Product Placements: An Integrative Framework and Future Research Agenda. Journal of Advertising, Provo, 35(3), 115-142 Block, LG, Keller, PA. 1995.When to accentuate the negative: the effects of perceived efficacy and message framing on intentions to perform a health-related behavior. Journal of Marketing Research 32(2):192-203. Dardis, F. E., & Fuyuan, S. (2008). The influence of evidence type and product involvement on message-framing effects in advertising. Journal Of Consumer Behaviour, 7(3), 222-238. Duhachek, A., Agrawal, N., & Han, D. (2012). Guilt Versus Shame: Coping, Fluency, and Framing in the Effectiveness of Responsible Drinking Messages. Journal Of Marketing Research (JMR), 49(6), 928-941 Entman, R. M. (2004). Projections of power: Framing news, public opinion, and U.S. Foreign policy. Chicago: University of Chicago Press Entman, R. M. (2007). 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The Use of Framing and Characterization for Magazine Advertising of Mass-Marketed Products. Journal Of Advertising, 17(1), 23-30. FRAMING THEORY IN PRODUCT PLACEMENT Stephen, A.T. & Coote, L.V. (2005). Brands in Action: The Role of Brand Placements in Building Consumer-Brand Identification. American Marketing Association Conference Proceedings, Chicago, 16, 28 Wiles, M., & Danielova, A. (2009). The worth of product placement in successful films: An event study analysis. Journal of Marketing, 73(4), 44-63. Williams, K., Petrosky, A., Hernandez, E., & Page, J. R. (2011). Product placement effectiveness: revisited and renewed. Journal of Management & Marketing Research, 7. Yang, M., & Roskos-Ewoldsen, D. (2007). The effectiveness of brand placements in movies. Journal of Communication, 57, 469-489. FRAMING THEORY IN PRODUCT PLACEMENT Appendix A: Survey Instruments Word-fragment completion test Fill in each blank space with one letter . If you cannot think of a way to complete a word, skip it and move on. _ _ _ _ _tive (Detective) h _ _ st (Heist) Mo _ _ _ _ _ _ D _ _ (Mountain Dew) _ _ rk (Park) c___e (Chase) f__d (Ford) Sample questionnaire Please rate the following brands by circling a number on a scale from 0-10. A score of “1” indicates you very strongly dislike that brand, and a score of “10” indicates you very strongly like that brand. Coca-Cola 0 1 2 3 4 5 6 7 8 9 10 Pepsi 0 1 2 3 4 5 6 7 8 9 10 Dr. Pepper 0 1 2 3 4 5 6 7 8 9 10 FRAMING THEORY IN PRODUCT PLACEMENT Mountain Dew 0 1 2 3 4 5 6 7 8 9 10 Sprite 0 1 2 3 4 5 6 7 8 9 10 Burger King 0 1 2 3 4 5 6 7 8 9 10 McDonald's 0 1 2 3 4 5 6 7 8 9 10 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 9 Google Apple 0 10