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Audio Cables Guide (G-Mohris)

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INTERESTING THINGS TO
KNOW ABOUT
ANALOG AUDIO CABLES
By G-Mohris
Author
Just after you buy your favorite synthesizer, drum machine, speakers,
microphone, MIDI controller, or instrument, you realize that there is no
use for them without cables to connect them and transfer signal from
one to another. Cables are the veins of your studio setup for without
them your gear would just sit there and decorate your studio. Not only
they are necessary for routing your gear but they have a huge impact
on the quality and the power of that signal they transmit. Cables come
in different types and categories, from analog ones transmitting
electrical signal to digital ones transferring binary data.
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ANALOG CABLES
Analog audio cables transmit analog signal, an electrical signal which alternates its
voltage between positive and negative in a sine-wave pattern. These cables carry a
system’s lowest-level signal and require careful consideration be given to isolation
from their external environment. Analog cables come in different types and have
distinct connectors to connect gear with specific input and output together. It is very
important to understand the difference among analog cables so to choose the
correct cable when it comes to routing and patching.
UNBALANCED AUDIO CABLES
Unbalanced cables are made of 2 conductors and 2 internal wires, one transferring
the audio signal to its destination, and one transferring the ground signal that acts as
both a reference point for measuring the voltage of that signal, and a shield that
protects the signal from external noise to a certain degree, however the shield wire
itself acts as an antenna thus capturing unwanted noise along the way, noise that is
coming from electrical and radio interference especially from the power cables
nearby.
Unbalanced cables transmit the audio signal directly to its source without any
manipulation, thus transferring the noise with it resulting in a distorted signal in most
cases especially if the unbalanced connection is too long. Unbalanced cables are
good for connecting a guitar to an amplifier, or other low-level devices such as CD
players, and they should be at most 6 meters long.
RCA: Audio Cable used to transmit a Mono Unbalanced Signal, mainly to connect low-level gear such as a DJ
Player to a Mixer. RCA originally stood for Radio Corporation of America, the name of the rst company to
design and produce electrical connector cables in the 1940s. This is also called Phono Cable
1/4” TS JACK: This cable has a Tip and a Sleeve. It can transmit a Mono Unbalanced Signal. Mainly used to
connect low-level instruments with ampli ers (such as connecting a guitar to an ampli er)
1/8” TS JACK: This cable has a Tip and a Sleeve. It can transmit a Mono Unbalanced Signal. Mainly used to
connect low-level audio sources with similar destination. This is also used in some Patch Bays or in SemiModular/Modular Synthesizers
BALANCED AUDIO CABLES
Balanced cables are made of 3 conductors and 3 internal wires, two signal wires
and one ground wire that is also protecting the signal from external noise and
interference. What makes a balanced cable special is that extra wire that is going to
change the game of audio being transferred from the source to the destination, and
that is canceling out the noise that is traveling along the way and delivering a noisefree signal. The process is very smart. The signal being sent by the source is
duplicated and inverted on that extra wire, meaning that both identical signals,
occupying 2 wires, are going to create a destructive interference thus cancelling out
the signal completely. Just imagine it as in mathematics, +1-1=0. Both wires are also
going to capture noise along the way, so what you actually have in that balanced
cable is nothing but noise being captured by both wires identically.
The trick is at the end of that connection, at the destination (the receiver such as an
amplified speaker or a mixer that accepts balanced connection), where the signal on
that extra wire gets inverted again to its original orientation, giving both audio signals
a constructive in-phase interference that results in a louder signal, while the identical
noise on both wires get out of phase and get canceled out completely. This is why
balanced cables can run for 30 meters.
XLR: This is a Balanced Audio Cable Mainly used to connect microphones to audio cards or mixers and
ampli ers
1/4” TRS JACK: This cable has a Tip, a Ring, and a Sleeve. It can transmit a Mono Balanced Signal or a Stereo
Unbalanced Signal. Mainly used to connect audio cards with studio monitors, synthesizers with analog mixers.
etc..
1/8” TRS JACK: Also knows as AUX, This cable has a Tip and a Sleeve. It can transmit a Mono Unbalanced
Signal. Mainly used to connect low-level audio sources with similar destination. This is also used in some Patch
Bays or in Semi-Modular/Modular Synthesizers
A TRS Balanced Cable can transmit a Balanced Mono Signal or it can transmit a
Stereo Unbalanced Signal. This is very important to understand here. Well, don’t get
confused, let me explain..
Many audio sources such as some synthesizers (that output balanced signal), have
a stereo output, meaning they can have a Left and Right outputs. Now, most of them
have separate Left & Right output ports from the back panel. In this case, you need
to plug a Balanced TRS Cable into each port and connect both cables to separate
inputs of a mixer (Left & Right of a certain mixer channel), or simply connect them
directly to a pair of speakers. This is easy to understand, but some synthesizers can
output a stereo signal however they only have 1 stereo port from the back that is
going to transmit both Left & Right signals using only one cable. In this way, and
depending on where you will connect this synthesizer, you have 2 options.
If the destination such as a mixer has a stereo input on one of its channels, then you
only need one TRS Jack Cable to connect the single output port of the synthesizer
to the single input port of the mixer (usually this channel on the mixer has a name
that looks like this 5/6, meaning, one input port will occupy both channels 5 and 6 as
it has to receive a stereo signal coming through a single cable) In this case this TRS
cable is going to transmit an Unbalanced Stereo Signal rather than a Balanced
Mono Signal, and therefore the magic of inversion cannot happen because both
wires inside that cable are going to transmit different signals, both left and right, and
this becomes subject to noise of course.
If the destination such as a mixer has separate inputs (which is standard and usual),
then you need a special cable here, one that has a TRS Jack on one side, and a
dual TS on the other side, meaning, the cable is going to split itself into 2 connectors
from the other side, both unbalanced TS Jack connectors. So what happens here is
that the stereo signal that is coming out of the synthesizer will then be split into 2
unbalanced mono signals (Left & Right) both having independent TS connectors
that will be inserted into separate mono inputs on the mixer. This is similar to the
headphones cable, on one side it has a TRS single connector, and on the other side
it has 2 TS connectors both transmitting unbalanced mono signals (Left & Right)
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TO SUM UP
Audio Cables are the veins of the studio or live setup. They play an important factor
in determining the quality of the audio signal being transmitted from one source to its
destination. Analog Audio Cables come in 2 main categories: Balanced and
Unbalanced
Unbalanced audio cables have a signal wire and a ground wire. They transmit a Mono
Unbalanced signal to the destination as is, without any manipulation thus is subject to noise.
Maximum recommended length is 6 meters
Unbalanced audio cables are mainly used to transmit low-level signal such as a guitar to an
amplifier.
Examples of Unbalanced audio cables are RCA (Phono), 1/4inch TS Jack, 1/8inch TS Jack
Balanced audio cables have 2 signal wires and 1 ground wire. The audio signal is duplicated
on that extra wire and inverted (by the source) and then inverted again (by the receiver)
cancelling out the noise in a destructive interference and passing a clean in-phase audio
signal
Balanced audio cables can transmit a Mono Balanced Signal or a Stereo Unbalanced Signal
Examples of Balanced Audio Cables are XLR, 1/4inch TRS Jack, 1/8inch TRS Jack.
Maximum recommended length is 30 meters
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