The State Music Academy “OTTORINO RESPIGHI" IN LATINA Brief Historical formerly High School Musical • 1979 – Branch of State Music Academy S. Cecilia in Rome • 1988 - Autonomy of the State Conservatory of Music in Latina • 1998 to present - Reform Law No. 508 and its implementing regulations that modify the previous organization in force since 1918 with amendments in 1932 • 2010 - New official education systems Governance The management units are: President Director Administration Board Academic Council Departments Teachers College Consult student Evaluation Team The numbers • 78 teachers • 21 support staff • 600 students • 3 buildings in Latina for a total of 75 classrooms • A branch in Gaeta • An auditorium with 120 seats • A library consisting of more than 10,000 books, sheet music and sound recordings • 4 small concert halls with 50 seats • 2 computer labs Educational offer The training offered at the Conservatory caters to different age groups and skills: Academic Courses consist of a three-year bachelor (triennio) and a second level master (biennio), both aimed at the professional training of musician and releasing universitylevel academic diplomas of first and second level. The courses of the Old Order are being depleted. Courses Pre-academic are aimed at the basic musical education and prepare the access at the academic level, issuing certificates of level. Free courses of Higher Education, oriented in particular to instrumental methods, the introductory music (children’s choir, laboratories, etc.) The core and the backbone of the courses Conservatory follow the classical tradition. From several years we have added new courses of study oriented, on the one hand, to a more modern way 'closer' to the tastes of young people, with the courses of Electronic Music and Jazz, and, secondly, to the recovery of ancient traditions , with courses in historical keyboards, viola da gamba, baroque flute, etc.. Antiquity and modernity coexist and interact and, therefore, are two sides of a single view of the study of music at the Conservatory today Higher Education Courses In 2014, the Academy introduced a new type of free courses aimed at students of high level. Courses taught by renowned teachers, aimed at those who already have a major course of study behind him. It starts with the course of composition held by maestro Salvatore Sciarrino and with the intent to develop the experiment in other specialties typical of the Conservatory International Partners Universities and Academies which are currently under bilateral agreements : Universidad Autonoma de Madrid (Spain) Akademia Muzyczna w Krakovie (Academy of Music in Krakow - Poland) Universidad de Vigo ( Spain), University of Szeged (Hungary) Conservatorio Superior de Música " Victoria Eugenia " de Granada (Spain) Conservatorio Superior de Música de Málaga (Spain), Abant Izzet Baysal University (University of Bolu -Turkey ), Conservatory of Vienna (Austria), Liszt Ferenc Zenemuveszeti Egyetem ( Conservatory of Budapest - Hungary), Staatliche Hochschule fur Musik Trossingen ( Conservatory of Music Trossingen - Germany ), University of Malta (Malta ), University of Music and Art in Vienna ( Austria ), Musik Akademie Basel ( Switzerland), Staatliche Hochschule fur Musik Wurzburg ( Conservatory of Music in Würzburg - Germany ), Akademia Muzycznaim Im . G. Ik . Bacewiczow W Lodzi ( Music Academy of Music in Lodz Poland), Nationala Universitatea de Muzica din Bucuresti (Romania) Production and research • Season "Un’orchestra a teatro" • Chamber music season "Thursday in music" • The Festival "Forme del suono" • Early Music Festival . Concerts in decentralization • Concerts in Schools Season of the Symphonic Orchestra "Un’orchestra a teatro" From 2013, the activities were transferred to the orchestral season called "Un’orchestra a teatro”, produced in collaboration with the International Campus of Music and the town’s gouvernement. The season will be held at the Municipal Theatre "D'Annunzio", counting 700 seats. Concerts are for a fee and represent the first orchestral concert season of the town of Latina. Its programs focuses on the masterpieces of symphonic music from 700 to present. "Thursdays in music" The Chamber Season with his usual Thursday’s appointment, consisting of about 20 concerts, is divided into two periods - spring and fall - and sees the alternation of concerts given by teachers, students and external guests, in a careful planning touching various repertoires. Even with the inevitable preponderance of the classic-romantic, the concerts host, in fact, medieval and renaissance authors, contemporary works, jazz, the music of folk traditions, the most different formations alternating instrumental and vocal, and even with the use of new music technologies Le forme del suono - music of the contemporary The Festival, since its title accepts the vision of today as plural, complex, layered. Its programming sees the presence of Italian and foreign guests; compositions for the traditional concert enjoyment, but also installations, videos, acoustic music, electroacoustic, theater, orchestra, chamber music. Music by direct derivation of the avant-garde, but declined in its current very wide connotation; premieres and classics of the twentieth century, in a horizontal representation of our present. Now in its fifth edition, in summary some of his numbers in the first 4 editions: 47 concerts and more than 250 works presented between compositions, videos, installations, of which more than 30 as première; 24 seminars, workshops and master classes with musicians and composers; presentations of books and CDs Early Music Festival In 2013, the Academy inaugurates a new festival dedicated to ancient music. Concerts, seminars, lutherie workshops, teachers and students together with Italian and international guests. A prominent figure of this first event, the lutenist Hopkinson Smith Concerts in decentralization The activity of the Conservatory extends beyond the boundaries of the Municipality and the Province of Latina. Repetitions of its events ranging from classical to jazz to contemporary and early music, are produced in the province, in Gaeta, Cisterna, San Felice Circeo, in the local museums such as the House of Manzù and in national seasons as the Festival Pontino, Nuova Consonanza, Suona francese. Participation in programs of Vatican Radio and concerts at the Villa Adriana. Conventions aimed at creating musical events with Theatre of Ostia and the Museum of Palazzo Braschi in Rome are some of the projects carried out in recent years Student concerts From a few years the Conservatory, in addition to the traditional final concerts of the students, organizes about a dozen concerts decentralized within the primary and secondary schools in the Province of Latina. They are concert-lessons that illustrate some repertoires, and / or musical instruments, thanks to the generosity of teachers and their pupils, aimed at the development of classical music culture. Conferences and Seminars For non-regular appointments Conservatory organizes Conferences or Seminars on specific issues which may vary from the study of a particular repertoire or an author,a teaching methodology. In recent years we remember: "The Content of the Reformation" (2000), a six days meeting with the participation of 54 teachers from 26 Italian Academies to discuss the educational and organizational innovations related to the recent law innovations, "George Sand, romantic music and musicians "(2007)," Roffredo Caetani, a musician aristocrat "(2012)," The Shape of music in Schenkerian perspective "(2013) Workshops and Masterclasses Alongside the ordinary lessons , the Academy offers a continuous and diverse range of insights through seminars and / or masterclass of guest artists . Just as an example we recall some guests in recent years: Charles Rosen, Aldo Ciccolini, Lya De Barberiis, Mariella Devia, Nuria Schoenberg Nono, Doina Rotaru, G. Pstrokonska-Nawratil, Aldo Clementi, Giacomo Manzoni, Azio Corghi, Ennio Morricone, Luis Bacalov, Ivan Fedele, Giorgio Nottoli, Mauro Cardi, Fabio Cifariello Ciardi, Agostino Di Scipio, Luca Mosca, Elio Martusciello, K. Olczak, Mario Mary, Ivan Vandor, Marco Frisina, Mario Caroli, Emanuele Arciuli, Stuart Isacoff, M. Kogut-Slanda, Enzo Filippetti, l’ICST di Zurigo, Carlo Boccadoro, Daniele Screpis, Piero Rattalino, Dimitra Theodossiou, Claude Delangle, Stefan Hussong ecc. and musicologists Annarosa Poli, Raoul Meloncelli, Danièle Piston, Claudia Colombati, Veniero Rizzardi, Angela Ida De Benedictis, Giovanni Giuriati, William Drabkin, Mario Baroni Development Projects The guidelines for the future involve the development of international relations, the Courses of Higher Education, the publication of a series of audio and musicological and analytical texts and the strengthening of the current music production through stable seasons in decentralization that join the four already present in the city of Latina