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Sunflower Sutra Analysis Essay

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Madison Cordell
English 1102
Mrs. Kirk
12 September 2023
Change of Perception in “Sunflower Sutra”
“The grime was no man’s grime but death and human locomotives” (Ginsberg line 23).
In the poem "Sunflower Sutra," Allen Ginsberg relays his thoughts on industrialization and how
he believes it has ruined the beauty of America, and he knows his own species is to blame. The
negative emotions he felt about modernization and consumerism drove him to write the poem
"Sunflower Sutra," where he describes what it is like to lose sight of beauty. Using the image of
an old and empty railyard, he forces the reader to think about the leftovers of industrialization
and the impact it has on the environment. His friend spots a sunflower and shows it to him,
igniting Ginsberg’s memories of past visions. He goes on to ramble about the absurdity of the
sunflower in the railyard, pointing out that the flower is gray and dirty just like the old
locomotives, proving that the environment influenced its growth. Toward the end of the poem,
however, the tone shifts to one of hope. He comes upon the realization that even though the
sunflower is dirty and ugly in a sense, it is still a sunflower, and it is still beautiful because of
that. He even addresses the sunflower and locomotive as if they were people, reminding them of
who they are and not who they appear to be. Ginsberg uses juxtaposition, imagery, and
symbolism to convey the message that it is never too late to change our perceptions.
In particular, the juxtaposition of nature and industry in the poem is obvious, the way
Ginsberg describes the locomotive and the sunflower as the “oily water” and “red sky”
respectively (Ginsberg line 6). For the message of the poem to get across to its readers, there
needed to be a focus on the idea of nature versus “modern” technology. He juxtaposes these
ideas very openly in the line “gnarled steel roots of trees of / machinery” (Ginsberg line 4-5). He
uses the picture of a tree made of machinery in a way that makes the audience believe that newer
technology is ruining life as they know it. Trees and roots are seen as natural and beautiful, but
gnarled steel and machinery are not seen as such, releasing smog and chemicals into the once
exquisite environment. By placing these two completely unrelated images together, Ginsberg
displays exactly what he is trying to convey: something natural turning into something unnatural.
Towards the end of the poem, he continues to juxtapose the locomotive and sunflower but this
time in a different light, writing “You were never no locomotive, Sunflower, you were a
sunflower! / And you Locomotive, you are a locomotive, forget me not!” (Ginsberg lines 42-43).
His tone shifts to something philosophical. It is clear in this line that he has come to terms with
the idea that maybe technology and nature can exist together and that it may never be too late to
change one’s own perception of the world. In Tony Trigilio’s literary criticism titled “Howl and
Other Poems,” he describes this revelation as the narrator “set[ting] out to renovate a world in
which nature and artifice are coequivalent” (Trigilio). Several critics agree that in “Sunflower
Sutra,” and even some of his other works, Ginsberg struggles with his idea of technology and
how it can corrupt a nation as he knows it. He proves in this poem, however, that there are many
lessons to be learned, especially through ideas that one dislikes initially.
In addition to juxtaposition, Ginsberg’s use of imagery carries throughout most of his
poems, demonstrating a Whitman-like style in which descriptors are unlimited and the more
there are, the better an image will be made. This sets up his message in “Sunflower Sutra” by
relating his ideas and thoughts with descriptive words that trigger emotions in people. He wants
the idea of the dirty sunflower to be vivid in the reader's head, using the descriptors “crackly
bleak and dusty,” (Ginsberg line 15) “bleary spikes pushed down and broken like a battered
crown,” (Ginsberg line 17) and even “Unholy battered old thing” (Ginsberg line 22). To many,
his images are clear, but the words can be too much; however, Ginsberg also uses a rambling
pace to simulate thinking, so one could argue all the words are necessary to an extent. His long
descriptions are reminiscent of Walt Whitman’s free verse style, rich in strong adjectives. These
Whitmanesque illustrations do not lesson through the poem, but the connotations of the words
change, denoting a more hopeful tone in light of his discovery. He then uses adjectives such as
“golden” (Ginsberg line 46), “blessed” (Ginsberg line 47), and “formal” (Ginsberg line 48) to
describe the sunflower and its inner beauty. Critics also seem to agree with this idea of
Ginsberg’s poem, Caitlyn Shanley commenting in her criticism titled “Sunflower Sutra” that
Ginsberg eventually “celebrate[s] the lives of sunflowers” (Shanley), prompting others to
celebrate their own lives. This furthers the overarching message of the poem that perceptions
change, and that is okay.
As well as the literary devices previously discussed, Ginsberg uses symbolism in
“Sunflower Sutra” to demonstrate how similar and connected humans are to nature and their own
destruction. There are two main symbols in the poem, and their meanings shift throughout, but
they remain constants within the work. For example, the sunflower in the poem is representative
of nature and beauty, even though it is only towards the end that the sunflower is described as
such. The symbol shifts from meaning nature to America to inner beauty, but the theme is more
than clear because of the way Ginsberg introduces and describes the symbols in the poem. He
notes the symbol of the sunflower by pointlessly describing every single detail of it, from its
“dead gray shadow” (Ginsberg line 9) to its “broke pieces of plaster / fallen out of the black
twigs” (Ginsberg lines 20-21). Since the sunflower is a constant throughout the poem and is
constantly being described, it must be noted as a symbol and recurring theme, along with the
locomotive. The train, as a symbol, represents all from technology to corruption to
modernization. His hatred for these themes becomes apparent when Ginsberg starts describing
the locomotive, using phrases such as “that veil of darkened railroad skin” (Ginsberg line 24),
“that smog of cheek” (Ginsberg line 24), and “that eyelid of black mis’ry” (Ginsberg lines 2425). These phrases encapsulate the view of the train he wants to convey, which makes it more
surprising when he later looks at the locomotive in a more positive light. A well-known critic
also spoke on Ginsberg’s use of symbolism in “Sunflower Sutra,” stating that “the symbol of the
locomotive portrays industry's capacity to corrupt natural beauty” (Shanley “Sunflower Sutra”).
While industrialism has the capacity to corrupt natural beauty, Ginsberg also notes, at the end of
the poem, that everything is beautiful in its own way, displaying his message.
Allen Ginsberg is famous for using plenty of literary devices and description in his
poems, but it works to his advantage; that is his way of getting the reader to understand what his
story is about. In his poem “Sunflower Sutra,” Ginsberg uses literary devices such as
juxtaposition, imagery and symbolism to relay his message that perceptions can change for the
better. He openly contrasts the sunflower and the locomotive to make his point that industrialism
can corrupt beauty. He then intensely describes these “characters” to give them personality and
show the reader how they can influence each other, and he makes them overarching symbols in
the poem. This eventually counteracts his beginning statements and instead pushes the message
that, similar to his, perceptions can change, and there is beauty in that.
Annotated Bibliography
Ginsberg, A. (n.d.). Sunflower Sutra by Allen Ginsberg. Poetry Foundation.
https://www.poetryfoundation.org/poems/49304/sunflower-sutra
This is my original source, containing the poem I am writing the essay about. I am
using this source mainly to refer to the original poem “Sunflower Sutra.” The
essay is about how Allen Ginsberg first believes that industrialization is ruining
the environment and the world, but then discovers that it is much more beautiful
to have them coexist in a world that is beautiful regardless of its outward
appearance.
Hollander, John. “Poetry Chronicle (Excerpt on Allen Ginsberg).” Twentieth Century American
Literature: Allen Ginsberg, Chelsea House, 2022. Bloom's Literature,
online.infobase.com/Auth/Index?aid=105438&itemid=WE54&articleId=637697.
Accessed 6 Sept. 2023.
This article is very short and barely mentions “Sunflower Sutra” or any
other poems by Allen Ginsberg. The article is a criticism, but it will not be
used in my essay because it does not have much valuable information for
me and the topic I am writing about. If I were to write an essay about
Allen Ginsberg and how others view his poems, it would be a good source
to pull from, but there would need to be multiple sources since it is so
short.
Middleton–Kaplan, Richard. “The Landmark Beat Anthology: The New American Poetry, 1945–
1960.” Encyclopedia of Beat Literature, Second Edition, Facts On File, 2014. Bloom's
Literature,
online.infobase.com/Auth/Index?aid=105438&itemid=WE54&articleId=30952.
Accessed 6 Sept. 2023.
This source will be used in my essay because it describes the Beat poets
and shortly analyzes certain landmark poems, including “Sunflower
Sutra.” I found that the author of the article is a well-known scholar and
writer. I can conclude that he is reliable and valid as a scholarly author
since he has written many works for many databases on scholarly articles.
I will use this article in my essay, even if briefly, because it combines
analyses of Beat poets’ poems and the time and culture of the Beat
generation.
Perloff, Marjorie. “A Lion in Our Living Room (on Allen Ginsberg).” Twentieth Century
American Literature: Allen Ginsberg, Chelsea House, 2022. Bloom's Literature,
online.infobase.com/Auth/Index?aid=105438&itemid=WE54&articleId=637704.
Accessed 6 Sept. 2023.
The author of this article is very well known for their criticisms and
literary input. This makes them a reliable author. This article is very long
and barely discusses “Sunflower Sutra,” but it does discuss in detail Allen
Ginsberg and his artistic style. I do not think I will use more than one
quote from this article because it does not mention the ideas I am trying to
convey in my essay. However, if I were writing about Ginsberg and his
ideas of life based on his poetry, this would be an incredible source.
Shanley, Caitlin. “‘America.’” Student's Encyclopedia of Great American Writers, Facts On File,
2021. Bloom's Literature,
online.infobase.com/Auth/Index?aid=105438&itemid=WE54&articleId=479801.
Accessed 6 Sept. 2023.
This source will be useful in my essay even though it is about a different
Allen Ginsberg poem. The author is credible because they have written
several scholarly articles. The author of this article is also the author of a
different source on my annotated bibliography. While this article is an
overview of the poem “America” by Allen Ginsberg, it hits on themes in
Ginsberg’s poetry and mentions “Sunflower Sutra.” I will use this source
because it gives insight to common themes of Allen Ginsberg’s poetry.
Shanley, Caitlin. “‘Sunflower Sutra.’” Student's Encyclopedia of Great American Writers, Facts
On File, 2021. Bloom's Literature,
online.infobase.com/Auth/Index?aid=105438&itemid=WE54&articleId=479799.
Accessed 6 Sept. 2023.
This source will help me write a summary of “Sunflower Sutra” and get an
idea of what others think about the meaning of the poem. The author of
the overview has written several articles on the works of Allen Ginsberg,
including “America,” “Howl,” and others, so I can conclude that this
author is reliable and knowledgeable on the topic. I am unsure whether I
will use this article as a main source in my essay, but I will pull certain
parts of it in the introduction at least.
Trigilio, Tony. “Howl and Other Poems.” Encyclopedia of Beat Literature, Second Edition,
Facts On File, 2014. Bloom's Literature,
online.infobase.com/Auth/Index?aid=105438&itemid=WE54&articleId=30888.
Accessed 6 Sept. 2023.
This article is recorded as an analysis, and while it is an analysis of Allen
Ginsberg’s poetry overall, it does mention and describe “Sunflower
Sutra.” In looking for the author of the article, I found that they have
written other articles, so they are a credible author. I may use the
information in this article to introduce my topic and contrast the poem
with Ginsberg’s other works. Since the analysis includes other works of
Allen Ginsberg, it will be a good article to pull from regardless.
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