BE
SEEN
ÊTRE
VU
WINNERS’
CATALOGUE
CATALOGUE
DES GAGNANTS
2015
20
VERITIV
CANADA
DESIGN
AND
PRINT
EXCELLENCE
AWARDS
PRIX
D’EXCELLENCE
EN
GRAPHISME
ET EN
IMPRESSION
Our judges repeatedly used the term
“attention to craft” and commented on
your bold new techniques for motivating,
engaging and guiding audiences through
a story or brand experience.
As we observed last year, you continued
to design with high-end print values
in mind, unafraid to use the medium’s
capabilities for producing tangible,
thought-provoking pieces that engage
both the visual and tactile senses.
SUSAN R. CORBEIL
DIRECTOR OF SPECIFICATION
DIRECTRICE, PROMOTION
VERITIV CANADA
One of the great joys of this job is
seeing the fresh and often brilliant
ways designers approach and resolve
communications challenges.
Clearly, print design and the creative
use of paper are not fading away in this
digital age. If anything, you are bringing
a resurgence to print. One need only
review the winning entries in the 2015
uVU Veritiv Canada Design and Print
Excellence Awards to understand
you are embracing print as a medium,
perhaps like never before.
Congratulations from all of us at Veritiv
Canada. You have shown us that the
classic, age-old technique of using
thoughtful design, photography, illustration and typography to reinforce key
messages is thriving and in good hands.
6
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
A prominent theme of this year’s entries
was your use of great photography.
While it’s true that the online world
has provided a whole new stage for
imagery, nothing matches fine print for
harnessing the real power of a photo.
This year’s winners featured evocative,
compelling presentations of images
that triggered emotions, reinforced
key messages or simply grabbed
one’s attention.
Apparently, great design knows no
boundaries in Canada. Like last year,
impressive entries came from across
the country, and also from non-profits
as well as corporations. This is how
it should be, and it gives us great hope
for the future of both design and print.
We have no doubt you will take inspiration
from the designs and solutions inside
this booklet. I look forward to seeing
your new print collateral entered in our
2016 uVU Veritiv Canada Design and
Print Excellence Awards competition.
UVU 2015
L’un des plus grands plaisirs de mon
travail est de découvrir les différentes
façons originales et souvent géniales
dont les concepteurs abordent et
résolvent les défis de la communication.
Il est clair que la conception graphique
et l’utilisation créative du papier ne sont
pas en voie de disparaître en cette ère
numérique. En fait, c’est vous qui êtes
à l’origine de la renaissance de l’imprimé.
Il suffit de parcourir les différents
documents soumis à l’occasion des
Prix d’excellence en graphisme et en
impression 2015 uVU de Veritiv Canada
pour comprendre que vous considérez
l’imprimé comme un moyen d’expression,
peut-être comme jamais auparavant.
Recevez les félicitations de tous les
membres de l’équipe de Veritiv Canada.
Vous nous avez encore une fois démontré
que cette classique et vénérable technique
qui fait appel à une conception réfléchie,
aux photographies, aux illustrations
et à la typographie pour renforcer les
messages clés est florissante et entre
bonnes mains. Nos juges ont utilisé à
plusieurs reprises l’expression « attention
à la forme » et reconnu vos nouvelles
techniques audacieuses pour motiver,
charmer et guider l’auditoire avec une
histoire ou une expérience de la marque.
Tout comme l’an dernier, vous avez
conçu des documents en ayant à l’esprit
des critères de qualité supérieure, sans
craindre d’utiliser les capacités de ce
moyen d’expression pour produire des
UVU 2015
documents concrets et inspirants qui
sollicitent à la fois le sens de la vue
et celui du toucher.
L’une des caractéristiques prédominantes
des inscriptions de cette année a été
l’utilisation de magnifiques photographies. Même s’il est vrai que l’Internet
a bouleversé le monde de l’imagerie,
rien ne vaut une impression de qualité
pour bénéficier du véritable pouvoir des
photographies. Les gagnants de cette
année ont présenté des images évocatrices et fascinantes qui suscitent des
émotions, renforcent les messages clés
ou attirent tout simplement l’attention.
Il semblerait que le design de qualité ne
connaisse pas de frontières au Canada.
Comme l’an dernier, des documents
impressionnants nous ont été soumis
des différents coins du pays, tant
d’entreprises que d’organismes à but
non lucratif. Et c’est exactement ce
que nous espérons : l’avenir s’annonce
prometteur pour la conception
et l’impression.
Il ne fait aucun doute que vous vous
inspirerez des concepts et des solutions
présentés dans ce document. J’ai déjà
hâte de voir les nouveaux documents
que vous soumettrez pour le concours
des Prix d’excellence en graphisme et en
impression 2016 uVU de Veritiv Canada.
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
7
JUDGES | JUGES
JUDGES | JUGES
JUDGES | JUGES
JUDGES
JUGES
RENÉ CLÉMENT
ART DIRECTOR | DIRECTEUR ARTISTIQUE
PAPRIKA MONTRÉAL
René Clément is a man with a passion for design, art
and architecture. René’s projects convey a strikingly
natural, uncomplicated character. All of which fits in
very nicely with the general outlook at Paprika, the
Montréal communications firm he joined 14 years ago.
Indeed, Paprika is well known mainly for its simple and
unique design methodology. “Ideas matter more than
beauty,” René says. Effective graphic expression goes
way beyond mere aesthetics. His approach involves
a radically simplified style that places paramount
importance on the message as such, resulting in just
the right degree of transparency. Over the years, René
has received many awards and honours for his work,
including recognition from prestigious competitions like
AIGA, D&AD, Art Directors Club, Type Directors Club,
Communication Arts and Coupe Magazine, to name
just a few. In addition to this, a number of his creative
endeavours are now part of the permanent collection
of the Musée national des beaux-arts du Québec.
TONY PONZO
CREATIVE DIRECTOR | DIRECTEUR DE CRÉATION
THE BRAND FACTORY TORONTO
It’s safe to say that Tony Ponzo is passionate, if not
obsessed, with great design. And he sees it everywhere,
from big brands to photography to PEZ dispensers.
His passion is driven by a curiosity about the world and
how to push design to truly elevate communication,
experiences and interactions. Previously as Associated
Creative Director of Design at john st. advertising,
Tony delivered that passion and expertise to brands
like Tangerine, Kobo, Future Shop and President’s
Choice. With over 20 years in the biz, Tony’s career has
taken him to some of Canada’s premier advertising
and design firms. His work has been featured in Time
International and Sports Illustrated magazines, and
has been recognized by Communication Arts, the
ADCC, HOW Magazine and Applied Arts, to name a
few. When he’s not helping to solve big business
problems with great design, he’s obsessing about his
solar-powered camera. Yes, it’s a thing. And yes,
it can totally take pictures in the dark.
10
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
René Clément est passionné par le design, l’art et
l’architecture. Ses projets se démarquent par leur
côté naturel et simple, des qualités qui correspondent
parfaitement aux valeurs générales de Paprika, la firme
de communication montréalaise à laquelle il s’est joint
il y a 14 ans. Paprika est en effet reconnue pour sa
méthodologie de conception simple et unique. Selon
René, « les idées sont plus importantes que la beauté ».
L’expression graphique efficace dépasse largement
la simple esthétique. Son approche préconise un style
très épuré qui accorde une importance primordiale
au message, ce qui se traduit par un degré de transparence optimal. Au fil des ans, René a remporté
un grand nombre de prix et de distinctions pour son
travail, notamment lors de concours prestigieux tels
que AIGA, D&AD, Art Directors Club, Type Directors
Club, Communication Arts et Coupe Magazine, pour
n’en nommer que quelques-uns. En outre, plusieurs
de ses projets de création font maintenant partie
de la collection permanente du Musée national des
beaux-arts du Québec.
On ne risque guère de se tromper en affirmant que
Tony est passionné, sinon obsédé, par l’excellence
dans le design. Il la voit même partout, qu’il s’agisse
des grandes marques, de la photographie ou des
distributeurs de bonbons PEZ. Sa passion est alimentée
par la curiosité qu’il éprouve pour le monde et par
son désir d’utiliser la conception pour rehausser la
communication, l’expérience et l’interaction. En qualité
de directeur artistique adjoint de la conception chez
john st. advertising, Tony a mis à contribution sa
passion et son expertise pour des marques telles
Tangerine, Kobo, Future Shop et Le Choix du Président.
Tony, qui compte plus de 20 ans d’expérience dans
le domaine, a travaillé dans certaines des plus
importantes firmes canadiennes de publicité et de
conception. Son travail a été présenté dans les revues
Time International et Sports Illustrated, en plus
d’être reconnu par Communication Arts, l’ADCC,
HOW Magazine et Applied Arts, pour n’en nommer que
quelques-uns. Lorsqu’il n’est pas en train de résoudre
un gros problème de nature commerciale avec un
design de grande qualité, il est obsédé par son appareil
photo à énergie solaire. Oui, il existe. Et oui, il peut
prendre des photos dans le noir.
UVU 2015
JUDGES | JUGES
DAVID WALKER
FOUNDING PARTNER, CREATIVE DIRECTOR
PARTENAIRE FONDATEUR, DIRECTEUR ARTISTIQUE
ST. BERNADINE MISSION COMMUNICATIONS VANCOUVER
David Walker is a Founding Partner and Creative
Director at St. Bernadine, an award-winning creative
agency that drives meaningful results for their
client-partners through branding, design, advertising,
digital and social. With a wide range of clients across
almost every industry, St. Bernadine prides itself on
producing ideas that are relevant, compelling and
creative. Selected honours and recognition include
One Show, Communication Arts, Applied Arts, ADCC,
Pentawards, Rebrand 100, Dieline Awards, Digital
Marketing Awards and Obies.
KELLY HARTMAN
CREATIVE DIRECTOR, DESIGNER
DIRECTRICE ARTISTIQUE, CONCEPTRICE
HARTMAN DESIGN STUDIO CALGARY
Kelly Hartman has 20+ years experience as a practicing
designer and creative director. Her design studio is
predominantly a print-focused studio with expertise
in branding and editorial design. Kelly’s editorial
design—33 books and 18 magazines to date—have
garnered her 41 national/international design awards,
including AIGA, Graphex, Unisource National Design
and Print Excellence (uVU), Applied Arts, Redgees and
Ad Rodeo, to list a few. She has also been published
in over a dozen publications throughout North America
and Europe. Most of the recognized work has pushed
the boundaries on traditional printing and manufacturing with unique design solutions that engage the
reader and encourage interaction. There is no question:
Kelly loves craft in design, typography and the object
as a coveted artifact. She has been a judge for the
Junos (design), is a sessional instructor at ACAD, an
avid music junkie (some would say obsessed), a newbie
scuba diver and a closet disk golf fanatic.
NICOLAS BOISSY
DGA, CREATIVE DIRECTOR | DIRECTEUR DE CRÉATION
ORANGETANGO MONTRÉAL
With a bachelor’s degree in graphic design from
UQAM, Nicolas Boissy worked for a number of
years in different Montréal design studios before
completing his studies with a postgraduate diploma
(DESS) in event design, where he gained in-depth
knowledge of scene design and museology. For the
past 10 years, Nicolas has worked at orangetango on
branding, packaging and exhibition design accounts.
His output has earned recognition at national and
international design competitions. His work ethic,
stamina and ability to view projects in full detail are
highly valued and in much demand by everyone on
the orangetango team. Nicolas is a creative director
and member of the agency’s executive.
UVU 2015
David Walker est partenaire fondateur et directeur
artistique de St. Bernadine, une agence de création
primée qui produit des résultats significatifs pour
ses clients et ses partenaires avec ses services de
valorisation de la marque, de conception, de publicité
et de marketing numérique et sur les médias sociaux.
Bénéficiant d’une large clientèle issue de pratiquement
tous les secteurs d’activité, St. Bernadine tire fierté
de ses idées pertinentes, innovantes et séduisantes.
Quelques distinctions et reconnaissances : One Show,
Communication Arts, Applied Arts, ADCC, Pentawards,
Rebrand 100, Dieline Awards, Digital Marketing
Awards et Obies.
Kelly cumule plus de 20 ans d’expérience en tant
que conceptrice et directrice artistique. Son studio
de design est axé sur l’imprimé et cumule une solide
expertise dans les domaines de la valorisation de la
marque et de la conception éditoriale. D’ailleurs, les
projets de conception éditoriale réalisés par Kelly –
33 livres et 18 magazines à ce jour – lui ont valu 41 prix
nationaux et internationaux de design, notamment
AIGA, Graphex, Prix national d’excellence en graphisme
et en impression d’Unisource (uVU), Applied Arts,
Redgees et Ad Rodeo. Son travail a également été
diffusé dans plus d’une douzaine de publications
en Amérique du Nord et en Europe. La plupart de
ses projets récompensés ont repoussé les limites
de l’impression et de la production traditionnelles
avec des solutions uniques qui attirent l’attention
du lecteur et favorisent l’interaction. Il ne fait aucun
doute que Kelly apprécie le professionnalisme, qu’il
s’agisse de la conception ou de la typographie, et
qu’elle adore les objets vus comme des artéfacts
recherchés. Kelly est chargée de cours à temps partiel
à l’ACAD. Ses intérêts sont multiples : juge aux Juno
(conception), accro à la musique (certains diraient
obsédée), plongeuse autonome néophyte et mordue
du « disque golf ».
Titulaire d’un baccalauréat en design graphique
de l’UQAM, Nicolas Boissy a travaillé pendant
quelques années pour différents studios de design
de Montréal avant de poursuivre un programme
d’études supérieures (DESS) en design d’événements,
études qui lui ont permis d’approfondir ses connaissances dans les domaines de la scénographie et de
la muséologie. Depuis dix ans, Nicolas œuvre chez
orangetango à la réalisation de projets touchant
l’image de marque, la conception d’emballages
et la conception d’expositions. Son travail a été
reconnu dans le cadre de divers concours nationaux
et internationaux de design. Son éthique de travail,
sa vigueur intellectuelle et son aptitude à voir tous
les détails d’un projet sont hautement appréciées
et très prisées par les autres membres de l’équipe
d’orangetango. Nicolas est directeur de création
et membre de la direction de l’agence.
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
11
TABLE OF CONTENT | TABLE DES MATIÈRES
AWARD OF JUDGES’
EXCELLENCE CHOICES
DESIGN
WINNERS
DESIGN AND PRINT | DESIGN ET IMPRESSION
BOOKS | LIVRES
PRIX
CHOIX
D’EXCELLENCE DES JUGES
EMPOWERING GLOBAL
CITIZENSHIP BOOK 16
CIRCO DE BAKUZA AND IMPRIMERIE L’EMPREINTE
Burgo Chorus Art Gloss and Silk Text
Endleaf: Neenah Classic Crest® Text
MONTRÉAL
BEST
IN SHOW
GRANDS PRIX
DU CONCOURS
DESIGN | CONCEPTION
DAVID R. HARPER –
ENTRE LE CHIEN
ET LE LOUP 20
LAUREN WICKWARE AND ANDORA GRAPHICS INC.
Domtar Cougar® Vellum Text
and Mohawk Carnival Vellum
Deep Blue Cover
TORONTO
PRINT | IMPRESSION
YOU CAN EVEN
ASK MY DAD 22
IA COLLABORATIVE AND MET FINE PRINTERS
YUPO® Translucent Text,
Mohawk Everyday Digital
and Black Arrestox Linen
VANCOUVER
Kelly Hartman
Hartman Design
BROCHURES | BROCHURES
UNION STATION
MANUAL 26
IDEA COUTURE AND ANDORA GRAPHICS INC.
Domtar Lynx® Opaque
TORONTO
David Walker
St. Bernadine Communications
Tony Ponzo
The Brand Factory
BRAND – CORPORATE IDENTITY |
MARQUE – IMAGE DE MARQUE
PR%F IDENTITY 28
WAX DESIGN AND UNICOM GRAPHICS
Domtar Cougar® Text and Cover
CALGARY
René Clément
Paprika
ANNUAL REPORTS | RAPPORTS ANNUELS
DNA 30
WAX DESIGN AND UNICOM GRAPHICS
Domtar Lynx® Opaque Text
CALGARY
Nicolas Boissy
orangetango
POSTERS | AFFICHES
ADCC DESIGN
BARCELONA
POSTERS 32
UNDERLINE STUDIO AND FLASH REPRODUCTIONS
Domtar Cougar® Smooth Text
TORONTO
LAURÉATS
EN DESIGN
GEORGE BROWN COLLEGE
SCHOOL OF DESIGN –
ANNUAL 2012/2013 36
GEORGE BROWN COLLEGE SCHOOL OF DESIGN IN-HOUSE
AND ANDORA GRAPHICS INC.
Verso Sterling® Premium Matte Text
and Neenah EAMES® Canvas Painting
TORONTO
BROCHURES | BROCHURES
PROVENCHER_ROY –
CORPORATE BROCHURES
(SERIES) 37
PROVENCHER_ROY IN COLLABORATION
WITH STUDIO T-BONE AND PRODUCTION JG
Domtar Lynx® Digital Smooth
Text and Cover
MONTRÉAL
KINGSTON&CO
BROCHURE 38
BLOK DESIGN AND SOMERSET GRAPHICS
Domtar Cougar® Natural Text, Cougar®
Smooth Text, Colorplan Tabriz Blue
TORONTO
MAGAZINES | REVUES
FSHNUNLIMITED (FU)
MAGAZINE ISSUE 3 39
FAITH AND FLASH REPRODUCTIONS
Domtar Cougar® and Verso Sterling®
Premium Dull Text
TORONTO
BRAND IDENTITY | IDENTITÉ DE MARQUE
PARCEL IDENTITY 40
PARCEL DESIGN AND FLASH REPRODUCTIONS
Mohawk Loop Antique Vellum Fossil
Cover and Mohawk Loop Jute A7 Envelope,
Domtar Husky® Offset Text, Mohawk
Superfine Ultrawhite Smooth Label
TORONTO
12
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
UVU 2015
JACKNIFE
STATIONERY 41
JACKNIFE AND FLASH REPRODUCTIONS
Mohawk Loop Jute Envelope,
Mohawk Loop Jute pasted
to ASTROBRIGHTS® Cover
Solar Yellow
TORONTO
LÉON COURVILLE
VIGNERON 42
LG2BOUTIQUE AND LG CHABOT
Domtar Cougar® Natural
MONTRÉAL
POSTERS | AFFICHES
2015 BEAUMONT
BLUES AND ROOTS
FESTIVAL
POSTER SERIES 43
WOODRUFF SWEITZER AND MCARA PRINTING
Domtar Cougar® Smooth
CALGARY
PACKAGING | EMBALLAGES
XOXOLAT
CHOCOLATE BARS 44
CARTER HALES DESIGN LAB INC., ANCAN MARKETING
AND HEMLOCK PRINTERS
Neenah Classic® Laid Text,
Neenah ASTROBRIGHTS®
Rocket Red
VANCOUVER
PRINT
WINNERS
LAURÉATS
EN IMPRESSION
WIDE FORMAT | GRAND FORMAT
CEMENTING
RELATIONSHIPS 46
IMAGINATION INK LTD.
Avery® MPI 1005 EZ, Avery®
DOL 1460 Laminate
REGINA
UVU 2015
BROCHURES | BROCHURES
BENNINGTON
BROCHURE 46
TANNER WILSON DESIGN AND HEMLOCK PRINTERS
OJI Topkote® Gloss Cover
VANCOUVER
THE SHANNON
MASTER PLAN 47
LETTERBOX DESIGN AND HEMLOCK PRINTERS
OJI Topkote® Dull Text
VANCOUVER
SWEET – A SELECTION
OF TEMPTATIONS 47
EDWARD CLARK AND C.J. GRAPHICS
Verso Sterling® Premium Gloss Text,
Neenah Classic Crest® Cover
TORONTO
HÉLÈNE AND MICHAEL
NOT GETTING MARRIED
INVITATION 50
HÉLÈNE LAROCHELLE AND C.J. GRAPHICS
Neenah Classic Crest® Epic Black Cover
TORONTO
BOOKS | LIVRES
DAVID THAUBERGER:
ROAD TRIPS AND
OTHER DIVERSIONS 50
HARTMAN DESIGN STUDIO INC. AND KALLEN PRINTING INC.
Domtar Cougar® Text
CALGARY
KEEPING TIME:
PLAINS INDIAN LEDGER
DRAWINGS 1865-1900 51
HAMBLY & WOOLLEY INC. AND SOMERSET GRAPHICS
Domtar Cougar® Super Smooth
Text and Cover
TORONTO
ONE THOUSAND
MUSEUM 48
CATAPULT 13 AND C.J. GRAPHICS
Burgo Chorus Art Silk, Neenah
Classic Crest® Epic Black
TORONTO
GROSVENOR
AMBLESIDE 51
LETTERBOX DESIGN GROUP AND MET FINE PRINTERS
OJI Topkote® Gloss Text
VANCOUVER
CATALOGUE | CATALOGUE
MINDHAM FINE
JEWELLERY 2014
HOLIDAY
CATALOGUE 48
DIGITAL | NUMÉRIQUE
IN-HOUSE AND C.J. GRAPHICS
Verso Sterling® Premium Gloss,
Neenah UV ULTRA® 11,
Neenah Classic® Laid
TORONTO
MAGAZINES | REVUES
LIFE & THYME 49
IN-HOUSE AND HEMLOCK PRINTERS
Domtar Lynx® Opaque
Text and Cover
VANCOUVER
THE NEW MEASURE
OF INNOVATION 52
EMERSON CLARKE PRINTING
OJI Topkote® Dull Cover,
Domtar Cougar® Text and Cover,
Mohawk Chromolux C1S Cover,
Neenah ESSE® Textured Cover
and Neenah UV ULTRA® II
CALGARY
PACKAGING | EMBALLAGES
PREMIUM SOY CANDLE
PACKAGING
AND BRANDING 52
NOTE CARDS AND INVITATIONS |
CARTES DE CORRESPONDANCE
ET INVITATIONS
POLYESTER
HOLIDAY CARDS 49
PORCHLIGHT PRESS LTD. LETTERPRESS
AND DESIGN, MET FINE PRINTERS
Domtar Cougar®
Super Smooth Cover
VANCOUVER
POLYESTER STUDIO AND FLASH REPRODUCTIONS
Domtar Cougar® Natural pasted
to Cougar® Smooth White
TORONTO
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
13
AWARD
OF
EXCELLENCE
PRIX
D’EXCELLENCE
AWARD OF EXCELLENCE – DESIGN AND PRINT | PRIX D’EXCELLENCE – DESIGN ET IMPRESSION
EMPOWERING GLOBAL
CITIZENSHIP BOOK
Circo de Bakuza has been commissioned by
Arton Capital to rethink their visual identity.
In addition to a new logo, stationery, promotional
brochures and website, Circo de Bakuza recommended the creation of an inspirational coffee
table book: The Black Book – Empowering Global
Citizenship. This artistic book has been created
in collaboration with the photographer Nicolas
Ruel. The main objective was to translate the
tagline “Empowering Global Citizenship” into an
artistic yet promotional tool, by transmitting the
brand codes of Arton Capital with a high-end
visual identity.
16
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
DESIGN FIRM
Circo De Bakuza
COPYWRITER
Tony Babinski
FINISHED SIZE
8" X 11.5"
CREATIVE DIRECTORS
Laurence Pasteels
Julie Brassard
CLIENT
Arton Capital
NUMBER OF COLOURS
7 Colours
(2 Hits of Silver +
Process + Gold 874)
+ Aqueous Gloss
& Silk Coating
ART DIRECTOR
Catherine D’Amours
DESIGNERS
Catherine D’Amours
Julia Modesti
Patricia Tremblay
PHOTOGRAPHER
ILLUSTRATOR
Nicolas Ruel
Catherine D’Amours
PRINTER
Imprimerie
l’Empreinte
PAPER
Burgo Chorus Art
Gloss and Silk Text
Endleaf:
Neenah Classic
Crest® Text
OTHER TECHNIQUES
Blind Deboss
on Cover
NUMBER OF PAGES
114 Pages
+ Endleaf
+ Hard Cover
UVU 2015
JUDGES’
COMMENTS
COMMENTAIRES
DES JUGES
KELLY HARTMAN
The book introduces Arton
Capital but with a heavy focus
on the Global Citizenship
Movement as seen through
the lens of artist Nicolas Ruel.
The take-away: to empower
and insight action. As it guides
you through this global journey,
the messaging and imagery
perfectly unfold, draw you
in and inspire you to want to
know more. The photographer’s
fresh take on these iconic
structures, landscapes and
artifacts is both engaging and
thought-provoking. The images
themselves are originally
printed on stainless steel and
the book does an exceptional
job of reproducing these and
maintaining the metallic
look. While the imagery is a
gift in itself, the designer has
managed to use these to craft
the story and keep the focus
on the overall message. The
materials and print all lend to
an exceptionally well-produced
book. Simply stunning.
Ce livre présente Arton Capital,
mais en mettant grandement
l’accent sur le mouvement
Citoyens du monde vu à travers la
lentille de l’artiste Nicolas Ruel.
La conclusion : habiliter et agir.
Tout en nous guidant dans
ce voyage à travers le monde,
les messages et les images
s’imbriquent parfaitement,
suscitant notre intérêt et nous
amenant à vouloir en savoir
UVU 2015
davantage. Le nouveau regard
de ce photographe sur ces
structures iconiques, ces
paysages et ces artéfacts est
à la fois engageant et inspirant.
Les images elles-mêmes ont
été à l’origine imprimées sur
de l’acier inoxydable : ce livre
les reproduit d’une manière
exceptionnelle en préservant
leur aspect métallique. Même
si les images sont un cadeau
en elles-mêmes, le concepteur
s’en est servi pour créer une
histoire et maintenir l’attention sur le message global.
Les matériaux et l’impression
se traduisent par un livre
d’une facture exceptionnelle.
Simplement stupéfiant.
TONY PONZO
This publication evokes
everything I love about the
craft of design—a beautiful
design treatment that will
last the test of time. It allured
me when I first experienced
its overall sensibilities, and
if I am fortunate enough
to experience that moment
again, I’m sure I will say that
it still feels fresh and current.
I was also drawn in by its
controlled and poignant sense
of pacing. As the pages turned
the flow from type to complex
illustrations to photography,
it took me on a journey
of discovery—it kept me
intrigued from start to finish.
Cette publication évoque tout
ce que j’aime du métier de
concepteur – un traitement
graphique magnifique qui
passera l’épreuve du temps.
Ce livre m’a séduit lorsque j’ai
découvert toute sa finesse ;
si j’ai encore la chance de vivre
une nouvelle fois ce moment,
je suis sûr que j’éprouverai le
même sentiment de fraîcheur
et d’actualité. J’ai également
été épaté par le rythme contrôlé
et émouvant. En tournant les
pages et en passant de la
typographie à des illustrations
complexes puis aux photographies, j’ai fait un voyage de
découverte. J’ai été intrigué
du début à la fin.
NICOLAS BOISSY
This book deserved special
mention for the excellent
combination of creativity and
technical prowess. Printing
the photos on metallic ink
yields a modern version of
early photographic printing
using film. This impression
of the past, mixed with the
contemporary nature of
the subjects, produces a
powerful and elegant result.
Ce livre méritait une mention
spéciale pour l’excellente
combinaison de créativité et de
prouesse technique. L’impression
des photos sur encre métallique
confère à l’ensemble une
version moderne des premières
impressions photographiques
en argentique. Cette impression
du passé, mélangée à la nature
contemporaine des sujets,
donne un résultat élégant
et puissant.
RENÉ CLÉMENT
Luxurious. One word that
describes this book perfectly
for both its refined and
extravagant nature. A dream
project for a design studio
and a printer. It presents
very beautiful superimposed
photos by artist Nicolas Baier,
enhanced by metallic and
varnish effects that repeat in
leitmotiv throughout the book.
Numerous graphical elements
(typography, geographical
map and others) stand out
for their extreme finesse and
elegance. A major corporate
communication project that
interprets financial language
with clarity.
Luxueux. Voilà un mot qui
décrit parfaitement ce livre,
au caractère à la fois raffiné
et extravagant. Un projet
de rêve pour un studio de
design et pour un imprimeur.
Il présente les très belles
superpositions de photos
de l’artiste Nicolas Baier,
mises en valeur par des effets
métalliques et de vernis, et se
répétant dans l’ensemble de
l’ouvrage comme un leitmotiv.
Des nombreux éléments
graphiques (typographie, carte
géographique et autres) se
dégagent aussi beaucoup de
finesse, d’élégance. Un grand
projet de communication
corporative qui interprète
clairement le langage financier.
DAVID WALKER
This piece was overwhelmingly
well received by all of us for
its exquisite design, degree of
difficulty, and the detail in the
production that delivered an
overall fantastic result. This
piece was obviously well cared
for and well considered, which
resulted in an exceptional
final product.
Ce document a été extraordinairement bien reçu par nous
tous du fait de sa conception
exquise, de son niveau de
difficulté technique et des
détails de la production, le tout
se traduisant par un résultat
fantastique. La production de
ce livre est de toute évidence
des plus soignée, d’où la qualité
exceptionnelle du produit final.
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
17
BEST
IN
SHOW
G∏ANDS
P∏IX
DU
CONCOU∏S
Aza Ali, Umid Ali
BEST IN SHOW – DESIGN | GRAND PRIX DU CONCOURS – DESIGN
DAVID R. HARPER –
ENTRE LE CHIEN ET LE LOUP
For David R. Harper’s Entre le chien et le loup, careful design
choices suggest the artist’s influences upon his practice through
the use of special materials. Laser-cut stars, referencing
constellations, embellish the book’s slipcase. Signature shades
of blue, suggesting a twilight sky (neither dawn nor dusk), appear
throughout the catalogue—most prominently in the texts and
the star-filled endpapers. Foil stamping and a powerful 10-page
roll-fold insert complete the range of materials and processes
selected to enhance this publication.
DESIGN FIRM
Lauren Wickware
ART DIRECTOR
Lauren Wickware
DESIGNER
Lauren Wickware
CLIENT
Doris McCarthy
Gallery,
University
of Toronto,
Scarborough
PRINTER
Andora Graphics Inc.
PAPER
Domtar Cougar®
Vellum Text,
Mohawk Carnival
Vellum Deep
Blue Cover
20
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
NUMBER OF PAGES
120 Pages
+ 10-Page Foldout
+ Cover
FINISHED SIZE
5.5" X 8.5"
NUMBER OF COLOURS
Text:
5/5 – Process + PMS
Endpapers:
4/0 Process
OTHER TECHNIQUES
Laser Die-Cut,
Smyth-Sewn,
Foil Stamp
Slipcase and
Linen Book Cover
UVU 2015
JUDGES’
COMMENTS
COMMENTAIRES
DES JUGES
KELLY HARTMAN
This book was simply beautiful.
Delicate, understated, engaging.
Starting with the outer sleeve’s
tiny holes illuminating the
book’s cover, then subtly
carrying through to the interior
endpapers. The well-crafted
typography along with the
beautiful juxtaposing of images
and graphics were captivating.
The more I interacted with
this book, the more engaged
I became. As if I was being carefully and masterfully escorted
on a journey of discovery.
Well done.
Ce livre est tout simplement
magnifique. Délicat, discret,
charmant. Depuis les minuscules
perforations dans la jaquette
qui illuminent la couverture du
livre, pour passer subtilement
aux pages de garde intérieures.
La typographie soignée et la
magnifique juxtaposition des
images et des graphismes m’ont
captivée. Plus j’interagissais avec
ce livre, plus j’étais charmée.
Comme si j’étais accompagnée
de façon magistrale tout au
long d’un voyage de découverte.
Beau travail.
UVU 2015
TONY PONZO
Everything about this book
oozed design craft at its best
and it became especially
clear in its details: a poignant
and totally controlled use of
typography, an appropriate
use of colour palette, and a
bold yet graphic approach to
imagery treatment. I admired
how these elements melded
together to create a seamless
design approach. I especially
loved the slipcover and endpaper treatments: these were
the final touches that elevated
the book from good to great.
Tout dans ce livre illustre à
merveille la conception à son
meilleur, tout particulièrement
dans les détails : une utilisation
émouvante et totalement
contrôlée de la typographie,
l’utilisation appropriée de la
palette de couleurs et une
approche graphique audacieuse
du traitement des images.
J’ai admiré la façon dont ces
éléments fusionnent pour
créer une approche graphique
transparente. J’ai particulièrement aimé le traitement
de l’étui et du papier de garde :
la touche finale qui classe ce
livre dans la catégorie des
grands livres.
Aza Ali, Umid Ali
NICOLAS BOISSY
A charming book with multiple
facets, full of surprises,
inventiveness and savoir-faire.
A work of complete sobriety
that marvelously reveals the
world of David R. Harper’s
work, in addition to making it a
romantic and mysterious object
that one is eager to explore.
Un livre charmant aux multiples
facettes, rempli de surprises,
d’inventivité et de savoir-faire.
Un travail tout en sobriété,
qui révèle à merveille l’univers
de l’œuvre de David R. Harper,
en plus d’en faire un objet
romantique et mystérieux
qu’on a le goût de découvrir.
RENÉ CLÉMENT
Graphic design at its best!
This is exactly the type of book
that I love to have in my library.
Lauren Wickware has crafted
a remarkable exhibit catalog.
Discreet, sober graphics full
of nuance serve the artist
David Harper and his works
beautifully. It contains wonderful
visual surprises: I am thinking,
among other things, of the
stunning gatefold at the center
of the book. The typographical
treatment, at once classical and
contemporary, is remarkable.
There are no unnecessary
elements weighing down its
content. Truly a perfect book.
Le design graphique à son
meilleur ! C’est exactement
le genre de livre que j’aime
avoir dans ma bibliothèque.
Lauren Wickware a ciselé
un catalogue d’exposition
remarquable. Le graphisme
sobre, discret, tout en nuances
se met au service des œuvres
et de l’artiste, David R. Harper.
Il nous réserve de belles
surprises visuelles : je pense,
entre autres, à l’étonnant
encart à volet (gatefold) au
centre du livre. Le traitement
typographique, à la fois
classique et contemporain, est
remarquable. Aucun élément
inutile n’alourdit son contenu.
Un livre vraiment parfait.
DAVID WALKER
The sleeve was enticing,
and the inside delivered with
a balanced, tasteful, and
controlled expression that was
befitting for a longer format
piece, yet engaging enough for
one to pick up immediately and
explore repeatedly. The type
and grid were both excellently
chosen for the content, as well
as for the reader’s experience.
La jaquette était alléchante
et le contenu livré d’une façon
équilibrée, contrôlée et avec
goût, qui aurait convenu à
un document de plus grand
format. Suffisamment attirant
pour qu’on veuille le prendre
immédiatement et y revenir
sans cesse. Les caractères
et la disposition constituaient
un excellent choix pour le
contenu, de même que pour
l’expérience du lecteur.
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
21
BEST IN SHOW – PRINT | GRAND PRIX DU CONCOURS – IMPRESSION
YOU CAN EVEN
ASK MY DAD
Nike is focused on designing performance
footwear and outerwear that helps unlock
Young Athletes’ potential. Young Athletes
have been an underserved market and Nike
is enabling great things through thoughtful
communication design.
DESIGN FIRM
IA Collaborative
CLIENT
Nike Inc.
FINISHED SIZE
11" X 15"
CREATIVE DIRECTORS
Dan Kraemer
John Foust
PRINTER
MET Fine Printers
NUMBER OF COLOURS
CMYK Digital
for Text + 2x Match
Fluorescent Green
and Seal Varnish
on YUPO®
DESIGNERS
Derek Smith
Kristopher Leigh
PHOTOGRAPHER
ILLUSTRATOR
James Schonzeit
Michael Clarke
COPYWRITERS
James Schonzeit
Matt Alverson
22
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
Aza Ali, Umid Ali
PAPER
YUPO® Translucent
Text, Mohawk
Everyday Digital,
Black Arrestox
Linen
NUMBER OF PAGES
54-Page Text
+ 4 Translucent
Dividers
OTHER TECHNIQUES
Moffat-Sewn,
Gathered,
Case Bound
with Register
Foil and Deboss
on Covers
UVU 2015
JUDGES’
COMMENTS
COMMENTAIRES
DES JUGES
KELLY HARTMAN
This piece was perfectly
executed. The printing,
bindery, trimming, foiling...
everything was done with
complete attention to
craft. Even the cross-overs
were bang on. When the
manufacturing is flawless,
it allows the design experience
to come forward and sing.
When things are done right,
they just feel right.
Ce document a été exécuté
à la perfection. L’impression,
la reliure, le rognage, l’estampage... tout a été fait avec une
grande attention à la forme.
Même les transitions étaient
stupéfiantes. Lorsque la
fabrication est impeccable,
l’expérience de la conception
est parfaitement ressentie.
Lorsque les choses sont
bien faites, elles inspirent
la confiance.
TONY PONZO
What I loved most about the
NIKE Young Athletes Book
was that it stayed true to its
mission: “To bring inspiration
and innovation to every athlete
UVU 2015
in the world.” This revealed
itself though its poignant
writing style, typography
that evokes boldness, a
controlled sense of simplicity,
and a photography treatment
that captures moments
of greatness, emotion, and
a sense of confidence through
the eyes of young athletes. It is
the complete brand through
these impactful messages.
Ce que j’ai aimé le plus du
livre NIKE Young Athletes
était le fait qu’il respectait sa
mission : « Susciter l’inspiration
et l’innovation chez tous les
athlètes du monde. » L’écriture
émouvante, une typographie qui
évoque l’audace, une simplicité
contrôlée et un traitement
photographique qui capte
des moments de grandeur,
d’émotion et de confiance
à travers les yeux des jeunes
athlètes. Ces messages
percutants représentent
parfaitement cette marque.
NICOLAS BOISSY
Just because one is small does
not mean that one can’t be
great! And this large-format
book, which highlights the
exploits of young athletes,
does it wonderfully. Beautiful
job with the colours, contrasts
and the subtle nuances. Large
inserts of YUPO paper printed
in fluorescent are at once a
tonic and add delicacy to this
rigorously produced book.
C’est pas parce qu’on est petit
qu’on ne peut pas être grand !
Et ce livre grand format, qui
souligne les exploits de jeunes
athlètes, le fait à merveille.
Beau travail sur les couleurs,
les contrastes et la subtilité
dans les nuances. Les grandes
insertions de papier YUPO
imprimées en fluorescent
ajoutent du tonique autant
que de la délicatesse à ce livre
produit avec rigueur.
RENÉ CLÉMENT
It feels good to see a book that
reaches out to kids without the
usual graphical clichés. The
style is modern, the typography
dynamic, and it all relies on the
words for strength and impact.
The journalistic photography
is simple, direct and reflects
the reality of young athletes.
The cover is at its most simple
and the appropriate use of
tone-on-tone hot foil stamping
contributes to the book’s
thoughtful nature. Technically,
its production is impeccable.
The detail that makes this
book a winner is the judicious
use of translucent paper that
gives it an interactive aspect.
A technically flawless book,
remarkable.
Ça fait du bien de voir un livre
qui parle aux jeunes sans avoir
recours aux clichés graphiques
habituels. La facture est
moderne, la typographie
dynamique, l’ensemble joue
sur l’impact et la force des
mots. La photographie de type
reportage est simple, directe
et reflète la réalité des jeunes
athlètes. La couverture est
simplissime et l’utilisation
appropriée de l’estampage à
chaud, en ton sur ton, contribue
au caractère réfléchi du livre.
Techniquement, sa réalisation
est impeccable. Le détail qui
fait de cet ouvrage un gagnant
est l’utilisation judicieuse du
papier translucide lui donnant
un aspect interactif. Un livre
sans fautes techniques,
remarquable.
DAVID WALKER
The richness in the images, the
boldness in the spot colours,
the mix of stocks—all were
executed extremely well.
While the subject matter was
admittedly engaging, the
printing improved the reading
experience and helped really
lift the content off the page.
La richesse des images, l’audace
des couleurs d’accompagnement,
la combinaison des papiers, une
exécution de très grande qualité.
Même si le sujet était de toute
évidence émouvant, l’impression
a rehaussé l’expérience de
lecture et le contenu des pages.
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
23
JUDGES’
CHOICES
CHOIX
DES JUGES
JUDGES’ CHOICES | CHOIX DES JUGES
UNION STATION
MANUAL
A fluid stage for Toronto’s most imaginative combinations
of culinary, cultural, and retail offerings: this is the position of
Union Station presented herein the Brand Guidelines. The manual
sets forth the broader vision and principles, as well as offering
guidance for activating the current visual identity. The design
of the publication responds to the thinking inside with certain
sensitivity towards evolving formats, adaptive strategies, and
new programmatic possibilities.
DESIGN FIRM
Idea Couture
ART DIRECTOR
Emery Lane Norton
DESIGNER
Emery Lane Norton
COPYWRITERS
Andrew P. Francis
Will Novosedlik
Emery Lane Norton
CLIENT
Osmington Inc.
PRINTER
Andora Graphics Inc.
26
Aza Ali, Umid Ali
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
PAPER
Domtar Lynx®
Opaque
NUMBER OF PAGES
100 Pages
+ 6-Page Cover
FINISHED SIZE
5.25" X 8"
NUMBER OF COLOURS
5/5 – Process
+ Fluorescent PMS
OTHER TECHNIQUES
Scuff Proof
Film Lamination,
Smyth-Sewn
UVU 2015
Aza Ali, Umid Ali
JUDGE’S
COMMENTS
COMMENTAIRES
DU JUGE
UVU 2015
KELLY HARTMAN
Rarely—if ever—have I been
excited about a brand guideline
book. Appropriately informative
and utilitarian, they scarcely
ignite enthusiasm for a brand.
This book, however, took a giant
step forward. Its captivating
images provided a glimpse into
the rich history of the station.
Paired with contemporary
graphics, fresh vibrant colours
and a raw open binding, it drew
me in, got me excited about the
brand, and even encouraged
me to want to know more. While
chock-full of useful information,
it was insightful, truly engaging
and inspiring. I’d like to live
in this brand world!
Rarement, sinon jamais, ai-je
été stimulée par un livre de
directives sur l’image de marque.
Informatifs et utilitaires, ces
documents suscitent rarement
l’enthousiasme pour une marque.
Toutefois, celui-ci a fait un pas
de géant. Ses images captivantes
nous donnent un aperçu de la
riche histoire de cette gare.
Utilisant un graphisme contemporain, des couleurs vives et
rafraîchissantes et une reliure
ouverte brute, ce document a
attiré mon attention et suscité
mon intérêt pour la marque
et m’a même incitée à vouloir
en savoir davantage. Regorgeant
d’informations utiles, il est
instructif, inspirant et vraiment
intéressant. J’aimerais vivre
dans ce monde !
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
27
JUDGES’ CHOICES | CHOIX DES JUGES
PR%F
IDENTITY
Aza Ali, Umid Ali
PR%F is a throwback cocktail bar dedicated to the fine art of
drink making. Much like the bold mixtures they serve up nightly,
PR%F was in search of a design system that seamlessly blended
the old with the new. To achieve this, we paired elegant modern
design with turn-of-the-century art and “cabinet-of-curiosities”—
style illustrations, creating an overall look that pays homage to
the past, yet still comes across as fresh, hip and contemporary.
DESIGN FIRM
WAX
CREATIVE DIRECTORS
Trent Burton
Monique Gamache
ART DIRECTOR
Jake Lim
DESIGNER
Eric Seymour
COPYWRITER
Chris Lihou
PAPER
Domtar Cougar®
Text and Cover
NUMBER OF PAGES
16 Pages
+ Cover
FINISHED SIZE
6" X 9"
NUMBER OF COLOURS
4
OTHER TECHNIQUES
Laminate on Cover
CLIENT
PR%F
PRINTER
Unicom Graphics
28
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
UVU 2015
JUDGES’
COMMENTS
COMMENTAIRES
DES JUGES
&
UVU 2015
TONY PONZO
I simply admired everything
about this design and it was
one of those design pieces
that makes you say: “I wish
I had done this”. A beautifully
executed illustration juxtaposed with a minimal and clean
typography treatment: it was
wonderfully elegant in every
way. But the best thing really
is that it created a brand
experience for PR%F Bar—you
immediately knew what it was
about and the experience
you would get—and that was
the best part!
J’ai tout simplement admiré
chacun des éléments de la
conception de ce document,
dont on aimerait dire : « J’aurais
bien aimé le réaliser ». Une
illustration magnifique,
juxtaposée à un traitement
typographique minimaliste
et net : une superbe élégance
à tous points de vue. Mais ce
qui m’a le plus marqué, c’est
l’expérience de la marque
PR%F Bar que permet ce
document : vous comprenez
immédiatement de quoi il
s’agit et l’expérience que
vous pourriez vivre !
a darker environment, and was
part of a design system
that is inherently intriguing.
J’ai choisi ce document
simplement parce que dans
le large éventail de documents
d’excellente facture qui nous
ont été soumis, celui-ci
sollicitait mon attention et
demandait constamment à être
relu et exploré. La couverture
complète parfaitement l’image
de marque. Elle serait efficace
dans un environnement plus
sombre et fait partie d’un
concept intriguant par nature.
DAVID WALKER
I chose this simply because
in the vast array of excellent
pieces, this one continually
begged to be picked up, explored,
and demanded engagement.
The cover complemented the
brand, would function well in
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
Aza Ali, Umid Ali
29
JUDGES’ CHOICES | CHOIX DES JUGES
DNA
The CSPD wanted an annual report that changes the way
people think about the disabled. So we mapped the DNA from
CSPD clients, guardians and staff, demonstrating that no
matter our differences, we are all just versions of one another:
we are all human.
DESIGN FIRM
WAX
CREATIVE DIRECTORS
Trent Burton
Monique Gamache
ART DIRECTORS
Eric Seymour
Brad Connell
DESIGNER
Monique Gamache
30
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
Aza Ali, Umid Ali
CLIENT
Calgary Society
For Persons
With Disabilities
PRINTER
Unicom Graphics
PAPER
Domtar Lynx®
Opaque Text
NUMBER OF PAGES
40 Pages Self Cover
PHOTOGRAPHER
ILLUSTRATOR
DNA11.com
FINISHED SIZE
8" X 12"
COPYWRITER
Chris Lihou
NUMBER OF COLOURS
4
UVU 2015
JUDGE’S
COMMENTS
COMMENTAIRES
DU JUGE
UVU 2015
RENÉ CLÉMENT
I am still blown away by the
previous annual report, with
that staple at the center of
the document. The bar was
high for the new version!
Mission accomplished. Here is
a report that goes straight to
what matters, that takes the
time and the space it needs
to communicate its message
properly. Both sober and
refined, the tone is perfect.
It does not spread itself too
thin, it does not try to do too
much, and there is sufficient
confidence in the concept to
let it stand without artifice.
The singular typography of the
titles echoes the iconography
and the sober typographical
treatment of the texts, giving
the document a timeless look,
a far cry from today’s trends.
Each double page is perfectly
crafted. The symmetrical
design of the document
culminates in the center with
a gallery of black-and-white
portraits that neatly caps the
rest and enhances the principal
theme: “We are all human”.
The tone, the approach, the
iconography, the typography,
the paper, even the graphics
speak the same language, in
the same voice. They leave a
strong impression. This is a
document of great mastery and
great humility, which makes
it my great favorite. Kudos.
Je suis encore bouche bée devant
le rapport annuel précédent,
affichant cette agrafe au centre
du document. La barre était
haute pour la nouvelle mouture !
Mission accomplie. Voilà un
rapport qui va droit à l’essentiel,
qui prend le temps et l’espace
nécessaires pour bien communiquer son message. Il est à la
fois sobre et raffiné, le ton est
juste. On ne s’éparpille pas,
on ne cherche pas à en faire
trop, on a suffisamment
confiance dans le concept pour
le laisser vivre sans artifices.
La typographie singulière des
titres fait écho à l’iconographie
et à la sobriété du traitement
typographique des textes,
donnant au document un aspect
intemporel, loin des tendances
du jour. Chaque double page
est parfaitement maîtrisée.
La conception symétrique du
document culmine au centre
avec une galerie de portraits
en noir et blanc, qui tranche
nettement sur le reste et met en
valeur la thématique principale :
« We are all human ». Le ton,
l’approche, l’iconographie, la
typographie, le papier, même
les graphiques parlent le même
langage, de la même voix. Ils
laissent une impression très
forte. C’est un document d’une
grande maîtrise et d’une grande
humilité, ce qui en a fait mon
grand coup de cœur. Chapeau.
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
31
JUDGES’ CHOICES | CHOIX DES JUGES
ADCC DESIGN BARCELONA
POSTERS
Design Barcelona was an event organized in Toronto by the
Advertising and Design Club of Canada. It showcased the work
from seven of Barcelona’s best graphic design studios and
featured guest speaker and curator Pablo Juncadella from
Mucho. Underline asked each of the participating studios to
submit their favourite phrase about design. We used these
phrases to design a series of posters representing each of the
studios and to promote the event.
DESIGN FIRM
Underline Studio
PAPER
Domtar Cougar®
Smooth Text
CREATIVE DIRECTORS
Claire Dawson
Fidel Peña
FINISHED SIZE
15.75" X 19.75"
DESIGNER
Fidel Peña
NUMBER OF PAGES
7 Different Posters
CLIENT
Advertising
and Design Club
of Canada
NUMBER OF COLOURS
4
PRINTER
Flash Reproductions
32
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
Aza Ali, Umid Ali
UVU 2015
JUDGE’S
COMMENTS
COMMENTAIRES
DU JUGE
UVU 2015
NICOLAS BOISSY
Designing a campaign on such
an abstract subject as design
is not simple and they have met
the challenge with zest! I was
seduced by the spontaneity
and the humor that emanates
from the graphical interpretation
of the quotations. The result is
simple, very relevant and draws
a diversified and inspiring
portrait of Barcelonan creativity.
Concevoir une campagne sur un
sujet abstrait comme le design
n’est pas simple et ils ont relevé
le défi avec brio ! J’ai été séduit
par la spontanéité et l’humour
qui se dégage de l’interprétation
graphique des citations.
Le résultat est simple, très
pertinent et dresse un portrait
diversifié et inspirant de la
créativité barcelonaise.
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
Aza Ali, Umid Ali
33
DESIGN
WINNERS
LAURÉATS
EN
DESIGN
DESIGN – BOOKS | DESIGN – LIVRES
GEORGE BROWN COLLEGE
SCHOOL OF DESIGN – ANNUAL 2012/2013
The School of Design Annual catalogues the best
student work from the 2012/2013 academic year
of all undergraduate and postgraduate programs
in the School of Design, Centre for Arts and Design
at George Brown College in Toronto.
DESIGN FIRM
George Brown
College School
of Design
CLIENT
George Brown
College School
of Design
CREATIVE DIRECTOR
Luigi Ferrara
PRINTER
Andora Graphics Inc.
The title and concept, Follow Your Heart, explores
the personal experience of learning and growth,
conveyed through creative die-cuts and striking
photography, and featuring delicately-crafted
paper sculptures of bodily systems interspersed
throughout the book.
DESIGNERS
Ginny Chen
Sisley Leung
Jane Weber
PAPER
Verso Sterling®
Premium Matte
Text, Neenah
EAMES™ Canvas
Painting
The laser die-cut front and back gatefold covers
add an intricately detailed and tactile element
to the catalogue.
36
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
Aza Ali, Umid Ali
COPYWRITER
Matthew Kelling
FINISHED SIZE
8" X 10"
NUMBER OF PAGES
272 Pages
+ Front & Back
6-Page Endpaper
Covers
NUMBER OF COLOURS
6/6 – 2 PMS
+ Process
OTHER TECHNIQUES
Laser Die-Cut,
Smyth-Sewn
PHOTOGRAPHERS
ILLUSTRATORS
Ginny Chen
Michelle
Desgroseilliers
Daniela Mason
Trent Scherer
UVU 2015
DESIGN – BROCHURES | DESIGN – BROCHURES
PROVENCHER_ROY
CORPORATE BROCHURES (SERIES)
Our publication program is designed to convey the scope of the
firm’s activities and expertise in the various sectors in which it
operates by means of a general brochure on our integrated services,
and a series of supplementary brochures that treat each category
in detail. In carrying out its mission, the department supports
and reinforces the firm’s brand image by defining an innovative
creative concept that reflects its personality and by demonstrating
the quality of its creations, the depth of its conceptual thinking,
and its ability to execute large projects.
The department devotes special attention to highlighting the value
and contribution of architecture and design to the quality of living
environments by presenting projects in their context and their
environment. Our publications also serve to promote our group’s
services in graphic design and branding. We regularly use short-run
digital printing to achieve a highly flexible production system that
facilitates regular information updates in response to changes
in the portfolio of projects.
UVU 2015
DESIGN FIRM
Provencher_Roy
in collaboration
with Studio T-Bone
CREATIVE DIRECTOR
Provencher_Roy
ART DIRECTORS
Provencher_Roy
Studio T-Bone
PRINTER
Production JG
PAPER
Domtar Lynx®
Digital Smooth
Text and Cover
NUMBER OF PAGES
Brochure:
Between 112 and
120 Pages
DESIGNERS
Provencher_Roy
Studio T-Bone
FINISHED SIZE
8.5" X 12"
COPYWRITER
Provencher_Roy
NUMBER OF COLOURS
4 – Indigo Press
CLIENT
Provencher_Roy
OTHER TECHNIQUES
Digital Printing,
Satin Lamination
on Covers
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
Aza Ali, Umid Ali
37
DESIGN – BROCHURES | DESIGN – BROCHURES
KINGSTON&CO
BROCHURE
TAS needed a brochure for their Kingston&Co
condominium property that would ignite the
imagination of potential owners and help open
doors for the sales team. Through our strategic
process, we defined the building’s distinctive
offering of contemporary living in one of Toronto’s
most charming neighbourhoods. We wrote
the content, romancing the feeling of living in
the village while highlighting the condo’s unique
features. The design approach weds British
tradition with a decidedly modern flair, incorporating patterns inspired by the building’s unique
architecture and introducing readers to the
village through a whimsical map, inspired by
old maps from London.
38
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
Aza Ali, Umid Ali
DESIGN FIRM
Blok Design
PRINTER
Somerset Graphics
CREATIVE DIRECTORS
Vanessa Eckstein
Marta Cutler
PAPER
Domtar Cougar®
Natural Text,
Cougar® Smooth
Text, Colorplan
Tabriz Blue
DESIGNER
Miki Arai
PHOTOGRAPHER
ILLUSTRATOR
Martin Haake
COPYWRITER
Marta Cutler
CLIENT
TAS Design Build
NUMBER OF PAGES
32 Pages
+ 8-Page
Mini-Brochure
+ 4-Page Cover
NUMBER OF COLOURS
CMYK Throughout
Mini: CMYK
+ 1 Pantone Ink
OTHER TECHNIQUES
Outside Front
Cover:
Matte Silver
Foil Stamping
+ Blind Deboss,
UV Offset Inks
Throughout,
Coloured
Centre-Sewn
Thread
FINISHED SIZES
Main: 8.25" X 11.75"
Mini: 5.25" X 8.25"
UVU 2015
DESIGN – MAGAZINES | DESIGN – REVUES
FSHNUNLIMITED (FU)
MAGAZINE ISSUE 3
Fshnunlimited (FU) acts as a collective archive
of profound Canadian creativity in fashion, art,
design, and media. Produced seasonally in the
spirit of collaboration and community, FU’s
brash aesthetic and powerful visual narrative
are a direct reflection of the very artists—
photographers, writers, designers, illustrators,
painters, and entire creative teams—that join
together to build it. With a defined mandate
to support, nurture, and celebrate local talent,
FU aspires to provide a lasting and endearing
portrait of the creative Canadian landscape
and the incredible individuals therein.
UVU 2015
DESIGN FIRM
Faith
CREATIVE DIRECTOR
Paul Sych
ART DIRECTOR
Paul Sych
DESIGNER
Paul Sych
PHOTOGRAPHERS
ILLUSTRATORS
Chad Burton
Regen Chen
Veronica Formos
Emil Monty Freddie
Amarsana
Gendunova
Robert Huynh
Jane + Jane
Sarah Jay
Patrick Lacsina
Ruo Bing Li
Matthew Lyn
Luis Mora
Mike Ruiz
Katie Sadie
Sarah Thomson
Brian Ziff
COPYWRITERS
Dylan Dias
Tara Bartolini
Melanie Johns
ARTISTS
Brian M. Atyeo
Tara Dougans
Scott Waters
FINISHED SIZE
9.5" X 12.875"
CLIENT
Fshnunlimited
PRINTER
Flash Reproductions
PAPER
Domtar Cougar®
and Verso Sterling®
Premium Dull Text
NUMBER OF PAGES
168 Pages
+ Cover
NUMBER OF COLOURS
4 Colours + 1 PMS
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
Aza Ali, Umid Ali
39
DESIGN – BRAND IDENTITY | DESIGN – IDENTITÉ DE MARQUE
PARCEL
IDENTITY
Ten years after Parcel was founded, it has grown
into a full-service integrated creative firm of
strategists, designers and storytellers that help
leadership teams develop new directions for
their business. This evolution of our brand is the
result of the 2012 merger of Parcel and Soapbox.
Friendly, approachable, sophisticated and
professional: Parcel’s rebranded word mark and
collateral represent our work and the way we work.
And our new colour ties into the merged team—
we call it “tomango” and it’s a very close blend
of Parcel’s former red and Soapbox’s orange.
40
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
DESIGN FIRM
Parcel Design
CLIENT
Parcel Design
CREATIVE DIRECTOR
Gary Beelik
PRINTER
Flash Reproductions
ART DIRECTOR
Katina
Constantinou
PAPER
Mohawk Loop
Antique Vellum
Fossil Cover and
Mohawk Loop
Jute A7 Envelope,
Domtar Husky®
Offset Text,
Mohawk Superfine
Ultrawhite
Smooth Label
DESIGNER
Kristin Steenstra
COPYWRITER
Erin Brand
STATIONERY PACKAGE
Business Cards,
Letterhead, Note
Card, Envelopes,
Calendar, Notebook
FINISHED SIZES
Various
NUMBER OF COLOURS
2/2 PMS Colours
+ 3/0 PMS
OTHER TECHNIQUES
Offset and
Letterpress
Printing
UVU 2015
DESIGN – BRAND IDENTITY | DESIGN – IDENTITÉ DE MARQUE
JACKNIFE
STATIONERY
The approach to the design of the Jacknife stationery was to create
something honest, warm, simple and memorable—a reflection
of our company culture and our approach to design. We selected
natural materials and the warmth of yellow, and utilized a number
of finishing techniques which would add visual interest without
becoming distracting and stealing the show. We wanted to create
stationery that would feature several little detailed moments of
interest for the viewer—a reflection of our belief that good design
is in the details.
DESIGN FIRM
Jacknife
PRINTER
Flash Reproductions
CREATIVE DIRECTOR
Mike Kelar
PAPER
Mohawk Loop Jute
Envelope, Mohawk
Loop Jute pasted
to Neenah
ASTROBRIGHTS®
Cover Solar Yellow
DESIGNER
Sandy
Jakkavanrangsri
COPYWRITER
Mike Kelar
CLIENT
Jacknife
UVU 2015
FINISHED SIZES
Various
OTHER TECHNIQUES
Screen Print
& Letterpress
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
41
DESIGN – BRAND IDENTITY | DESIGN – IDENTITÉ DE MARQUE
LÉON COURVILLE
VIGNERON
Léon Courville Vigneron’s winemaking knowledge and expertise
have no peer in Quebec. To firmly establish the winery’s professionalism and expertise, we developed strong and refined corporate
stationery, based on quality paper and a well-established
information structure. And to communicate the strength of this
expertise and the authenticity of the winery, the stationery
is embossed with the official seal, a seal directly inspired by
Mr. Courville’s avid enthusiasm for collecting corkscrews. This
was all supported by a series of souvenir postcards showcasing
the scenic beauty and grandeur of the vineyard.
DESIGN FIRM
lg2boutique
PRINTER
LG Chabot
CREATIVE DIRECTOR
Claude Auchu
PAPER
Domtar Cougar®
Natural
DESIGNER
Maude Lescarbeau
PHOTOGRAPHER
ILLUSTRATOR
Maude Lescarbeau
COPYWRITERS
Gabrielle Godbout
Pierre Lussier
FINISHED SIZES
Various
NUMBER OF COLOURS
2 PMS
OTHER TECHNIQUES
Embossed
CLIENT
Léon Courville
42
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
UVU 2015
DESIGN – POSTERS | DESIGN – AFFICHES
2015 BEAUMONT BLUES AND ROOTS
FESTIVAL POSTER SERIES
The posters that Woodruff Sweitzer designed for the 2015
Beaumont Blues and Roots Festival were printed offset with
three fluorescent inks. They are part of a complete package
of new creative work we began for the BBRF last year, which
included swag and a redesigned website.
We wanted to do something fun that would stand out against the
regular street noise, hence the fluorescents. We also wanted
to position the festival as an age-agnostic event that a younger
demographic could also enjoy.
This year, we commissioned the very talented Jason Blower
(jasonblower.com) to do some custom illustrations of festivalgoers dancing. These images tile when you put the three versions
together to create a tableau of fun.
Last year, the client was thrilled as ticket sales were up 375%
vs. 2013—a big jump for “Canada’s biggest little music festival”!
UVU 2015
DESIGN FIRM
Woodruff Sweitzer
PRINTER
McAra Printing
CREATIVE DIRECTOR
Alexandra (Alita)
Gonzalez
PAPER
Domtar Cougar®
Smooth
ART DIRECTOR
Alexandra (Alita)
Gonzalez
NUMBER OF PAGES
1 (of 3)
DESIGNER
Alexandra (Alita)
Gonzalez
ILLUSTRATOR
Jason Blower
FINISHED SIZE
18" X 24"
NUMBER OF COLOURS
3
OTHER TECHNIQUES
Offset
CLIENT
Beaumont
Blues and Roots
Festival Society
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
Aza Ali, Umid Ali
43
DESIGN – PACKAGING | DESIGN – EMBALLAGES
XOXOLAT
CHOCOLATE BARS
Vancouver chocolatier XOXOLAT has Canada’s largest selection
of single origin chocolate bars as well as some truly wild flavor
combinations. It also has its own line of XOXOLAT branded
chocolates, which Carter Hales designed, making it easier for
serious chocolate lovers to find their favourites, and add a bit
of adventure to discovering new tastes.
DESIGN FIRM
Carter Hales
Design Lab Inc.
DESIGN DIRECTOR
Sean Carter
DESIGNERS
Andrew Schick
Miles Chic
Dave McAnsh
Sean Carter
ILLUSTRATORS
Miles Chic
Andrew Schick
CLIENT
Xoxolat Chocolate
PRINTER
Ancan Marketing
and Hemlock
Printers
44
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
Aza Ali, Umid Ali
PAPER
Neenah Classic®
Laid Text,
Neenah
ASTROBRIGHTS®
Rocket Red
NUMBER OF PAGES
2 Base Wraps
+ 6 Outer Wraps
FINISHED SIZE
5" X 4.5"
NUMBER OF COLOURS
Heidelberg Digital
on Outer Wraps
(Hemlock Printers)
OTHER TECHNIQUES
Foil Stamping
and Scoring
on Base Wraps
(Ancan Marketing)
UVU 2015
PRINT
WINNERS
LAURÉATS
EN
IMPRESSION
PRINT – WIDE FORMAT | IMPRESSION – GRAND FORMAT
CEMENTING RELATIONSHIPS
DESIGN FIRM
Imagination Ink Ltd.
PRINTER
Imagination Ink Ltd.
CREATIVE DIRECTOR
Nathan Binns
PAPER
Avery® MPI 1005 EZ,
Avery® DOL 1460
Laminate
DESIGNER
Warren Marko
CLIENT
Inland Concrete/
Lehigh Hanson
Canada
NUMBER OF COLOURS
7
PRINT – BROCHURES | IMPRESSION – BROCHURES
BENNINGTON BROCHURE
DESIGN FIRM
Tanner Wilson
Design
PAPER
OJI Topkote®
Gloss Cover
CREATIVE DIRECTOR
Tanner Wilson
NUMBER OF PAGES
14 Pages
+ Pocketed Cover
ART DIRECTOR
Tanner Wilson
DESIGNER
Tanner Wilson
PHOTOGRAPHER
ILLUSTRATOR
Adam Blasberg
David Strongman
COPYWRITER
Sandra O’Connell
CLIENT
Pennyfarthing
King Edward
PRINTER
Hemlock Printers
46
FINISHED SIZE
10.5" X 12.5"
NUMBER OF COLOURS
Cover:
PMS Colour UV
one side and
4 Colour Process UV
+ 1 PMS UV
on the other side
Text:
4 Colour Process UV
+ 1 PMS UV
OTHER TECHNIQUES
Strike-Through,
Die-Cut, Foil,
Emboss
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
Aza Ali, Umid Ali
UVU 2015
PRINT – BROCHURES | IMPRESSION – BROCHURES
THE SHANNON MASTER PLAN
DESIGN FIRM
Letterbox Design
COPYWRITER
Christina Symons
CREATIVE DIRECTOR
Kiky Kambylis
CLIENT
Wall Financial Corp.
Shannon Mews
DESIGNERS
Lindsay Rankin
Valerie Turnbull
PHOTOGRAPHERS
ILLUSTRATORS
John Sinal
Ryan Broda
Chris Haylett
Archival Images
and Stock
Photography
PRINTER
Hemlock Printers
PAPER
OJI Topkote®
Dull Text
FINISHED SIZE
8" X 9"
NUMBER OF PAGES
32 Pages
+ Cover
NUMBER OF COLOURS
Cover:
UV Black + 5 PMS
UV Colours on one
side and 3 PMS UV
Colours on the
other side
Text:
4 Colour Process
+ 2 PMS
OTHER TECHNIQUES
Text Pages:
Satin Aqueous
Coating
Throughout,
Embossed in Two
Places, Die-Cut
and Glue for 4"
Vertical Pocket
PRINT – BROCHURES | IMPRESSION – BROCHURES
SWEET – A SELECTION OF TEMPTATIONS
DESIGN FIRM
Edward Clark
CREATIVE DIRECTOR
Edward Clark
PAPER
Verso Sterling®
Premium Gloss Text,
Neenah Classic
Crest® Cover
ART DIRECTOR
Edward Clark
FINISHED SIZE
7.874" X 7.874"
PHOTOGRAPHER
ILLUSTRATOR
Douglas Bradshaw
NUMBER OF PAGES
28 Pages
+ Cover
COPYWRITER
Douglas Bradshaw
NUMBER OF COLOURS
5/5 Plus Satin AQ
+ Opaque White
CLIENT
Bradshaw
PRINTER
C.J. Graphics
UVU 2015
OTHER TECHNIQUES
Foil Stamp,
Stochastic Printing
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
47
PRINT – BROCHURES | IMPRESSION – BROCHURES
ONE THOUSAND MUSEUM
DESIGN FIRM
Catapult 13
CREATIVE DIRECTOR
Rodrigo Londono
ART DIRECTOR
Rodrigo Londono
CLIENT
1000 Biscayne
Tower
NUMBER OF PAGES
20 Pages
+ Cover
FINISHED SIZE
6" X 6"
NUMBER OF COLOURS
4/4
OTHER TECHNIQUES
Envelope Foil Stamp
PRINTER
C.J. Graphics
PAPER
Burgo Chorus Art
Silk, Neenah
Classic Crest®
Epic Black
PRINT – CATALOGUE | IMPRESSION – CATALOGUE
MINDHAM FINE JEWELLERY
2014 HOLIDAY CATALOGUE
DESIGN FIRM
In-House
CLIENT
Mindham Fine
Jewellery Ltd.
PRINTER
C.J. Graphics
PAPER
Verso Sterling®
Premium Gloss,
Neenah UV
ULTRA® 11, Neenah
Classic® Laid
48
NUMBER OF PAGES
48 Pages
+ 2 Page Fly Sheet
+ Cover
FINISHED SIZE
8" X 8"
NUMBER OF COLOURS
4/4 + AQ
OTHER TECHNIQUES
Foil Stamp, Emboss
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
UVU 2015
PRINT – MAGAZINES | IMPRESSION – REVUES
LIFE & THYME
DESIGN FIRM
In-House
CREATIVE DIRECTOR
Antonio Diaz
DESIGNER
Antonio Diaz
COPYWRITERS
Liz Goulding
Blair Smith
Meg Abbott
Nicole Gulotta
Jaime Valdovino
Sheila Lam
Veronica Rogov
Stef Ferrari
PHOTOGRAPHERS
ILLUSTRATORS
Kim+Phil
Alicia Cho
Martin Kaufmann
Melissa Ryan
Patrick Chan
Issy Croker
Robert Strickland
Sam Ortiz
James McClung
Tawny Alipoon
Kari Young
Antonio Diaz
Josh Telles
CLIENT
Life & Thyme
PAPER
Domtar Lynx®
Opaque Text
and Cover
FINISHED SIZE
7.5" X 9.5"
NUMBER OF PAGES
96 Pages
+ Cover
NUMBER OF COLOURS
4
OTHER TECHNIQUES
Overall Satin
Varnish on Cover
PRINTER
Hemlock Printers
PRINT – NOTE CARDS AND INVITATIONS | IMPRESSION – CARTES DE CORRESPONDANCE ET INVITATIONS
POLYESTER HOLIDAY CARDS
DESIGN FIRM
Polyester Studio
PRINTER
Flash Reproductions
CREATIVE DIRECTORS
Jeremy Dimmock
Bob Zagorskis
PAPER
Domtar Cougar®
Natural pasted
to Cougar®
Smooth White
ART DIRECTOR
Jeremy Dimmock
DESIGNER
Jeremy Dimmock
PHOTOGRAPHER
ILLUSTRATOR
Jeremy Dimmock
FINISHED SIZE
5.5" X 8.5"
NUMBER OF COLOURS
2-Colour
Letterpress
CLIENT
Polyester Studio
UVU 2015
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
Aza Ali, Umid Ali
49
PRINT – NOTE CARDS AND INVITATIONS | IMPRESSION – CARTES DE CORRESPONDANCE ET INVITATIONS
HÉLÈNE AND MICHAEL NOT
GETTING MARRIED INVITATION
DESIGNER
Hélène Larochelle
CLIENT
Hélène Larochelle
PRINTER
C.J. Graphics
PAPER
Neenah Classic
Crest® Epic
Black Cover
NUMBER OF PAGES
2
FINISHED SIZE
4" X 9"
NUMBER OF COLOURS
2/2
PRINT – BOOKS | IMPRESSION – LIVRES
DAVID THAUBERGER: ROAD TRIPS
AND OTHER DIVERSIONS
DESIGN FIRM
Hartman Design
Studio Inc.
CREATIVE DIRECTOR
Kelly Hartman
DESIGNER
Kelly Hartman
CLIENT
Mendel Art Gallery
PRINTER
Kallen Printing Inc.
NUMBER OF PAGES
208 Pages
+ Cover
+ Insert
FINISHED SIZE
9" X 10.5"
NUMBER OF COLOURS
4 Colour Process,
Satin Varnish
OTHER TECHNIQUES
Black Flocking
on Front Cover
PAPER
Domtar Cougar®
Text
50
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
UVU 2015
PRINT – BOOKS | IMPRESSION – LIVRES
KEEPING TIME: PLAINS INDIAN
LEDGER DRAWINGS 1865-1900
DESIGN FIRM
Hambly &
Woolley Inc.
CREATIVE DIRECTOR
Barbara Woolley
ART DIRECTOR
Barbara Woolley
DESIGNER
Barbara Woolley
PHOTOGRAPHER
John Bigelow Taylor
COPYWRITERS
Donald Ellis
Ross Frank
Janet Catherine
Berlo
CLIENT
Donald Ellis Gallery
PRINTER
Somerset Graphics
PAPER
Domtar Cougar®
Super Smooth Text
and Cover
NUMBER OF PAGES
88 Pages
+ Cover
FINISHED SIZE
11 7/8" X 8"
NUMBER OF COLOURS
4 Colour Process
+ 2 Special PMS
Colours
OTHER TECHNIQUES
Registered
Emboss, Custom
Hardbound Case,
Perfect Binding
PRINT – BOOKS | IMPRESSION – LIVRES
GROSVENOR AMBLESIDE
DESIGN FIRM
Letterbox
Design Group
NUMBER OF PAGES
68 Pages
+ Case Cover
CREATIVE DIRECTOR
Kiky Kambylis
FINISHED SIZE
11.75" X 8.75"
DESIGNER
Lindsay Rankin
NUMBER OF COLOURS
MET UV CMYK
+ Extra K
+ Metallic Silver
+ Match Grey
+ UV Satin Varnish
PHOTOGRAPHER
Ryan Broda
CLIENT
Grosvenor
International
PRINTER
MET Fine Printers
PAPER
OJI Topkote®
Gloss Text
UVU 2015
OTHER TECHNIQUES
Endleaf:
2x Match Grey,
Double Black,
UV Spot Gloss
Word Mark
Case Cover:
Smythe-Sewn,
Gathered and
Drawn
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
51
PRINT – DIGITAL | IMPRESSION – NUMÉRIQUE
THE NEW MEASURE OF INNOVATION
DESIGN FIRM
Emerson Clarke
Printing
PRINTER
Emerson Clarke
Printing
DESIGNERS
William Miller
Ely Ross
PAPER
OJI Topkote®
Dull Cover,
Domtar Cougar®
Text and Cover,
Mohawk Chromolux
C1S Cover,
Neenah ESSE®
Textured Cover
and Neenah UV
ULTRA® II
COPYWRITER
William Miller
CLIENT
Emerson Clarke
Printing
Corporation/Kodak
(Promotional)
FINISHED SIZE
6.5" X 8"
NUMBER OF COLOURS
8 Colours
(CMYK + Nexpress
Dry Inks: Gold, Red,
Green & Blue)
OTHER TECHNIQUES
Nexpress Clear and
Clear Dimensional
Dry Inks, Die-Cut
and Hidden
Wire-O Binding
PRINT – PACKAGING | IMPRESSION – EMBALLAGES
PREMIUM SOY CANDLE
PACKAGING AND BRANDING
DESIGN FIRM
Porchlight Press
Ltd. Letterpress
and Design
CREATIVE DIRECTORS
Heather Braun
Kristin Liu
CLIENT
Vancouver Candle
Company
PRINTER
MET Fine Printers
PAPER
Domtar Cougar®
Super Smooth
Cover
52
FINISHED SIZES
Lids:
16.8125" X 16.8125"
Flat, folds to
3.375" X 3.375" X 3"
Bases:
19.6875" X 19.6875"
Flat, folds to
3.25" X 3.25" X 3.75"
NUMBER OF COLOURS
Box:
1 PMS Colour
+ Black
(8 Colours Total
across 6 Boxes)
OTHER TECHNIQUES
Deboss, Foil,
Die-Cut
VERITIV CANADA DESIGN AND PRINT EXCELLENCE AWARDS
Aza Ali, Umid Ali
UVU 2015
INDEX
DESIGN FIRMS | AGENCES DE DESIGN
BLOK DESIGN
blokdesign.com
CARTER HALES DESIGN LAB INC.
carterhales.com
CIRCO DE BAKUZA
circodebakuza.com
FAITH
faith.ca
HAMBLY & WOOLLEY INC.
hamblywoolley.com
HARTMAN DESIGN STUDIO INC.
hartmandesignstudio.com
IA COLLABORATIVE
iacollaborative.com
IDEA COUTURE
ideacouture.com
IMAGINATION INK LTD.
imaginationink.ca
JACKNIFE
jacknifedesign.com
LAUREN WICKWARE DESIGN
laurenwickware.com
LETTERBOX DESIGN
letterboxdesign.com
PROVENCHER_ROY
provencherroy.ca
WOODRUFF SWEITZER
woodruffsweitzer.com
TAS DESIGN BUILD
tasdesighnbuild.com
CLIENTS | CLIENTS
ADVERTISING AND DESIGN CLUB
OF CANADA
theadcc.ca
VANCOUVER CANDLE COMPANY
vancouvercandleco.com
ARTON CAPITAL
artoncapital.com
BEAUMONT BLUES AND ROOTS
FESTIVAL SOCIETY
bbrf.ca
BRADSHAW
bradshawphoto.com
CALGARY SOCIETY FOR PERSONS
WITH DISABILITIES
cspd.ab.ca
DORIS MCCARTHY GALLERY,
UNIVERSITY OF TORONTO
SCARBOROUGH
utsc.utoronto.ca/dmg
EMERSON CLARKE PRINTING
emersonclarke.com
FSHNUNLIMITED
fshnunlimited.com
WALL FINANCIAL CORP. –
SHANNON MEWS
shannonwallcentre.com
XOXOLAT CHOCOLATE
xoxolat.com
PRINTERS | IMPRIMEURS
ANCAN MARKETING
ANDORA GRAPHICS
andoragraphics.com
C.J. GRAPHICS
cjgraphics.com
EMERSON CLARKE PRINTING
emersonclarke.com
FLASH REPRODUCTIONS
flashreproductions.com
IMAGINATION INK LTD.
imaginationink.ca
IMPRIMERIE L’EMPREINTE
empreinte.ca
LG2BOUTIQUE
lg2boutique.com
GEORGE BROWN COLLEGE
SCHOOL OF DESIGN
georgebrown.ca/design
HEMLOCK PRINTERS
hemlock.com
PARCEL DESIGN
parceldesign.com
LÉON COURVILLE
leoncourville.com
KALLEN PRINTING INC.
kallenprint.com
POLYESTER STUDIO
polyesterstudio.com
LIFE & THYME
lifeandthyme.com
LG CHABOT
lgchabot.com
PORCHLIGHT PRESS LTD. –
LETTERPRESS AND DESIGN
porchlightpress.com
MENDEL ART GALLERY
mendel.ca
MCARA PRINTING
mcara.com
NIKE INC.
nike.com
MET FINE PRINTERS
metprinters.com
OSMINGTON INC.
osmington.com
PRODUCTION JG
jg.qc.ca
PENNYFARTHING – KING EDWARD
benningtonhouse.ca
SOMERSET GRAPHICS
somersetgraphics.com
POLYESTER STUDIO
polyesterstudio.com
UNICOM GRAPHICS
unicomgraphics.com
PROVENCHER_ROY
provencherroy.ca
STUDIO T-BONE
studiotbone@me.com
TANNER WILSON:
ART DIRECTION
& GRAPHIC DESIGN
tannerwilson.com
UNDERLINE STUDIO
underlinestudio.com
UVU 2015
WAX
wax.ca
PR%F
proofyyc.com
VERITIV CANADA PRIX D’EXCELLENCE EN GRAPHISME ET EN IMPRESSION
53
Chorus ART is especially designed for the North American
market: simply the best choice from offset to digital
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digital
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CELEBRATE THE POWER
OF PAPER & PRINT
ONLINE
Visit Blueline By Domtar®, join the conversation on our Blueline blog,
share printed pieces in our Blueline Gallery, absorb the latest news in
print by visiting the Print Works! page, and engage with the industry’s
top paper brands: Cougar®, Lynx®, Husky®, and EarthChoice®.
Scan the QR code to the right to visit domtarblueline.com
GET SOCIAL WITH
BLUELINE BY DOMTAR!
Two
Respected
Paper
Manufacturers.
One
Powerful
New
Resource.
Verso and NewPage are now Verso Corporation—
a leading provider of Printing Papers, Specialty Papers, and Pulp. The new
Verso is a stronger, more stable supplier for our customers. Our distinguished product line, streamlined supply chain and flexible manufacturing
capabilities make us ultra-responsive to market demand, extending our
ability to get you the products you need, when you need them.
To learn more visit us at versoco.com
Verso Corporation
6775 Lenox Center Court
Suite 400
Memphis, TN 38115
800-258-8852
versoco.com
©2015 Verso Corporation.
All rights reserved.
SFI STANDS FOR FUTURE FORESTS
There’s a simple way you can ensure healthy forests for generations to
come while supporting the people and communities in North America
who depend on them.
Look and ask for the Sustainable Forestry Initiative® (SFI) label for all
your paper and packaging projects.
As we celebrate 20 years of leadership and growth, we know that the
actions we take today determine the future of our forests.
Learn more at sfiprogram.org.
$
1.5
BILLION
INVESTED
since 1995
SFI is the only forest certification
program in North America that
requires participants to support
research to improve forest
health, productivity, conservation
understanding, and sustainable
management of forest resources.
$
63 MILLION
in forest research in 2014.
GROWING
OUR FUTURE
DID YOU KNOW?
More than a quarterbillion acres / 100
million hectares are
certified to the SFI Forest
Management Standard.
SFI IS THE LARGEST
SINGLE CERTIFICATION
STANDARD IN THE WORLD.
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PREPS tool
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DESIGNED BY
lg2boutique
GRAPHIC PRODUCTION
lg2fabrique
PHOTOGRAPHERS
Winning Pieces:
Christel Bourque
André Courtemanche
PRINTER
L’Empreinte
PAPER
Outside Cover:
Monadnock Astrolite®
Smooth 100 lb Cover
Catalogue:
Monadnock Astrolite®
Smooth 80 lb Text
FINISHED SIZE
8.25" x 11"
NUMBER OF COLOURS
CMYK
+ Fluorescent
PMS 802
+ Fluo Bump