Handicrafts – Trendier Than Ever Questionnaire on the Future Trends in the Crafts and Design field The number of crafts enthusiasts is growing, individual clothing styles are in, people are into recycling, the ecological qualities of products have become an absolute value and strict attitudes are loosening. These were some of the responses received in the questionnaire on the future trends in the crafts and design field by the Finnish Crafts Organization Taito last spring. The questionnaire was answered by some 460 respondents, most of whom work in the field or are crafts enthusiasts. The questionnaire showed that appreciation for crafts has increased and visibility has grown. Crafts live in the present day. Indeed, they have become trendy and are perceived as belonging to everyone. Young people in particular were thought to be more interested in crafts than before. Crafts are visible in the media, especially in the social media, blogs being particularly popular. At the same time, the endless stream of information can also cause people to repel the excess supply and to stick to the information offered by magazines and books. Crafts are seen to have broken out and become freer and more versatile. There is more tolerance and courage within the field, many boundaries have been broken and various kinds of phenomena have become interconnected. Craftworks are expected to look “Crafts skills are no like they were made by hand, and longer passed down other products imitate the resemfrom parents or grandblance of handicrafts. Differences parents; instead, people and distinctiveness are also imlearn them indepenportant values, and sometimes the dently.” pursuit of individuality may even verge on egotism. A permissive attitude to tradition is a part of the freeing of crafts. People are still interested in traditions, but first and foremost as a starting point for new things. Traditions are effortlessly transferred Right now, making crafts and using them has perhaps more street credibility than ever before. Crafts are in. At the same time, there are many conflicts and schools of thought that have a great impact on the crafts and design field. Belief in the future is strong, but what kind of future? Questionnaire on the Future Trends in the Crafts and Design field 2012 The Finnish Crafts Organization FIN-00180 Helsinki Finland ktl@taito.fi www.taito.fi to new applications. Knitting and crocheting are alive and strong, whereas weaving has declined, although there are some small signs of interest in the latter being revived. Knitting and crocheting are fast techniques and do not require large tools and are therefore easy to carry with you. The freeing of crafts is linked to new kinds of combinations, the blending of new and old, different kinds of materials and techniques. It is also connected to a breaking out from traditional educational and training systems. These days a self-taught enthusiast can also be a credible artisan. The DIY movement and radical crafts “Will the Internet dominate are strong phenomena. People want to the crafts material move on from powerful experiences to making things themselves. Crafts are a business?” global pursuit and influences are easy and quick to absorb via the Internet. Of the respondents, 90 per cent think that online stores will become more common in the field of crafts. The respondents were mainly worried about domestic commerce in this ever globalising field. Online stores will become more common I strongly disagree 0% I slightly disagree 10 % I strongly agree 48 % I slightly agree 42 % “Journeymen and master craftsmen will return to this line of work.” What does the young generation say? About nine per cent of the respondents were between the ages of 15 and 25. Of these… … 70 per cent believed in ethnic clothing styles … 98 per cent believed in recycling … 63 per cent thought the number of artisans in the field will decrease but appreciation for crafts products will increase … 92 per cent believed that everyone needs crafts skills … 100 per cent believed that crafts have an impact on our well-being … 93 per cent believed in handicrafts that are fast to make … 100 per cent considered ecological issues important … 55 per cent thought that enthusiasts and hobbyists will steal the market from expert artisans … 63 per cent still considered shop selling important The questionnaire showed that the respondents had misgivings about long crafts courses, but not short ones. Also a clearly greater number of respondents were interested in crafts that were fast and easy to make than in slow and laborious “There’s a certain forms. Some of the respondents were consequently worried about class division the future of slow and demanding evident in courses handicraft skills. and also in trainers.” Recycling is here to stay as a permanent part of crafts. The respondents also considered ethical and ecological questions to be strong and serious issues, although they were simultaneously worried about the future of skills and quality. The attitude to materials is also changing: recycled materials are now a strong alternative. The material, instead of the product, may even be the starting point of design. Environmental issues are taken seriously and through them, people have begun to understand how limited materials are. Of the respondents, 95 per cent were of the opinion that consumers want information about materials and the life cycle of a product. Today, crafts are also seen as a very important factor contributing to the increase of health and well-being. Respondents also believed that sometimes making something yourself is even more important than the finished product. Some of the respondents found that crafts have given them powerful experiences that will last for the rest of their lives. Fast and easy is interesting to me I strongly disagree 2% 12 % I slightly disagree I strongly agree 40 % I slightly agree 46 % Respondents age over 65 years old 6% 46 % 46-65 years old Photos Sami Perttilä. Products www.paloni.fi 39 % 26-45 years old 9% 15-25 years old 0% 10 % 20 % 30 % 40 % 50 % Crafts have become a communal activity, new casual groups have been created and traditional players have partly been left on the sidelines. Crafts for charity also play a more visible role than before. In conclusion, the respondents had a positive but also realistic view of the crafts business. Many of them saw problems specifically in entrepreneurs’ everyday lives and earning possibilities. Global sales online, the increase in the numbers of hobbyists and enthusiasts in the trade, and old-fashioned methods and services were considered threats to domestic entrepreneurship. The texts in italics in this feature are direct quotations from the respondents. Text Tiina Aalto and Marketta Luutonen. Professor Prof Pr ofes of esso es sorr Hans so Hans Maier-Aichen’s M Mai aier ai er-A Aic iche hen’ he n s thesis thes th esis es is for for future the th e fu futu ture re major modern • Overproduction Over erpr p oducti pr ction on iiss a ma majo j r pr jo pproblem oble ob lem m of tthe he m mod oder ernn eraa er • Local production will grow about • Design Desi De sign ign should sshho houl uld ld not not be be aab bout fl bout fliiights ghts gh hts of of fanc ffancy ancyy an andd gimmicky extra decoration; instead, design must inherent be an an in inhe here rent nt ppart artt of tthe ar he pproduct rodu ro duct ct • Design is more than creating shapes: it must touch the entire society • The beauty of an aging product • High design for a small target group will decrease and practicality will be emphasised more and more • Make something different that’s normal! • The feel of a product and its material are importtant antt • Designing a new product is more difficult than adjusting an old one. The idea should not be to create ever new products but to create new versions of old products. Hans Maier-Aichen gave a lecture last February 2012 at the Ambiente Trade Fair in Frankfurt. Respondents profession something else 8% enthusiast 24 % entrepreneur 16 % student 13 % educator, trainen, advisor, consultant, business advisor, shop manager, developer 29 % 0% 5% 10 % 15 % 20 % 25 % 30 % 35 %