COURSE SYLLABUS for Contemporary Philippine Arts from the Regions First Semester 2022-2023 Academy Department 1 SYLLABUS APPROVAL SHEET Original Syllabus Prepared by: Lovelyn O Calacsan for First Semester SY 2022-2023 Checked by: RICHARD C. CACAYAN, MAEd Senior High School Assistant Principal Date: ______________________ Reviewed by: WILLIAM A. DATA,MAEd Academy Principal Date: ______________________ Approved by: ALEXANDER I. MATEO,MAEd Dean for Academics Date: ______________________ 2 I. GENERAL INFORMATION ABOUT THE COLLEGE Institutional Philosophy True education restores the lost image of the Creator God in humanity through the harmonious development of the whole person. Institutional Vision Preparing students to reach their full potential in meeting the challenges of life and qualifying them for Christ’s soon return. Institutional Mission A Christ-centered institution of learning providing balanced education of excellent instruction, integrated work experiences, biblical values, and community-related outreach anchored in the principle of love to God and to humanity. Program Vision Producing graduates who excel in a culture of high aspiration and achieving an engaged and nurtured in the context of Adventist Christian education committed in carrying out the gospel to hasten Jesus’ soon return. Program Mission Providing a biblical-based instruction to students who are capable, compassionate, connected and confident life-long learners of an ever-evolving global community immersed in Christian values. Strategic Goals 1. Re-affirm Personal Relationship with God 2. Expressive Critical and Creative Thinking 3. Develop a Healthy, Holy, and Happy lifestyle 4. Exemplify Character Formation and Personal Discipline 5. Emulate Ethical and Moral Values 6. Manifest Duties and Rights of Citizenship MOTTO Core Values “The School that Trains for Service” Graduates of NELAC are expected to exhibit the following outcomes: S – Sociability – the quality of liking to meet and spend time with other E – Exemplary – serving as a desirable model and representing the best of its kind. R - Resiliency – the capacity to recover quickly from difficulties and hard situations. V – Versatility – ability to adapt or be adapted to many different functions or activities. I – Interdependence – the quality or condition of being mutually reliant on each other. C – Courage – strength in the face of pain or grief. E – Empathy – the ability to understand and share the feelings of another. 3 INSTITUTIONAL OUTCOMES (IO) IO No. INSTITUTIONAL OUTCOMES (IO) 1 Experience saving FAITH. A growing, transforming relationship with God, applying Biblical truths expressed in Seventh-Day Adventist beliefs and spirituality in response to global and personal issues. 2 Professing Competence through Excellent INSTRUCTION. Expertise and Leadership in their academic or professional discipline, continually improving through lifelong learning. 3 Participating in Collaborative and Life-changing RESEARCH. Application of knowledge to real-world challenges with the spirit of unselfish service, fulfilling God’s calling in their life work. 4 Prioritizing involvement in EXTENSION SERVICES. Social Responsibility, commitment, and engagement to improve the quality of life for all people and care of the environment. 5 Responsible Management in STEWARDSHIP. Balance Lifestyle pursuing wholeness in the spiritual, mental, physical, and social aspects of life. II. INFORMATION ABOUT THE TEACHER Instructor's Name LOVELYN O. CALACSAN Degree/s BACHELOR OF SECONDARY EDUCATION MAJOR IN ENGLISH Academic Rank NONE Office Designation ENGLISH TEACHER Office Address MABINI, ALICIA, ISABELA Office Hours/ Consultation Time 3:30-5:00 pm Mondays - Thursdays Phone Number (s) 09059248847 calacsanlovelyn1@gmail.com Email Address III. INFORMATION ABOUT THE COURSE Course Title Contemporary Philippine Arts Pre-requisite Subject None Course Code Core 3 Course Credit 4 units Contact Hours/semester 72 hours Class Schedule HUMSS12: 11:15-12:15 AM (Mondays-Thursdays) Group Chat Messenger 4 A. Course Description: The subject covers various contemporary arts practices of the region where the school is located. It aims to provide students with an appreciation of a broad range of styles in the various disciplines with consideration on their elements and principles, and engage them to an integrative approach in studying arts. Through this subject, students will broaden and acquire the necessary creative tools that open opportunities in pursuing their individual career goals and aspirations. B. Course Policies and Behavioral Expectations: The following class policies are explicitly stated here for proper guidance and to help protect the fairness in evaluating the student’s performance in this course. 1. Attendance. Students are expected to attend all online lectures regularly. Going in and out of the class during the session is disregarded. A student who incurs absences of more than 20% of the total contact hours during the semester shall fail and earn no credit for the course. 2. Punctuality. Classes will start on time, so students are expected to come to class as scheduled. 3. Dress code – Students are expected to be always in proper attire. 4. ID – Students must wear their IDs while on the school premise during face-to-face classes. 5. Absolutely, no cheating in any form is allowed. If a student is caught cheating, his/her paper/requirements will not be accepted or graded. 6. It is important that students must take the exams during specified schedules. No makeup exams are allowed unless due for valid reasons. Missed quizzes are not given make-ups unless due for valid reasons. 7. Normally, no “INCOMPLETE” or “INC” grade shall be issued therefore, it is important that the student shall settle all his/her academic requirements for this course. It is either the student receives a passing grade or a grade of “F.” 8. The students are expected to exhibit proper decorum and deportment in class. 9. In fairness to students who put in an honest effort, cheaters will be treated accordingly. Any evidence of cheating will result in a score of zero (0) on that assignment or examination. Cheating includes but is not limited to bringing notes or written or electronic materials into an exam or quiz, using notes or written or electronic materials during an exam or quiz, copying off another person's exam or quiz, or allowing someone to copy your exam or quiz, and having someone take an exam or quiz for you. Incidences of cheating will be reported to Student Disciplinary Committee, which may administer additional punishment. 5 IV. GRADING SYSTEM Excerpt from DO no. 31 s. 2020 V. LEARNING PLAN Flexible Instructional Delivery Plan Culminating Performance Standard: ART FAIR (Variety Show): The learners are tasked to exhibit artworks or present performances that are related to the agreed upon theme. Highest Thinking Skill to Assess Learning Competencies Time Allotme nt Content Standards Content WEEK 1 Most Essential Topics Performan ce Standards Complete The learner… KUD Classificati on Most Essential The learner… KUD Classificati on RBT Level Flexible Assessment Activities (FAA) Performance Check(s) Highest Enabling Strategy to Use in Developing the Highest Thinking Skill to Assess IFVL Enabling General Strategy Flexible Learning Strategie s (FLS) CLASS ORIENTATION 6 WEEK 2-5 A. INTEGRATIVE ART AS APPLIED TO CONTEMPOR ARY ART 1. Combination of Different Art forms as seen in Modern times The learner demonstrat es appreciatio n of contempora ry art forms, found in the various regions by understandi ng the elements and principles INTEGRATIVE ART AS APPLIED TO CONTEMPOR ARY ART The learner: presents a form of integrated contempora ry art based on the region of his / her choice. e.g. choreograp hy, musical instrument, literary and music composition , visual design, and/or theatrical performanc e WEEK 6 - 10 B. CONTEMPOR ARY ARTS IN THE PHILIPPINES Significant Contemporary artists from the Understandi ng of the significant roles of artists from the regions CONTEMPOR ARY ARTS IN THE PHILIPPINES Creates avenues to advocate the arts from the different regions Identifies various contemporar y art forms and their practices from the various regions K Classifies various art forms found in the Philippines describes various contemporar y art forms and their practices from the various regions • • • U Rememberi ng discusses various art forms found in the Philippines U Defines contemporar y arts in the Philippines Researches on various contemporar y art forms • K Rubrics • Concept Mapping Think-pair Share Brochure Group Presentati ons (Kundima n song/ poem play) • • Analyzing Researches on various contemporar y art forms • Rubrics • Concept Theory Independe nt Research (Reporting ) Infographi c • U U • • U Concept Mapping Think-pair Share Brochure Group Presentati ons (Kundima n song/ poem play) Analyzing • • • Representati on • • • • Communicat ion • • • • Reasoning and Proof • Printed Materi als Online Video viewin g PPT Visual Aids Short Story: A King’s Painting Printed Materi als Materi als for any type of art PPT Visual Aids PPT Textbo ok Online Video viewin g 7 regions (emphasizing the region where the school is based) 1.National Artists a. Music b. Dance c. Theater d. Visual Arts e. Literature f. Film and Broadcast Arts g. Architecture, Design and Allied Arts 2. Gawad sa Manlilikhang Bayan a. Folk architecture b. Maritime transport c. Weaving d. Carving e. Performing arts f. Literature g. Graphic and plastic arts h. Ornament i. Textile or fiber art j. Pottery Explains Filipino artists’ roles and identify their contribution to contemporar y arts Evaluates contemporar y art forms based on the elements and principles Compares forms of arts from the different regions U U Explains Filipino artists’ roles and identify their contribution to contemporar y arts Evaluates contemporar y art forms based on the elements and principles Rubrics • Concept Theory Independe nt Research (Reporting ) Infographi c • U Analyzing • • Rubrics • Concept Theory Independe nt Research (Reporting ) Infographi c • U Evaluating • Compares forms of arts from the different regions U • • Rubrics • Concept Theory Independe nt Research (Reporting ) Infographi c • U Analyzing • • • Reasoning and Proof • • • Communicat • ion • • Connection • PPT Textbo ok Online Video viewin g God, the Master Artist (Creati on) PPT Textbo ok Online Video viewin g PPT Textbo ok Online Video viewin g 8 Interprets and relates the significance of arts forms from theregions relates the significance of arts forms from the regions U • Rubrics • Concept Theory Independe nt Research (Reporting ) Infographi c • U Applying • Promotes arts fromthe regions Promotes arts from the regions U • Rubrics • Concept Theory Independe nt Research (Reporting ) Infographi c • U Applying • WEEK 11 - 13 C. DIFFERENT CONTEMPOR ARY ART TECHNIQUES AND PERFORMANC E PRACTICES 1. Local materials used as applied to Shows understandi ng of the materials and techniques DIFFERENT CONTEMPOR ARY ART TECHNIQUES AND PERFORMANC E PRACTICES Discriminat es among various materials and techniques Researches on techniques and performance practices applied to contemporar y arts U Researches on techniques and performance practices applied to contemporar y arts • Rubrics • Concept Theory Independe nt Research (Reporting ) Infographi c/ Manlilikha ng Bayan • U Evaluating • • • Reasoning and Proof • • • Connection • • • Reasoning and Proof • PPT Textbo ok Online Video viewin g PPT Textbo ok Online Video viewin g PPT Textbo ok Online Video viewin g 9 contemporary art 2. Traditional techniques applied to contemporary creation Identifies local materials used in creating art discusses local materials used in creating art U Critiques available materials and appropriate techniques Justifies the use of materials and the application of techniques Applying Critiques available materials and appropriate techniques U • Concept Theory Independe nt Research (Reporting ) Infographi c/ Manlilikha ng Bayan • • Rubrics • Concept Theory Independe nt Research (Reporting ) Infographi c/ Manlilikha ng Bayan • U explicates the use of materials and the application of techniques Rubrics • U U • Evaluating • • Rubrics • Concept Theory Independe nt Research (Reporting ) • U Applying • • Communicat • ion • • Reasoning and Proof • • • Communicat • ion PPT Textbo ok Online Video viewin g Song: “HOW GREAT THOU ART” PPT Textbo ok Online Video viewin g PPT Textbo ok Online Video viewin g 10 WEEK 14 - 16 D. CONTEMPOR ARY ARTS PRODUCTION 1. Acquired skills enhancement 2. Concept of integrated arts production 3. Production planning Consolidate s relevant concepts to plan for a production CONTEMPOR ARY ARTS PRODUCTION Designs a production using available materials and appropriate techniques Conceptuali zes contemporar y art based on techniques and performance practices in their locality. Applies artistic skills and techniques in the process of creation Incorporates contemporar y characteristi cs to one’s creation with attention to detail Creates the intended final product using K D Conceptuali zes contemporar y art based on techniques and performance practices in their locality. Applies artistic skills and techniques in the process of creation • Infographi c/ Manlilikha ng Bayan • Rubrics • Concept Theory Simple Research Infographi c • K Understandi ng • • Rubrics • Concept Theory Simple Research Infographi c Music Recording • D Creating • • • D D Incorporates contemporar y characteristi cs to one’s creation with attention to detail Creates the intended final product using • Concept Theory Simple Research Infographi c Art Gallery • Rubrics • Concept Theory • • D D Creating Creating • Representati • on PPT Textbo ok • • PPT Textbo ok • Representati • on PPT Textbo ok • Communicat • ion PPT Textbo ok Connection “A true artist is not one who is inspired, but one who inspires others.” ― Salvador Dali “It is only when we are no longer fearful that we begin to create.” ― J. M. W. Turner “The aim of art is to represent not the outward appearanc e of things, but their inward significanc e.” ― Aristotle 11 appropriate materials for the best possible output • appropriate materials for the best possible output • • Simple Research Infographi c Rubrics PERFORMANCE TASK/ G.R.A.S.P.S. GOAL ROLES AUDIENCE SITUATION PRODUCT STANDARD FOR SUCCESS Your team’s task is to showcase different type of arts through a variety show. Your team must pass the concept and outline to the teacher. The presentation should be a minimum of 15 minutes. Members of the group should be assigned the following roles. 1. A Leader who will plan and lead the group in conceptualizing the presentation. 2. A host/s who will serve as the lead during the presentation. 3. The presenters who will perform visual arts. 4. The presenters who will show performing arts. The target audience consists of clients who sought professional artists. (Teacher) The team, tasked to showcase different type of arts with a conceptualize guideline. The team needs to present a creative way to showcase the different type of arts. 1. Appropriateness of the proposed concept. 2. Accuracy of the concept to the theme. 3. Clarity of the presentation 4 Initial Proposal Content & Development Excellent RUBRICS FOR THE PERFORMANCE TASK 3 2 Good Content is thorough, accurate, persuasive and relates to a specific purpose - Major points are specific, stated clearly, and are well- - Content is comprehensive, accurate, and persuasive. - Major points are not well stated and well supported. - Content and purpose of the 1 Fair - Content is not comprehensive and /or persuasive. - Major points are addressed, but not well supported. Poor - Content is incomplete. - Major points are not clear and /or persuasive. - Paper lacks many elements of correct formatting. 12 supported. - research is primary - Paper follows designated guidelines and format Concept, Theme & Originality Excellent - Superior degree of originality demonstrate innovation in exhibited throughout, very concept, critical thinking of unique solution of issue/topic as theme or issue, output/presentation; theme investigate the intersection has been explored and between art and everyday elaborated on to a high degree - complex solution Creative use of Excellent Materials/Medium -the artwork/output/project is outstanding and finished with a ability to demonstrate great deal of care and understanding of tools and attention to detail processes, technical skills of the media used Artwork/Project Visual output presentation writing are clear but details are incomplete. - Paper is the appropriate length as described for the assignment. Good - Above average degree of originality throughout. - theme is present with some elaboration Good - the artwork/project is finished with a high level of skill, but lacks a few finishing details or touches or high quality. With a little more effort, the works would be outstanding. Excellent Good The visual output clearly demonstrates that you are aware of the qualities with reference to content and form of contemporary art. The search for something new The visual output somewhat demonstrates that you are aware of the qualities with reference to content and form of contemporary art. The search for something new - Research is inadequate or does not address course concepts. - Content is inconsistent with regard to purpose and clarity of thought. Fair - Paper does not follow guidelines/guide questions and lacks needed information according to given concept/proposed project. - artworks shows evidence that an idea was tried but it lacks originality. - average degree of originality; theme is present with little elaboration. - output/artwork lacks creativity and original thought. Theme is very weak, trite, stereotypical or somewhat copied - theme is not fully developed Fair Poor Poor -the finished output/artwork as project with level of skill, but lacks quality or finishing touches or could have been improved upon with more effort. -Below average craftsmanship Fair -evidence of poor craftsmanship or lack of technical understanding. -poor application of use of materials/technology and/or resources The visual output less demonstrates the qualities with reference to content and form of contemporary art, and applied specifications in the development of form do The visual output lacks the qualities with reference to content and form of contemporary art, and applied specifications in the development of form does not Poor 13 and original is every new art was challenging, also a very striking feature of the work Content of Supporting Paper Existing knowledge, research, and/or views. submitted paper, follows guidelines and format of supporting paper (title, introduction, concept, artwork/project description, project team and visual documentation); the analysis is determined in part by how much information is provided and constructed by student. content is comprehensive and accurate VI. and original in every new art were familiar but not striking work of art. Excellent Good -capstone. -synthesizes in-depth discussion of knowledge/information from relevant sources representing various points of view/approaches from across disciplines or from relevant subdisciplines -presents sufficient information and research to create a compelling analysis as support paper -milestone. -presents in-depth discussion of knowledge/information from relevant sources representing various points of view/approaches. -presents information and formal details but significanty short not conform well with the meaning being conveyed. The search for something new and original in every new art were not given consideration or attention. Fair complement well with the meaning being conveyed. The search for something new and original in every new art were not much effort. -milestone. -presents information from relevant sources representing limited points of view/approaches -presents enough information but did not provide an accurate analysis or enough discussion -benchmark. -presents information from irrelevant sources or personal opinions and assumptions representing limited points of view/approaches. -lacks significant information which supports the analysis or claim, mostly assumptions and opinions Poor REFERENCES • Arch. Ganzon Carlos Luis C. (2018), Journey: Contemporary Arts of the Philippines, Phoenix Publishing House Inc., 927 Quezon Ave., Quezon City. 14