1 KENYATTA UNIVERSITY SCHOOL OF CREATIVE & PERFORMING ARTS, FILM & MEDIA STUDIES DEPARTMENT OF COMMUNICATION, FILM & THEATRE STUDIES FILM AS AN AGENT OF CHANGE CFT 404: FILM FOR DEVELOPMENT FACILITATOR: DR. SUSAN GITIMU GROUP MEMBERS ADM NO. Diana Wangui F108s/15875/2017 Swah Collins F108/3608/2017 Cornelius Oburu F108/3021/2017 Edwin Outi F108/3019/2017 Timothy Gitonga F108/2982/2017 Dickson Njoroge F108/3005/2017 Jeff Simintei F108/3010/2017 Nancy Wanja F108S/15943/2017 Mutuku Nzilani F108/2985/2017 Grace Waweru F108/3011/2017 SIGNATURE 2 Introduction Film mirrors the society. This means that film reflects on the opportunities and challenges that members of society experience. In this regard, filmmakers have the opportunity to influence the ideologies that members of society regard as norms. Furthermore, film is an opportunity to voice out social, economic and political issues and advocate for changes that people do not realize that they need. There exists fiction and non-fiction films that have been used as agents of change and evoke reactions from governments and the public. Moreover, film creates an opportunity for people to realize their developmental goals; therefore, the future of film is bright because of the purpose it serves. 1.How fiction films have been used as agents of change. Introduction The film industry is mostly known to be an “entertainment business." Filmmakers and the people who indulge in this movies do it as a form of escapism from the concerns of the real world. Most of the times, this is the case, but every once in a while — whether for better or worse, planned or not — a single movie, if made well, could cause some sort of measurable shift in society. How fiction films have brought about change with examples. Fiction film, even though entertainment driven, can sometimes create awareness of an issue. For instance, a story has the power to call attention to an important issue that many were previously unaware of, turning it into a national talking point. Maybe seeing a celebrity on the big screen starts a new trend, or sometimes, there is demonization of a person or thing which ends up perpetuating negative stereotypes and causing more harm than good on either a large or small scale, short or long-term effects. 3 The power behind this world changing intended films is that they might make you realize just how much beliefs and information we consume have been shaped by the media and this realization makes you more aware of where your ideas come from before you act on them or pass them to others. Here are five films that changed the world in their on special way. 1. The Birth of a Nation When people hear change, immediately their thoughts drift to positive change. DW Griffith’s 1915 The Birth of A Nation, is not influential for the right reasons. The film is set during the American Civil War, and it follows two families; the Stonemans from the North and the Camerons from the South. The Cameron family is attacked by black soldiers, and later rescued by Ku Klu Klan members. The eldest son willingly joins the KKK, and he gradually becomes leader of the group. The film made a negative impact by revealing and exalting the work of the KKK, inciting many people to join this nearly extinct extremist group. Unfortunately, through this infamous film, the KKK looked ‘trendy’, causing membership to increase to 4 million by the 1920s. In the wrong hands, cinema can be a dangerous medium. 2. Bambi (original 1942) Anyone who has watched Bambi(animation) shed a tear, became fond or even bought a curtain with Bambi all over it (this is totally not what I did). On its 1942 release, viewers were saddened by how the lovable baby deer was orphaned after a hunter murdered his mother. This animation not only softened the audience's hearts, but also Recreational hunters were emotional about the cartoon deer, so much that after watching, they soon abandoned their hobby, decreasing hunter numbers by 50% according to the buzzarticle feed . it was titled the ‘Bambi effect’, and Bambi 4 soon became a national animal rights symbol, changing the course of the hunting industry and those who participate in it. 3. Hidden figures (2016) Hidden figures is a true yet inspiring story that follows the reality of three black women working for NASA starring by Taraji P. Henson, Octavia Spencer and Janelle Monae, who were the brains behind sending the first US astronaut, Alan Bartlett Shepard Jr, to space which was named the greatest operation in history. This amazing achievement inspired the world to dream big and shows how the three women had to fight to get the recognition they deserved. 4. Hotel Rwanda (2004) Directed by Terry George, Hotel Rwanda tells the story of a man, Paul Rusesabagina(played by…), manager at the Belgian-owned Mille Collines. Mr. Paul was, a middle-class Hutu married to a Tutsi woman, and in the 100 day period, he used his influence - and bribes - on military officials convincing them to secure a safe escape for an estimated 1,200 people who sought shelter at the Mille Collines Hotel in Kigali, Rwanda's capital. Mr Rusesabagina protected the refugees in the hotel by whatever means possible from the rebel troops as the violence in the city escalated to a 100 days of massacre, of anyone who did not support the warring.Thanks to Paul’s heroism, 1200 Tutsis were saved. 5. Star Wars franchise Star Wars is 44 years today since its first debut, May 25, 1977. Through Word of Mouth, word continue spreading at Mann's Chinese Theatre, then at cinemas across the country then eventually, it became clear that Star Wars was going to be a huge hit. “A New Hope” was the first starwars series and by the time the original trilogy concluded six years later with Return of 5 the Jedi, the series was a full-fledged phenomenon. The famous series was constantly released, different plots with updated sets by the release -never stops giving. The original film had four theatrical re-releases, and then the "Special Edition" hit theaters again in 1997. Countless TV airings and home-video releases followed. Star wars changed the world by: Altering the feel of Sci-Fi. George Lucas, the playwright and a star in the third episode as Baron Papanoida, realized that a fantasy world would be much more believable if it was as beat-up as the one we actually occupy. He made starwars look like a world we believe in changing the unrealistic aspects of some fiction films. Becoming a design icon through countless, famous visual elements in the films and TV series. The show amounts to a 121-minute museum of 20th century design. Arguably, no other single film has such an ambitious yet wholly realized aesthetic not excluding the perfectly rendered title. Finally, it was a musical landmark with the help of John Williams who is famous for his orchestral compositions. The original film had four theatrical re-releases, and then the "Special Edition" hit theaters again in 1997. Conclusion Fiction films are a reminder of how important and powerful when it comes to creating change either in the entertainment industry, a country or worldwide. As film makers we should assess our society and find our untold, forgotten stories and use our tools and skills to bring them to life which will help people realize just how rich our culture in Kenya and Africa, as a whole is. Countless western films have left an imprint of an unrealistic world and that is why we should tell our stories in our own way and we will, for sure, make an impact not only locally, but worldwide. 6 2. How Documentaries and Non Fiction Films Have Been Used as Agents of Change with Examples The 1922 movie "Nanook of the North" follows a charismatic real character in a distant land. However, Robert Flaherty fudged a few facts and staged a few scenes but the film is generally considered as the world's first documentary. Documentaries which are also known as non-fiction films have become a major agent of political, social and economic change to the society since they ideally do not take any sides of a story. They aim at depicting what is happening or what happened to our societies. In as much as documentaries aim at depicting real life, there is a thin line between entertainment and journalism since the aesthetics of the films have to be tweaked a bit to make the film more interesting since no one would tolerate watching a boring movie just for the sake of information which now may raise questions of the credibility of information provided by the documentaries According to Ellis and McLane (2005:3), documentaries not only offer audiences more than just an aesthetic experience but also an effect on attitudes possibly leading to action. Audiences do not respond so much to the artist or the filmmaker as they do to the subject matter. Documentary films producer Dan Cogan also stated that, "You were supposed to watch them, they would inform you, but you didn't want to necessarily want to watch them as entertainment in and of themselves." Documentaries and non-fiction films have brought about different degrees of change in places where they have been released. They would mostly relate to the societies in which they have been released. Examples include; 7 Surviving R. Kelly a documentary film which shows the life of one of the RnB best musicians, Robert Sylvester Kelly also known as R. Kelly and exposes his sexual interactions with ladies who were underage at the time including the late RnB singer Aaliyah Dana Haughton alias Aaliyah who even went to the extent of even marrying her at age 15 and also exposing some of the sex tapes. R. Kelly being a very rich and influential musician was in a state of much power and his could not be easily destroyed by mere underage girls crying for justice but at least the film gave voices the victims of R Kelly and at the time of the film's release there was an ongoing molestation case of the RnB Artist R Kelly. Another documentary closely similar to Surviving R Kelly is Lifetime's documentary Surviving Jeffrey Epstein which exposes a billionaire Jeffrey Epstein who with the help of his wife, Ghislaine Maxwell, would hire mostly high school teens who were not of legal age of consent as his masseuse and end up having sex with them. He would then 'buy' their silence by showing them a billionaire’s life they are not used to so as to make them feel special. Billionaires being viewed as very busy people who have only time for businesses no one would end up believing the ladies stories. The question would even be, "where would a normal American girl get to interact with a man of high status like Jeffrey Epstein?". Jeffrey even went on to try and buy the system to bury his case but could not go through and the victim's sound were finally heard with the help of the documentary and Epstein was convicted for his sex offenses and recently died in prison but unfortunately Maxwell was not convicted of any crimes. Politicians have in most societies been seen as the untouchables. They can get away with anything due to their money and power. This narrative changed with the release of Panama Papers, a political documentary which showed how most of the wealthy politicians around the world adopted drug dealer's methods of hiding their wealth in offshore accounts or tax havens in 8 which their wealth was fully theirs without taxation, I mean who wouldn't want to fully enjoy their wealth without having to pay the government a certain amount of tax. With the help of Mossack Fonseca, a Panamanian law firm, the money would be bounced off in many accounts making it hard to trace it back to its original owner. With 2.6 terabytes(TB) of data i.e. 11.5 million leaked documents, being considered one of the greatest leaks in history, the documentary involved a lot of influential political figures which brought about the voluntary resignation of politicians like the prime minister of Iceland and UK, a 10 million fine and 10 years imprisonment of Pakistan's Prime Minister, impeachment of Brazil's president. Locally, with the release of NTV's Red Alert social documentary which showed how supermarkets preserved their meat products with the use of some dangerous chemicals and on the following day, no one was willing to buy the meat products from supermarkets again. Despite documentaries bringing about an almost immediate positive change after its release, NTV's political documentary COVID 19 Millionaires, exposed how KEMSA gave out dishonest tenders, and managed to scam the government, during a pandemic when the money was seen to have been of much help to Kenyans who could not sustain themselves. Corruption cases were opened against the perpetrators but Kenyans saw that it would have been of no help since the narrative of arresting and not convicting corruption criminals is very much repetitive. Generally, documentaries are to inform the people of what is going on in their society to help push for a positive change. 3. Films as an Agent of Political Change Political science is said to be one of the sciences that have greatly underused the film industry. This is despite the fact that film particularly in theoretical studies is valuable as it enables the practical uses and meanings of socio political concepts and actions. The perspective 9 of a filmmaker can contribute in many ways because of its esthetic force and distinctive qualities and also because of its dual dimension as an art and socio political phenomenon. In order to conduct a study that can contribute to contemporary thought with the help of film, it is useful to analyze the works of various filmmakers such as Eric Rohmer who is also considered to be “non-political” The first section of this research will majorly focus on the reasons for film usefulness especially in research on political theory and the complexity on relationship between this set of artistic devices and political questions. In the second part of the same, we will examine a number of films to identify how truly films are agents of political change today. The socio political reach of the film. Film in a special way has established itself as being socio political in relation to the fact that it is the war chest of the television. Films brings forward a multifaceted representation of the problems considered to be political. Some films even go further to contribute in establishing a representation of those in power and recording the gaze of a period. Even though film’s political effects cannot be measured, they are absolutely unobservable. An example is the condition and possibility for the ethnic diversity in the political staff in the United States, were brought together in part by making emancipation a reality on film particularly through rebellion, heroism, and trivialization. Film can thus become the tool that can dismantle spectacular construction from within and it shows what makes representation system work in human societies. 10 The strength of film. An elites’ society of specialized writers having studied cinema such as Stanley Cavell and philosophers such as Gilles, social scientists, semiologists and critics have underlined the strengths of this process, its capacity to project the world as seen by Cavell. The strength of the cinema is in its power to reproduce, which means it has a special relationship with the event and society. This fact is in contrast with painting which copies and theatre which mimics. The nature of the film is to update the past better than any art form that has ever existed. In a more precise manner, film renders visible what we did not or perhaps could not see before it was created. It effectively helps us discover the material world with its psychophysical relationships. The filming process makes it possible to experience from a point of view. A field on which political sciences has become silent. Despite the theoretical interest and the development of communication sciences and cultural studies, it should be noted that the political theory and film remains relatively far away apart. Just as there is “silence of political science” in politics, so too there is there is silence on entire aspects of artistic creation like film. Even though as seen above, film is far from being “apolitical” It is a rare political scientist who investigates this subject, which is so important in the social world, an example is to understand changes in contemporary individuals which is a topic at the heart of much political thought. 11 This could only be done by looking at several great filmmakers such as Pedro Almodovar, who deciphers the dialectic equilibrium between the “law of desire” and passion, and rise of a more multifaceted, individualized and motivated person who is liberated and corseted at the same time by the “new” law. JFK destroyed your faith in the American political system. You may or may not agree with the political messages presented in the other films on this list. But at least they motivated their audiences to care about an issue, to take a stance. Precisely the opposite happened, however, in a study of the “psychological consequences” of seeing the extremely controversial 1991 conspiracy drama JFK, directed by Oliver Stone. In a 1995 study of viewers before and after seeing the film, Stanford University psychologist Lisa Butler and her colleagues found that seeing JFK “doubled the level of anger” of viewers. What’s more, it also seems to have affected their political intentions. Seeing the film “was associated with a significant decrease in viewers’ reported intentions to vote or make political contributions.” The researchers attributed this response to a “general helplessness effect” engendered by seeing the film: The vast conspiracy (supposedly encompassing the CIA, the military-industrial complex, the mob, and some of the most powerful figures in American government) proposed by the filmmakers made people feel powerless. The Day After Tomorrow made you care more about global warming. We know it wasn’t scientifically accurate or plausible. But did the 2004 disaster film, in which global warming somehow manages to bring on a new Ice Age (you are right to scratch your head), make audiences more worried about climate change? According to a study by current Yale researcher Anthony Leiserowitz, the answer is yes. Leiserowitz conducted a national survey three weeks after the film’s release and found that 83 percent of film viewers said they were 12 “somewhat” or “very concerned” about global warming, compared with 72 percent of nonwatchers. Moviegoers were also more likely to believe in the likelihood that a variety of climaterelated impacts, ranging from more extreme weather to the flooding of major cities, would occur in the next 50 years. The study only sampled 529 people, but film grossed more than $500 million globally. So one can infer it had a pretty significant effect on public opinion around the world. Malcolm X inspired you to be more concerned about racial discrimination and race relations. In a 1997 study in the Journal of Politics, Darren Davis of Michigan State University and Christian Davenport of the University of Colorado–Boulder examined the effect of the 1992 film Malcom X (directed by Spike Lee and starring Denzel Washington) on African-Americans in Houston. The study found the film, and the way it was reinforced in other media, to be “quite powerful in altering political attitudes” among the study subjects. In particular, those who saw the film and a CBS documentary about Malcolm X were more aware of issues of discrimination and also more concerned about the importance of race relations as a political issue. In conclusion, political and non-political films make multiple contributions to political studies. Without contradicting social science, analyzing films from a socio-political angle adds a dimension that ultimately presents a more complete study. It also takes people in film and characters that are both unreal and representative of reality into account, which is never quite the same the moment it has been translated cinematically. A study of the three films by Rohmer mentioned in this paper shows precisely how valuable it is to add a cinematographic eye to the analysis. Enriching the political scientist’s gaze works particularly at the level of capturing private perceptions, which is best achieved through a cinematographic gaze, whether this gaze belongs to a politician or ordinary individual users of public policies and guinea pigs for new 13 policies, such as new towns. This is also the case in understanding growing phenomena or those that have not yet occurred. These phenomena are more clearly visible when one attempts to understand them from an esthetic point of view rather than a purely sociological or political one, e.g. with the limitations of decentralization, which are much more noticeable when they are seen or felt intensely in these films, when everything is conspiring both socially and intellectually to repress them 4. Film as an Agent of Social Change with Examples of Such Changes Film being one of the mediums of communication, has been used widely to communicate either directly or indirectly to both general and specific audiences. It has been found to be one of the most effective ways of communicating ideas, thoughts, and even promoting and preserving culture. It is a means of transmitting information in a way that transcends most barriers. Regardless of your race, gender, language or social views, concrete video of an event can have an enormous impact on how it is interpreted. Most writers are usually inspired by what they see in the environment where they live which are then made into films that are able to influence thinking and actions of individuals and groups of people. Racism In the film Marshall, Thurgood Mrashall (Chadwick Boseman), fights for the rights of a black American who is sentenced to prison for having raped a white lady, while in essence the two has a consent before having sex, but because he was black, he was framed and charged for raping the white woman. Marshall fights for his rights and eventually frees him. In the series For Life, Aron Wallace (Nicholas Pinnock) , a black American is framed for selling drugs and sentenced to life imprisonment. He studies law while in prison and begins to 14 fight for his for his freedom, the story is real inspired by the life of Isaac Wright Jr. These and many other films today are in themselves fighting racism so that the white man who was formally seen to be superior are gradually losing grip on the black race. Sex orientation. With debates and questions over sex orientation and fights from religious perspective and beliefs, for example, same gender marriages have been in question and some shunning at it. Movies are such as Arrow, For Life, and the Kenyan film Rafiki already portray and allow same sex marriages and relationships and they are already being accepted by the society as the norm. The US law for example, as a result of these activities, have allowed same sex relationships in their constitutions and laws. Feminism (women’s inequality) In the past women were generally passive and always considered to able to do nothing. With the rise of the feminist theories in the various waves, women fought to be heard, not only seen. They began making movies showing he capabilities of women. Films such as wonder woman is a film that is made to portray the power and ability of a woman. Women have hence risen from their silence to become great people who are celebrated today. As such, for example in Kenya, we have seen women fighting for political seats and to have a representation in parliament, so that it is stated that by law there should be a third representation of women out of the total seats in parliament. Rights and Freedoms of the Poor The rich as always been on top of the poor and most of the times, they have always been undermined and toppled down. Being poor there is already a crime and no one defends you, even in the court of law you are already seen as guilty. With the rise of movies such as Robbin Hood 15 where he stole from the rich and gave to the power and giving he poor a chance to fight against corrupt leaders and officials. Movies like 6 Underground and Money Heist speak no less of the same story. The people as a result are inspired to strike against the government or a leadership that becomes corrupt and brutal. The Nurses and Teachers Strikes are but examples of inspirations from these movies. 5.The Future of Film as an Agent of Change Cinema is undoubtedly one of the most powerful means of communication, especially when a change is to be brought. It touches the innermost core of a man occupying space in our real lives. Cinema has the power to showcase situations in the most effective form which makes the public get sentimentally involved. We laugh with films and we tear with films, such is the occupation of films in our mindsets. Our conviction to films is evident every Friday. We do not ever want to miss out a film with our favourite actors featuring in it. Cinema presents the image of the society. It metaphorically defines the social elements in our society that needs to be changed for betterment. Cinema has always been a great cause for national integration. It holds the power to change the society and the social trends. As any experienced activist will know, social change can happen through a variety of mechanisms. The three focal points have been changing perceptions, changing public policy and building social change infrastructure. Cinema is splendid for the expansion of education, national integrity, family planning, prohibition and eradication of illiteracy. With good morals, social and educative themes, it gives audience food for thought and help shape public opinion for progress. Cinema exercises its powers of great influence on the minds of the people and helps in the transformations of our society. On issues such as dowry system and labour exploitation, our film industry has produced very purposeful films and gives voice to women and workers. An example 16 of the film is ‘Midlife Crisis’ directed by Zippy Okoth, which features an all-female cast. Films increase knowledge and broaden our outlook. Films such as ‘Rafiki’ by Wanuri Kahiu have thrown light on social pictures of lesbianism, gay rights, unemployment and family trauma. These films mature our eyes and create in us an urge for improvement. Film on the whole is a means of recreation and is a universal teacher. The industry has produced various noble and inspiring films that have brought significant changes in our society. In all senses, cinema is a friend, philosopher and guide of the masses. Our Film industry has witnessed tremendous growth over the past years and there is huge potential that exists when creative storytellers partner with strategic campaigners. The digitalization of film distribution led to the creation of video-on-demand, which is a system that allows its users to select and watch a film of their choice without a prescribed television program. Movies or TV programs can be viewed on any device connected to the internet. This means that the viewer can freely choose the place where he or she will watch chosen content. The traditional form of watching films at home can also now be moved to any place where the user can connect to the internet. The traditional model of communication, where the user only listens and watches a specific content is gradually transforming. Today, the user selects and chooses what he or she is interested in. The new media provides a sufficient degree of freedom of choice. One part of the audience continues to use the classic linear television; however, the second part of the audience prefers service upon request. The expected future development of devices and users connected to the Internet and the average time spent watching videos online by users of the Internet shows that video-on-demand has a bright future ahead As social media isolates people into a pre-selected menu of options, theaters and film studios will feel the need to bring into public view the issues affecting us all, providing a forum 17 for sometimes uncomfortable, (but always essential) conversations. In the older days’, cinema was the core of cultural outgoings, now the phrase "let's go to the movies" is replaced by laying on the couch. Today’s viewer just pays for Netflix or HBO and he or she can simply watch anything anywhere. Before the age of convergence, people with cameras were creatively filming their own ideas, but now they just film their friends and strangers in secrecy. However, for us to succeed, we must consciously focus on stories outside our comfort zones, support storytellers from all walks of life and stake out our turf as the community’s crier. The one thing constant for all creativity is change. New forms of art and film and mediums will emerge and it is exciting and inspiring. It is a time for filmmakers to recreate themselves with the new forms of convergence and digitalization. 6.Government’s Stance on Socially and Politically Controversial Films Governments around the world control the content that the audience consumes. Filmmakers remain obliged to seek approval from the set government agencies to screen or distribute the films. Filmmakers who create films that advocate for social and political change resultantly practice activist filmmaking. In this regard, governments pay more attention to films that lean towards social and political issues, which spark controversies. Some Government agencies opt to ban the screening and distribution of such films in the country of jurisdiction. Films that portray a political or social world that is opposite to the norms receive backlash and criticism from the authorities. Such films are seen as a tool for rebellion against the government or those in power. For example, for the political comedy movie “The Death of Stalin” the Russian government revoked its distribution certificate by the Russian state censorship. The Russian Government claims that the film makes a mockery of the country’s political past and addresses the power-hungry politicians in Russia (Edele, 2018). Nevertheless, 18 the film aimed to entertain through the political drama around the world. On the other hand, some films tell stories that explore different perspectives about the social values of certain communities, which results in controversies and social debates. For example, the Bollywood film Padmaavat prompted protests from Hindus in India, which led to a clash with the police. The group argues that the film’s portrayal of romance between a Hindu queen and a Muslim king disregards the culture of the people (Americans United, 2018). The commotion caused a 2-month delay in the film’s release The Kenya Film Classification Board is a State Corporation established under the Screen and Stage Plays Act Cap 22 of the Laws of Kenya. The role of the institution is to regulate the creation, broadcasting, possession, distribution, and exhibition of content and broadcast to promote the culture, National values, and aspirations as well as protecting children against exposure to harmful content. The board is also empowered to impose age restrictions to ensure that content is consumed by members of the appropriate age. In the line of duty, the board has banned films that spark political and social controversies with the claim of protecting the young generation. For instance, the film Rafiki tells a story about a romantic connection between two girls. However, the State Corporation banned the film with the argument that the film goes against the norms and culture and the campaigns for homosexuality which is regarded as a vice and a criminal act in the country. Such instances prove that films with stories that go beyond the social, cultural, and political norms and expectations receive criticism and negative feedback. The phenomenon needs not discourage filmmakers from creating stories that entertain and mirror society as it is. Filmmakers and art lovers need to use such examples as motivation to advocate for social change and make films that tell stories about the society we live in. 19 7. Audience response to controversial films that advocate for social change. Cinema is repeatedly mindlessly dismissed as “escapism (the tendency to seek relief from unpleasant realities). Even though films are predominantly created for entertainment purposes, they spread ideas and impose their own values which bring about social change. Haifaa Al Mansour, Saudi Arabia’s first female director, once said that art can touch people and make them open up. These ideas and values, however, evoke different responses among social, political and religious institutions. Some ideas may cause prolonged public disagreements and debates and this is termed as polarization of opinions. This is what makes a piece of art controversial. It is through these debates that set morals and values are challenged. Films have influenced culture, politics and law globally, in Africa and locally (Kenya). The following films have acted as a catalyst for changed either through showing good or evil. We shall see how audiences reacted to them as well. a) A Girl in the River Directed by Obaid-Chinoy, this film tells the tale of a woman who is nearly killed by her father for indulging in a forbidden love. Without a shred of remorse, the father fails to understand the gravity of his actions. On the contrary, he feels justified in killing his own daughter in order to protect his family from dishonor. Honor killings are an international disgrace claiming over 5000 women lives every year. The film influenced the change of the law on honor killings in most Arabic countries. b) Blackfish This indie documentary followed the tragic tale of a mistreated Orca from Seaworld, whose cramped container and inhumane treatment led him to kill three of his trainers. The 20 revelation of how these poor marine creatures were treated behind closed doors led to a global outcry. Viewers shared their responses through tweets, Facebook video shares and petitions inflamed in the internet exposing the insidious price of this entertaining spectacle. Seaworld was boycotted by millions of people, their reputation was in tatters, ticket sales dramatically dropped and share prices halved. This resulted to Seaworld cancelling their killer whale breeding program and stopped all popular live shows featuring Shamu the Orca. c) Rafiki Directed by Wanuri kahiu, this is a tale of two girls, the daughters of political opponents, who fall in love and find their identity and dreams compromised by a conservative society. The Kenya Film Classification Board argued that the film contravenes national laws and culture. Homosexuality is illegal in Kenya and gay sex is punishable by 14 years in prison. Wanuri said that the film addressed an issue that was already happening in society. The film commission used a hash tag, #KFCBbansLesbianFilm, that immediately sparked a barrage of supportive tweets from Kenyans who decried homosexuality. However, campaigners for lesbian, bisexual, gay and transgender rights have become increasingly vocal and have campaigned for the repealing of Kenya’s law on gay sex on the grounds that it deprives sexual minorities of basic rights. 8. Recommendations for Present and Future Filmmakers On the Issue of Films for Social Change. Storytelling has been a tool of entertaining and educating, informing, preserving history and cultures, transforming behavior and practices, and notably for provoking general social change. Stakeholders in the film industry argue an untapped opportunity for change-makers and storytellers, who possess different skills and live in differing fields. Through filmmaking, they can work together to bring forth social transformation in the world (Mesce, 2018). Therefore, 21 through collaboration with activists, non-governmental organizations, communities, and other individuals seeking social change, present and future filmmakers should strive to adopt filmmaking approaches that facilitate social change. Firstly, filmmakers should endeavor to work with members of society. This will enhance understanding of issues the people experience. Moreover, the films can, in turn, be used for community campaigns. Consequently, the films' screening within the community presents an opportunity for community members to discuss the issues portrayed in the films. By involving the community in the creation process, the film's influence on the people is more impactful (Sowa, 2017). Secondly, filmmakers should disregard the notion that specific issues are limited to only a particular demographic. Notably, a film is a mirror and a bridge that allows viewers a perspective and enables them to look at similar problems within their own culture. In film making, there is an assumption that the issues tackled will only influence a specific audience, for example, cultural practices, traditions, and social norms. However, the problem may act as a catalyst that prompts a conversation about a different issue existing in that context. Finally, stakeholders have identified documentary films as an in-depth and informative resource, a perfect platform for creating dialogue. Due to their real-life character-driven nature, they put a human face to the issues that would otherwise be unrelatable and distant. The viewers are influenced by hearing and seeing these people's real experiences instigating compassion and empathy (ONE, 2016). Importantly, filmmakers should utilize the untapped potential of documentaries to prompt a change in the community. Unbeknownst to most, as opposed to other forms of films, the documentary is likely to initiate change due to their real experiences and human approach. 22 Therefore, a field that present and future filmmakers should venture into if they seek to create impactful films that bring social change. 9.Role of Film in Promoting the Sustainable Development Goals. Sustainability development id development that meets the needs of the present without compromising the ability of the future generations to meet their own needs. SDG GOALS. 1. No poverty 2. Zero hunger 3. Good health and wellbeing 4. Quality education 5. Gender equality 6. Clan water and sanitization 7. Affordable and clean energy 8. Decent work and economic growth 9. Industry innovation and infrastructure 10. Reduced inequalities 11. Sustainable cities and communities 12. Responsible consumption and reproduction 13. Climate action 14. Life below water 15. Life on land 16. Peace, justice and strong institutions 17. Partnership for goals 23 EXAMPLES. 1. No poverty. Some of the documentary filmmakers’ document the impact of climate change on the environment in their study. They screen documentaries for the local communities and gave them a voice, but also spend part of their budget locally. By supporting local people, they contributed in the fight against poverty. 2. No hunger project from a Belgian health organization illustrates the importance of film as a medium. They look for young mothers willing to breast feed their babies for film and TV productions. Their aim is to promote breast-feeding 3. Good health and wellbeing is an important issue. Respecting health and safety regulations and safeguarding the cast and crew’s wellbeing is also another form of sustainability. Taking the time to talk this through with the cast and crew on the importance of having healthy food on set, as a filmmaker, helps in promoting the SDG agenda. 4. Quality education. NGO foundations such as; AGRA, Ford foundation, SIDA, just to mention anew, not only supports audiovisual projects financially, they also play a key role in talent development. they guide new professionals at the start of their career. Actions include workshops about storytelling, internships at animation studios, Wild Card competition for talent (including financial production support 5. Gender Equality. Gender plays an important role, both on and off screen. ‘Saikati’ is an award winning film made by Dr. Anne Mungai tells the story of Laura. It is the story of a young African woman in pursuit of education and independence. ‘Saikati’ literally put the gender debate on the agenda. 6. Clean water and sanitation. Drinking water plays an important role on a film set. The entire cast and crew need a reliable and safe water supply. In many cases bottled water or water 24 fountains are the traditional logistic choice, but tap water is a budget friendly, safe and reliable solution. An average film production uses a substantial amount of drinking water. The origin of this water (tap water vs. bottled water) and how it is consumed (single use cups vs. reusable cups and canteens) has an important impact on the sustainability of a production. Know that an average production easily produces 10 000 consumptions; this would represent about 9m³ of plastic waste. 7. Renewable energy. The artistic choices highly influence the power needs of a film set. Can one use natural light or is artificial light needed? Additional positive effects would be noise reduction on the set and its surrounding residential location and not having to refuel a generator. 8. Good jobs and economic growth. New innovative business models can help crews to work more sustainably and also create new jobs. The modules can be rented and reused again and again. They are a perfect example on how innovative circular economy entrepreneurship works 9. Innovation and infrastructure. Sustainability can be about personal engagement and daily behavior. Convincing crew members to carpool or prevent waste are simple low-tech options. But in some cases new and innovative technology can be the solution 10. Reduced inequalities. Inequalities are an important topic, both on and behind the screen. Equality can stem from the following factors; How people are treated on your set, are the young and unexperienced given the opportunity to gain professional knowledge, is safety and proper working hours considered, are men and women paid equally? How are people portrayed in your film? 11. Sustainable cities and communities. Film festivals in Kenya, are an inspiring example on how cinema brings people together. They screen non-commercially distributed films in their 25 original version, they also host numerous local film events and make available their infrastructure for beginner filmmakers. In the bar they opt for local drinks and food. 12. Responsible consumption and production. 28% of the average production impact is related to waste and materials. By making clever choices a cast and crew can decrease this amount tremendously. Buying in bulk, working paperless, using 2nd hand goods, renting instead of buying and so on. Going green initiative works best for such projects. 13. Climate action. Adopting sustainable decisions such as; carpooling, local power supply, limiting the use of trucks, promoting vegetarian food, going paperless and using water canteens can help the environment tremendously. 14. Life below water. Flotsam is a game developed by Pajama Llama Games (with VAF financial support). The aim of this game is to collect waste at sea and recuperate this waste to create a new society. In a way this game is a Trojan horse: in a subtle way the players are confronted with the plastic problem at sea and the importance of sustainable material management. This makes Flotsam much more than just entertainment. Moreover, external organizations working on waste management and sustainability can form important partners for Flotsam. Flotsam reaches thousands of players that might never be aware of circular economy and material management; external partners could support Flotsam with both finances as content. 15. Life on land. We have more in common than we think with the people responsible for the management of our natural and heritage sites. For the film sector these sites form the best filming locations. By being aware of our impact we can help to protect these valuable. 16. Peace and justice. Film can be seen as the flight simulator for mankind: it confronts us with a wide array of situations and emotions and push us to self-reflect. It is an important tool in storytelling. 26 17. Partnerships for the goals. Pulse is a Flemish transition network for youth, culture and media. It groups thousands of professionals around the theme of sustainability. Pulse plays an important role in connecting these people and their organizations. In conclusion, film plays an important role in addressing sustainable development goals. 10. Current trends in filmmaking and the impact they have on the society especially the youth. a) Optimistic futures Since we are living in a very insane and unpredictable world where things keep changing in a matter of seconds, mostly to the worst, people have to have things or imaginations that give them hope for the coming future. For example, in 2020 we faced a very unexpected change in the lives of everyone around the world by the invasion of covid-19. It is a very dangerous disease that is communicable and can end someone’s live in a matter of 14days. People were so shaken by this since people were dying by the minute and thought this was the end of the world. Filmmakers used this opportunity to create films that gave people hope for the future. A future where we will have conquered this disease and everything is back to normal. Filmmakers also created films where the future is on another planet. This gives people hope for survival, it makes them have better visions for the future, for a better world; a world that conquers. Filmmakers use optimistic futures based on the real happenings in the world and how the issues been faced can be solved. Optimistic futures have greatly impacted the society today since it gives them peace for the future. The youth are being inspired to make movies that are going to give hope to people, because right now no one what’s to watch something that will scare them more than they are already scared. The other impact it has on the society is bringing their fantasies into reality through the screen. 27 b) Women are making female-centric films In the past year women empowerment is something that has really grown. Women are now taking charge over their own destinies and not waiting for men to dictate what goes on in the films or even their lives and this can be clearly be seen in the films created recently. For example, good girls and joy are films all about women taking charge. We are seen more women directing films, producing films, editing films, being the camera person and being heads of so many productions in the past years. It is more likely that we can expect more stories for and by women. Women being heroes in films and leading in films has really impacted the society thereby we see the world totally different. It has helped young women to know they can be bosses in any aspect of their lives. That they can conquer the world when they put their minds and hearts to it. Young men are being taught that women too can be in charge and it’s not a matter of masculinity struggle. These films are opening people’s eyes to know to give everyone a fair charge in every opportunity. c) New super creatives. The new generations between 13-22 years are people who have grown up been surrounded by tech and they will for sure unlock unseen potentials within tech. They will know how to make hyper connectivity; which is the use of many systems and devices so that you are always connected to social networks and other sources of information, constant sharing and fluid creative expression an asset. With the increasing levels of access to knowledge and newfound abilities to create powerful networks, it will bring changes in the way we are creatives create films. The films are being inspired by the new found technologies. 28 New creativity is very impactful to filmmaking since it broadens they creativity of people in the film industry and just people in general. With the increase in levels of knowledge and ideas, we can expect more films to be invented that will continuously blow peoples mind. d) Data creatives Since data is produced on a daily basis, people in the film industry and people in general are discovering new ways to use it and how to capitalize it. Before filmmakers shoot movies or series, they usually put out a trailer. They wait and analyze it. They wait and they keep collecting records of how people are perceiving the film. They later collect data and decide on how to proceed forward with the people’s response. If the data is in their favor the continue with the shoot. This can also be applied in the middle of shooting and they collect data using data analysis which shows graphs of the flow of the film and through this they are able to know if people hate or love the film or if they are reaching the goals they set before production. Sometimes low reviews or a lot of hate towards the film make people not watch thus causing show cancelation. e) Streaming has become popular In the past year due to the pandemic and not being allowed outside, steaming of films at home has become more popular. In the years before, when film was starting to be popular, the people used to gather in a specific place and stream the movies. This continued until people built theaters and they would gather and watch films been streamed. In the earlier years, before 2020, streaming lost its value as people embraced movies watching through their televisions. The virus brought people back to their roots of streaming films using a white cloth or board and a projector since they did not have the luxury of going outside. The perfect audience in the time we are in is streaming of films since people have seen how good it can be. 29 Streaming has impacted the society in a way of giving the youth endless opportunities to earn money and expand their boundaries of creativity. It gives new opportunities to create content that will attract the right audience. f) Sequels and remakes continue to bring in money Sequels are a published, broadcast, or recorded work that continues the story or develops the theme of an earlier one. Remake is a film or piece of music that has been filmed or recorded again. Sequels and remakes have become popular over the years. Films like Lion King, Aladdin, Mulan, Cinderella, the beauty and the beast and so many others have been remade. Sequels and remakes are natural money-makers. This is because when a series or movie ends the audience always want to know what happened afterwards and sequels entice them. There’s no denying that franchises are in high demand and their popularity is expected to continue. The impact sequels and remakes in society is that they are a way of making money. g) Scientific expeditions Every day is an opportunity to discover something new this about the universe we have. People are discovering things from the past, new features, new breed of animals and who better to keep showing us the world we live in than documentary filmmakers? Scientific expeditions are a new way of uncovering all that the world has to offer and through their films, other film ideas can be created. Scientific expeditions have impacted the society in that they have increased their knowledge of the world around and they keep giving the filmmakers new ideas and new imaginations for their films. This creates a wide variety of films to watch and choose from. h) Into the multiverse. 30 Since we are considering that the world might becoming to an end, people are looking for alternative worlds. There are so many movies and series created showing the end of the universe and how humans will relocate and camp in other dimensions or planet and stay there when the world crashes and ends. Filmmakers make people’s fascinations come alive when they are watching the films. Films like Star Trek, Angel and Stranger Things show another live in another dimension. This has impacted people in making their fantasies come true through the screen. Conclusion. There are so many trends that have come up in the resent years that are changing our view on films and the world. There are still new things out there been discovered about the world and the world will never stop evolving and new trends will continue to be created. 31 References Gabler, Jay (2017), Star Wars at 40: Ten ways George Lucas changed the world, https://www.classicalmpr.org/ Star-Wars-at-40-Ten-ways-George-Lucas-changed-theworld/. Accessed 29/01/2021. Abbott, Anita (2006), Hotel Rwanda, www.filmeducation.org/hotel-rwanda/. Accessed 29/01/2021. Kingston, Christopher (2021), films that changed the representation of black Culture in Hollywood, https://www.highlifenorth.com/2020/06/11/films-that-changed-therepresentation-of-black-culture-in-hollywood/. Accessed 29/01/2021. O' Toole, Katie (2019), The power of cinema: 10 films that changed the world, https://www.raindance.org/the-power-of-cinema-10-films-that-changed-the-world/. Accessed 29/01/2021. Faulcon E.C. (2012) Creating Change Through Documentary Film:An Examination of Select Films, Rollins College https://www.researchgate.net/profile/Elizabeth_Faulcon/publication/254643669_Creating _Change_Through_Documentary_Film_An_Examination_of_Select_Films/links/59aeb2 d1458515150e4723f2/Creating-Change-Through-Documentary-Film-An-Examinationof-Select-Films.pdf Steinbach K. (2017) Documentary adaptation: non-fiction transformations via cinema and television, University of Iowa https://ir.uiowa.edu/cgi/viewcontent.cgi?article=7123&context=etd Falcon G. (2019) The Golden Age of documentary filmmaking. CBS Interactive Inc. https://www.cbsnews.com/news/the-golden-age-of-documentary-filmmaking/ 32 Serge Daney, Le salaire du zappeur (Paris: Ramsay, 1988), 109. https://www.culturalsurvival.org/publications/cultural-survival-quarterly/film-and-third-world Embodied, for example, by directors like Spike Lee and actors like Denzel Washington Jean Louis Leutrat and Suzanne Liandrat-Guigues, Penser le cinéma (Paris: Klincksieck, 2001), 33. https://www.cairn-int.info/article-E_RAI_038_0017--political-science-and-filmreflections.htm# Shown in 1975 (August 16, August 24, August 31, and September 29). https://www.aaihs.org/agents-of-change-a-new-documentary-on-black-student-activism/ Edele, M. (2018). No laughing matter: The death of Stalin and Putin’s anxieties. Pursuit. Retrieved January 29, 2021, from https://pursuit.unimelb.edu.au/articles/no-laughingmatter-the-death-of-stalin-and-putin-s-anxieties Americans United. (2018). Around the world: Movie sparks furor from Hindus in India. Retrieved January 29, 2021, from https://www.au.org/church-state/march-2018-churchstate/au-bulletin/around-the-world-movie-sparks-furor-from-hindus-in Amendola, L., Marra, V., & Quartin, M. (2015). The evolving perception of controversial movies. Palgrave Communications. https://www.nature.com/articles/palcomms201538 O’Toole, K. (2019, January 29. The power of cinema. Raindance. https://www.raindance.org/thepower-of-cinema-10-films-that-changed-the-world/ The Guardian. (n.d.). Canned in Kenya, set for Cannes: Rafiki falls foul of Nairobi film censors. https://www.theguardian.com/global-development/2018/apr/27/kenya-rafiki-film-nairobicensors-cannes-wanuri-kahiu 33 Sowa, A. (2017, March 9). Driving social change: Turning academic research into film. Research to Action. https://www.researchtoaction.org/2017/03/driving-social-changeturning-academic-research-film/ Mesce, D. (2018, July 11). Using Films to Start Conversations for Change. Population Reference Bureau. https://www.prb.org/using-films-to-start-conversations-for-change/ ONE (2016, December 20). “Why documentaries have the power to change the world.” https://www.one.org/international/blog/why-documentaries-have-the-power-to-changethe-world/ Iosifidis, P. (2011). Global media and communication policy. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Crisp, V. (2015). Film distribution in the digital age: Pirates and professionals. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Irving Singer (2018) Cinematic mythmaking. https://www.un.org/development/desa/disabilities/envision2030.html. Hellen Hanson (2008) women in film noir. https://www.un.org/development/desa/en/news/sustainable/sdgs-film-festival-2019.html. Dudley Andrew (1984) concepts in film theory. https://filmsfortheplanet.com/earth-weekstreaming-documentary-series-2/. American Decades Primary Sources, “The Production Code of the Motion Picture Producers and Distributers of America, Inc.—1930–1934,” American Decades Primary Sources, ed. Cynthia Rose (Detroit: Gale, 2004), vol. 4, 12–15. Anderegg, Michael. introduction to Inventing Vietnam: The War in Film and Television, ed. Michael Anderegg (Philadelphia: Temple University Press, 1991), 6–8. 34 Belton, American Cinema/American Culture, 286. Belton, John. introduction to Movies and Mass Culture, ed. John Belton, 12. Darity, William A.“Birth of a Nation,” Encyclopedia of the Social Sciences, 2nd ed., ed. William A. Darity, Jr., Gale Virtual Reference Library, 1:305–306. Gary, L. (2010, April 20). Film as a Social Change. Retrieved from The Harverd Gazette: https://news.harvard.edu/gazette/story/2010/04/film-as-social-change/ Johns, O. (2018, December 21). The 15 most significant social impact films of 2018. Retrieved from USC News: https://news.usc.edu/153288/the-15-most-significant-social-impactfilms-of-2018/ Zehner, J. (2020). On Women, Money, and Changing the World. Retrieved from JACKI ZEHNER: http://www.jackizehner.com/resources/film-as-a-tool-for-socialchange/#:~:text=In%202006%2C%20An%20Inconvenient%20Truth,of%20environment al%20and%20sustainability%20activism.&text=Documentary%20films%20can%20educ ate%2C%20raise,few%20other%20forms%20of%20me 35