‘J DEPARTMEN3’JOF EDUCATION Creative Nonfiction Quarter 2 — Module 3 Forms and Types of Creative Non fiction °! VERY MODE Creative Nonfiction – Grade 12 Alternative Delivery Mode Quarter 2 – Module 3: Forms and Types of Creative Nonfiction First Edition, 2020 Republic Act 8293, section 176 states that: “No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition, payment of royalty.” This material has been developed in support to the Open High School for Senior High School Program implementation in the Department of Education, Region X-Northern Mindanao. It can be reproduced for educational purposes and can be modified for the purpose of translation into another language provided that the source must be clearly acknowledged. Derivatives of the work including creating an edited version, enhancement or a supplementary work are permitted provided all original works are acknowledged and the copyright is attributed. No work may be derived from this material for commercial purposes and profit. Borrowed materials included in this module are owned by the respective copyright holders. Effort has been exerted to locate and seek permission to use these materials from the respective copyright owners. The publisher and author do not represent nor claim ownership over them. Development Team of the Module: Author: Evaluators: Illustrator: Analyn L. Salvo Ernell C. Culob Jadilyn Rose S. Saturos Vianna Dominique B. Gaston Management Team: Chairperson: Co-Chairpersons: Members: Dr. Arturo B. Bayocot, CESO III Regional Director Dr. Victor G. De Gracia Jr., CESO V Asst. Regional Director Mala Epra B. Magnaong CES, CLMD Dr. Bienvenido U. Tagolimot, Jr. Regional ADM Coordinator Dr. Angelina B. Buaron EPS, English Printed in the Philippines by: Department of Education – Regional Office 10 Office Address: Zone 1, Upper Balulang Cagayan de Oro City 9000 Telefax: (088) 880-7071, (088) 880-7072 E-mail Address: region10@deped.gov.ph 12 Creative Nonfiction Quarter 2 – Module 3 Forms and Types of Creative Nonfiction This instructional material was collaboratively developed and reviewed by educators from public and private schools, colleges, and universities. We encourage teachers and other education stake holders to email there feedback, comments, and recommendations to the Department of Education at action @deped.gov.ph We value your feedback and recommendations. Department of Education ● Republic of the Philippines ii TABLE OF CONTENTS Cover Page Copyright Page Module Title Writers‟ Profile Table of Contents Overview Components in Each Lesson What I need to Know Things to Remember To Get Through CONTENTS Lesson 1: Understanding Forms and Types What I Know What’s In What’s New What is It What’s More i ii iii iv v 1 1 2 4 5 5 7 Lesson 2: Differentiating the Types of Creative Nonfiction What’s New What is It 9 13 What’s More What’s New What’s It What’s More 14 15 15 16 What is It 17 What’s More What’s New 24 25 What is It 27 What’s New What’s More 28 29 What is It 30 What’s More What’s New 31 33 What is It 34 What’s More 34 What I Can Do Assessment Answer Key 35 37 39 v References 40 OVERVIEW Name: Subject: Topic: Content Standard: Performance Standards: Date: Score: Creative Nonfiction Forms and Types of Creative Non fiction The learner understands the distinction between and among creative nonfiction types and forms The learner competently delivers an artistic presentation summarizing and analysing the form, theme and techniques of a chosen creative nonfictional text. B. Explain the relationship of elements and ideas found in the various forms and types of creative nonfictional texts through a close reading. Learning Competencies: (HUMSS_CNF11/12-IIa-a-15) 2. Compare and contrast the different forms and types of creative nonfictional text. (HUMSS_CNF11/12-Iia-16) 3. Deliver an artistic presentation on one of the types of creative nonfiction text. HUMSS_CNF11/12-Iib-c-17 Writing is perceived by many as a complex task and that is why many students chose not to write because it involves several processes and often viewed by many as a task that is suited only for academic individuals. Moreover, writing is an act of indulging yourself into the beauty and wonders of your imagination. What is this module all about? This module will serve as your motivating tool in understanding the forms and types of creative nonfiction as you will also be reading and writing creative nonfictional texts. In addition, It will help you in transforming your experiences and adventures into a wonderful and meaningful creation that could inspire many people. Likewise, it will provide engaging activities that will enhance your writing skills and will provide a glimpse of your experiences. Hence, an effective tool that will broaden your knowledge as you go along your journey to Senior High School life. Module Content Lesson 1: Understanding Various Forms and Types of Creative Nonfiction. Lesson 2 : Differentiating the Types of Creative Nonfiction vi Components in each Lesson What I Need to Know Learning Objectives What I Know Pre-Assessment What’s In Review Activity What’s New Motivational Activity What is It Lesson Proper What’s More Performance Task What I Have Learned Generalization What I Can Do Application vii Assessment Post-Assessment Answer Key viii WHAT I NEED TO KNOW After studying this module you are expected to: 1. identify the various forms and types of creative nonfiction; 2. compare and contrast the types and forms of creative nonfiction ; and 3. evaluate an article using close reading. The following are your guides for the proper use of this module: 1. Follow closely the instructions in every activity. 2. Answer the pre-test before going over the material to find out what you already know. 3. Answer the exercises at the end of every lesson. 4. Review the lesson that you find difficult to understand. 5. Seek assistance from your teacher if a lesson seemed complicated. 6. Ask permission from your parents/guardians whenever you have to conduct research and comply requirements outside your home. 7. Prepare your outputs for submission to your teacher. 8. Finally, write all your answers of the tests, activities, exercises, and others on your separate activity notebook. GOOD LUCK AS YOU BEGIN THIS MODULE! 1 WHAT I KNOW ACTIVITY 1: PRETEST Before you start studying this module, answer the following questions to see what you already know about the topics that will be discussed in it. Read the following questions below. activity notebook. Write the letter of your answer in your 1. Which of the following DOES NOT describe a personal narrative? A. It involves the personal life of the author. B. It uses figurative language to convey the message effectively. C. It deals with the chain of events of the life of the author. D. It deals with the particular aspect of the life of the author. 2. Which of the following is a form of creative nonfiction? A. Biography C. Poem B. Sonnet D. Haiku 3. What type of text that tells a story? A. Narrative C. Persuasive B. Descriptive D. Exemplification 4. Who writes a story if it is an autobiography? A. Author C. Teacher B. Neighbour D. Publisher 5. How do you call a careful understanding and examination of the text presented? A. Skimming C. Scanning B. Close Reading D. Intensive Reading 6. What do you need to do before reading a book? A. Read a good book C. Eat a good lunch B. Research your topic D. Take a test 7. What form of creative nonfiction if you are to write about the life of Juan Dela Cruz? A. Autobiography C. Informational Article B. Personal Narrative D. Biography 8. What do you call a piece of writing that focuses on the marginalized members of the society who are experiencing oppression? A. Personal Essay C. Reflective Essay B. Testimonio D. Autobiography 2 9. Which of the following is a good topic when writing a personal narrative? A. Graft and Corruption C. Novel Coronavirus B. Politics D. Childhood experience 10. What are the two general types of nonfiction that tell a story and give information? A. Narrative and Informative C. Narrative and Realistic B. Expository and Narrative D. Expository and Persuasive 11. What do you call this type of creative nonfiction that deals on the traveling experiences of a person? A. Blog C. Travelogue B. Website D. Essay 12. What do you call a literary genre that deals on stories about life’s realities and experiences with a touch of art? A. Creative Nonfiction C. Fiction B. Literature D. Art 13. Which type of creative nonfiction is closely related to magazine and newspaper writing? A. Travelogue C. Biography B. Blog D. Autobiography 14. What is the most important thing to consider when making a blog? A. Your knowledge about the topic B. Your audience C. Your opinion D. Your internet connection 15. What is essential detail you should feature when you do a travelogue? A. The picturesque scenery of the place B. The dress that you are wearing C. Your companion in your travelogue D The camera that you are bringing 3 WHAT‟S IN Activity 1: I am the 1 In the previous lesson, you have learned about principles, elements, and devices used in creative nonfiction. Now, research the song and music video of the song “ Hari ng Tondo” by Yeng Constantino, Try to critique what kind of principles and techniques they used in the song and in the music video Lesson 1 Learning Competency: FORMS AND TYPES OF CREATIVE NONFICTION Explain the relationship of elements and ideas found in the various forms and types of creative nonfictional texts through a close reading (HUMSS_CNF11/12-Iia-a-15) Compare and contrast the different forms and types of creative nonfictional text; (HUMSS_CNF11/12-Iia-16) 4 WHAT‟S NEW Activity 1. DOMINANT IMPRESSION Look around you, what have you observed? Can you tell something that will spark your interest? Look at the sky, building, and people. Describe what you had observed by using your sensory imaginations (visual, tactile, gustatory, olfactory, and audio).Write your observation on the spaces provided for. WHAT IS IT Types and forms of Creative Nonfiction Definition It is a story written by the person himself. Autobiography Biography Journal Diary It is a life’s story that is written by another person. It is a day to day account intended to purely document life’s events. It is a written account of the author which involves his/ her secrets. 5 Letter It is a communication or written message that addresses to a certain person or organization. Memoir It refers to the personal account of a person which teaches them something. It is more of a memory that cannot be easily forgotten. Literary Journalism or Reportage It refers to magazine or newspaper writing or closely related to it. It is journalism with a touch of an artistic value of literature in it. Reflection Essay It refers to the narrator’s personal view and experiences. It Is more on thoughts and feeling of the author Testimonio Essay It refers to the personal experience of an author or the author witnesses an abuse and oppression in a workplace. Travelogue It is a written account of a person during his/ her travel. It focuses on the scenery, people and the warmness of the place and the people. FORMS AND TYPES OF CREATIVE NONFICTION Understanding Various Forms and Types of Creative Nonfiction The Significance of an Audience Creative nonfiction has many types and it generally focuses on the experiences of an individual. That maybe it could inspire many individuals as you write it and share these experiences. Moreover, creative nonfiction comes in various ways and almost often we are not aware that our experiences could become good literary pieces. Understanding the significance of your audience plays a vital role as you write your piece. Because they are the ones who will read and be inspired by your stories. In a sense, your goal is to inspire the readers to read because they could learn something from it. 6 Close Reading Close Reading is a matter of understanding the text presented by the author by observing every detail in a text. A writer often uses unique ways to convey their messages to the readers. Thus, as a reader you need to be observant always. WHAT‟S MORE LET US SEE HOW FAR YOU HAVE LEARNED Answer the following on your activity notebook. Submit it to the teacher once you are done. ACTIVITY 1: WHAT I KNOW B. What are some forms of creative nonfiction you have written? 2. What is the most important technique that you need to consider while writing? 3. Differentiate the types and forms of Creative Nonfiction. 4. Use Venn diagram to show similarities and differences of the types and forms of creative nonfiction Differences Similarities 7 Differences ACTIVITY 2. LOOK UP! Look for a particular article about success story of a person. Read and evaluate the story if you are inspired and touched by the author’s life. Write your reflection of the article. WHAT‟S IN ACTIVITY 1: JOHARI WINDOW Use the four sides of the Johari window to evaluate, how open you are to others. Are you fond of expressing yourselves? Or you are a person that is very secretive? Let us find out as you do this activity. Write your answer on your activity notebook. 2. 1. OPEN / FREE ARE (Everyone are aware of it including you) BLIND AREA ( Other know it but you don’t) 3. 4. HIDDEN AREA ( You are the only one who knows about it) UNKNOWN AREA ( No one knows it, including you) 8 Lesson 2 Differentiating the Types of Creative Nonfiction Learning Competency: Compare and contrast the different forms and types of creative nonfictional text. (HUMSS_CNF11/12-Iia-16) Deliver an artistic presentation on one of the types of creative nonfiction text. (HUMSS_CNF11/12-Iib-c-17) WHAT‟S NEW ACTIVITY 1: PREVIEWING Scan the text below and answer the following questions: B. 2. How did the narrator feel when he had to part ways with elementary school classmate? What did the narrator decide to do right after graduating from college? ACTIVITY 2: DO YOU KNOW ME? Read the statements below. Using context clues, give the meaning of the underlined words. These sentences can be found in the reading selection below. You can scan the text, for you to be guided. 1. I do not know much about the music and movies that my high school classmates are fond of, but I do not want to be out of place, so I painstakingly tried to learn them. 9 2. My mother had a serious ailment, and since we relied only a small store for our expenses, her conditioned threatened to drain our financial resources further. 3. In college, I would go to my school in Intramuros with just a few pesos; inevitably, I sometimes rode the jeepney or the bus without paying the fate. 4. Because we were short on finances, finishing school, as expected, was an uphill battle. ACTIVITY 3: READING IS FUN The reading selection below focuses on the struggles that the narrator had experienced while growing up and attending school. Find out what are these struggles and how, in the end, he was able to pull through. Still Worth Living: How I Survived Life‟s Uncertainties Atilla Roma Because I came from working –class background, I was haunted by the spectre of financial insecurity while growing up. The modest means of livelihood that my parents had was a small store that sold fish and vegetables, but we had days when the sales were not good. They were able to continue the business for a few years, which supported the schooling of the children and satisfied most of our basic needs. My siblings and I attended the same public grade school which was about one and one and a half 10avourite10 away. From 1984 to 1990, I went to Bayanan Elementary School. Fortunately, through those years, I did not find it hard to socialize with classmates with whom I shared the same working- class background. It was, therefore, quite painful to part ways with them when I graduated from elementary. Many of my elementary classmates and friends went to a public high school just a jeepney ride away from home. I had also thought that I would attend the same school, so my parents’ decisions to send me in a private high school, just a stone’s throw our house, came to me as a big surprise. In high school, the experience of being in a bigger institution and in the company of new classmates, many of whom had relatively comfortable lives, made me feel uneasy, and 10 insecure, and alienated. My lower class upbringing easily came into conflict with middle- class culture of my high school classmates. Not wanting to feel out of place, I painstakingly tried familiarize myself with the movies, music, reading materials (mostly foreign and comic books), and fashion that my high school classmates knew. The feelings of insecurity became more intense whenever I went to my classmates’ well carpeted and well- furnished houses. Money was also constant concern, I was given a partial scholarship at the beginning after my father had personally requested the school administration. But I was not able to keep my grades high and eventually lost the scholarship. From then on, my schooling became an uphill battle. What made matters worse was learning that my mother had a serious lung ailment which drained our financial resources further. Before long, our small store went bankrupt and closed down. I feared that, considering my mother’s condition and the state our finances, I would not be able continue my schooling. Fortunately, I was able to earn my high school diploma in 1994 despite having so many absences. Our financial concerns continued, however, and I felt the need to find immediate employment rather than attend college. But my parents discouraged me from quitting school, and instead encouraged me to look for a public university where the fees were relatively low. Although I enrolled in a university, I still continued to struggle with financial limitations, writing promissory letters in many instances to take major exams and claim my grades on time. I also asked college teachers to allow me to photocopy books a few pages at a time instead of buying them. That I had to take two jeepney rides to reach school made my situation more complicated. Inevitably, I sometimes, rode the jeep or the bus without paying the fare. At times, I would take a two – kilometre route on foot. I also engaged in odd jobs to help support my schooling and that of my younger siblings (although they themselves were working students). For a fee, I would do the school projects of children in our neighbourhood or type the papers of college classmates. When I graduated from college in 1999, I was determined to find a job right away in order to address my family’s financial concerns. Because I never really wanted to teach, contented that I had survived four years of college, I applied in at least four government offices as an ordinary clerk. But when all four applicants got rejected, despite the relatively good score in the civil service examination I had taken a few months before, I was left with no other choice but to try my luck in teaching. Since then, the career I have chosen – far from being my first love – has not only been rewarding financially. It has also restored my sense of self- worth. 11 ACTIVITY 4: THINK ABOUT IT 1. Why did the narrator say that it was painful to part ways with his elementary school classmates? 2. How different was his high school experience from the one he had in elementary school? 3. What challenges did the narrator face in high school and college? 4. Can you think of a similar situation where you can say that despite of everything I can still manage life’s uncertainties? How? 12 WHAT IS IT CHART FOR COMPARISON BASIS FOR COMPARISON Meaning BIOGRAPHY Biography refers to a life’s story that is written by someone. AUTOBIOGRAPHY Autobiography refers to your own life story that is written by you yourself. Authorization Can be written with or without the person’s authorization. As long as you know about his/ her life and your story is authentic. No need to ask permission from yourself. Written in Third person point of view First person point of view Purpose To inform the readers about someone else’s life. To express, inspire or entertain others. Outlook Based on the researches by the author. It is full of emotional thoughts. https://keydifferences.com/difference-between-biography-and-autobiography.html 13 WHAT „S MORE ACTIVITY 1: WHO AM I? Try to recall episodes from your childhood and teenage life that are worth sharing and which you may include in a possible autobiography. Indicate dates, places, and other details. The incomplete table below serves as your example and guide. DATE PLACE EVENT February 1990 Valencia City, Bukidnon Birth 2002 Concepcion Elementary School Graduated from elementary 14 WHAT‟S NEW ACTIVITY 1: RECALLING MAMASAPANO Search the web on the Mamasapano killing incident. If you were one of the reporters that time and you miraculously survived the tragic killing, how are you going to tell your story to others? WHAT IS IT LITERARY JOURNALISM LITERARY JOURNALISM is a type of creative nonfiction that is closely related to magazine and newspaper writing. It is journalism but it deviates from the traditional journalism because it has touch of literature. It is journalism with a twist. Before a writer can compose an essay about politics, human trafficking, poverty, unemployment or drugs, the writer needs factual information to write. These facts must be verified first and reliable. PLEASE REMEMBER! Before writing a literary journalism you need to consider the following: Select a topic of your interest Conduct a research about your topic Write a dramatic story that will catch the reader’s attention. Include a lead, facts/content, and dramatic ending. 15 BUT WAIT THERE IS MORE: IT SHOULD HAVE THE FOLLWING DETAILS Scene must takes place at a particular time. Place a scene happens in a specific place Details a scene always include important details. These details are the sensory details which help the reader picture out the event. Action it includes the information about the event. Dialogue it includes conversation, however, this may not always the case but it is also considered one of the most important aspect of journalism. WHAT‟S MORE ACTIVITY 1: JOURNALIST BE LIKE Pretend that you are a journalist. Cover an interesting event in your Barangay and report it to the class in a narrative manner. Prepare a report for your story. Follow the proper guidelines in reporting. WHAT„S NEW ACTIVITY 1: IT TAKES GUTS TO ASK…. Ask randomly on persons you met on the street about the following. Try to elicit three (3) answers from them. 16 Love 1. People 2. 3. 1. 1. 2. LIFE 3. 2. 3. 1. Places Animals 2 3. ACTIVITY 2: MEMORIES BRING BACK MEMORIES Close your eyes and recall one particular episode in your life that you consider memorable. Share it with others. WHAT IS IT PERSONAL NARRATIVE is a story about narrating your personal experience. It contains descriptive words as you tell your story that can inspire or motivate the readers and they could also relate as well. . (http://www.writeawriting.com/essay/personal-narrative/) 17 In writing your personal narrative, you need to remember that setting, characters, climax, and ending play a vital role in your narrative. ACTIVITY 1: VOCABULARY SPINNER In the text that you are going to read you will encounter several unfamiliar terms. Take note of all the unfamiliar words. Use at least 10 words that are unfamiliar to you. Follow the spinner below. Give the definition Give a synonym Use in a sentence Give an antonym INSERT HER SILENCE HERE Shakira Andrea Sison “Whenever I think about my mother, there is a gap in my chest where our relationship should be, as if I was still swimming towards her, never reaching her and never meeting her cheers and praise”.' Inside my mother was the sea. I used to lie on her belly as a child and press my ear against her soft, warm, and Chinese-white skin. When asked, I would say that I was listening to the baby, although I was the youngest of four and I knew there wouldn’t be any more. I was the last. 18 Mama would watch TV or read a book, and I would close my eyes to what I thought was the sound of water in her gut, trying to make out its tiny grumbles, imagining the passage of rice grains after the evening’s meal. More often than not I would end up falling asleep to the sound of its waves as her stomach churned and intestines moved, creating the borborygmi that became my lullaby. She was a woman of few words. Like my father, she grew up during the war, and being a child of two survivors, one simply learned to let stories that are untold remain so. But unlike my father, she didn’t overcompensate with stories of Northern games and ghosts, beached whales, pretty classmates, and the right shoes to wear to reflect their undergarments. While my father told tales of his past, my mother said nothing. It was as if she carved out the space that created a venue for his words. I ached for the stories of my mother, as her life before me remained a void. She left Samar for Manila as a young lady and never returned, or if she did she never told me about it or about her life in that Southern town. Mama was as stingy about her childhood as much as my father indulged in immortalizing his. My mother never spoke of her life as a child, what it was like as the oldest of a brood of five Chinese-Filipinos with a Spanish surname Cinco, a name whose origin I heard from a visiting aunt. Tita Rose said that my great grandfather’s last name was actually Tanseco but the Spaniards gathered all the natives and named families by number, and our ancestors just happened to be fifth in line.One of these unintentional secrets was a story I had to wait for adolescence to hear, and still from someone else. Lolo Tanggol, my great uncle, came home one year after retiring from his job as an architect in Guam. He brought with him a three-panel sketch of my mother’s childhood homes. Written on the back of each in drafting ink was a short description of each house from his memory, including the details of Mama’s family running from the Japanese soldiers who burned a couple of these houses down. My mother saved her sentiments so well that it became a valued currency, and it became foolish to offer ours in exchange. She never said whether she was happy or sad, disappointed or mad. One just had to know. In bed with her as I listened to her belly, my face felt like it was part of her skin. I pretended I knew from her subtle vibe or hinted whimper how she felt about things, guessing even harder how she actually felt about me. But I knew better than to ask. 19 Mama grew up in a world so different from mine. Twice before my adulthood I witnessed a revolution led by a woman who would then become president, in a country where men still said that a woman’s purpose was in the bedroom. I came to age at a time when women started finding voices and leading their homes, when a pregnancy without a husband was no longer a societal death sentence or a financial disaster. Mama had said that in her time, it was the parents’ duty to return their daughter to her husband if she happened to become upset at him and leave for whatever reason. There were many reasons to leave. My father was not a saint in the way that coffee is not white, no matter how much her milky silence whitewashed it. Mama was an intelligent, glamorous, and educated career woman, but in that day it was the common expectation for women to stand by their men no matter how much they erred, so long as they provided for the home. “As long as he still comes home to you, its fine,” was a common sentiment I heard among my aunts. To be a woman was to endure, and my mother was not alone in her generation to do so without complaint. She did it so 20avourite that to the untrained eye there was nothing peculiar above the calm, behind the straight face, and past that mysterious smile. An intact family was everything during that time. I cannot speak for my mother and what life must have been like for her. I can only say what it was for me who listened for cues through her body, waiting for a whimper or a story of hurt she never told, and likely for my own benefit. I must have sensed cries, or even hidden laughs, buried deep behind stomach and liver and bile, when what she was reading or watching caught her off-guard and I hadn’t yet fallen asleep to the wavy, musical sounds of her belly that probably reminded me of my first home. I wanted to be perfect for my mother. I wanted to be good and not add to the sadness in her silence when she sat on the couch and thumbed her rosary beads late into the night. When she complained about my sisters borrowing her possessions without her permission, I started leaving her notes whenever I took a few pumps of lotion from her nightstand. I sent her love letters from my college dormitory. I wrote her a poem when a lump was found in Rappler.com her breast and she had to go in for surgery. 20 She didn’t say much, but she framed my poem and hung it in her room. I wanted to be Mama’s hero, or at least some kind of pal. But when I wrote her a letter that I wished she and I could be friends, she said that because she was my mother first, she had to decline. I learned pretty quickly that my mother’s silence had nothing to do with me, nor could I do anything to erase the ambient noise around her that had become a fact. I collected her stories from other people instead. For example, I learned from another visiting aunt that my great-grandmother was of pure Chinese descent and arrived in Manila from the mainland with bound feet. I remember wondering if that was the reason my mother had such small, childlike feet that I outgrew her hand-me-down shoes as early as fifth grade. Was it with these feet she danced gracefully as part of the dance troupe whose pictures I once unearthed? In them she’s dressed in a traditional Maria Clara, my father holding a bouquet of flowers at her side. “They called her The Belle of Catbalogan,” my father said, and I first thought she was metaphorically likened to a church bell because of her resonating beauty. Now that was a glaring fact that Mama never needed to verbalize. In photos, her beauty just jumped out and grabbed you in the chest, prompting questions about who she was and what she was thinking. Her face gripped you and wouldn’t let go until you sought her out to learn what was behind those eyes. Except that she would never tell you. In one of these photos she’s posing by the water, her eyes partially closed by accident or caught in mid-thought. I assume it was taken by my father, then a budding photographer, then also a young man and the recipient of Mama’s affections. The wind had set a few strands of hair away from her face and formed the shape of layered feathers, the rest draping her shoulder and framing an expression that spoke both pleasure as it did mystery. It haunts me whenever I choose to stare at it because that image of her is so far from what I’ve known. It prompts my questions of what she was thinking, at what point she was in her young life, and if she had any idea how beautiful she was. Did she already have children, and if so, were they not around? Was it the sole company of my father that allowed her to savor the sea breeze and let it manifest her ecstasy ever so subtly behind those closed eyes? It’s impossible for anyone to tell now, and it would definitely be strange if anyone were to ask. I’ve been told I’ve inherited this, the character that never reveals everything and keeps secrets without the intention of doing so. 21 I’ve been accused of an opacity that’s prevented others from knowing for sure if I’m pleased or having a miserable time. I’ve taken a back seat in most of my relationships and have even been referred to as an appendage of my lovers. I’ve been told that I’m too forgiving of my partners, which I just shrug off without comment. Like Mama, I always let my better half shine. I run away from these characteristics that liken me to her, thinking myself different, more verbal, and more emotionally competent. I make myself believe I am stronger, more articulate, and more self-aware. Yet I know that the truth is I’ve also taken her resilience in tragedy, her faith and patience that in silence there is a peace in knowing that only a better day could possibly come. It must have been our difference in age or the necessities of marriage and motherhood that prevented her from saying more. She must have spoken to other people or let out her sentiments in some way. I hope, but I don’t really know. One thing I do know is that she spent entire days in her garden, digging up plants and putting in new ones, caring for shrubs and talking to everything that took root under her care. I always believed her garden gave her the satisfaction of raising living things and seeing them flourish, singing songs to them and watching them thrive, all in some kind of secret club of silence in our backyard. The story I heard is that she discovered as a teenager that she had a green thumb when she learned that she could tend to the roses in their yard. She transplanted mature branches into new pots, sheltering each from excessive rain and sun using empty glass jars, finding great joy in creating life where there was once just dirt. Turning empty plots into small forests was her art. I never could understand this obsession. Our garden was overgrown with plants. The only ones of interest to me were the fruit trees like the casuy we climbed for its seeds we roasted, and the Indian mango tree for which we fashioned a crook to pull their bright green fruit from their stems using a mastered swift technique. Mama grew everything from shrubs to reeds to every imaginable flowering crop, the half dozen fir trees along our sidewalk that turned the sky flame red in the summer, to the bougainvillea vines she trained to crawl an arch that draped our gateway with their papery crimson petals. In the middle of the green was always my mother, squatting on the ground with garden gloves and a shovel, or sitting on a stool digging her nails into dirt and cutting stems off plants expertly with a pair of clippers nobody else was 22 allowed to touch. She disappeared into that jungle for hours on end, never sharing with anyone her horticulture secrets or the stories she must have told them, not even the songs she sang. Although when I think about it now, I don’t think anybody ever asked. I knew behind those eyes were stories of joy and disaster. Mama always gave my father the floor and he gladly hogged mealtime discussions with the details of his adventures. Mama was never a storyteller, at least not to me, although I know for certain that there are many tales that would only require a question to bring to light. I never ask her these questions. Our relationship has always been a mutual respect that is often misconstrued as indifference on either end. I have no recollection of ever asking my mother how she felt about anything, nor have I any memory of her volunteering that fact. Mama celebrates seventy-two years this year, and the last ten I’ve spent far from her, in another country that has inevitably created secrets of my own. In between us must be a garden overgrown with each other’s untold stories, and I wouldn’t know where to begin if I’m told it’s not too late to start. It’s been over thirty years since I spent evenings with my face pressed on her belly. The “baby” I was listening for has grown into a busy jungle of memories and untold stories like plants we have no luxury of choosing. Some are intricately ornamented and fragrant, some are downright ugly and serve only as shelter for dark, unwanted creatures. I don’t know how to approach this bag of stories and sentiments that to me feels like a full belly or an over-inflated balloon. So I glaze over it, dodging its protruding presence like an overweight stranger in our very rare and already crowded room. I do it so well that when I visit her, time passes quickly and Mama and I part ways without much more than a photograph together. In it, we’re both looking at the camera and we never hesitate to smile. The unspoken sea we share is only visible upon fervent observation of our eyes. “There was always something about your eyes,” an old lover once said to me as an indication of how I was never completely present, my thoughts often said to always be running away. Mama’s expression seems that way too, and I wonder how many of our acquaintances have accused us of keeping secrets based on the appearance of our eyes. 23 And then I wonder why I even bother with strangers or even care about their thoughts? As years pass and the voiceless ocean grows, Mama and I should at least tell each other our own. I could start with one that recurs often in my mind: When I was a child I loved to swim, and many of our summers were spent by the ocean. In the water, Mama would stand a few feet away from me and ask me to swim to her. Every time I’d come close she’d take a few steps back so I couldn’t reach her. I became frustrated and exhausted myself chasing her, trying to reach her before she was able to step back. As years passed, I learned to swim so well that there wouldn’t be a place for her to move fast enough without the water becoming too deep. Mama didn’t know how to swim, but she watched over me until the day that I learned. Soon after that, the chase ended and there would be no more swimming drills. I went on to swim in bigger and deeper oceans, ones Mama never even dreamed of visiting, nor probably imagined I would ever reach. I don’t know if she knows I’ve found happiness, or that I’ve discovered my voice. I don’t know if she knows that I’ve finally found love. Whenever I think about my mother, there is a gap in my chest where our relationship should be, as if I was still swimming towards her, never reaching her and never meeting her cheers and praise. I knew she looked over me from a distance and never let anything happen to me, but somehow I still feel she remains unreached, a choppy ocean forever between us. What I would like is to find her back there as the blurry water stings my eyes. Stirring with the current, her feet on shifting sandy ground, I’ll kick furiously until I touch her. I would ask her how she’s feeling, or even something simple, like, “What’s your favourite color, Mama?” She’ll stand there with open arms that will say to me, “Come and put your head on my belly, baby. I want to tell you that even in my silence, you have always, always been loved.” – Rappler.com (https://www.rappler.com/views/imho/68079-insert-silence-here) 24 WHAT‟S MORE ACTIVITY 2: DIGGING DEEPER Explain the following statement. Write your answer on your activity notebook. 1. Explain the love of the mother to her daughter? 2. Who narrated the story? What do you think is the relationship between the mother and the daughter? 3 What is the moral lesson of the story? 4. Do you believe in the statement “Action speaks louder than words” Why or Why not? WHAT‟S NEW ACTIVITY 1: LET‟S TRAVEL Think of a place that you currently visited. Try to describe the place, the people and most importantly the scenery .Are you going to recommend that place to your friend or loved ones? State your reason. ACTIVITY 2: ENJOY TAGAYTAY Imagine that you want to travel to Tagaytay and come across with this kind of selection. Are you excited to travel? Why or Why not? STUDENT TRAVELOGUE: MY WONDERS OF TAGAYTAY Cassandra June Ortega 25 I’ve been to so many places, but I never thought that Tagaytay is one of the most beautiful places I’ve been to. When I was in Grade 3, 2 first experienced riding in a bus, where my classmates are with me. My first Field Trip was in Tagaytay. I was so happy that my parents allowed me to go there. So, that day came and I woke up earlier than ever before I got to school at 4:00, and I found my best friend on the bus, sitting with her mother. I was with my Mom and Dad. Oh, my sister`s there too. The bus was full at 5:30, as we go all of us was so excited. After an hour, I guess, the bus stopped at a gasoline station surrounded with restaurants and shops. We bought food at Mcdo, my 26avourite. Finally, we moved on and got to the bus. After a while, my classmates are in the bus. All in! While the bus was on its way to Tagaytay, I ate my fries from Mcdo. When we arrived at our first place Leisure Park, we got into the Coffee Farm. After, the guide showed us Flower Gardens and the Worms World. There I first touched a worm. Even though it`s an “eew” still, I touched it and it tickled me, especially when it was in my palm. Anyways, when we got to the Butterfly Garden, we first passed through a Wishing Well. Too bad, I don`t have any wish with me. Then, after that we got into the bus again and go in the famous castle in Tagaytay, Fantasy World, I saw the castle painted with different colors. I also saw a hanging bridge, It was so scary, but, I wanted to get pass through it. There, I also saw the Taal Volcano from the castle. After, we got into the Gardenia Factory at Batangas. We got home, safely. Even though I got so tired, I enjoyed it. (https://sirmikko.files.wordpress.com/2011/10/wswa.jpg) ACTIVITY 3: PICTURE IT OUT! Do the following on your activity notebook. B. Describe the feeling of the narrator as she travels the place? 2. Could your picture out Tagaytay even though you have not been to the place? 26 WHAT IS IT TRAVELOGUE One of the types of creative nonfiction that deals with travel that presented in narrative way. In a modern way, it is called travel blogs. It is more on sharing the wonders of the place you have visited and igniting the spirit of audience to visit the place also. 1. 2. 3. 4. How to do travelogue? Show the beauty and picturesque scene of the place. Provide helpful information to the audience, they might use it in the future. Boast a simple thing, enough to encourage someone to visit the place. Show photographic scenery of the place so that the audience could picture it out and eventually would arouse their interest to appreciate it more. 5. Point out the various picturesque view of the place. 6. Include the means and ways of transportation and on how to reach the place. 7. Provide information on accommodations. 8. Do not forget the cultural beauty of the place. 9. Follow the Do’s and Don’ts of the place to avoid conflict. 10. Sell the beauty of the place so that many tourists will visit it. 27 WHAT‟S MORE ACTIVITY 1: BE A TRAVEL GUIDE Go to a local tourist destination and post your travelogue to Facebook. Your score will be based on the likes and comments that you will get from your Facebook friends. WHAT‟S NEW ACTIVITY 1: LET‟S MIGRATE! Let us suppose that after twenty years, you are to return to your birthplace. But by the time, the village will have transformed into highly modernized and highly industrialized area, with just a few reminders of the quiet, laidback rural village that it had been. Write a short first-person paragraph about that imagined encounter. WHAT IS IT REFLECTIVE ESSAY REFLECTIVE ESSAYS refers to an insight gained through your experiences. This type of prose analyses your past event in the present. In addition, it is more likely about what had you learned from your experiences as it is also based on the underlying concept that experience is the best teacher. 28 This type of essay includes also the true picture of the event as you narrate the past events. (https://owlcation.com/humanities/How-to-Write-aReflective-Essay-with-Sample- COMMON TOPICS FOR A REFLECTIVE ESSAY True experience Something in your mind A certain place or object Something that you have read, watched, touched, ate, and many more Places you have been Significant events of your life Unforgettable experience Loved ones WHAT‟S MORE ACTIVITY 1: Look on your journey as a student. Make a reflective essay on your journey as you reach this stage of your life. Reflect on the things that can be changed if you will be given a chance. _ WHAT‟S NEW ACTIVITY 1: WHAT I WANT 1. How has technology, particularly the Internet, changed the ways in which people communicate? 2. What do you know about blogs? Complete the first and second columns of the KWL chart below. 29 What I KNOW about blogs What I WANT to know about blogs? What I LEARNED about blogs WHAT IS IT WHAT IS BLOG? BLOG is an online journal and is also known as “web log”. It is a forum where you can share information on ideas and views about a certain topic. Hence, t is your diary that can be found on the internet. DIFFERENT KINDS OF BLOGS Artblogs Photoblogs Videoblogs Music blogs Podcasts Edublogs Personal blogs Corporate blogs Organizational blogs Microblogs Ogi Djuraskovic and FirstSiteGuide team ( Published on: April 8th, 2018 Last updated: December 7th, 2018) http://firstsiteguide.com/what-is-blog 30 WHAT‟S MORE ACTIVITY 1: PROUD TO BE PINOY We all know that Philippines have many tourist spots that are worth visiting more than once. Let us suppose you are writing a letter addressed to a far-off friend who wants to visit the country. Write a short paragraph about your place and submit it to your teacher on the next meeting. ACTIVITY 2: DO BLOG, BE A BLOGGER You are a freelance writer and blogger who wishes to join in an international blogging contest. The contest requires a creative nonfiction piece on one’s native city or town, with not less than five paragraphs. It should revolve around the theme, “The soil of their native land is dear to all the hearts of mankind,” a quotation from scholar and politician Cicero . The explicit instruction is for one to give not just the positive characteristics, but also the seamy or unpleasant side of the place (including the writer’s painful or terrible experiences), as well as his/ her personal reflections. Pictures may also be added. Your blog is for netizens who will choose the winning blog among the entries on the basis of creativity, clarity, and accuracy. 31 RUBRICS FOR BLOG CONTEST PROFICIENT CRITERIA ( 8-10 pts.) APPROACHING PROFICIENT DEVELOPING PROFICIENCY (4-7 pts.) The blog is quite ingenious and resourceful enough, to captures the reader’s attention although some parts are lacking. (1-3 pts.) The blog is somewhat ingenious and resourceful but it does not piqued reader’s attention Creativity The blog is ingenious and resourceful, to captures the reader’s attention immediately. Accuracy The blog is free from conceptual, mechanical and grammatical errors. The blog has few conceptual, mechanical and grammatical errors. The blog has several conceptual, mechanical and grammatical errors. Clarity The message conveyed is understandable to the reader. The message conveyed is quite understandable to the reader. Vividness The descriptions are colourful. The descriptions are quite colourful. The message conveyed is quite vague and needs thorough reading to be understood. The descriptions are somewhat colourful 32 ACTIVITY 3: DO I KNOW IT Now go back to the KWL CHART you were asked to accomplish at the beginning of the topic, and complete the last column. What I KNOW about blogs What I WANT to know about blogs? What I LEARNED about blogs WHAT‟S NEW ACTIVITY 1: DEFINE IT 1. What is the meaning of the term “testimony?” 2. In your opinion, what is the general condition of workers in the Philippines? Is their condition improving? Why or why not? 33 WHAT IS IT What is TESTIMONIO? Testimonio or often called as testimonial narrative is a new type of literary genre. It has the same characteristics with autobiography because it is written in the first person point of view. But unlike autobiography, which primarily revolves around the personal development or accomplishments of the author. The testimonio recounts personal experience of an author being oppressed or has experienced and witness the lives of the people belongs in the socially impoverished state became victim of human rights violation. Testimonio is different from academic papers since its main purpose is to call the attention of the different leaders to hear their plea. WHAT‟S MORE ACTIVITY 1: EAGLE EYE Look for an article that reports cases of abuses against workers. Share this article as well as your reflections to other. ACTIVITY 2: LOVE THY WORKERS Look for a song entitled “Manggagawa” by folk singer Gary Granada. Check the lyrics of this song on the Internet and reflect on its meaning. Write your reflections of the song below. 34 WHAT HAVE I LEARNED Creative nonfiction deals with stories that are happening in real life. Close reading is very important to understand the deeper meaning of the text. Autobiography is about your life stories from your personal information to your achievement as a person. Biography is written by someone through thorough research because it needs to be factual. Literary Journalism is an event happened in a single instances of a person, It is factual but with a touch of journalism Personal narrative is a light story about a person it can be funny or part of an experiences of a person. Travelogue is about traveling. Its main goal is to promote the beauty of the place in order to invites several local and foreign tourists. Blog is an online diary of person, it can be any topic which interest the author. Testimonio is a story about those who witness the injustice of life particularly those who belong in the marginalized sector of our community. WHAT I CAN DO ACTIVITY 1: ON MY OWN Think of your personal experience. Create a speech based on the types and forms of creative nonfiction. Memorize your speech and deliver it to the class the following meeting. 35 CATEGORY EXCELLENT GREAT GOOD ( 10 POINTS) ( 7 POINTS) (4 POINTS) SPEECH CONSTRUCTION The speech construction is excellent and has great meaning, the audience could relate well. The speech construction is good and the meaning is somewhat vague, the audience could not relate well The speech construction is not organized and the audience could hardly pick the meaning of the speech. DELIVERY The learner delivers the speech well. With eye contact. No mispronounce words. The learner delivers the speech with minimal eye contact and has a few mispronounce words. The learner delivers the speech with no eye contact and has several mispronounce words. POISE AND CONFIDENCE The learner delivers the speech with poise and confidence. The learner delivers the speech stuttering losing his / her poise and confidence. The leaner needs to improve his /her self – confidence. 36 ASSESSMENT ACTIVITY 1: WHAT HAVE YOU LEARNED? Test I. Multiple Choice. Direction: Choose the letter of the correct answer. B. Who wrote a story if it is an autobiography? A. Author C. Teacher B. Neighbour D. Publisher 2. Which of the following types of text tells a story? A. Narrative C. Persuasive B. Descriptive D. Exemplification 3. Which of the following DOES NOT describe a personal narrative? A. It involves the personal life of the author. B. It uses figurative language to convey the message effectively. C. It deals with the chain of events of the life of the author. D. It deals with the particular aspect of the life of the author. 4. Which of the following is a form of creative nonfiction? A. Biography C. Poem B. Sonnet D. Haiku 5. What do you call the literary genre deals with stories that depict the reality life and experiences of the people with a touch of art? A. Creative Nonfiction C. Fiction B. Literature D. Art 6. Which of the following is a good topic when writing a personal narrative? A. Graft and Corruption C. Novel Coronavirus B. Politics D. Childhood experience 7. What are the two general types of nonfiction that functions as telling story and giving information? A. Narrative and informative C. Narrative and realistic B. Expository and Narrative D. Expository and persuasive 8. What is the most important thing that you should feature when you do a travelogue? A. The picturesque scenery of the place B The dress that you are wearing C. Your companion in your travelogue D The camera that you are bringing 37 9. How do you call the careful understanding and examination of the text presented? A. Skimming C. Scanning B. Close Reading D. Intensive Reading 10. What do you need to do before reading a book? A. Read a good book C. Eat a good lunch B. Research your topic D. Take a test 11. What do you call a piece of writing that focuses on the marginalized members of the society who are experiencing oppression? A. Personal Essay C. Reflective Essay B. Testimonio D. Autobiography 12. What form of creative nonfiction if you are to write about the life of Juan Dela Cruz? A. Autobiography C. Informational Article B. Personal Narrative D. Biography 13. What is the most important thing to consider when making a blog? A. Your knowledge about the topic B. Your audience C. Your opinion D. Your internet connection 14. Which type of creative nonfiction that is closely related to magazine and newspaper writing? A. Travelogue C. Biography B. Blog D. Autobiography 15. What do you call this type of creative nonfiction that deals on the traveling experiences of a person? A. Blog C. Travelogue B. Website D. Essay 38 1. A 1. C 2. D 2. A 3. C 3. D 4. A 4. A 5. A 5. B 6. D 6. B 7. A 7. D 8. A 8. B 9. B 9. D 10. B 10. A 11. B 11. C 12. D 12. A 13. A 13. B 14. B 14. A 15. C 15. A REFERENCE Baronda, A. 2 Creative Nonfiction. Pasay City: JFS Publishing Services. 2017 Gallo, H. & Oliveros, A. Grammar Essentials Creative Nonfiction. Quezon City: Sibs Publishing House, Inc. 2017 Kuipers, R. (2018). Film Review: BuyBust. Retrieved January 18, 2019, from https://variety.com/2018/film/reviews/buybust-review-1202874011/ Moratilla, N. & Teodoro, J. Claiming Spaces: Understanding, Reading, and Writing Creative Nonfiction. Quezon City: Phoenix Publishing House, Inc. 2016 SyGaco, S. Writing Techniques in Creative Nonfiction. Quezon City: Great Books Trading. 2017 Internet Sources Insert her Silence here accessed on January 28, https://www.rappler.com/views/imho/68079-insert-silence-here 2020 from Sample Essays accessed on January 28, 2020 from https://owlcation.com/humanities/How-to-Write-a-Reflective-Essay- with-SampleEssays True narratives accessed on January 29, http://www.brunswick.k12.me.us/hdwyer/true-narrative-essay/ 2020 from Blog accessed on January 29, 2020 from http://firstsiteguide.com/what-is-blog/ Comparison between autobiographies accessed on January 29, 2020 from https://keydifferences.com/difference-between-biography-and autobiography.html Reportage accessed on January 29, award.org/about/Art_of_Reportage.html) 2020 from Personal narratives accessed on January iterary.writeawriting.com/essay/personal-narrative/) (//www.lettre-ulysses- 29, 2020(http://www Journalistic essays accessed on January 29, https://davehood59.wordpress.com/2010/03/29/how-to-write-a-l - journalistic-essay/ My travelogue accessed on January https://sirmikko.files.wordpress.com/2011/10/wswa.jpg 40 2020 29, : 2020 For inquiries or feedback, please write or call: Department of Education - Bureau of learning Resources Zone 1, DepEd Building Masterson Avenue, Upper Balulang, Cagayan de Oro City, 9000 Telefax: (088) 880 7072 E-mail address: region10@deped.gov.ph Australian Aid =*/›*•