Art in New York
Cubism
Pablo Picasso, La Vie (Life), spring-summer 1903, Oil on
canvas, Cleveland Museum of Art.
Pablo Picasso, First Communion, 1896, Oil on canvas, 65” X 46½”.
Pablo Picasso, Family of Saltimbanques, 1905, Oil on canvas,
National Gallery of Art, Washington, D.C.
Pablo Picasso, Les Demoiselles d’Avignon, May-July 1907,
Oil on canvas, 8' X 7' 8", MoMA, NY.
Pablo Picasso, Head of Medical Student, Study
for Les Demoiselles d’Avignon, 1907.
Pablo Picasso, Three Women, 1908-09, Oil on canvas,
Hermitage Museum, Leningrad.
Georges Braque, Houses at L’Estaque, 1908, Oil on canvas, 28
1/4” X 23 1/4”, Kunstmuseum, Bern.
Georges Braque, Viaduct at L’Estaque, 1907.
Pablo Picasso, Reservoir at Horta, summer
1909, Oil on canvas, 23¾” X 19¾”.
Pablo Picasso, Bread and Fruit Dish on a Table, 1908-09,
Oil on canvas, Kunstmuseum, Basel.
Georges Braque, Violin and Palette, 1909-10, Oil on
canvas, Solomon Guggenheim Museum, NY.
Pablo Picasso, Woman’s Head, 1909,
Oil on canvas, 31” X 25”.
Pablo Picasso, Woman’s Head, 1909,
bronze, 16¼” High, MoMA, NY.
Pablo Picasso, Girl with a Mandolin (Fannie Tellier),
spring 1910, Oil on canvas, 39½” X 29".
Pablo Picasso, Woman with a Guitar or Zither /
“Ma Jolie,” 1911-12, Oil on canvas, 39” X 25¾”.
Pablo Picasso, Portrait of Ambroise Vollard, 1910,
Oil on canvas, Pushkin Museum, Moscow.
Pablo Picasso, Daniel Henry Kahnweiler,
Fall 1910, Oil on canvas, 39½” X 28”.
Georges Braque, The Portuguese, 1911,
Oil on canvas, Kunstmuseum, Basel.
Pablo Picasso, Guitar, 1912, sheet metal and wire,
30½” X 13 3/4” X 7 5/8”, MoMA, NY.
Pablo Picasso, Still Life with Chair Caning, 1912, Oil, and pastel, Oil cloth on
canvas surrounded with rope, 10 5/8” X 13 3/4”, Musee Picasso, Paris.
George Braque, Fruit Dish and Glass, Spring 1912, pasted
paper and charcoal on paper, private collection.
Pablo Picasso, Man with a Hat, 1912-13, charcoal,
ink, and pasted paper, 24 ½” X 18 5/8”, MoMA, NY.
Pablo Picasso, Guitar, Sheet Music, and Glass, 1912, wallpaper,
construction paper, and newspaper collage.
Pablo Picasso, Glass and Bottle of Suze, after Nov. 1912,
gouache, pasted paper, and charcoal, 25¾” X 19¾”.
Pablo Picasso, Three Musicians, 1921,
Oil on canvas, MoMA, NY.
Pablo Picasso, Three Dancers, 1925.
Pablo Picasso, Painter and Model, 1928.
Pablo Picasso, Girl before a Mirror, 1932, Oil on canvas, MoMA, NY.
Pablo Picasso, Seated Bather, 1930.
Pablo Picasso, Weeping Woman, 1937.
Juan Gris, Bottle of Banyuls, 1914, collage, gouache and
pencil on canvas, Kunstmuseum, Bern.
Juan Gris, Still Life, 1911, Oil on canvas,
23½" X 19¾”, MoMA, NY.
Juan Gris, Fruit Dish and Carafe, 1914, Oil, collage, and
charcoal on canvas, 36¼” X 25”.
Juan Gris, Portrait of Pablo Picasso, 1912, Oil on canvas, 36” X 29¼”.
Fernand Leger, Contrast of Forms, 1913, Oil on canvas,
Philadelphia Museum of Art.
Fernand Léger, The City, 1919, Oil on canvas, Philadelphia Museum of Art.
Fernand Léger, Nudes in the Forest, 1909-10,
Oil on canvas, 47¼” X 67".
Fernand Léger, The Smokers, 1911-12,
Oil on canvas, 51” X 38".
Fernand Léger, Three Woman (Le Grand Dejeuner), 1921,
Oil on canvas, 6'½” X 8'3", MoMA, NY.
Fernand Leger, The Great Parade, 1954.
Robert Delaunay, Simultaneous Contrasts: Sun and
Moon, 1913, Oil on canvas, 4’ 5" diameter, MoMA, NY.
Frank Kupka, Amorpha: Fugue in Two Colors,
1912, Oil on canvas, Narodni Gallery, Prague.
Art in New York
Futurism
Giacomo Balla, Street Light, 1909, Oil on canvas, MoMA, NY.
Giacomo Balla, Dynamism of a Dog on a Leash, 1912, Oil on
canvas, Albright-Knox Art Gallery, Buffalo.
Umberto Boccioni, States of Mind: The Farewells, Those Who Go, Those
Who Stay, 1911, series of 3 painting, each oil on canvas, 27” X 37”.
Umberto Boccioni, Dynamism of a Soccer Player, 1913,
Oil on canvas, MoMA, NY.
Umberto Boccioni, The City Rises, 1910.
Umberto Boccioni, Unique Forms of Continuity in Space, 1913, bronze, 44” X 38” X 16".
Gino Severini, Dynamic Hieroglyphic of the Bal Tabarin,
1912, Oil on canvas with sequins, MoMA, NY.
Giacomo Balla, Mercury Passing before the Sun as seen through
a Telescope, 1914, tempera on paper, Private collection, Milan.
Art in New York
Suprematism – Russian
Constructivism
Suprematist Room.
Kasimir Malevich, Morning in the Village, 1912.
Kasimir Malevich, Suprematist Painting: White
Square on White, 1918, Oil on canvas, 31¼” X 31¼”.
Kasimir Malevich, Black Square on White, 1913-15.
Kasimir Malevich, Suprematism, 1915.
Kasimir Malevich, Suprematist Painting:
Airplane Flying, 1915, Oil on canvas, 22” X 19".
Kasimir Malevich, Suprematist Painting: Eight Red Rectangles,
1915, Oil on canvas, Stedelijk Museum, Amsterdam.
Kasimir Malevich, Suprematist Painting (No.
50), 1915, Oil on canvas, 36” X 26", Amsterdam.
Kasimir Malevich, Young Girls in the Fields, 1928-1932.
Kasimir Malevich, Complex Presentiment, Torso
with Yellow Shirt, c. 1930.
Aleksandr Rodchenko, Black on Black, 1918.
Aleksandr Rodchenko, Spatial Relief, 1920.
Vladimir Tatlin, Counter-Relief, 1914-15, iron, copper, wood, and rope, 28” X 47".
Vladimir Tatlin, Model for the Third International, 1919-20.
El Lissitzky, Beat the Whites with the Red
Wedge, 1920, lithograph, 19” X 27¼”.
El Lissitzky, Proun 99, 1923, Oil on wood, 51” X 39".
El Lissitzky, Proun Room, 1923.
Varvara Stepanova, Design for Sportswear, 1923.
Aleksander Rodchenko, Ad Poster, 1924.
Art in New York
Neo-Plasticism
Piet Mondrian, The Red Tree, c. 1909, Oil on canvas, Gemeentemuseum, The Hague.
Piet Mondrian, Blue Tree, 1908.
Piet Mondrian, Flowering Apple Tree, c.1912, Oil on
canvas, Gemeentemuseum, The Hague.
Piet Mondrian, Composition No. 10: Pier and Ocean,
1915 Oil on canvas, Kroller-Muller Museum, Otterlo.
Piet Mondrian, Evolution, 1911, Oil on canvas, each
side panel: 70” X 33½”, center panel: 72 X 34½”.
Piet Mondrian, Still Life with Gingerpot II, 1912, Oil on canvas, 36” X 47¼”.
Piet Mondrian, Composition (Blue, Red, and
Yellow), 1930, Oil on canvas.
Piet Mondrian, Composition in White, Black and Red,
1936, Oil on canvas, 40” X 41", MoMA, NY.
Piet Mondrian, Composition in Color A, 1917.
Piet Mondrian, Composition, 1930.
Piet Mondrian, Broadway Boogie-Woogie, 1942-43,
Oil on canvas, 4’ 2” Square, MoMA, NY.
Theo van Doesburg, Counter-Composition in
Dissonance 16, 1925, Oil on canvas, 39” X 70”.
Josef Albers, Homage to the Square: Ascending,
1953, Oil on masonite, 48” X 48".
Josef Albers, Homage to the Square: Apparition,
1959, Oil on masonite, 48” X 48".
Georgia O’Keeffe, Music: Pink and Blue II, 1919, Oil on canvas, 35½” X 29".