Handwriting PowerPoint

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Stanley British Primary School
Teacher Training Program
THE BASICS
FOR A GOOD HANDWRITING PROGRAM
Maria Cecília de Freitas Cardoso Buckley , Ph.D.
October 11, 2012
Why teach handwriting???
• Students need a legible, fluent style of handwriting to fully
participate in writing.
• Handwriting fluency predicts how much and how well
children write.
• Attention to motor skills strains students’ processing
capacity that could be used for higher order skills (keeping
up with own thoughts, planning, content generation,
revisions…)
• Overtime children may minimize other writing processes,
avoid writing or believe they cannot write.
• Handwriting accounts for how writing is evaluated.
• Note taking and adult use are still necessary.
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• Many problems can be prevented by early
training.
• Young children in kindergarten and early
grades should learn to form letters
correctly.
• Kinesthetic memory is
powerful and incorrect habits are very
difficult to eradicate
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Goals
• Automaticity
– No need to use working memory to “draw” the letters..
• Speed and rhythmicity -> Higher order skills
– Fluency of writing; fluency of thoughts
• Legibility -> communication
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Letter formation
Letter spacing
Letter alignment
Letter size
Letter slant
Word spacing
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What to teach?
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Graphomotor skills
• They are:
– Complex skills
– Specific skills
• They require
– Skilled coordination
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Foundational Skills
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Gross Motor Efficacy
Fine Motor Stabilization
Visual Perception and Visual Memory
Spatial Perception and Spatial Memory
Sequencing
Figure Ground
Eye-Hand Coordination
Motor memory
Symbol Formation
Perceptual Motor integration
Sensory integration
Graphomotor skills (including Memory, Production, Feedback)
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Basic Movements
– Top -> down (manuscript: capitals, most lower case
letters)
– Left-> right
– Counter clock, starting at 1:00 (all “c” letters)
– Special “e”
– “Trace yourself” (parts of letters that go up and down)
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• Spatial awareness, spatial perception,
spatial memory, spatial output
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Whole body
Arm
Hand
Fingers
Distal joints
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Posture
– Best posture for handwriting (with feet on the ground or
on phone books…)
– Both elbows on the table
– Use of “helping hand” to hold the paper
– Stabilization of paper
– Distance from eyes to paper (more than 5 inches)
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Grip
– Tripod: pencil held between thumb and index
finger and resting on other fingers
– Consistency of grip
– Distance from finger to point (3/4 to 1 inch)
– Pressure
– Angle of pencil (45º)
– Position of wrist (slight extension)
– Position of thumb (forefinger-thumb opposed)
– Movement of joints (mostly distal joints)
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“Finger Training”
Foundational skills for prevention and remediation - use the fingers
(not wrist/hand/arm)
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Spirals in the air / on the table / on paper
Feed the baby bird
Flying bird at transitions
Pull in - push away on paper
Spider on a rod
Pick up objects with chopsticks
Finger aerobics
Pick up small objects with fingers and collect
them in the hand / throw them away one by one
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Teaching Print
• Upper case letters
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Same height
Start on the top
Easy to recognize and identify
Groups of letters:
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I, E, F, L, H, T
D, B, P, R
C, O, G, Q, J, S, U
K, M, N, A, V, W, X, Y, Z
– As soon as possible write words and sentences. (Work
on spacing within words and between words)
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• Lower case letters
– Attention to size and position in space
– Attention to “regular size”, “tall letters” and
“diving letters”
– Groups of letters:
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Letters students already know: c, o, s, v, w, x, z
“c family” letters: c, a, d, g, q, o
“tall letters”: t, l, f, k, h, b
“special letters” bumps, curves, dot: m, n, r, i, u, s, e
“diving letters”: p, j, y, q
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Teaching Cursive
• Lower case
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All letters start on the line
All letters are linked
First write all the letters, than go back to dot and cross
Groups of letters:
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“c family”: c, a, d, o, g,
“i family”: i, t, u, j, y
“bump family”: m, n
“loop family”: e, l, h, k, f
“in and out family” (or little loop family): b, v, w
“tricky ones”: r, s, x
“divers”: q, z, p
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Sample
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• Upper case
– Almost all start on the top
– They are pretty “independent and snobbish” most do not like to connect with the rest of the
word and like to have fancy lines
– Order of presentation
• It really does not matter at this point
• I like to start with the child’s name
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Sample
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How to teach???
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There is no “best” method…
-> There are best practices!!!
A systematic, progressive, multisensory approach that
Uses all 7 senses…
Uses verbalization…
Uses verbal, visual and kinesthetic feedback..
Uses mnemonics…little stories, rhythm, songs…
Make it fun !!!!!!
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Best practices…
Explain…
Demonstrate…
Offer opportunity for:
observation and imitation (see and do)
tracing (with fingers, to get the gestalt for proper
movement)
copying (always BELOW the sample)
writing (no visual cues, may use oral cues)
Give opportunity for self evaluation…
Give opportunity for guided, supervised learning experience…
Make handwriting useful (post cards, letters, lists, notes…)
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It is important to have
– Formation of mental image of features and of HOW it
is formed (this CANNOT be inferred from a still model
presented in a worksheet or copybook)
– Guided exposure
– Mental response from child concerning the
formational process, not just motor response (there is a
need for cognitive engagement)
– Emphasis on comparison and improvement rather
than writing numerous samples
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Extensive use of unsupervised writing or copy
work as an independent activity until the
child has developed good handwriting
habits can have detrimental effects.
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How about discovery?
• Discovery is NOT an effective approach.
• Handwriting is best taught in frequent
(daily is best) specific brief periods of
direct instruction and supervised
practice.
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Integrating with reading…
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Letter name
Letter keyword
Letter sound
Letter formation
Teach together!!!!!!!
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a A
u
a, apple, /a/
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Teaching Strategies
• Direct Instruction
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Explanation
Demonstration
Presentation of model
Imitation
• Guided Practice
– Cues, prompts, approximation (with correct movement)
• Self-evaluation
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Three specific skills
• Trace
– Air, just in front of model, vertical plane, use three
fingers (stronger neurological input for muscle
memory)
– Vertical plane
– Horizontal plane
– Distal joints movement
• Copy
– Air / vertical / inclined (“binder technique…”/
horizontal
• Write
– Air / vertical / inclined (“binder technique…” /
horizontal
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Start with whole body
movement!!!
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Write letters with your arm
Use your body to introduce concepts:
Tall letters
Middle size letters
Letters that go deep
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My four main approaches…
• “Moving Around”
• “Sound System”
• “Messy Work”
• “Write on paper”
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“Moving Around”
– Warm up with gross motor, whole body activity. Quiet
down with sensory input (all 7 senses)
– Write with body
– Use of vertical plane
– Use of horizontal plane on the ground
– Write in the air (thumb, index and middle pointing out)
– Cross midline exercises
– From perception of letters to writing:
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Write with the whole body
Write with the arm
Write with the fingers
Write using distal joints (nothing substitutes this - it needs lots
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of practice!!!)
“Sound System”
– EXTENSIVE use of rhythm, poetry, pitch,
music and songs
– “Talk it out” - describe the movements of the
stroke while writing the letter
• (example:“down, back up, round up” for manuscript
lower case “b”)
– Count the lines (using rhythm)
• (example: “one, two” for capital manuscript L)
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“Messy Work”
Use:
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Shaving cream, toothpaste, hair gel…
Paint…
Sand, corn meal, salt…
Sidewalk chalk, chalk on dark paper…
Sand paper…
Letters with glue to trace…
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Write on paper
• “Worksheets”
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Lines and curves
Mazes
“Correct the Teacher” games
Find shapes, position in space, patterns, proportion…
• Use variety of writing instruments (pencils, pens,
thin markers, pieces of crayon…)
– Discover what is most appropriate for each child.
– Use grip helpers if necessary.
• Trace, copy, write
• Speed drill
• Transposition from print to cursive
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Supervision and Evaluation
• DURING writing:
– Supervision is crucial until letter is mastered.
– Attention to movements/strokes/grip as
important as the final product during learning
• AFTER writing:
– Child evaluates own work
• Comparison to model (Anything needs
improvement?)
• Comparison to own work (choosing best letter,
making corrections)
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Tips
• Vertical letters are easier than slanted
letters. There is no need to teach slant.
• “Bad practice” can make handwriting
worse.
• Avoid mindless, boring repetition.
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About copying
• To copy from a model above is easier than
copying from model on the left
• Only one copy from each model
• Tip: use sight/frequent words or patterns
you are studying
boat
bat
there
______________ __________
______________
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When to teach???
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When teaching letter name, sound
Every day
Very small groups
Few minutes of supervised work
“Little practice, constant review”
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Which paper to use???
• Special lined paper
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With dotted line
With elevated lines for sensory tactile input
With visual cues
With different widths to help decrease the letter size
With a fourth bottom line to help with the “divers”.
• Regular paper
– Use different widths
-> SKIP A LINE !!!
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Development of Basic Skills
• Visual perception
– Discrimination, figure ground…
• Find similarities and differences…
• Find an object among other objects…
• Attention to very fine details…
• Fine motor skills
– Manipulation of small objects…
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Construction with pebbles, sand, small blocks…
Cut and tearing different materials using fingers…
Use of tweezers and chopsticks…
Beads on strings…
Sand, play dough, clay, cookie and bread dough…
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• Visual Motor Skills
– Activities that use vision to guide motor activities.
• Walk following a line on the floor
• Cut on the line
• Trunk Control
– Activities on tummy on the floor (coloring, drawing,
playing with blocks..)
– Animal walks (tummy up and tummy down)
• Shoulder Stability
– Draw or color paper on vertical surface or chalkboard.
– Play games while staying on hands and knees.
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It requires maturation…
• Maturation takes time…
• Children have different rhythms…
• Children with specific learning disabilities
may take much longer than most children to
achieve neurological maturation and require
even more exposure to experiences that
favor development of specific skills.
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However…
Not all children will be able o acquire good
handwriting skills…
Some people couldn’t care less…
Some children will need the use of computer
technology and specific adaptations or
modifications very early at elementary
grades (scribe, oral answers, dictation into
mini tape recorders, oral presentations
etc…).
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A word about Assistive
Technology
• It is here to stay…
• It will only get better…
• Some students will depend on it…
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Teaching “Lefties”
• Position paper completely on the left side of child’s
midline.
• Angle paper to be parallel to the child’s forearm (about
45º).
• Teach child to position paper themselves.
• Affix tape on table to help establish correct positioning.
• Do not allow a “hooked grasp” nor holding the pencil
between thumb and all four fingers along the shaft.
• Please understand it is difficult to visually monitor
handwriting since the hand covers the writing.
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In synthesis…
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Integrate with reading!
Make it fun, make it useful…
Aim for approximations (with correct movements…)
Use multisensory approach using all 7 senses…
Use demonstration, explanation, imitation, tracing,
copying, writing, guided practice…
Promote frequent, little, correct practice…
Copy from above, one copy per model…
Use vertical, inclined and horizontal planes…
Use “whole body to distal joints” approach…
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Some resources
• The International Dyslexia Association. Just the Facts… Dysgraphia.
Fact Sheet #82 - 01/00
• ERIC DIGEST, Six Questions Educators Should Ask before Choosing
a Handwriting Program. 1997 by the ERIC Clearinghouse on Reading,
English and Communication.
• Hepplewhite, Debie. The Importance of Joined Handwriting.
http://rrf.org.uk/46%20The%20Importance%20of%20Joined%20Han
writing.htm
• Stout, Kathryn L. How to Teach Handwriting.
http://www.designastudy.com/teaching/tips-1198.html
• Miller, Samuel. Teaching Handwriting Helps Students Achieve. i.e.
information for teachers.
http://www.sraonline.com/download/cwp/cursive_writing_singles1.pdf
• Karl, Koenke. Handwriting Instruction: What do we know?
http://www.ericae,net/db/edo/ED272923.htm
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Hoppes, Steve. Handwriting and Occupational Therapy - Handwriting without
tears.
http://moon.ouhs.edu/gshart/Steve’s%20handwriting_and_occupational_the.ht
m
Wesson, Kenneth. From Synapses to Learning: Understanding Brain
Processes. Faculty Guidebook: A Comprehensive Tool for Improving Faculty
Performance. Child Development Institute. http://www.brainsconsiderate.com
Marnel, Lisa J. Handwriting For Kids. Handwriting Help for Kids.com
Http://www.handwritinghelpforkids.com/basics.html
Fisher, Phyllis E. Making Handwriting Flow. Using Models and Drills for
Fluency. 2001. Oxton House Publishers.
Olsen, Jan Z. Handwriting Without Tears curriculum.
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