EXHIBITION | LIVE PERFORMANCES | TALKS
PALAZZO
V
E
N
I
C
Bean
Alastair MacLennan & Sandra Johnston
MORA
E
Sarah-Jane Norman
PROGRAM ROUNDTABLES
SUNDAY 14
RITUAL BODY - POLITICAL BODY
THURSDAY 18
PROYECTO LIQUIDO. FEAR
meet the artists
(IN)VISIBLE BORDERS - (IN)VISIBLE CULTURES
In collaboration with Universita’ Iuav di Venezia
With TANIA BRUGUERA and REGINA JOSE GALINDO
[Closed event]
Moderated by Lissi Sanchez (Madrid)
The Director Adriana Maurer introduces Alumnos47 Foundation’s
mission, creative processes and commitment to exploring relationships and knowledge through contemporary art. The curator Jessica
Berlanga Taylor presents the book and documentary screening of
Alumnos47 first curatorial project in 2012: Proyecto Líquido. Fear,
that took place in Mexico City.
“Past, present and future will always be confused, and through
this confusion we have an ability to create all time anew. Time
is the human prison, much like humans are the human prison. We
only can be free when we allow ourselves to love ourselves for our
failures. When a failure can be loved, it’s no longer a failure, it’s
our life that we carry forward. Fear and strength are the same
thing, it’s just a decision. To decide is time itself, it is living at its
most elemental.” D.B.
WEDNESDAY 17
PERCEPTIONS OF WOMANHOOD IN PERFORMANCE ART
Moderated by Sandrine Schaefer (Boston)
MONDAY 15
Think Tanks: Containers and Contents
Moderated by Arantxa Echarte (London)
Within a medium that prioritizes both body and time as sites
of provocation, how do signifiers of gender impact perceptions
of action? Specifically, how do perceptions of “womanhood”
impact the ways that actions are read on certain bodies and their
culturally ascribed identities? During a time where gender binaries
are blurring and perhaps even moving towards obsolescence, how
is the perceived female body being explored by artists today? What
are current strategies that artists use to enunciate with the body
and how might we confront, explore, gain power from, challenge,
dismantle, and/or wreck concepts of femininity in performance?
LOIS KEIDAN Live Art Development Agency (London)
SHANNON COCHRANE FADO Performance Art Centre (Toronto)
BENJAMIN SEBASTIAN ]performance s p a c e [ (London)
DANIEL S. DELUCA Mobius Inc. (Boston)
The Live Art Development Agency (London), FADO Performance Art
Centre (Toronto), ]performance s p a c e [ (London) and Mobius Inc.
(Boston) are non-profit organizations that promote performance
practice through performance programming, residencies, talks,
workshops, exhibitions, management of performance related
resources and publishing. The roundtable will consist of a short
presentation of all these initiatives followed by a dialogue
between all panel speakers about the structures, formats,
contents, objectives and challenges experienced since the 1970s
to the present times.
Enrique Jezik
Please note that the program may be subject to change.
In collaboration with
A project by
Special Guests
Under the patronage of
SATURDAY 20
COMMEMORATION - RITES, RITUALS AND DAILY MATTERS
Cultural Partner
Moderated by Francesco Kiais (Athens)
ZAI KUNING (Singapore)
SARAH-JANE NORMAN (Melbourne)
VELA PHELAN (Boston)
ALICE VOGLER (Boston)
How may the words NARRATIVE (personal/national/political/
cultural) and COLONIZATION (both conceptual and physical) reconnect through performance art? In this roundtable, we will look
at the implications of a continuous vs. discontinuous narrative
occurred in colonisation, and at how this absence of continuity
affects identity and meaning. May the act of sharing such rupture
become a new narrative in itself, through performance?
MARILYN ARSEM (Boston)
ADINA BAR-ON (Tel Aviv)
BEAN (London)
BARBARA CAMPBELL (Sydney)
Adina Bar-On
Questioning the responsibilities of artists working in their practices
on risk-taking and challenge, this roundtable inquires what artists
and organizers should address when creating art on the edge
today, including individual and collective, social and political
responsibilities. Further is introduced Manuel Vason’s performance
photography book Double Exposures, a new collaborative venture
between Vason and forty of the most visually arresting artists
working with performance in the UK.
DOUG JARVIS (Victoria B.C.)
ROBERTO SIFUENTES (Chicago)
WEN YAU (Hong Kong)
In this special morning encounter, students at Universita’ Iuav di
Venezia have the occasion to encounter and interchange with two
of the most prolific contemporary female performance artists.
With ADRIANA MAURER and JESSICA BERLANGA TAYLOR
ALUMNOS47 FOUNDATION Mexico City
Barbara Campbell
Marilyn Arsem
Regina Jose Galindo
Julie Vulcan
TUESDAY 16
PALAZZO MICHIEL, Strada Nuova - 4391 Campo Santi Apostoli
11:00 - 13:00h
13.-20.12.2014
Melissa Garcia Aguirre
Curatorial Consultancy
Rites, Rituals, the need to leave a trace, or keep the memory
of something or someone, have always accompanied the human
in every society, culture, tradition. This roundtable aims to
initiate a dialogue among the participating artists, starting from
the peculiarity of their research in the theme-frame of the 2nd
VENICE INTERNATIONAL PERFORMANCE ART WEEK: “Ritual Body
- Political Body.” Indirectly, the investigated topos is identity in
its different possible aspects (corporeal, metaphysical or virtual,
personal, social, political, in migration or related to a place or
to specific habits, and so on ..) and how it can be identified/
practiced in today’s society, or revealed/researched in the various
performative forms of the artists themselves.
FRIDAY 19
ON THE EDGE - ARTISTS RESPONSIBILITIES
Moderated by Andrea Pagnes (Venice)
ARTI GRABOWSKI (Krakow)
OLIVIER DE SAGAZAN (Saint Nazaire)
MARTIN RENTERIA (Mexico City)
MANUEL VASON (London)
Sponsor
Mocenigo
Osteria
Technical Sponsor
Artists supported by
Consejo
Nacional de
la Cultura y
las Artes
GOBIERNO DE CHILE
Media Partner
Image © Alperoa, Tattoo for Venice, 2012.
Tattoo by Daniel Campos|13 Agujas Tatuajes. Photograph by Cristian Beroiza.
SUNDAY 14 to SATURDAY 20
SUNDAY 14
LONG DURATIONAL PERFORMANCES
Every day between 15:00-19:00h
RITUAL BODY - POLITICAL BODY
VestAndPage - Verena Stenke & Andrea Pagnes (Curators)
Gianni Emilio Simonetti
PROGRAM LIVE PERFORMANCES
The live art exhibition project dedicated to contemporary
performance art showcases in its second edition works of over
50 international performance artists from around the globe,
some of which are presented in cooperation with cultural
institutions and foundations. Pioneers of this art discipline
exhibit alongside established and emerging artists, reflecting
influences and current tendencies in the field.
PALAZZO MORA
BENJAMIN SEBASTIAN [UK] • 18-20 Dec
3 Cycles of Otherness (2014)
A live installation that explores issues of alienation, identification and
agency through the repetition of an evolving score.
Please note that the program may be subject to change.
SATURDAY 13
| 18:00h
JULIE VULCAN [Australia]
I stand in (2013) [One-to-one performance • Sign up at the door]
In honour of the forgotten, misplaced, unrecovered and removed.
Volunteer participants ‘stand in’ for a faceless individual.
OPENING
The project consists of a vibrant program of installations,
photographic and video documentation, live performances,
daily roundtable talks, a Study Room, a Movie Room, a
Learning Program and meetings with the participating artists,
researchers and curators.
GIANNI EMILIO SIMONETTI [Italy]
Fluxfood Concert In Venice (2014)
Gianni Emilio Simonetti cooks, with a little help from his friends
and presented by FONDAZIONE BONOTTO, the fluxevent Fluxfood
Concert In Venice. (A multitasking performance). An acoustic
space-food with music, sound bodies, reverberations, mixes,
digital connections, accumulations of Erik Satie, John Cage, Ayo, George Brecht, Philip Corner, Al Hansen, Robert Filliou, Dick
Higgins, Alison Knowles, Takehisa Kosugi, Shigeko Kubota, Joe
Jones, George Maciunas, Walter Marchetti, Nam June Paik, Ben
Patterson, Dieter Roth, Tomas Schmit, Mieko Shiomi, Litsa Spathi,
Ben Vautier, Robert Watts, Emmett Williams, La Monte Young.
For the second edition with the focus “Ritual Body - Political
Body” the VENICE INTERNATIONAL PERFORMANCE ART WEEK
2014 aims to investigate a wide range of concepts such as: art
as a space for civil negotiation where human ethical values
are the core; interconnectivity; political confrontation;
utopia; ecological issues; social and individual conflicts and
responsibilities, and how the self relates to them, at the
same time concentrating on the fact that the presence of the
human beings in this world is always more than a temporary
condition.
Curated by Leisa Shelton.
MELISSA GARCIA AGUIRRE [Mexico]
Desapareciendo / Disappearing (2014)
Since 2006 more than 30.000 people have disappeared in Mexico,
victims of State power and drug trafficking. For the artist, ‘the body’
no longer exists, but has been substituted by ‘bodies’ or ‘the bodies’.
SANDRA JOHNSTON & ALASTAIR MACLENNAN [Northern Ireland]
Let Liminal Loose (2014)
The duets between Johnston and MacLennan occur only occasionally,
but, with great care and openness apparent in the relationship between
both artists, sustained by a shared desire to keep each situation direct
and without contrivance.
ANDRIGO & ALIPRANDI [Italy]
vacuum (2013)
A constricted living image, in which the space of action is reduced
to transforming the body into the only place possible, creating a
microcosm where the flow of blood and breath resonate.
The communication that can be triggered between artists and
the audience is an essential element. The topics addressed
during the week will relate to the need to look at social
relations and the lives of individuals with greater care.
ADINA-BAR-ON [Israel]
Before Later (2014)
The audience and their physical presence in the place where the artist
performs compose the materials of this new performance series.
OLIVIER DE SAGAZAN [France]
Transfiguration
In the existential performative series Transfiguration, started in
2001, de Sagazan reveals an animalistic human who is seeking
to break away from the physical world. The action investigates
powerful physical transformations through a variety of faces
alternating in a process of adding and subtracting; poetically and
violent, creating a flux of unexpected images.
Due to the specificity of the theme of this second edition
“Ritual Body - Political Body”, the live performances and
works on display will also seek to provide reflection and
further considerations on how to find meaningful mechanisms
to foster positive change through contemporary art and
culture in a clearly vital way.
SARAH-JANE NORMAN [Australia]
Bone Library (2012)
In Bone Library, Norman asks the audience to assume personal
responsibility for what our culture chooses to remember.
CLOSING CEREMONY on Saturday, 20 December at 17:00h.
Curated by Leisa Shelton.
ARTI GRABOWSKI [Poland] Wrong way, right direction (2014)
“I scream, I whisper, I mumble about: a nostalgia towards freedom,
light air, bad decisions, conflicts of the North with South, dilemmas
about the one ‘above’. And after the performance I want to leave you
in a misty reflection, which, if it keeps returning to you for another
couple of days, it will be the greatest compliment of all.”
ENRIQUE JEŽIK [Argentina/Mexico] Circulos Concentricos (2012)
In this sound performance and aftermath installation, Ježik scrapes a
series of circles on a large piece of metal, surrounded by metal cutting
machines, reminiscent of war strategies practiced in fortifications around
Antwerp, Belgium. Curated by Jessica Berlanga Taylor for FUNDACION ALUMNOS47.
MONDAY 15 | Starting at 19:00h
WEDNESDAY 17
| Starting at 19:00h
JILL MCDERMID [USA] Woman on a Cross (2010)
A performance art piece that asks the question: would a female savior
have been more threatening than the male savior?
WEN YAU [Hong Kong] Wish You Were Here (2014)
DURATIONAL during the day in a venue to be announced
Can you hear me snoozing / where is my suitcase? / wheel it around
and keep roaring / the day the bell is still ringing / you are still
strolling around / while our souls will soar / as if we were here.
SHANNON COCHRANE [Canada] Performance for Triple Decker (solo)
(2014) A loop evokes a mediated product that is repeatable, reproducible and potentially inexhaustible. The concept of a performance
as part of a continuum: invoking performances past and yet to come,
in an ongoing incompletion.
VELA PHELAN [USA] En ti confio (2014)
15:00 - 19:00h - DURATIONAL
A video altar action which focuses on Jesus Malverde and idolatry
particularly with the way in which religion, material culture, and visual
spirituality are mixed and shaped through a current technological form.
BARBARA CAMPBELL [Australia] Galatea (1996)
Refocusing our attention on the ability of the central female character
of the Pygmalion myth to shape herself to the desires of her audience
and through this, gain authenticity. In Campbell’s version, Galatea
must deliver her story in perfect Italian, yet the story is rooted in postColonial race relations of the Australian outback. Curated by Leisa Shelton.
ANDREA HACKL [Austria] Layers of Now (2014)
In collaboration with Andy Keep. A performance installation investigating shadows, archetypes and the psyche. Diving through the
layers of our perception reflected within space, the piece is inspired
by shamanistic rituals and the dream dimension.
TANIA BRUGUERA [Cuba/US] Manifestos (2011-2013)
Including the International Migrants Day (2011); Expert Meeting
on Artistic Freedom and Cultural Rights (2012) and the Citizen
Manifesto for European Democracy, Solidarity and Equality (2013).
ZAI KUNING [Singapore] Loosing oneself to be with it and taken away
by it (2014)
“Words passing through me. Reason and meaning are just jewels that
have no value in some eyes. I am not a brain, ‘I’ am something else.’
As I ‘chant and pray’ to this endlessness of time.”
| Starting at 19:00h
ALICE VOGLER [USA] Liability of body. Language of liability (2014)
15:00 - 19:00h - DURATIONAL
Thinking about the facets of liability with in the daily actions of both
being a performance artist and a type 1 diabetic since childhood, Vogler
is interested in the role of anticipation and personal responsibility
when working in the medium of performance art.
TUESDAY 16 | Starting at 19:00h
NORMA FLORES [Mexico] Tiempo de Alquimia (2014)
Investigating routines that potentially transform into rituals, Flores
recreates symbolic representations of what it means to be a citizen of
a country like Mexico, while proposing rituals for a potential change.
MARTIN RENTERIA [Mexico] Erosion - Entropic Action (2014)
The performance questions our relation to the surrounding, speaking
about the struggle with our everyday conflicts and the quest to bring
harmony into our lives.
THURSDAY 18
Chris Burden
Ulay
Gina Pane
Waldo Bien with Joseph Beuys
Âhasiw Maskêgon-Iskwêw
Zhang Huan
| Starting at 19:00h
MARILYN ARSEM [USA] Marking Time V (2014)
15:00 - 19:00h - DURATIONAL
Meditations on time, on what is needed to move forward through
time, on moving through one’s life.
SATURDAY 20
REGINA JOSE GALINDO [Guatemala] Voz Humana (2014)
POETRY LECTURE • Por cada feto tú que mates / nosotros criaremos
cien hijos / Por cada mujer que tú violes / nosotros tendremos cien
orgasmos / Por cada hombre que tú tortures / nosotros abrazaremos
cien alegrías / Por cada muerto que tú niegues / nosotros tejeremos
cien verdades / Por cada arma que tú empuñes / nosotros haremos
cien dibujos.
LA POCHA NOSTRA [Various] Corpo Insurrectu (2014)
It is this arts organisation’s desire to cross and erase dangerous
borders including those between art and politics, art practice and
theory, artist and spectator, to dissolve borders and myths of purity
whether they be specific to culture, ethnicity, gender o Please note
that the program may be subject to change. r language. With Guillermo
Gómez-Peña, Roberto Sifuentes, Dani d’Emilia and collaborators.
TERRY SMITH [UK] The Foundling (2014)
At Ca’ Pesaro Museo Internazionale d’Arte Moderna
Special Event in collaboration with the Fondazione Musei Civici di
Venezia. Playing with ideas of the hidden and the lost. Including
commissioned texts by Mel Gooding. Recorded music deconstructed
score with Oliver Oates & Ian Dearden. With Marita Isobel Solberg
(Voice), Giorgio de Battisti (Violin), Mauro Sambo (Sax), Samanta
Cinquini & Micaela Leonardi (Performer).
Tehching Hsieh
| Starting at 19:00h
MARILYN ARSEM [USA] Marking Time VI (2014)
15:00 - 19:00h - DURATIONAL
Meditations on time, on what is needed to move forward through
time, on moving through one’s life.
PEDRO REYES [Mexico] Imagine (2012)
CONCERT • For Proyecto Líquido. Fear in Mexico City, curated by
Jessica Berlanga Taylor for FUNDACION ALUMNOS47, seven musicians
and two metal-workers transformed a half-ton of weapons into more
than 40 musical instruments that also function as sculptural pieces.
In a special closing concert, Omar Córdova, Adrián López, Alonso
López and local collaborators will play these instruments again.
Curated by Prem Sarjo.
Joseph Beuys
Alain Arias-Misson
BEAN [UK] • 14-16 Dec
(m)other (2014)
A durational piece which seeks to articulate politics surrounding the
viewing of the female body, engendered roles and labour.
Olivier de Sagazan
FRIDAY 19
ART WEEK | FRINGE is an open platform for young international artists
and inedited proposals. Artists will be announced in the venue on Monday.
| Starting at 19:00h
Carolee Schneemann
Guillermo Giampietro
Elias Adasme
Please note that the program may be subject to change.
Garden
Entrance
Garden
Entrance
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Garden
Entrance
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4
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2 • ALLEN GINSBERG [USA] Howl (1955) Text and audio of
the Shaw Festival Reading of the 1955 poem.
3 • JOSEPH BEUYS [Germany] In difesa della natura
(1972-1985) Installation, objects, photography and video.
Presented by FONDAZIONE BONOTTO.
4 • ALAIN ARIAS-MISSON [Belgium/US] The Public Poems: a
street libido. Digital prints and videos of The Vietnam Public
Poem (1967), The Punctuation Public Poem (1972) and The
Teutonic Public Poem (1991). Presented by FONDAZIONE
BONOTTO.
5 • TERRY FOX [USA] Defoliation (1970), Selected photo
documentation. Turgescent Sex (1974), Video. Berlin Wall
Scored for Sound (1980-1982), Image reproduction. Berlino
/ Rallentando (1988), Sound LP.
6 • VITO ACCONCI [USA] Indirect approaches (1973) Video.
7 • CHRIS BURDEN [USA] Documentation of Selected Works
1971-74. Video.
8 • CAROLEE SCHNEEMANN [USA] Ice Naked Skating.
Six purple serigraphy on paper (1972-1988) Vulva Print
No.4. Acrylic on cardboard (1987) Ice Naked Skating with
interventions. Serigraphy on paper with interventions
(1990) Presented by FONDAZIONE BONOTTO.
Snows. Documentation of the group performance (1967)
9 • REGINA JOSÉ GALINDO [Guatemala] Selected performances (2000-2014) Video and photography. Curated by
Prem Sarjo.
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5
7
8
12
9
10 • TANIA BRUGUERA [Cuba/USA] Manifestos: International Migrants Day (United Nations Student Conference
on Human Rights and ‘Immigrants Occupy’ Rally, New York,
United States, 2011); Expert Meeting on Artistic Freedom
and Cultural Rights (Palais de Nations, The United Nations
Office, Geneva, Switzerland, 2012); Citizen Manifesto for
European Democracy, Solidarity and Equality (European
Parliament, Brussels, Belgium, 2013). Curated by Prem Sarjo.
11 • BEAN [UK] (m)other (2014) Long durational
performance and installation • BENJAMIN SEBASTIAN [UK]
3 Cycles of Otherness (2014) Long durational performance
and installation.
12 • JULIE VULCAN [Australia] I Stand In (2013). Long
durational partecipative performance and installation [Oneto-one]. Curated by Leisa Shelton.
13 • MELISSA GARCIA AGUIRRE [Mexico] Desapareciendo
/ Disappearing (2014) Long durational collaborative
performance and installation.
14 • ADINA BAR-ON [Israel] Before Later (2014) Long
durational partecipative performance and installation.
15 • SANDRA JOHNSTON & ALASTAIR MACLENNAN
[Northern Ireland] Let Liminal Loose (2014) Long durational
performance collaboration and installation. • RICHARD
ASHROWAN Alchemist (2010) Film.
16 • MOBIUS Inc. [USA] Marking Time V and VI (2014) Two
durational performances by Marilyn Arsem. Video documentation from the Mobius archives by Daniel S. DeLuca.
17 • BOB RAYMOND [USA] this moment: missives from
another world. A selection of three decades of performance
art photographed by Bob Raymond.
1 • PEDRO REYES [Mexico] Imagine (2012) Installation and
concert (2012). Presented by FUNDACION ALUMNOS47
as part of the curatorial project Proyecto Liquido. Miedo
(Mexico City, 2012). Curated by Jessica Berlanga Taylor.
2 • ENRIQUE JEŽIK [Argentina/Mexico] Circulos Concentricos
[Concentric Circles] (2012) Live performance and aftermath
installation. Presented by FUNDACION ALUMNOS47
as part of the curatorial project Proyecto Liquido.
Miedo (Mexico City, 2012). Curated by Jessica Berlanga Taylor.
3 • STUDY ROOM presented by the Live Art Development
Agency, London.
4 • BORIS NIESLONY & GERHARD DIRMOSER [Germany/
Austria] Performance-Art Context, A0 size map.
5 • SARAH-JANE NORMAN [Australia] Bone Library
(2012) from the Unsettling Suite series. Long durational
performance and installation. Closing Ceremony on Sat, 20
December at 17:00h. Curated by Leisa Shelton.
6 • TEHCHING HSIEH [Taiwan/USA] One Year Performance
1980-1981. DVD: 6 minutes 8 seconds transferred from
16mm film, color, silent. Tehching Hsieh: Art Documents
1978-1999. Digital work overview.
7 • ZHANG HUAN [China] To Raise the Water Level in a
Fishpond (1997). Video of the performance, Beijing, China.
8 • RONG RONG [China] Rong Rong’s East Village (19931998) Limited edition portfolio.
9 • PAUL WONG [Canada] 60 Unit: Bruise (1976) Single
channel video performance. in ten sity (1978) Single
channel edit of the live video performance.
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10
6
14
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13
EXHIBITION II
EXHIBITION I
1 • REGINA JOSÉ GALINDO [Guatemala] Lo voy a gritar al
viento (1999) Video of the 1999 performance at the post
office in Guatemala City. Curated by Prem Sarjo.
6
10
EXHIBITION III
10 • GERRY SCHUM [Germany] Identification (1970) Television film.
1 • INDER SALIM [India] Earth.Territory.Music. (2000-2014)
11 • GINA PANE [France] Psyche (1974) Video of the performance.
2 • VESTANDPAGE [Germany/Italy] Without Tuition or
12 • ULAY [Germany] Da ist eine kriminelle Berührung in
der Kunst (1976) Video of the performance.
performance.
13 • WALDO BIEN [Germany] Social Sculpture Foundation I,
Regal Star Project (1983) and Social Sculpture Foundation
II (1984) Videos of the performances, with the participation
of Joseph Beuys.
4 • ANGEL DELGADO [Cuba/US] Selected performances
14 • MOVIE ROOM:
Work overview in photography and text.
Restraint (2011) Photography and installation of the 2011
3 • SIGALIT LANDAU [Israel] Barbed Hula (1999) Video.
The VENICE INTERNATIONAL PERFORMANCE ART WEEK
2014 is an independent, nonprofit, non funded and
noncommercial live art exhibition project.
Curated by artist duo VestAndPage and realized by
Studio Contemporaneo nonprofit Cultural Association
of Venice in collaboration with Global Art Affairs
Foundation, Venice Open Gates, We Exhibit.
Performances and Exhibition
(1990-2011) Video.
5 • VIDEOPLAY: CUERPOS EN DISIDENCIAS [South America]
PALAZZO MORA
Strada Nova 3659 | Venice
Photography and video works by ELIAS ADASME, ARTUR
BARRIO, PAOLO BRUSCKY, EL SILUETAZO, JUAN LOYOLA,
• JELILI ATIKU [Nigeria] Lagos in Red (2013) Short
documentary film by Lotte Løvholm, Nanna Nielsen and
Karen Andersen.
GASTAO DE MAHALHAES, CLEMENTE PADIN, LETICIA
• WALDEMAR JANUSZCZAK [UK] Beijing Swings (2003)
Documentary.
en la Iglesia (2012) Video.
• VESTANDPAGE [Germany/Italy] sin∞fin - Performances
at the Holy Centre (2011) Artfilm trilogy episode: India &
Kashmir.
Installation of video, objects and text.
15 • OPEN SPACE: UNSETTLE [Canada] Video work on
Indigenous/Non-indigenous Performance Art. With White
Shame Re-cut, an edit (by Brian Gotro) of the original 1992
performance by AHASIW MASKEGON-ISKWEW and White
Shame Re-worked (2012) Video of the performance by
ADRIAN STIMSON. Curated by Doug Jarvis.
9 • LEGEND LIN DANCE THEATRE [Taiwan] Song of
PARENTE, ROSEMBERG SANDOVAL.
Morning Talks
PALAZZO MICHIEL
Strada Nuova 4391, Campo Santi Apostoli | VENICE
Curated by Silvio de Gracia.
6 • GUILLERMO GIAMPIETRO [Agentina/Italy] Intervencion
7 • WEN YAU [Hong Kong] Wish You Were Here (2014)
8 • NORBERT KLASSEN [Germany] Untitled (2009/2011)
Video and relic of the performance.
OPENING
Saturday, 13 December 2014 | 18:00h
OPENING HOURS
Sunday, 14 to Saturday, 20 December 2014
10:00 - 22:00h
• Admission Free •
Pensive Beholding (2009) Selected work documentation in
photography.
www.VENICEPERFORMANCEART.org
10 • OLIVIER DE SAGAZAN [France] Transfiguration (20012014) Videos and photographs of the performance series.
11 • OMEN TEATAR [Serbia] 1 vs. Many. Video of the
performance.
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