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APLanguageAnalyticalEssayPowerPoint-1

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The AP Test’s
Analytical Essay
What Every Bright Kid
Should Know
The Analytical Essay
• Like every analysis you will write this
year, this essay asks you examine
how an author uses language to make
a point or achieve a purpose.
Your 2 Jobs in the Essay
“Analysis prompts always ask students
to do two things. The first requirement
is to “convey the author’s purpose,”
although it is important to realize that this
exact phrase is not always used.
Occasionally a prompt will even give a
subtle hint of what purpose the students
should look for and analyze.
Your 2 Jobs in the Essay
“The second task is to explain how the
author achieves his or her purpose.
Students will spend the bulk of their
essay explaining the how, but without a
clear understanding of the author’s
purpose, the analysis will frequently
amount to little more than a listing of
rhetorical strategies and devices and
will, therefore, not be successful.”
—Kevin McDonald, AP guru
LET’S RECAP
• JOB 1: What’s the author’s purpose?
• JOB 2: How is it achieved?
• If you aren’t doing these things, you
will get a BAD score on the essay.
• You should give your answer to Job 1,
and possibly Job 2, by the end of the
first paragraph.
– Some say you can arrive at your thesis by
the end, but this is advanced & risky;
what if your reader concludes you don’t
know what you’re arguing by then?
A Bad Thesis (4)
• Prompt: “Analyze the rhetorical strategies
Kelley uses to convey her message about
child labor to her audience.”
• A bad thesis will omit Job 1 or Job 2 or
will address them in a simplistic way.
– BAD: “Kelley expresses her view of child
labor through diction, syntax, and imagery.”
That says NOTHING.
• No Job 1—What IS her view of child labor??
• Poor Job 2—What type of diction? What’s she
doing with syntax, and via which syntactical
elements? What kind of imagery, and how does it
serve the purpose that was (not) identified above?
A Good Thesis (6)
• A good thesis will accomplish Job 1
and Job 2 in a thorough and complex
way.
– Through her use of specific details, vivid
imagery, and figurative language, Kelley
reveals her abhorrence of child labor and
the necessity of law prohibiting it.
A Better Thesis (8)
• An even stronger thesis will identify strategies
specific to the context of the text in question.
– JUST GOOD: Kelley communicates her outrage over
child labor by means of angry diction, vivid details,
and emotional appeals.
– BETTER: Throughout Florence Kelley’s speech, she
emphasizes the need to alter working conditions for
young people. Repeating key concepts, introducing
numerous examples of horrendous conditions and
state policies, and extolling the virtues of laws
curtailing the work day, Kelley develops a highly
effective argument that pulls her audience into the
issue and invites them to join her efforts.
(P.S. A real student wrote that!)
Is This Thesis Material?
• The smaller a device or moment is,
the less it belongs in your thesis
– “Abraham Lincoln motivates the crowd at
Gettysburg to keep faith in the Union
cause by using a clever euphemism.”
• This sounds absurd. Nobody was directly
inspired to fight by one figure of speech, but his
use of the euphemism “gave the last full measure
of devotion” instead of “died in battle” could be
a great single piece of support for a paragraph
about Lincoln’s reverent diction, respectful tone,
or praising of the dead soldiers, all of which are
awesome general strategies to put in a thesis
statement.
Context-Specific Strategies
• To prevent your essay from devolving
into a list of rhetorical terms with no
larger purpose, try to identify strategies
specific to the context and rhetorical
situation of the text in question.
– Context-specific strategies are so tailored
that they could not be used in any essay
other than the one you’re writing right now.
• not just “using emotional appeals,” but “making
Gertrude feel guilty for her hasty re-marriage”
• not just “selecting details,” but “emphasizing
Holcomb’s dilapidated appearance through
diction and selection of detail”
a.k.a. “Sub-Purposes”
• One way to link the small-scale rhetorical
devices you find in a text to the rhetor’s
overall purpose (Job 1) is to think of the
“sub-purposes” the rhetor needs to achieve
in order to achieve the larger purpose.
• It is often easier to see rhetorical devices as
contributing to a “sub-purpose” than the
overall purpose.
• What possible links can you identify
between the devices you notice? How do
they contribute to one another? How are
they similar? Is there a larger point that
can unite all of them?
“Sub-Purposes”
• For example, a leader trying to rally
his nation to support war against
another nation (Job 1) might:
– Demonize the other nation with violent
diction or pathos appeals to fear
– Instill in his audience a sense of pride in
their nation with logos appeals to the
facts of their nation’s accomplishments
or high diction that describes the nation
as doing important work, etc.
Your Infinitive Friend
• One great way to ensure you are
identifying a purpose or function for
everything you discuss in the essay is
to use your old friend the INFINITIVE
PHRASE.
– He describes Anvilania with incendiary
words like “festering” and “cesspool” in
order to make his audience despise the
Anvilanians.
– She constantly mentions her imprisonment
to remind the senators of her patriotism.
Quoting Tips
• Blend quotes smoothly:
– …when she says, “Blobbity blah.”
– …using harsh language: “Blobbity harsh blobbo!”
– …calls it a “blobbity blahfest” twice.
• Don’t quote a full sentence unless you need it
all. Quote the words that prove your point.
– THIS: He calls the law a “festering wound on the land.”
– NOT THIS: He says, “This bill, if it becomes law, and I
dearly hope not, will be a festering wound on the land.”
• If you do quote a full sentence, don’t “nest” it in
a noun slot—confusing to the reader
– NOT THIS: “Four score and seven years ago, our
fathers brought forth a new nation” shows the audience
the historical roots of the country.
Organizing Your Essay
• But you can’t just do Job 1 and Job 2; you have
to be organized & deliberate, producing an
effective analytical text
• A 5- (6-, 7-…) ¶ essay structure is fine, but stay
away from formulaic statements.
• “These are the ways Capote uses diction to achieve his
purpose.” BAD
– Concluding sentences in paragraphs should add
insight to what came before or preview what comes
next, or they shouldn’t exist.
• Logically order your analysis of strategies
– e.g. if a rhetor is criticizing government policy, but
also takes great pains to establish his patriotism,
explain how he achieves the patriotic persona first
before analyzing the criticism.
Organizing Your Essay
• Especially advanced essays will be
organized NOT according to
rhetorical devices (diction ¶, pathos ¶,
etc.) but according to links between
those devices (or “sub-purposes”).
• It’s fine to address one device per
body ¶, but higher-scoring essays will
organize with a bigger point, link, or
idea in mind.
Organizing Your Essay
• Instead of simply structuring your essay as
a random 1,2,3 of rhetorical techniques,
consider using a pattern of development as
the overarching organizing principle.
– e.g. Go through the essay chronologically and
narrate the rhetorical process
• Just don’t devolve into summary; it’s about what the
author does, not what he says
– Or, build your essay around some central point
of comparison and contrast
• “She doesn’t do THIS obvious thing; she does THAT
unexpected thing!”
– Or, define the author’s particular approach in
the thesis, and go on to explain your definition
Organizational Schemes
By Device
Intro/Thesis
DICTION
(violent diction for
them; high, positive
diction for us)
PATHOS
(appeals to fear &
patriotism)
LOGOS
(list our side’s
accomplishments)
Conclusion
By Sub-Purpose
Chronological
Intro/Thesis
Intro/Thesis
DEMONIZE
OUR ENEMIES
(violent diction,
pathos appeals to fear)
1st ¶ OF SPEECH
(compliments aud.’s
patriotism, builds ethos,
appeal to fear)
NEXT 2 ¶s
BUILD OUR
SIDE’S PRIDE
(high diction, logical list
of our accomplishmts.)
(high diction, logical list
of accomplishments)
FINAL 3 ¶s
Conclusion
(violent diction for
them, more pathos
appeals to fear)
Conclusion
What Do I Call It?
• Rhetorical Strategy: anything the author does
to achieve a purpose—strategies specific to a
given text, PODs, all of the categories below
– Rhetorical Device: particular terms we’ve studied—
appeals, juxtaposition, tropes/schemes
• Stylistic Device: surface features of the text
– Trope: artful diction—hyperbole, metaphor, paradox, etc.
– Scheme: artful syntax w/ Greek names—anaphora, antithesis...
• Words from higher up can be used to refer to
things lower down, but not vice versa:
pathos ≠ scheme
• The lower a term is, the less it belongs in thesis
– Don’t build a whole ¶ around anaphora or periodic
sentences; you’ll run out of meaningful analysis
What Do I Call It?
• “The author uses __________” is a
formulaic trap you want to avoid
(especially with 3 rhetorical appeals)
– If possible, avoiding using the Greek
words at all, to force yourself to
customize your phrasing to the situation
– 6-level: Calrissian uses logos to prove to the
citizens of Cloud City that they should
evacuate.
– 8-level: Calrissian logically informs the
citizens of Cloud City that the totalitarian
Empire is now in control, so they should
evacuate to maintain their freedom.
Analytical Check-Ups
• If you're discussing diction, does it
have a specific adjective in front of it?
– Not “strong” or anything complimentary
• If you're discussing pathos, are you
referencing a specific emotion or
emotions that the rhetor wants to
rouse from the audience?
• Does your thesis address the BIG
PICTURE, not reference minute
devices that only show up once in the
text?
Compare/Contrast Analysis Essays
• Some analytical prompts present two
passages on a related topic and ask you to
compare them with respect to purpose,
approach, style, etc.
• 2 options for organization:
– Point-by-point: Proceed from one category of
comparison to another, comparing the two texts
side by side with respect to each category.
– Subject-by-subject: Thoroughly explore one text
in your essay before moving on to thoroughly
explore the other. Use the same categories of
comparison for each passage, ideally in the same
order.
Compare/Contrast: The Approach
• The essay may not always say “compare
and contrast,” but if there are two passages,
that is probably the goal.
• Point of the question: to test your ability to
distinguish between purposes, styles,
tones, etc.
– You will likely spend most of your time analyzing
differences
• Don’t forget about purpose!
– Unless the 2 purposes are identical, discerning and
mentioning the difference—subtle though it may
be—will improve your essay and raise your score.
Analytical Hazards
• “_____ uses diction/syntax” (what kind? how?)
• “this emphasizes the details/his point”
– Emphasis is meaningless w/o purpose
• “this makes it flow”
– Everyone wants their words to “flow”
• Beware of syntax!
– Only refers to structure and arrangement of
sentences
– will likely involve grammatical terms
• If you can’t swim, don’t get in the pool
• Everything you find must serve purpose!
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