Post-class Notes (3/1) ● Pre-war modernism in USA ○ No connection between social reform and the avant-garde movements and modernism ○ Exceptions - early public housing using eminent domain, low-rise, segregated ■ The kitchenless movement ● Housing looked at more as a commodity than a right ● Redlining and race-based housing discrimination - slums and blight ○ Home Owners loan corp - color-coded city based on house good of an investment they were for the banks ○ There is no money sent to create improvements, cycle repeats ● Efforts to improve tenement conditions ○ Legal requirements for construction and model tenements ● Eminent domain - a city can force a landowner to sell their property if there is some public purpose, lead to slum clearance and replaced slums with public housing ● After WW2 public funds become available for urban renewal ○ City partners with developers to make a redevelopment plan and then use the eminent domain to buy all the buildings in the location, demolish them and then sell for a cheaper price to developers ● Some conservatives began to think government housing was unfair so more money was used to demolish than rebuild ○ Public housing became a minimum budget for poor people and costs were cut to create bad conditioned buildings ○ Modernist towers replaced low rises with courtyards ● Minority Yamasaki, Pruitt-Igor ○ high rise slab housing ○ Things went downhill as maintenance budget was based on tenants rent ○ Social and safety conditions went downhill and the building was demolished ○ Myth - failed because of the architecture and high rise buildings were bad, failed because it was public housing ● Narrative became that public housing was idealistic failure and it should be left for the market ● Robert Moses - leading admission of urban renewal in NYC ● Urban highways - lets more people function, Moses imagined it as a city that revolves around driving, lead to destruction of housing as they were built into the middle of the cities (usually were low income housing) ● Jane Jacobs - celebrating density and a mix of uses at street level, opposing urban renewal, the tiny interactions between everybody combine to create one city Highways and Houses: Designing the Automobile Suburb ● Cars would enable a new version of self sufficient households ● Cars used to expand the range of sites ● Interstate Highway System - in and out towns easily, so can sell suburban houses ● End of streetcars - began to be eliminated and forced people to move ● Functional zoning separates industrial and residential areas, huge fields of green trees, surrounded by detached houses for each family, automobile infrastructure (highways etc) ● Eames House and Studio, Ray and Charles Eames ○ Very willing to block surfaces with panels ○ Steel box with a full interior ○ Modernist house as container for objects and a relaxed lifestyle ○ Enormous expansion of consumer spending, manufactures dont want people to buy a few trusty items and keep ■ Companies began slightly changing models to up consumer spending ■ The things in suburban houses are all products, suburban houses are bought and sold to put stuff in them ● Levittown ○ Version of the postwar house becomes the model for many developers, very very popular model for suburbia ○ Instead of expensive steel they used lightweight balloon framing of 2 x 4s and plywood panels to create small low cost versions of cape cod houses ○ Modern in the industrialization of the building process ■ Each worker had one job and would move from house to house to do it ○ Structural and financial systems in place lead to racist outcomes ● Redlining Meant most urban residents and minorities could not get loans to buy or improve their houses ● Suburbanization was exclusionary to most nonwhite citizens and this impact continued for a long time ● Winding curving street patterns make the developments and neighborhoods completely dependent on cars (small worlds) Corporate Firms, Corporate Clients, Coporate Space ● Wartime industrial boom - transition to peace time products, especially architectural materials ● Architecture firms began to grow and grow, shows the complexity of buildings and just a greater scale - becoming more firms than architects ● Lever House, SOM ○ SOM a large corporate firm ○ One of first wave of glass curtain wall skyscrapers ○ Versus Seagram building ■ Both Gridded surfaces appealed modern corporation ■ Both Clients saw as efficient, rational, high tech ■ Dependent on fossil fuel energy ■ Seagram is more classical and symmetrical ■ Mies does famous details on the corner and ornamental bronze pieces to revel deeper structural and adds shadows and reliefs to the facades to look thicker - Mies is more classical ■ Seagram is glass with a golden color ■ Lever is much more smooth and light, lighter green tinted glass, thin flat shiny steel mullions to make flash ■ Capitol at the top of both buildings ● TWA Flight Center ○ Architecture for the growing jet-set ○ Wanted to express the drama and excitement of travel ○ At the time of construction, low level people began to using jets now architecture make people feel like their rich ■ About the image of flying and the feeling of movement ■ Reinforced concrete - sculptured, smooth curvy, and tiled ○ Form suggests bird in flight or plane taking off ○ Structural rationalism vs structural expressionism ○ You feel rich and cool as you walk through it ● Executives were the first people to own cars and move to the suburbs’ ○