Выполнил: студент ИОНа
Группы ИА-1601
Банникова Ульяна
Rendering
 I want to give you some information about an article. The key of the article is
children's drawings. This item doesn’t have headlined. Also, the text does not have
details about the place of publication of the article. It is written by Natalia
Protsenko. It seems to me, she is child psychologist, because she has a lot of
knowledge about «drawing methodology» in psychology.
 The article under discussion is devoted to the analysis of children's drawings to
obtain information about their psych emotional state. The author explains in detail
how psychologists analyze children's drawings and what they pay attention to in
order to determine the child's condition. It seems to me that the article was written
in a scientific style for the magazine.
 The article under discussion may be divided into several logically connected parts.
The first part introduces us to the fact that the color scheme of children's drawings
reflects the emotional state of the child. «Children's drawings are a storehouse of
important information about the child, his emotions, problems and features». The
author of the article explains how experts usually start their analysis. «First, you
need to assess the color scheme of the drawing».
 The second part tells us about the importance of pressing the pencil. «The next
important point is pressing the pencil. This is an indicator of the child's
psychomotor tone».
 The third part introduces us about the importance of the size of the drawings. «The
size of the drawings is also important. Normally, the largest drawing object takes
up about 2/3of an A4 sheet».
 The main idea of the article is an integrated approach to the analysis of children's
drawings. She writes: «I would like to warn against jumping to conclusions about a
child's condition based on a single sign: only if you see "symptoms" of anxiety or
depression in several elements at once, you can draw any conclusions. However, in
this case, you need to take the situation in the General context».
 To sum up, I want to say that the text is written as scientific article in Publicistic
style. It contains a detailed description of how to understand the feelings and
sensations of a child through his or her drawings. It contains a detailed description
of how to understand the feelings and sensations of a child through his drawings.
The description of the picture
The panel «Winter» crafted by Alphonse Mucha in 1896 serves as one quarter of his series of pieces "Seasons". The series being his debut into the
decorative panels - or pânneaux décoratif - of Parisian art nouveau (of which he
became such a key figure).
In the four panels shown here, Mucha captures the moods of the seasons innocent Spring, sultry Summer, fruitful Autumn and frosty Winter, and together
they represent the harmonious cycle of Nature. Together Seasons represent the
natural cycle of life in a stark and symbolic manner; characteristic of Mucha's
works. Seasons was the first of three sets Mucha produced for Ferdinand
Champenois. Ferdinand Champenois was most noted printer of Alphonse Mucha.
Winter is the frosty figure. She is withdrawn and looking suspiciously to one
side. The painting seems to reflect an interest in the nymphs and Goddesses of
classical art with her flowing dress and round visage. Draped from head to toe in
her flowing pale green cloak, the figure of Winter stands next to a snow-capped
tree to shelter from the cold. The closer tree houses three small birds that look
upon the dark-haired woman. She is holding, perhaps warming, a fourth small bird.
The other three birds look at the fourth small bird with envy.
The format and medium of both this panel and all pieces within «Seasons»
are commensurate with Mucha's proclaimed desire to make art affordable and
available to the masses by being cheap and not overly-grandiose in size or
material.
In regards to the art itself, the poster-style in particular can be seen as a nod
to the influence of Japanese woodcuts, whilst the painting keeps form with its three
sister paintings by featuring a beautiful woman before a seasonal background
whose temperament brilliantly personifies the season she represents.