Teacher Resource Pack Still Life Key Stages 3, 4 & 5 Colour and composition Evaristo Baschenis (1617 – 1677) Still-life with Musical Instruments, 1660 Italy Look closely at this picture for 30 seconds! Q. What can you see? Lots of musical instruments, including a violin which sits on top of a shiny black box. Q. What do we keep in boxes? What could be inside this box? This is a jewellery box. There is another little red box inside it. The instrument on the left of the painting with a five sided top is called a spinettino. The stripy instrument behind the spinettino, and the instrument on the far right are both lutes. Q. What kind of material do they look like they are made out of? There are two books in the painting. There is a fruit, possibly an orange, next to the violin. A spinettino Q. What is at the top of the picture? A red and gold curtain, which has been pulled back to reveal the scene below. Style and symbolism Q. Is this a photograph? Q. Why might some people think it’s a photograph? Everything is painted very realistically, notice the dust painted on the lute on the right. Q.There is something wrong with the violin on top of the box, what is the matter with it? All of its strings are broken . Q. Why might the strings be broken? The artist, who was also a priest and a deeply religious man, may have painted the broken violin and the dusty lutes in this manner in keeping with the vanitas tradition of still life painting. A vanitas is a still life intended to remind the viewer of the short lived nature of worldly possessions; the futility of human accomplishments; and the inevitability of death. The violin with the broken string may, therefore, refer to the futility of pleasure. The orange, (like the apple) could be said to symbolise the fruit of temptation. The ornate jewellery box may be a symbol of human greed. Baschenis’ signature on the spinettino could be a reflection on the futility of his own creative endeavours as an artist. Q. Why do you think the artist has included a curtain? What effect does this have? The curtain adds a sense of drama to the painting. Colour and composition Jan Davidsz de Heem Still Life with Nautilus Cup, 1632 Netherlands Look at this picture for 30 seconds! Q. How old do you think it is? It’s 379 years old Q. What do you see? Whole lemon, lemon peel, slices of lemon, grapes, grapevine, walnut, silver plate, bowl (on its side), vase, cup or ‘tazza’ (which has been knocked over), a nautilus cup; a precious drinking cup with a nautilus shell, table with dark table cloth. Q. Do you think everyone had objects like this 379 years ago, or would they have been rare and expensive? Who might have used objects like this? Q. Did the artist find these objects like this or did he arrange them carefully? He arranged them carefully. Context De Heem was a Dutch artist who made this painting when the Netherlands (Dutch Republic) was at war with Spain. The Netherlands was becoming very rich and powerful at this time, but it was also a Protestant country where large scale religious images were shunned in favour of small scale still life paintings in domestic settings rather than churches. Although this painting is smaller and much more subdued than the grand religious paintings made by catholic artists, the objects in this painting would have all been extremely hard to source, and therefore very expensive – markers of status and wealth. The Nautilus Cup Below is a ‘nautilus’- a deep sea creature. It’s shell was used to make nautilus cups. It is a prehistoric creature, still alive today. It is only found in certain parts of the Indian and Pacific Oceans– hundreds of miles away from the Netherlands! The nautilus is a mollusk and a member of the cephalopod family. It is closely related to other cephalopods such as the squid, cuttlefish, and octopus. Symbolism: Lemons at that time were a rarity in Holland, and were therefore considered to be rather precious. They also grew all year round which could be a reference to fertility. Grapes are also used in art often referring to the use of wine by Christians to celebrate the Eucharist, and of course wine was consumed at the Last Supper. Colour and composition Francois Bonvin (1817 – 1887) The Attributes of Painting, about1879 France Look at this picture for 30 seconds! Q. What kind of objects can you see in this painting? There is a large brown folder (a portfolio) in the background which is full of paper, in front of this there is a rolled up piece of paper, some paintbrushes and a paint palette on top of a leather paint box, with a pink rose. At the front, there is an inkwell, a red tube of paintbrushes, three tubes of paint and a piece of chalk. Q. What kind of person would have used materials like these? A painter. Francois Bonvin has painted the materials of his profession. If you look closely at portfolio, it’s possible to make out a face. We don’t know if this was intentional, or coincidental. Q.What do you think? Style and symbolism Bonvin was attached to the Realist movement – a group of painters who rejected the popular mythological, historical and religious subjects of the day in favour of scenes from everyday life. They wanted to portray the world around them as they saw it. Mass produced tubes of paint had only recently been invented when this painting was made. Before that artists had to buy all their own raw materials which they then had to grind down and mix with linseed oil., then they stored their paints in pigs bladders! By including tubes of paint in this picture, Bonvin is proudly showing his audience what the modern-day materials of a painter look like. Q. Do you think that Bonvin carefully arranged everything in this picture, or did he simply find these objects lying around in this way? We know that Bonvin wanted to paint the world as he saw it – accurately - but he still probably arranged this still life scene very carefully. The addition of the rose suggests that the artist still feels connected to the more symbolic still life paintings that came before. Q. When do people buy roses for each other? What do they symbolise? Roses often symbolise love. Bonvin might have included one here as a reference to Louison Kohler, the woman who was his companion, model and muse for the last seventeen years of his life. Colour and composition Joseph-Fernand-Henri Léger (1881- 1955) Composition with fruit, 1938 France Look at this picture for 30 seconds! This is not a painting with objects that we can easily identify. It is an abstract painting; full of bold shapes and thick black lines, and it is often up to us to work out what abstract artists were painting. Q. What could the round things at the bottom left of the painting be? apples with worms wriggling out? Q. In the middle of the painting is a large shape divided down the centre by a vertical black line. Q. What could this be? It has shapes cut out of it like a jigsaw puzzle. Q. What other shapes and patterns can you see? Q. What is a 3D square called? a cube a 3D circle? a sphere Q. What colours does the artist use? Bold, flat blocks of colour- blue, green, claret, cream and white. Léger inspired many of the Pop artists! Q. Can you name any Pop artists? Context About the artist….. Joseph-Fernand-Henri Léger was a French painter, sculptor, and filmmaker. He initially trained as an architect. Léger wasn’t interested in direct representation; he was an early abstract artist and wanted to breakdown the world around him and paint it in a different and simplified way. 1930’s car He was fascinated by modern technology, especially by motorcars; he loved their precise construction. Q.Take another look at the painting…could the sharp shapes in the centre refer to the individual parts of cars? Léger was in World War I (1914-1918) and it is thought that he was inspired by the machinery and weaponry used during this time. Q. So what else could the round shapes be? and the big shape in the centre? Although he loved the bright colours and new technological forms of modern life, the apples with worms inside could also be said to refer back to more historical methods of still life painting. Rotten apples being symbolic of the fall; when Eve picked the forbidden fruit and was then expelled from the garden of Eden. Could Léger, at the same time as honouring the new technology of his day, also be warning us of some future dangers that it may pose? Composition and technique Howard Hodgkin Artificial Flowers, 1975 England Look at this painting for 30 seconds! Q. What can you see? what shapes and colours can you see? orange circles, red curved shape, Q. What do the orange shapes above the red curve look like? oranges in a fruit bowl! The title of the painting is ‘Artificial Flowers’ – Q. Can you see any flowers in this picture? Q. All of the other paintings you have looked at are painted onto canvas.This is different, what is it painted onto? wood. Q. Do you notice anything unusual about the frame? There isn’t one! The artist has painted a thick black line all the way around, which resembles a frame. Q. How long do you think it took the artist to make this painting? It might look like it was made quickly, but in fact Hodgkin paints extremely slowly, sometimes taking up to four years or more to complete a single painting! Style and context We might describe this painting as abstract, but Hodgkin himself has always described himself as a representational painter. Q. What is abstract art? Abstract art: ‘art that doesn’t depict recognisable scenes or objects, but instead is made up of forms and colours that exist for their own expressive sake’. Q. What is representational art? Representational art: ‘to look like or to resemble something’. Instead of representing objects, Hodgkin is interested in representing feelings. Q. How does this painting make you feel? His subject matter is often very personal. The titles of his paintings often refer to memories, like parties, dinners with friends, meetings and departures. Q. Is this a happy or sad picture?...... What colours do we associate with being happy? what are warm colours? pinks, reds, yellows, oranges What colours do we associate with being sad? what are cold colours? blues and greens