1. 2. 3. 4. Relate it to the main panel i analyze Analyze main panel Relate it to the rebellion theme, and foreshadowing, and how she looks away and what that means Conclude Slide 2: In further reference to the chapter reflecting her, we have these panels where she copies the poses of the posters, and the text is almost as if it’s a voice-over from the future with Satrapi using past tense, and the text not being confined to a speech bubble in specific. The posters she has up are those of Iron Maiden, and Kim Wilde who is a vocalist for that heavy metal group. Iron Maiden are known for their military-inspired song themes with a range of albums and tracks based on historic battles or Armed Forces heroism. With political conflicts taking place at the time and Marji’s interest in revolution, it’s not surprising that Marji gravitated towards this music and style. The way she mimics the pose in the first panel reflects a part of her rebellion with her hair around freely instead of being confine in a veil, opposing the ideals of that time. For the second panel, she copies a more model-like feminine pose, also going against the ideals of modesty for women. However, there is a contrast to these panels in terms of identity for Marji. Comparing the two panels, the first one is reckless rebellion, while the second is more subtle and quiet, almost “civil” in a way. Since she’s reflecting these, it represents the 2 sides of Marji, where she has an interest in riots and revolution but also in wanting to be a peace-keeper prophet. Going along with the Kim Wilde references, to further show the reflection in Marji, Satrapi incorporated a hint of a specific song which Marji was thinking of before being confronted by the morality police, and at the very last panel of the chapter. It’s called “Kids in America” by none other than Kim Wilde. This song choice accentuates her love for Western culture, and she also uses it as an escape or coping method which we see at the very end. This also highlights the contrast she is facing with her identity in the way she wants to escape the turmoil of the state her country is in, but also once again, rebel against it, similar to her dreams of being a revolutionist or prophet. With her love for the West and yearning to chase the American dream, the posters and her desire for them also serve as foreshadowing her escape, in a way, to America, which is where she is heading at the very end of the book.