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Literary Techniques and the Examination of Poetry 86

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Literary Techniques and the
Examination of Poetry:
Literary Devices and the Art of Rhetoric
Lesson objective:
• To explore some figures of speech and to
identify and analyze examples of their usage
in poetry.
Overview: What is Rhetoric?
• By definition, rhetoric is the art, or study, of persuasive speaking and writing.
• In Poetic Designs: An Introduction to Meters, Verse Forms, and Figures of
Speech (1997), author, Stephen Adams, claims that it also has a negative
connotation where it denotes artificiality, or “style without substance”
(Adams: 105).
• In his view, the study of rhetoric formed the foundation of “classical
education” (Adams: 104) from the time of Aristotle (384 BC–322 BC) “through
the Middle Ages and Renaissance and into the nineteenth century” (Adams:
105).
• Rhetoric is employed in both prose and poems and, traditionally, referred to
different types of speeches, the structure (“component parts” (105)) of
speeches and the “levels of diction” (Adams : 105), including both high and
low.
Overview: What is Rhetoric? Continued
• With regards to poetry, the figures of speech
are particularly important. They form the basis
of poetic language and allow one to play with
language.
• According to Adams, William Shakespeare,
Edmund Spenser, John Milton and Sir Philip
Sidney were trained in the figures of speech
and this contributed to their literary genius.
MSOAP5, Anastrophe and Metonymy
• Here is an acronym, or metonymic device, for
some frequently used figures of speech.
• What does each letter represent? Hazard a guess.
• The figures of speech can be divided into two
patterns: schemes and tropes.
• Schemes: the re-arrangement of word order or
patterns of words. It involves the play with
physical language.
• Tropes: Means ‘concept’. The non-literal use of
words that relies upon a turn on the literal
meaning.
Metaphor
•
•
•
•
A trope. An implicit comparison between two dissimilar objects that makes an
identity claim. Metaphor claims that A is B.
In The Philosophy of Rhetoric (1965), I.A. Richards makes a distinction between the
‘tenor’ and ‘vehicle’ which he sees as the two parts of the metaphor. It is useful,
here.
The tenor is the concept, or idea, the subject expressed and the vehicle is the
material or image used to express the idea (Harmon and Holman: 340).
In Sonnet 73, Shakespeare employs several different vehicles to communicate a
tenor. Identify the metaphor after verse one:
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs where late the sweet birds sang—
What is the metaphor, or tenor, here?
Metaphor and Sonnet 73 Continued
• Answer: old age is the tenor and the late fall is
the vehicle.
Simile
What is simile?
Simile Continued
• Simile: a trope. It is a figure of speech that makes an
explicit comparison between two dissimilar objects and
tends to use ‘like’, or ‘as’.
Identify the simile that John Milton employs in this
passage from Paradise Lost:
He scarce had ceased when the superior
Fiend Was moving toward the shore; his
ponderous shield, Ethereal temper, massy, large,
and round, Behind him cast. The broad
circumference Hung on his shoulders like the
moon, whose orb Through optic glass the Tuscan
artist views (Milton).
Simile in Paradise Lost Continued
Answer: He likens Satan’s shield to the moon.
What is being suggested by this
simile?
Simile in Paradise Lost Continued
• Answer: that Satan’s shield is large.
Onomatopoeia
• A trope. Words whose sounds gesture towards
their meaning. When the sound echoes the
sense. For example, “bang”, “hiss” “murmur”.
What does Emily Dickinson’s use of
onomatopoeia contribute to her poem ‘I heard a
Fly buzz - when I died - ’?
I heard a Fly buzz - when I died The Stillness in the Room
Was like the Stillness in the Air Between the Heaves of Storm -
Adjectives
They are describing words. Here is an example
of an adjective poem by an anonymous author.
Soccer
Fun
Fun, fast
Fun, fast, goal-shooting soccer
FANTASTIC!
Adjectives Continued
This poem is composed of nouns and adjectives.
Which words are adjectives? What is their
effect? Do you think that that was the author’s
intention?
Personification
• A trope. The attribution of human qualities to
non-human objects. For example, Andrew
Marvell writes:
My Love is of a birth as rare
As ‘tis for object strange and high;
It was begotten by Despair
Upon Impossibility (Adams: 140).
What abstractions are personified, here? How
many times does the author personify love?
Personification Continued
• Answer: love, despair and impossibility. Three
times.
The Five Senses
•
•
•
•
•
Feel
See
Hear
Taste
Smell
‘Song of Myself’
1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.
My tongue, every atom of my blood, form’d from this soil, this
air,
Born here of parents born here from parents the same, and
their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.
The Five Senses Continued
• How many senses are in this extract from Walt
Waltman’s poem?
Anastrophe
• A scheme. The re-arrangement of word order. This
emphasizes the misplaced element. Traditionally, poets
employed anastrophe for the purpose of rhyming.
Identify an example of anastrophe in the opening
paragraph of Robert Frost’s poem ‘The Road Not Taken’:
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Metonymy
• A Trope. It involves the substitution of the part
for the whole. That is, one object that is
commonly associated with another stands in
for it.
• For example, in ‘The Love Song of J. Alfred
Prufrock’, the speaker states:
I should have been a pair of ragged claws
Scuttling across the floors of silent seas (Adams
138).
Metonymy Continued
• Question: In the preceding lines, does the
speaker wish to be the whole creature, or
merely a “pair of ragged claws”? If the former,
then why do they state the latter?
Plenary
• List something new that you learned today.
• What is the importance of the rhetorical
devices?
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