Architecture Department College of Engineering / University of Sulaimani Vernacular Architecture (MSc) Review Article: An Analytical Study of Building Elements affected by Natural lighting in Vernacular Architecture By Tablo Hassan Radha Supervisor Dr. Banaz Nasaldeen Muhealdeen Academic Year 2020-2021 Architecture Department College of Engineering / University of Sulaimani An Analytical Study of Building Elements affected by Natural lighting in Vernacular Architecture Abstract This study seeks to analyze the building elements affected by natural day lighting in vernacular architecture. Through investigating on the natural lighting effect, in shaping different types of building elements from form, size and frequency of usage in different climate zones of middle est. Through, the wide revision of literature in this aspect a problem can be addressed which is analyzing the whole façade in general and not each element separately for this reason, this paper aims to provide an insight on the building elements that both provide and control natural lighting energy such as (openings and courtyards) as well as (shading devices and vegetation) in some vernacular buildings of different climate zones of middle east, beside analyzing their characteristics. From the results of this review its clear that natural lighting has a direct effect on the form and size of building elements, as well as there are some other factors such as socio- cultural, building material, and religious that affect building elements, however, has been addresses secondary and not been discussed in this review. Key words: Natural lighting, daylight in different climate zone, natural lighting building elements, daylight control elements. Research Structure Research problem Most literatures related to the classification of building elements affected by natural lighting, are not discussing each element separately. And take the whole façade of the building to analyze. Research aim The research aims to classify and analyze the building elements that provide and/or prevent natural lighting of vernacular architecture in different climate zones of middle east. To establish a wider understanding on these elements, and identify the effect of natural lighting on their formal characteristic. Research Hypothesis Natural lighting affects the formation of each building element, and in consequence this affects the main vernacular form of the building. 1 Introduction Traditionally when the building envelope was the major aspect man used to defend himself from a severe climate in the past, he had to rely on passive energy, which is the utilization of natural energy sources in buildings for environmental, healthy, and economical reasons. In order to construct a building, the orientation of that building to the sun must be thoroughly investigated in terms of specifying the location of the sun at each hour of the day in all days and seasons, particularly during the summer. As well as taking into account the sun radiation reflected off nearby structures and surfaces, or with holding its reach, which adds to the creation of a unique microclimate. As a result, finding the ideal direction to best harness the sun's energy is critical. Through techniques known as passive design, the Vernacular settlers constructed their homes to adjust to their specific climate. The utilization of natural qualities such as the sun, wind, and natural laws of physics to provide low energy costs, decreased maintenance, and improved comfort are all examples of passive design concepts. The subject of this paper based on analyzing those elements that are used to adjust the buildings with the natural energy of sunlight, the elements are divided in to two categories: those which provide sunlight such as openings and courtyards. And the second category consist of the elements that control the sunlight penetration to the dwellings such as shading devises and vegetation. In the analytical part of this paper each element is been discussed separately, then a comparison is been made between the elements in different climate zones of middle east, from the aspects of formal characteristics of each element, and the results are presented in comparison tables. This paper is a humble effort in categorizing the daylight elements in the mentioned climate zone. However, a similar clear classification is not presented in the previous literature on vernacular architecture. Thus, the results of this classification can show that there is a considerable similarity in the usage techniques and the formal character of each element among identical climate zones, however, in some examples there is also differentiation in the same climate zone, depending on socio- cultural, religious and other factors that affect the shape of vernacular architecture in different regions as well as such factors have influence on the separate building elements that have been presented in this paper. 1 Literature Review The literature review in this paper can be divided in to two categories, the first are those literature which discuss the role of natural lighting in vernacular architecture from the view point of energy efficiency, the second category are those who discuss the building elements in relation with climate, socio-cultural, and available building materials in different climate zones of middle east countries, and their relation with the formal characteristics of vernacular architecture in this regions. The studied references are plenty only few of them has been presented and reviewed in this paper. 1.1 The book of “Natural energy and vernacular architecture: principles and examples with reference to hot arid climates”(Fathy, 1986).this book discusses all the natural energy sources, their influence on architecture specifically of vernacular architecture, in hot dry climates of Mediterranean regions. As well as the influence of these resources on energy efficiency and user comfort. The book has covered all the natural energy sources, it contains analytical studies on building orientation in experiment and in detail, as well as wind direction, sun path and calculations for optimum results. In relation to this paper, this book works as a guideline for analyzing all the elements of both allowance and controlling the natural lighting energy. The classification of those elements in this paper are according to this reference. 2 1.2 The study of “Formal characteristics of vernacular architecture in Erbil city and other Iraqi cities”(Ahmed et al., 2008).This study discusses the form of vernacular architecture in Erbil and other cities in Iraq, as well as analyzing the architectural elements of the Kurdish and Iraqi vernacular architecture. However, the analysis in this study is not in detail, and only discusses the examples superficially, but the classification of the elements can be of a use in this article. In relation to this paper’s research problem, the study can relate preferable, the categorization of the elevation elements including windows and parapet patterns are been presented in this paper’s result section, only the examples are few and the discussion is rather superficial. 1.3 The study of “Passive Design Strategies in Architecture”(Womeldorf, 2016).This study discusses the passive design strategies over history, the techniques that are used in different climate zones to adapt with climate and use the natural energy sources. The example in this paper is of a modern house that have been rebuilt according to vernacular passive design. Beside sunlight, ventilation is a of a major subject in this study the passive techniques of ventilation in different climate zones, such as Iranian passive techniques using Malgaf, and other regions also are presented that the paper did not cover. In relation with this paper’s research problem the passive strategies for using day lighting are been presented as well as the daylight control strategies such as vegetation or landscaping are displayed. The paper is more about passive energy strategies for this reason the examples are not display in this paper. 1.4 The study of “Control of daylight and natural ventilation in traditional architecture of Ghadames, Libya”(Alabid et al., 2015).This study examines passive control strategies used in traditional Ghadames homes that significantly improve indoor thermal and visual comfort. In a hostile setting, designing for natural ventilation and daylighting is more difficult. The study includes a field surveys that included indoor/outdoor temperature measurements as well as direct semi-structured interviews and questionnaires to investigate residents' thermal feelings. In relation to this paper’s research problem the mentioned passive techniques in the houses are been presented, but for the examples because it is not the same region that this paper identifies, the examples of this study are not presented and only is works as a reference for the theoretical parts of this paper. 1.5 The study of “Towards low energy buildings through vernacular architecture of Arab cities”(Salah Badr, 2013). The goal of this study is to determine the impact of Arab city vernacular architecture on modern buildings and to encourage building construction systems that are low in energy emissions. For this reason, vernacular architectural elements of some Arabic cities have been presented, and a comparison between them have been made, to select the most useful element for energy efficient buildings have been discussed, and the possibility in applying the in modern architecture has been explained. In addition, some of the examples are traditional architecture of the Arab cities, as well as it contains modern examples as well, only the vernacular ones are presented in this paper. In relation to this paper’s research problem the examined formal features include the elements that are the main subject of this paper. 3 Main concepts related to title Revised literature (Fathy, 1986) (Ahmed et al., 2008) (Womeldorf, 2016) (Salah Badr, 2013) (Daneshyar, 2017) (Fernandes et al., 2014) (Şen et al., 2010) (Hendren, 2013) (Alabid et al., 2015) (Raof et al., 2020) (Bera, 2019) (Zhai&Previtali , 2010) (ERARSLAN Assoc, 2003) (Michael et al., 2017) (Alex, 2010) Type of referenc e Book Natural lighting Window openings The Claustrum Courtyard AlMashrabiyah vegetation Journal article Journal article Journal article Confere nce paper Journal article Journal article Master thesis Journal article Journal article Journal article Journal article Book Journal article Journal article Table.1 literature review in relation with topic main subject. Produced by(researcher) 2 Research methodology This paper discusses the natural lighting elements in vernacular architecture based on the Factor of climate. For this reason, the study can be divided in to two parts the first: is a theoretical frame work discussing the role of daylighting and discussing the architectural elements related to this aspect. The second part is a result and discussion section based on the revised literature and examples of different vernacular architecture elements in different climate zones comparison and similarity made among them from the aspect of formal characteristic of these elements only. 2.1 Natural lighting The sun is, without a doubt, the source of natural daylight. It can be obtained by allowing sunray access into the spaces through openings in the building envelope. Despite the fact that the sun has many advantages, including lighting and heating, it also promotes a healthier atmosphere for occupants by destroying microorganisms. However, if not properly managed, it may cause overheating in the summer(Hendren, 2013). Although, it has been stated Daylight is defined as a 4 combination of direct sunshine and diffused skylight. Direct sunlight, sky components (diffuse skylight), exterior reflection components (reflected light by ground or barriers), and interior reflection components all influence the amount of daylight that enters buildings through various openings (walls, floor, ceiling and other internal surfaces(Fitriaty et al., 2019). The design of windows and shading devices has a direct impact on the amount of naturally obtained lighting through the direct and indirect solar ray controlling(Hendren, 2013) Daylighting solutions are dependent on the availability of natural light, which is controlled by the building site's latitude and the immediate surrounding conditions, such as the presence of barriers. The determination of seasonal, predominant climate conditions, as well as daylighting tactics, are all influenced by climate. A basic stage in daylight design is to consider the ambient temperature and likelihood of sunshine(Michael et al., 2017). 2.2 Day light effect on buildings in different climate zones Because of the diverse temperature patterns in these diverse locales, architecture varies greatly from region to region. Native societies were well-versed in their local climate, allowing them to build their houses to maximize natural processes(Womeldorf, 2016). Climate change, in particular, has observable influence on architectural forms. As one travels closer to the equator, for example, the percentage of window to wall area decreases. People in hot climates avoid the sun's glare and heat, as seen by the shrinking size of windows. Deep loggias, projecting balconies, and overhangs cast long shadows on the walls of buildings can be seen in Egypt, Iraq, India, and Pakistan. Large apertures are filled with wooden or marble lattices that block the sun's glare while allowing the breeze to flow through(Fathy, 1986). Arab cities, according to Sahar, share comparable construction traits in their traditional architecture since they are located in comparable geographical regions and experience similar climate influences(Salah Badr, 2013) Another evidence is from traditional Persian architecture employs a unique way of temperature regulation in their structures. The climate of central Iran has a significant daynight temperature difference, ranging from cool to extremely hot, and the air is highly dry throughout the day.(Womeldorf, 2016). The architecture of hot zones is characterized by such arrangements, which suggest comfort as well as aesthetic satisfaction with man's obvious efforts to shelter himself from severe heat(Fathy, 1986). Fig.1 Direct sunlight gain during day vs Indirect gain during night. Reproduced from(Womeldorf, 2016) 3 Classification of natural lighting building elements The classification made by Hasan Fathy in his book (natural energy and vernacular architecture) is one of the most practical yet realistic classification of building elements and natural energy effect, among other literatures, for this reason the analyzing methodology of this paper as shown in (Fig.2) is based on his classification, only the natural lighting energy is analyzed and discussed in this paper. 5 Fig.2 Diagram of Natural lighting elements in Vernacular architecture. Source: Researcher. 3.1 Building orientation The sun is the primary source of heat in hot climates. The position of the sun at all times of the day and in all seasons, as well as the direction of the prevailing winds, must be known before planning any location, especially during the hot season(Fathy, 1986). The availability of daylight is highly influenced by a building's direction; each orientation will necessitate a different design approach(Alabid et al., 2015). In addition, there will be reflection from nearby buildings and wind screening by clusters of buildings for an ensemble of buildings constituting a sector, all of which contribute to a unique microclimate for each position in the sector. Wind movement and humidity are additional key factors to consider in addition to the sun's direct and indirect effects(Fathy, 1986). The primary goal is to determine the best orientation in relation to the sun and the prevailing wind. Because the topic is so complicated, it's helpful to start with the simplest instance of a single row of buildings. More complex cases can be understood as a result of this(Fathy, 1986). 3.2 Window Openings One of the primary tasks of windows is to provide natural light. A window system must address a variety of exterior situations in order to meet a variety of interior requirements. Window placement and sizing are two of the most important aspects of architectural design for daylighting(Neet et al., 2009). Because glass was not available until the 19th century, large windows are uncommon in vernacular construction(Zhai & Previtali, 2010). Window openings often serve three purposes: allowing direct and indirect sunlight in, allowing air to enter, and providing a view. These tasks are conveniently combined in the window in temperate zones, whose size, form, and location are regulated by local climatic circumstances. However, because combining these three purposes in a single architectural design is rarely practicable or desirable in hot arid areas, various alternatives were developed that focus on each function separately(Fathy, 1986). The vast majority of vernacular houses have no windows at all. In most traditional houses, however, entrances serve as fenestration, allowing light and air to enter. Small windows, on the other hand, are more common in big, multi-room dwellings in 6 desert regions, whereas larger windows have been seen in the temperate temperature near the Mediterranean Sea. Shutters were used in place of windows in both situations to reduce infiltration and solar gain(Zhai & Previtali, 2010). 3.3 The Claustrum For privacy, security, uniform air flow, shielding of direct solar rays, and decoration, a large number of little vents is often preferred over a few large apertures. Large holes in the building can then be filled with lattice work in the form of a pierced screen wall, which is primarily used for ventilation and lighting. Originally, these lattices, known as claustra, were employed in enormous openings at high levels in Roman baths. Unlike the mashrabiya, which are wooden, they are usually fashioned in various decorative patterns of carved plaster in vernacular architecture. Claustra are mainly used to evacuate the hot air collected in the higher parts of the room, or in parapet walls, the low walls around roof edges, to produce drafts over people sleeping on the roofs in summer(Fathy, 1986). 3.4 Courtyards Courtyards may be traced all the way back to Egypt 5000 years ago. It's an ancient architectural solution that's been used in a variety of temperature zones and cultures for thousands of years(Raof et al., 2020). The performance of the courtyard in terms of environmental impact is one of the key reasons for its use. As a result, it has been used as a socio-spatial, climatic, and design modifier in many climes, resulting in a more successful solution from ancient times to the present. The relatively static cooling system utilized in a courtyard house can serve as a foundation for comprehending changes that can cause convectional air flow(Fathy, 1986). Furthermore, the courtyard's high walls can increase the shadowed area, lowering the warmth of the ground surface. The volume, form, and ratio are all important factors in this process(Raof et al., 2020).The basic form of a house with a court, are those which have one or more rooms surrounded the inner court in a row, from one or more directions. The court, which makes up the main character of the home with a court, takes on a central state in the form closed to the exterior /open to the interior, as it is encircled by a succession of rooms from three or four directions. As it underwent a spatial shift with the inclusion of different units in response to needs that arose throughout time, this type deviated into multiple sub-types(ERARSLAN Assoc, 2003). The size and shape of the courtyard varies depending on its geographical location and climate. It can be fully closed or partially closed. It can be square (closed on all sides), Ushaped (closed on three sides with the fourth side open), L-shaped (open on two sides and closed on the other two sides), and I-shaped (open on two sides and closed on the other two sides) (open on 3 sides and closed on the other side). Each shape has a different thermal performance than the others(Raof et al., 2020). Fig.3 Courtyard as the most climatic modifier element, Reproduced from(Raof et al., 2020) 7 4 Shading devices Eaves were frequently seen on buildings with non-massive walls in hot areas, implying that they are utilized to cool the structure. Eaves were never found in climates with high diurnal temperature fluctuations, such as Morocco and Tunisia, where enormous walls are widespread. Overhangs appear to only serve the purpose of shielding the structure from rain or snow in cold climes. Overhangs are popular in the Mediterranean and other regions where courtyards are common, Shutters, on the other hand, appear to do the job of shading windows. In addition to eaves, the location of houses in relation to one another has a big impact on shade(Zhai & Previtali, 2010). 4.1 Mashrabiya The mashrabiya, which originated in Egypt, is another type of window grill. Mashrabiya, which are made of carved wooden pegs, allow light and air in but block direct solar gain and visual access to the building interiors during the day(Zhai & Previtali, 2010). Small water jars were put in this cantilevered compartment with a lattice opening to be cooled by the evaporation effect as air passed through the opening. The term is now applied to an aperture with a wooden lattice screen made up of small circular wooden balusters set at regular intervals, generally in a colorful and elaborate geometric pattern. The mashrabiya has five functions: (1) controlling the passage of light, (2) managing the air flow, (3) lowering the air current's temperature, (4) boosting the air current's humidity, and (5) ensuring privacy Each mashrabiya design is chosen to serve one or more of these purposes. The diameter of the balusters and the size of the interstices (spaces between neighboring balusters) are regulated in the design. Various names have been given to some of these patterns(Fathy, 1986). 4.2 Vegetation Planting has been considered as a desirable way in controlling daylight penetration in natural way, that provides aesthetic and functional importance to the building. In hot and dry climates, planting deciduous trees to shade east and west walls might be advantageous. In the summer, they give shade from the hot sun in the morning and evening, minimize glare, and block scorching breezes. Deciduous trees, on the other hand, shed their leaves in the winter, allowing sun radiation to heat the structure(Bera, 2019). A smart technique to effectively shade a place from the sun or wind is to use trees and vegetation as a passive design method. When shade is required in the summer, deciduous trees might be used. To shelter the building from the colder winter winds, an arrangement of evergreen shrubs and trees should be used along the north and windiest sides(Womeldorf, 2016). Fig.4 Vegetation methods outside and inside vernacular buildings reproduced(Bera, 2019) 8 5 Result and Analysis Result 1: Building orientation analysis To plan any site, the position of the sun must be determined for all hours of the day at all seasons as well as the direction of the prevailing winds(Fathy, 1986).for this reason the orientation of each building site is different and has to be studied from the previous mentioned aspect, to utilize the possible desirable amount of sunlight in to the building. The following is a result from Hassan Fathia’s study on a number of row houses in Egypt. Fig.5 Angle of altitude at noon for a southern facade in Cairo(Fathy, 1986). Result 2: Opening size and shape analysis The size and shapes of windows varies according to the mentioned reasons, it can be concluded that there are the following size and shapes of vernacular windows that feature the vernacular opening around the world, however, the size and shapes varies from region to region depending on the factors that affect vernacular architecture from: building materials, construction techniques in different climate zones .as shown in Table 2. the types of window openings: in norther regions such as Kurdistan and neighboring countries the shape of the windows is often, rectangular, and some features of arches have been used as well. In regions like Turkey usually in coldest parts of the area the houses do not have windows, the entrance door is the only passage for lighting due to the harsh climate, the openings in the house are minimized, however, the forms of the windows are similar, with some minor differences according to the building materials and construction techniques. The opening almost similar due to the similarity of climate conditions. Fig.6 Some of the most common window shapes in Kurdish vernacular architecture. Reproduced from(Ahmed et al., 2008) 9 Building material for windows: Taking into consideration, each region of the mentioned climatic zones also contains various styles and the usage of different building materials, the building materials for construction is of mud, brick, stone in these regions. Timber is rarely seen in these regions. Also, according to the absence of Glass until the 19th century based on the previous literature, shutters have been used to close the window openings, these shutters are often made of woods. In the example of the Iranian Architecture these shutters can be addressed widly. According to the low temperatures during winter and, summer’s hot days. In Hawraman which is an area in the Kurdistan region a bunch of similarity to Iranian architecture can be identified. Table.2 Window opening forms in different regions of Middle- east source: Researcher 10 Result 3: Claustrum analysis The claustrum means small holes in the parapet of the building, there are several size and shapes according to different climate zones, table 4 explains the various forms of clusters used in vernacular architecture. The main function of the holes in the parapet is ventilation and lighting. Fig.7 different forms of clusters in Kurdish vernacular architecture(Ahmed et al., 2008) 11 Table 3. Types of Claustrum in the selected climate zones produced by Researcher . Result 4: Court yards: courtyards also have been used as an element for providing sunlight and air ventilation to the dwelling, different size and shapes have been used according to the climate zones, for example in Mediterranean climate of those zones who have cold winters and extremely hot summers, the courtyard arrangement take (U shape) form, while in hot and dry climate zones the courtyard more of the I shape of central as shown in table 4, beside climate factor some other religious and social factors affect this difference. Mainly courtyard shapes that are used in vernacular architecture of this regions can be divided in to 6 shapes: central (middle courtyard), (L) shaped court yard, (U) shape courtyard, (I)shape courtyard, sided open, middle semi shaded .as shown in fig.5, are the most commonly used types of courtyards. However, there are some regions the indoor courtyard feature is rare, or absent in their vernacular architecture, or if available they used the central type such as Turkey. Fig.8 Types of courtyards(a)central, (b) central, shaded, (c)Terrace(d)I shape, (e)U shape,(d)L shape. Produced by researcher. 12 Table 4. Types of courtyards in the selected climate zones produced by Researcher . Result 5: Mashrabiyah Shading devices analysis In vernacular architecture, solar-screen shading techniques applied to building facades present an opportunity to manage solar heat gains, daylight penetration, and glare consequences. The form of the shading devise is analyzed in table 6, according to the different climate zones, however the shape took different forms only the function is mutual, for shading and keeping the inside arias as cool temperature. Aside from climatic advantages, shading devices are considered an aesthetic architectural component and provides the possibility in using these elements in modern architecture as well. 13 Fig.9 Analysis of light falling on a mashrabiya: (a) examples of lattice arrangements; and (b) the effect of light falling on a cylinder. Table 4. Different type of Mashrabiyah in vernacular architecture. Produced by researcher. 14 6 Main findings Table.6 Main factor according to this paper and secondary factor affecting Size and Shape of building elements. Produced by (Researcher). Affected (Size and Shape of building elements) Factors affecting building elements Main factors Natural lighting Climate Secondary Factors Building material Sociocultural Religious Building Orientation Window openings The Claustrum Courtyard Mashrabiyah vegetation 7 Conclusion 1. Natural lighting is considered one of the fundamental natural resources that provide lighting and warmth, and have been used by man from the very antient history, and has a direct effect on the form and size of building elements in any vernacular architecture. 2. Secondary factors as building materials, building techniques, socio cultural, and religious factors are also playing a considerable role in defining size shape and type of building elements. 3. From the classification and analysis of this paper a wider understanding of some vernacular elements can be established from the aspects of their formal characteristics. 4. In Vernacular architecture of the regions of different climate zones of middle east that have been analyzed in this paper, the size of the window openings is usually small according to the climate conditions, and the form is almost similar. 5. The openings in the exterior walls, or Claustrum, is present in almost all the vernacular regions of the mention regions in this paper. 6. The courtyard feature varies from the aspects of size and shape according to the climate reasons and other effects that has not been mentioned I this analysis. 7. The shading device of AL-Mashrabiyah, is more of a traditional element added to vernacular architecture due to climatic reasons. 8. Vegetation is considered the most natural shading devise that has been used continua sly to provide shade and fresh air in and outside any vernacular building. 15 8 References 1. Ahmed, M., Khayat, B., Maruf, B., & Khaznadar, A. (2008). Formal characteristics of vernacular architecture in Erbil city and other Iraqi cities. 2. Alabid, J., Taki, A., & Painter, B. (2015). Control of Daylight and Natural Ventilation in Traditional Architecture of Ghadames, Libya. www.jic.futa.edu.ng 3. Bera, A. T. (2019). An Overview Of Vernacular Architecture In India. 4. 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