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BUCIO INTEGRC ASS.NO.2

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NAME: BUCIO, CHRISTIAN C.
SUBJECT: INTEGRC_ARC192
PROFESSOR: AR. GRACIE C. SALAYA
DATE: APRIL 27, 2023
ASSIGNMENT #2 (TOA1)
1. The word architecture is derived from Greek word.
a)
b)
c)
d)
Arqitektura
Architectus
Architekton
Arkhi-tekto
Source: Jeppesen, K. Arkitekten I antiken. Kuml. Retrieved from:
https://tidsskrift.dk/kuml/article/view/97146
2. This color stands for Authority and Power.
a)
b)
c)
d)
Black
White
Gray
Red
Source: Psychology of Color. Pintermedia. Retrieved from:
https://pintermedia.com/color#:~:text=Black%20is%20the%20color%20of,horn%20rimmed%20glasses%
2C%20etc.)
3. The profession of designing buildings and other habitable environments.
a)
b)
c)
d)
Engineering
Nursing
Architecture
Agriculture
Source: All about Architecture. (July 31, 2018). What is Architecture. Medium. Retrieved from:
https://medium.com/@AAA_Publication/what-is-architecture-1b52f5339c2a
4. This color combination has a single color in varying shades.
a)
b)
c)
d)
Analogous
Monochromatic
Complimentary
Split Complementary
Source: Cartwright, B. (November 25, 2022). Color Theory 101: A Complete Guide to Color Wheels &
Color Schemes. HubSpot. Retrieved from: https://blog.hubspot.com/marketing/color-theorydesign#:~:text=Monochromatic%20color%20schemes%20use%20a,a%20consistent%20look%20and%20
feel.
5. This color combination has a color that are adjacent to each other on the color wheel.
a)
b)
c)
d)
Analogous
Monochromatic
Complimentary
Split Complementary
Source: The Art of Color: Color Wheel & Color Relationships. Maryville University. Retrieved from:
https://online.maryville.edu/liberal-arts-degrees/the-art-ofcolor/#:~:text=Analogous%20colors%20are%20adjacent%20to,the%20intensity%20of%20complementar
y%20colors.
6. This color combination has a more nuances than complementary retain strong visual
contrast.
a) Analogous
b) Monochromatic
c) Complimentary
d) Split Complementary
Source: Cartwright, B. (November 25, 2022). Color Theory 101: A Complete Guide to Color Wheels &
Color Schemes. HubSpot. Retrieved from: https://blog.hubspot.com/marketing/color-theorydesign#:~:text=Monochromatic%20color%20schemes%20use%20a,a%20consistent%20look%20and%20
feel.
7. Name and properties of a color that enables it to be perceived.
a)
b)
c)
d)
Hue
Brilliance
Contrast
Saturation
Source: Color Properties / Terminology. WorkWithColor. Retrieved from:
http://www.workwithcolor.com/color-properties-definitions-0101.htm
8. The level and mixture of white, black, grey or complementary included in colors.
a) Hue
b) Brilliance
c) Contrast
d) Saturation
9. A number of secondary forms clustered about a dominant, central parent-form.
a)
b)
c)
d)
Centralized Form
Linear Form
Radial Form
Clustered Form
Source: Form In Architecture – An Important Element of Design. THE ARCHSPACE. Retrieved from:
https://thearchspace.com/an-important-element-of-design-form-inarchitecture/#:~:text=Interlocking%20volumes,Centralized%20Form,sphere%2C%20cone%2C%20or%20cylinder.
10. A series of forms arranged sequentially in a row.
a)
b)
c)
d)
Centralized Form
Linear Form
Radial Form
Clustered Form
Source: FORM IN ARCHITECTURE. Archi-Monarch. Retrieved from: https://archi-monarch.com/form-inarchitecture/#:~:text=Linear%20Form,arranged%20sequentially%20in%20a%20row.
11. A set of modular forms related and regulated by three-dimensional grid.
a)
b)
c)
d)
Centralized Form
Linear Form
Grid Form
Clustered Form
Source: FORM IN ARCHITECTURE. Archi-Monarch. Retrieved from: https://archi-monarch.com/form-inarchitecture/#:~:text=Linear%20Form,arranged%20sequentially%20in%20a%20row.
12. He is renowned for writing in his work De Architectura that a building must possess the
three attributes of firmitatis, utilitatis, and venustatis, or stability, usefulness, and
beauty.
a) Leonardo da Vinci
b) Zaha Hadid
c) Vitruvius
d) Imhotep
Source: Shackell, G. (December 29, 2018). Three Principles of Good Architecture. LinkedIn. Retrieved
from: https://www.linkedin.com/pulse/three-principles-good-architecture-gordon-shackell
13. A basic, unadorned column capital and a column that rests directly on the temple's
stylobate without a base are characteristics of this order.
a) Doric Order
b) Ionic Order
c) Corinthian Order
d) Composite
Source: Dr. Becker, J. Greek Architectural Orders. SmartHistory. Retrieved from:
https://smarthistory.org/greek-architecturalorders/#:~:text=The%20Doric%20order%20is%20characterized,the%20temple%20without%20a%20bas
e.
14. In a frieze made up of three vertical pieces, it serves as a decorative
component. It alternates with metopes in the Doric order.
a) Regula
b) Metope
c) Triglyph
d) Taenia
Source: TRIGLYPH. Art History Glossary. Retrieved from:
https://blog.stephens.edu/arh101glossary/?glossary=triglyph
15. The upper part of a column just above the shaft and below the
projecting part of the capital, when differentiated by a molding,
groove, or emission of fluting.
a) Echinus
b) Necking
c) Annulet
d) Dentils
Source: The Artistic Adventure of Mankind. WordPress.com. Retrieved from:
https://arsartisticadventureofmankind.wordpress.com/tag/necking/#:~:text=Necking%3A%20A%20shor
t%2C%20plain%2C,classical%20Doric%20or%20Tuscan%20column
16. The typically triangular aspect of a pediment
that is receded inside the upper and lower
cornices' frame.
a) Tymphanum
b) Pediment
c) Stylobate
d) Fluting
Source: Tymphanum. Meriam-Webster. Retrieved from: https://www.merriamwebster.com/dictionary/tympanum
17. Triangular frame on top of the entablature
a)
b)
c)
d)
Tymphanum
Pediment
Stylobate
Fluting
Source: Pediment. Vocabulary.com. Retrieved from: https://www.vocabulary.com/dictionary/pediment
18. This classical order developed in the Greek colonies of Asia minor in the 6th century and
is characterized by Spiral volutes of its capital, Fluted columns typically having molded
bases, Entablature consists of architrave of three fascia’s, a richly ornamented frieze,
and a cornice corbeled out on an egg-and-dart dentil molding.
a) Doric Order
b) Ionic Order
c) Corinthian Order
d) Composite Order
Source: Tikkanen, A. Ionic Order. Encyclopedia Britannica. Retrieved from:
https://www.britannica.com/technology/Ionic-order
19. This classical order is of Roman origin and is basically a simplified Roman Doric. It is
characterized by an unfluted column and a plain base, capital and entablature having no
decoration other than moldings.
a) Doric Order
b) Ionic Order
c) Corinthian Order
d) Tuscan Order
Source: Classical Orders of Architecture. Archi-Monarch. Retrieved from: https://archimonarch.com/classical-orders-ofarchitecture/#:~:text=The%20Tuscan%20order%20is%20a,a%20simple%20echinus%2Dabacus%20capita
l.
20. The measurement and the study of the size and proportions of the human body.
a)
b)
c)
d)
Anthropometry
Ergonomics
Form
Dimensional
Source: Anthropometry. Encyclopedia Britannica. Retrieved from:
https://www.britannica.com/science/anthropometry
21. The process of emphasizing particular features of a structure and emphasizing its shape
by using contrasting elements, such as color or texture.
a) Symmetry
b) Modulation
c) Accentuation
d) Progression
Source: FORM IN ARCHITECTURE. Archi-Monarch. Retrieved from: https://archi-monarch.com/form-inarchitecture/#:~:text=Linear%20Form,arranged%20sequentially%20in%20a%20row.
22. A form can be transformed by the addition of elements to its volume. It is also a process,
and the number and relative sizes of elements determine whether the identity of the
initial form is altered or retained.
a) Additive transformation
b) Subtractive transformation
c) Radial Form
d) Dimensional transformation
Source: FORM IN ARCHITECTURE. Archi-Monarch. Retrieved from: https://archi-monarch.com/form-inarchitecture/#:~:text=Linear%20Form,arranged%20sequentially%20in%20a%20row.
23. The arrangement of components in a structure according to their significance, with
larger or more noticeable components utilized to shape the overall form.
a) Symmetry
b) Modulation
c) Hierarchy
d) Progression
Source: FORM IN ARCHITECTURE. Archi-Monarch. Retrieved from: https://archi-monarch.com/form-inarchitecture/#:~:text=Linear%20Form,arranged%20sequentially%20in%20a%20row.
24. The gradual change in elements, such as size or shape, to create a sense of movement
and flow in a building’s form.
a) Symmetry
b) Modulation
c) Hierarchy
d) Progression
Source: FORM IN ARCHITECTURE. Archi-Monarch. Retrieved from: https://archi-monarch.com/form-inarchitecture/#:~:text=Linear%20Form,arranged%20sequentially%20in%20a%20row.
25. The balance of elements in a building about a central axis, creating a sense of stability
and order.
a) Symmetry
b) Modulation
c) Hierarchy
d) Progression
Source: FORM IN ARCHITECTURE. Archi-Monarch. Retrieved from: https://archi-monarch.com/form-inarchitecture/#:~:text=Linear%20Form,arranged%20sequentially%20in%20a%20row.
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