Christopher Wool Bibliography
Selected Books and Catalogues:
2012
2011
2010
2009
2008
2007
2006
2005
2004
----------. Albert Oehlen. New York: Gagosian Gallery.
Cherix, Christophe. Print/Out: 20 Years in Print. New York: The Museum of Modern
Art.
----------. The Painting Factory: Abstraction After Warhol. Los Angeles: The Museum
of Contemporary Art.
----------. Art in the Streets. New York: Skira Rizzoli Publications, Inc. in association
with the Museum of Contemporary Art, Los Angeles.
Barrett, Terry. Making Art: Form and Meaning. New York: McGraw Hill Companies, Inc.
----------. Defining Contemporary Art – 25 Years in 200 Pivitol Artworks. London:
Phaidon Press Limited.
Doring, Jurgen. Power to the Imagination: Artists, Posters and Politics. Munich: Hirmer
Verlag GmbH.
Holzwarth, Hans Werner, and Laszlo Taschen, eds. Modern Art Volume 2: 1945-2000.
Cologne: Taschen, 2011.
Molesworth, Helen. This Will Have Been: Art, Love & Politics in the 1980s. New Haven
and London: Museum of Contemporary Art Chicago and Yale University Press.
----------. Peace Press Graphics: Art in the Pursuit of Social Change. Long Beach:
University Art Museum, California State University.
Bondaroff, Aaron, Glenn O’Brien, and James Jebbia. Supreme. New York: Rizzoli
International Publications.
Cooke, Lynne, Douglas Crimp, and Kristin Poor. Mixed Use, Manhattan: Photography
and Related Practices, 1970s to the Present. Madrid: Museo Nacional Centro
de Arte Reina Sofia.
McDaniel, Craig, and Jean Robertson. Themes of Contemporary Art: Visual Art after
1980. New York: Oxford University Press, 2010.
Schellmann, Jorg. Forty are Better Than One. New York: Schellman Art Production;
Ostfildern: Hatje Cantz.
----------. Christopher Wool: Editions. Graz: Artelier Contemporary.
Holzwarth, Hans Werner. 100 Contemporary Artists. Cologne: Taschen.
Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting. New York:
Phaidon Press Limited.
Holzwarth, Hans Werner. Art Now Vol. 3. Köln: Taschen.
Momin, Shamim M., and Adam D. Weinberg, et al. Whitney Museum of American Art at
Altria. New York: Whitney Museum of American Art.
Thompson, Don. The $12 Million Stuffed Shark: The Curious Economics of
Contemporary Art and Auction Houses. London: Aurum Press Ltd.
De Corral, Marìa and John R. Lane. Fast Forward: Contemporary Collections for the
Dallas Museum of Art. New Haven: Yale University Press.
Hiromoto, Nobuyuki. Pop Art: 1960s-2000s: From Misumi Collecction. Tokyo: The
Yomiuri Shimbun, The Japan Association of Art Museums.
Patt, Lise and Christel Dillbohner. Searching for Sebald: Photography After W. G.
Sebald. Los Angeles: The Institute of Cultural Inquiry.
Hell, Richard. Christopher Wool. Los Angeles, Gagosian Gallery.
Ortiz, Francisco Camps, Consuelo Císar Casabán et al. Christopher Wool. Institut
Valencià d’Art Modern.
Wool, Christopher. Artists’ Books, revisited. Toronto: Art Metropole.
----------. Artist’sBuilders: 25 Years of MOCA 1979-2004. Los Angeles: The Museum of
Contemporary Art.
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2002
2001
1999
1998
1997
1996
1995
1994
1993
----------. Christopher Wool. New York: Luhring Augustine.
----------. Christopher Wool 2004. London: Camden Arts Center.
Deitch, Jeffrey. Monument to Now. Athens: DESTE Foundation for Contemporary Art.
Wool, Christopher. 2004 Drawings of Beer On The Wall. New York (artist’s book).
Waters, John & Bruce Hainley. Art: A Sex Book. New York: Thames & Hudson.
Wool, Christopher. East Broadway Breakdown. Berlin: Holzwarth Publications.
----------. Ahead of the 21st Century: The Pisces Collection. Ostfildern-Ruit, Germany:
Hatje Cantz.
Grosenick, Uta. Art Now: Icons Series. Cologne: Taschen.
Wool, Christopher. Maybe, Maybe Not. Kusnacht: Inktree Editions.
Wool, Christopher. Pass the Bitch Chicken. Berlin: Holzwarth Publications.
Wool, Christopher. Vienna: Secession. New York (artist’s book).
----------. The American Art Book. Phaidon Press Limited. London.
Phillips, Lisa. The American Century: Art & Culture 1950-2000. New York: Whitney
Museum of American Art.
Riemschneider, Burkhard & Uta Grosenick. Art At The Turn Of The Millennium.
Cologne: Taschen.
Romano, Gianni. Bloom: Contemporary Art Garden. Milan.
Wool, Christopher. Focus. Geneva: Centre d'Art Contemporain.
----------. Christopher Wool: Ophiuchus Collection. Hydra: The Hydra Workshop.
Crow, Thomas, Ann Goldstein, et al. Christopher Wool. Los Angeles: Museum of
Contemporary Art.
Janus, Elizabeth. Veronica's Revenge: Contemporary Perspectives on Photography.
LAC Switzerland.
Perez, Pilar. Double Trouble: The Patchett Collection. San Diego: The Museum of
Contemporary Art.
Walther, Ingo F. Art of the 20th Century. Cologne: Taschen.
Brighton, Andrew & Peter Wollen. American Realities, Views from Abroad, European
Perspectives on American Art 3. New York: Whitney Museum of American
Art.
Curiger, Bice, Felix Zdenek et al. Birth of the Cool: American Painting From Georgia
O'Keeffe to Christopher Wool. Zurich: Kunsthaus Zürich.
----------. Ideal Standard Life. Tokyo: Spiral Garden.
Wye, Deborah. Thinking Print. New York: The Museum of Modern Art.
----------. The Hirshhorn Collects: Recent Acquisitions. Washington, D.C.: Hirshhorn
Museum.
----------. The Rome Studio artist's project & exhibition catalogue. Providence: Brown
University/New York: Barbara Gladstone and Thea Westreich.
----------. Incident on 9th Street: Fama & Fortune Bulletin 18. Vienna: Wien: P&S.
----------. A Collection Made In The U.S.A. Rotterdam: Caldic Collection.
----------. Ross Bleckner, Peter Cain, Christopher Wool. Oslo: Galleri K.
----------. Pittura Immedia. Graz: Neue Galerie am Landesmuseum Joanneum und
Kunstlerhaus Graz.
Smith, Stephanie. Wallpaper Works. Houston: Contemporary Arts Museum.
----------. The Painewebber Art Collection. New York: Rizzoli.
----------. 25 Americans: Painting In The 90's. Milwaukee: Milwaukee Art Museum.
Wool, Christopher. Shut Up Stupid I'm Working-The Complete Letters and Poems. New
York: (artist’s book).
Brandl, Herbert & Albert Oehlen. Christopher Wool. Prague: National Gallery.
----------. Collection Modern Art. Museum Boymans-van Beuningen: Rotterdam.
----------. Gewalt/Geschäfte Neue Gesellschaft fur Bildende Kunst. Berlin.
----------. New York Painters, Munich: Sammlung Goetz.
----------. Absent Without Leave Berlin: DAAD.
Cirincione, Janine. Dark Décor. New York: Independent Curators Incorporated.
----------. Die Sprache Der Kunst Kunsthalle Wien. Frankfurter: Kunstverein.
Wool, Christopher. Absent Without Leave. Berlin: DAAD.
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1983
Wool, Christopher. Low and Slow. Rome (Artist’s book of color laser prints. Artist's
Proofs).
----------. Zeitsprunge: Collection of Rudolf & Ute Scharpff, Ludwigshafen am Rhein:
Wilhelm-Hack-Museum.
Ammann, Jean-Christophe & Jerry Saltz. Robert Gober, On Kawara, Christopher
Wool. Cologne: Max Hetzler/Thomas Borgmann.
----------. Drawing In The Nineties. New York: Independent Curators Incorporated.
Dunning, Jeanne, Hirsch Perlman et al. Dirty Data. Aachen: Collection of Wilhelm
Schurmann Ludwig Forum fur Internationale Kunst.
----------. Oh! Cet Echo. Paris: Centre Culturel Suisse.
Rose, Bernice. Allegories of Modernism: Contemporary Drawing. New York: Museum
of Modern Art.
Cooke, Lynn, Mark Francis et al. Carnegie International. Pittsburgh: Carnegie Institute
of Art.
Loock, Ulrich. Jahresbericht des Vereins Kunsthalle Bern, Kunsthalle Bern.
Switzerland.
Wool, Christopher. Low and Slow. Rome: Self Published.
Wool, Christopher. Text by Glenn O’Brien. Cats in Bag Bags in River. Rotterdam:
Boymans-van Beuningen.
----------. Christopher Wool: Works on Paper. New York: Luhring Augustine Gallery.
Cooke, Lynn. Michael Craig Martin, Gary Hume, Christopher Wool: A Paintings Show.
London: Karsten Schubert Ltd.
----------. New Work: A New Generation San Francisco MOMA. San Francisco: San
Francisco MOMA.
Caldwell, John. Christopher Wool, New Work.San Francisco: Museum of Modern Art.
Ferguson, Bruce, Joan Simon & Roberta Smith. Abstraction in Question. Sarasota:
John and Mable Ringling Museum of Art.
----------. Gober, Halley, Kessler, Wool; Four Artists From New York. Munich:
Kunstverein München.
----------. Herold, Oehlen, Wool. Chicago: University of Chicago, The Renaissance
Society.
----------. Horn of Plenty. Amsterdam: Stedelijk Museum.
----------. On Kawara: Again and Against Portikus. Frankfurt am Main.
----------. Prospect 89. Frankfurt: Kunstverein.
----------. Repetition. New York: Hirschl & Adler Modern.
----------. Whitney Biennial. New York: Whitney Museum of American Art.
Indiana, Gary. A Project: Robert Gober, Christopher Wool. New York: 303 Gallery.
----------. The Light from the Other Side. Cologne: Monika Spruth Galerie.
Ross, David & Jurgen Harten. American Art of the Late 80's:The Bi-national.Boston:
ICA & MFA.
Wool, Christopher. Untitled. Cologne: Galerie Gisela Capitain.
----------. Beyond Boundaries, New York's New Art. New York: Alfred van der Marck.
Halley, Peter, Jerry Saltz & Roberta Smith. Beyond Boundaries: New York’s New Art,
New York: Alfred van der Marck Editions.
Wool, Christopher. Empire of the Goat (Edition of 33, self published).
Wool, Christopher. 99 Drawings of Beer On The Wall, New York (Published by Artist).
Belag, Andrea. Selected Drawings. Jersey City, New Jersey: Jersey City Museum.
Selected Articles and Reviews:
2012
Bankowsky, Jack. “Best of 2012.” Artforum, Dec.
Barnes, Brooks. “Giant Steps.” New York Times, Oct. 21.
Müller, Sabine Elsa. “Christopher Wool: Gisela Capitain – Cologne.” Flash Art, Jan –
Feb.
16
2011
2010
2009
2008
2007
2006
2005
2004
2003
Sausset, Damien. “Les improvisations contrôlées de Christopher Wool.” Le Quotidien
de l’Art, Mar. 30.
Bishop, Claire. “Safety in Numbers.” Artforum, Sept.
----------. “Christopher Wool.” Art Economist, Jan.
Cooper, Harry. “Spatter and Daub.” Artforum, Summer.
Godfrey, Mark. “Stain Resistance. On Christopher Wool’s New Works.” Artforum,
Summer.
Grabner, Michelle. “Reviews: Christopher Wool.” Artforum, Feb.
----------. “Profiles: 33 Artists.” The Art Economist, Jan.
Baker, Kenneth. “Christopher Wool at SFMOMA a worthy adversary.” The San
Francisco Chronicle, Jul. 18.
Lindemann, Adam. “Why the Art Market is Rising: When art acts like gold.” The New
York Observer, Dec. 20.
Gaertner, Flo. “Christopher Wool,” Slanted, Winter.
Hochdörfer, Achim. “A Hidden Reserve: Painting from 1958 to 1965.” Artforum, Feb.
Nelson, Maggie. “Review, Oranges and Sardines.” Artforum, Feb.
Rubinstein, Raphael. “Provisional Painting.” Art in America, May.
Sharp, Chris. “Christopher Wool: Museu Serralves, Porto, 22 November – 15 March.”
Art Review, Jan & Feb.
Leffingwell, Edward. Review: Christopher Wool at Luhring Ausgustine. Art in
America, Oct.
O’Brien, Glenn. “Chirstopher Wool.” Interview, May, pp. 112-115.
Saltz, Jerry. “Theory of the Market.” Flash Art, Mar/Apr, pp. 90-93.
Charlesworth, J.J. “Crossfader: Christopher Wool.” Art Review, Oct, p. 20.
Cutajar, Mario. “Fresh Paint.” ArtScene, May, pp. 29-31.
Pagel, David. “Making a big deal of a minor work.” The Los Angeles Times, Mar 17,
Siegal, Nina. “Market File.” Art + Auction, Nov, pp. 183-184.
p. E16.
Altman-Siegel, Claudi. Review: Christopher Wool. Apn Quarterly, #1. pp. 35-41
Goodbody, Bridget. Review: Christopher Wool at Luhring Augustine. Art on Paper,
Jan/Feb, p. 80.
O'Brien, Glenn. "Art is a Joke." Black Book, spring, pp. 82-86.
Pollack, Lindsay. "A More Democratic Cast." ARTnews, May/Jun, p. 88.
Samet, Jennifer Sachs. "Many Styles, Drawn Together." The New York Sun, Feb 17.
Satterthwaite, Julian. “Wool’s ‘quiet’ Art Slips Into Tokyo.” The Daily Yomiuri. Dec, p.
20.
----------. "The Artists' Artists." Artforum, Dec, p.76.
Conti, Andrew. "Artist Christopher Wool Brings a Vision of New York City's Streets to
Taka Ishii Gallery." Metropolis Tokyo, Dec.
Dannatt, Adrian. "Benedikt Taschen Reveals his Contemporary Art." The Art
Newspaper, No. 151, Oct, p.32.
Ebony, David. "Auction Houses in Full Boom." Art in America, Sep 8 pp.37-39.
----------. "Goings on About Town." The New Yorker, Dec 6, p.33.
----------. "I am The Walrus." The New York Times, Jun 25, p. E33.
Johnson, Ken. "Wandering the Night Away Along Baleful City Streets." The New York
Times, Jul 2, p. E31.
Pollack, Barbara. "I am the Walrus." Time Out New York, no. 457, Jul 1-8, p.54.
Searle, Adrian. "Northern Lights." The Guardian, Feb 5.
Staltz, Jerry. "Hard Attack". The Village Voice, Dec 8-14, p. 78.
----------. "What's so Funny About Contemporary Art?" ARTnews, Sep, vol. 103, no. 8:
pp.114-117.
Allen, Dave & Raimer Stange. "Christopher Wool." Frieze, issue 74, Apr, p.94.
Bird, Nicky "Christopher Wool." Art Monthly, no. 266, May, pp. 35-36.
Brown M., Katrina. "Christopher Wool." Contemporary, winter, issue 58, pp.118-121.
Conti, Samantha. "G Spot," W, May, p. 198.
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2002
2001
2000
1999
1998
Adler, Dan. Review: Christopher Wool at Luhring Augustine. Art in America, no. 1, Jan,
p.107.
Galanternick, Mery. "Brazil's Power Buyer." ARTnews, Oct, p.78.
Griffin, Tim. "Time Warp Again: MoMa Queens Location Makes the Past Seem
Futuristic." Time Out New York, July 18-25, p.77.
Hirsch, Arthur. "Drawing a Reaction: A Word's Power Is Revealed When It, Alone,
----------. "Hot Shots." Tate Arts and Culture, Sep/Oct, issue 7: pp.31-32.
Jeffrey, Moira. "Visions of mean streets." The Herald, Apr 4.
----------. Review: Christopher Wool at Galerie Max Hetzler, Berlin. Texte Zur Kunst,
Mar, pp.168-171.
Sartwell, Emma. "Museum Shouldn't Apologize For its Provocative Artwork." The
Baltimore Sun, Mar 29.
Williams, Gregory. "The Happy End of Kippenberger's America." Artforum, Feb, p.101.
Becomes Art." The Baltimore Sun, Jan 28.
----------. "BMA Pulls Art Bearing word ‘Terrorist.'" The Baltimore Sun, Sep 19, sec.
B:1-14.
---------. "Christopher Wool." The New York Times, May 18, p. E29.
Lehner, Adam. "Moving Pictures: Adam Lehner on the Art in the Aftermath." Artforum,
Nov, pp.35-39.
McNatt, Glenn. "In a Word, Painting Proves Controversial." The Baltimore Sun, Oct 22.
Moreno, Gean. "Mythic Proportions," Flash Art, May/Jun, p.146.
Scott, Andrea K. Review, Christopher Wool. Time Out New York, Jun 14 – 21, p. 55.
Scarcella, Michael. "Sensitivity Led to Removal of ‘Terrorist' Art, BMA Says." The
Baltimore Sun, Sep 18.
----------. "Snapshots of Grieving Nation." The Associated Press, Sep 17.
----------. "The Mood Across the Arts Spectrum." Chicago Tribune, Nov 4.
Thomas Devine, Kelly. " Aftershocks." ARTnews, Nov, p.150-155.
Wortech, Edward. "BMA Mistaken in Removing Artwork." The Baltimore Sun, Oct 1.
Yablonsky, Linda. "Luhring Augustine Gathers New Wools." Art and Auction, May,
p.217.
----------. "Marketplace." Art & Auction, Apr 15, p.49.
Moron, Robert C. "Istanbul and the Biennial Paradigm." NYArts.
----------. "Working Proof." Art on Paper, Jul/ Aug, p.55.
----------. "Christopher Wool." Flash Art, Jan-Feb, p.111.
Hogrefe, Jeffrey. "Who Played the Fool? Young, Art-Thirsty Storm Christie's." The
New York Observer, Jun 7, p.25.
Mack, Gerhard. "Hommage an Dada und Pop Art." Art Das Kunstmagazin, Apr, pp.9899.
----------. "Marvelous diversity on display in local art scene." Pittsburgh Post-Gazette,
Jan 23, sec. C7.
Paparoni, Demetrio. "Matissiana." Tema Celeste , May/Jul, p.56 -71.
Perrella, Christina. "Istanbul, sull'onda dell passioni." Alias, Sep.
----------. Review: Christopher Wool. The New York Times, Mar 17, sec. E 37.
----------. Review: Christopher Wool at Luhring Augustine Gallery. Contemporanea 21,
Oct, p.101.
----------. "Sunday Brunch with Friends and Sweets." Pittsburgh Post-Gazette, Jan 3,
p.14.
Vogel, Carol. "Records Set for 11 Artists in Contemporary Sale." The New York Times,
May 20, sec. B7.
----------. "Christopher Wool." The Contemporary, Summer, pp.4-6.
----------. "Exploiting the Abstract." Flash Art, Summer, p.63.
Harvey, Doug. "Christopher Wool." Art Issues, Sep/Oct, p.42.
Hickey, Dave. "Christopher Wool." Artforum, Oct, pp.114-116.
----------. "Misstep in Mid-Career MOCA Show." Los Angeles Times, Jul 23, p. 54-56.
Neuhoff, Tony. "Christopher Wool." New Art Examiner, Nov.
----------. "Real Stories." The New York Times, Feb 13.
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1992
Rubin, Marilyn McDevitt. "Didn't Take Long to Become His Died-in-the-Wool Fan."
Pittsburgh Post-Gazette, Dec 13.
Shearing, Graham. "Drop Dead." Pittsburgh Tribune- Review, Nov 29.
Silva, Arturo. "Bless this mess of interconnections." The Japan Times, Jan 11, p.15.
Shearing, Graham. "Drop Dead." Pittsburgh Tribune- Review, Nov 29.
----------. "Summer Preview." Artforum, May, p.51.
Thomas, Mary. "Christopher Wool gives texture, meaning to writing on the wall."
Pittsburgh Post-Gazette, Nov 28, sec. D: 10.
----------. "Wool exhibit protest unravels." Pittsburgh Post-Gazette, Nov 28, sec.D: 10.
----------. "The Hawk and the Dove." LA Weekly, Aug 21-27, p.59.
----------. "Traveling Exhibitions." Artforum, Sep.
Lewis, Jim. "Wool Power." Harper's Bazaar, Aug, p. 98.
Wilson, Ellen S. "Christopher Wool: Painting about Painting." Carnegie Magazine,
Nov/ Dec, pp. 38-39.
Liebman, Lisa. "And Cool Off Here." Interview, Jun, p. 68.
Schwendener, Martha. "Christopher Wool." Time Out New York, Dec 18, p. 46.
Testino, Mario. "Chic." Visionaire, no. 22, Sep.
Temin, Christine. "Thank you, PaineWebber." The Boston Globe, Mar 14.
Westerbeck, Colin. "Christopher Wool at Robbin Lockett Gallery." Artforum, Sep, p.
139.
Ardenne, Paul. Review: Christopher Wool at Galerie Samia Saouma. Artpress, no. 207,
Nov, pp. 66-67.
Guequierre, Nathan. "Slavishly Hip, Strangely Satisfying." Shepherd Express, Oct 12.
Heartney, Eleanor. Review: Christopher Wool at Luhring Augustine Gallery. Art in
America, Dec, p. 90.
Relyea, Lane. "967-Wool." Frieze, no. 20, Jan/Feb, pp. 41-43.
Decter, Joshua. Review: Christopher Wool at Luhring Augustine Gallery. Artforum,
Sep, p. 89.
Vannucci, Delfina. "Wallpaper As Wall Hanging." Public News, Nov 29, pp. 12-13.
----------. "Christopher Wool." Kunstforum International, Jan/Feb, p. 350.
Princenthal, Nancy. "Artist's Book Beat." The Print Collector's Newsletter, vol. XXV, no.
4, Sep/Oct, pp. 151-152.
Avgikos, Jan. Review: Christopher Wool at Luhring Augustine Gallery. Artforum, Jan,
p. 83.
Bass, Ruth. Review: Christopher Wool at Luhring Augustine Gallery. ARTnews, Jan,
pp. 140, 143.
Myles, Eileen. "Prints of Woods." The Print Collector's Newsletter, vol. XXIV, no. 4,
Sep/ Oct, pp. 132-135.
----------. "New of the Print World: People & Places." The Print Collector's Newsletter,
no. 2, vol. XXIV, Ma/Jun, p. 58.
Diederichsen, Diedrich. "Here Is Something You Can't Understand." Parkett, no. 33,
Fall, pp. 108-115.
Fleck, Robert. "Spielholle: Asthetik und Gewalt." Rogue Magazine, no.16, Dec/Jan, pp.
17-32.
Graw, Isabelle. Review: Christopher Wool at Gisela Capitain. Flash Art, no. 25, Oct, pp.
106-107.
Hixson, Kathryn. "Dirty Data: Irrevererent Wunderkammer." Flash Art, vol. XXV, no.
166, Oct, p. 95.
Kunz, Martin. "USA - Blickpunkt Eastcoast. Neue Leitsterne - neue Wertungen."
Kunstforum International, no. 119: p. 170-171.
----------. "Voice Choices: Christopher Wool." Village Voice, Nov 3, p.79.
Lewis, Jim. "Cave Canem." Parkett, no. 33, fall, p. 78-85.
----------. "Lufthansa Was Half The Fun." Galeries, no. 50, Aug/ Sep, pp.77- 79, 88.
Marcus, Griel. "Wool's Word Paintings." Parkett, no. 33, fall, p. 86-99.
Morgan, Stuart. "Documenta IX:Three Perspectives Body Language." Frieze, issue 6,
Sep/ Oct, p. 28-34.
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1989
1988
----------. New Art Examiner, Jan, cover.
Perrone, Jeff. "In the Shadow of Painting." Parkett, no. 33, fall, p. 100-107.
Politi, Giancarlo. "Bonito Oliva, Documenta, and the Biennial." Flash Art, vol. XXV,
no.166, Oct, p.87- 89.
----------. "Prints & Photographs Published." Print Collector's Newsletter, no. 6,
Jan/Feb, p.215.
Tully, Judd. "Impressionist, Modern and Contemporary Sales." Art & Auction, Nov, p.
125.
----------. Review: Christopher Wool at Luhring Augustine. Art in America , Oct, p. 143.
----------. "Christopher Wool." NOEMA, Apr, p. 78.
Dubrow, Norman. "The Neo Tendencies of the Late 1980s." Drawing, Mar/Apr, p.124.
Ermen, Reinhard. "Christopher Wool." Kunstforum International, Jul/Aug, pp. 357-358.
Ferguson, Bruce W. "Patterns of Intent." Artforum, Sep, p. 95-98.
Johnson, Ken. "Vogue Arts." Vogue, Aug, p. 142-150, 222.
Larson, Kay. "The Subplot Thickens." New York Magazine, May 27, pp. 67-68.
Levin, Kim. "Voice Choices: Christopher Wool." Village Voice, May 15, pp. 104-105.
Myers, Terry R. "New York Review: Christopher Wool." Arts Magazine, Sep, p. 76.
Van der Ploeg, Kees. "Christopher Wool: The Complexity of Form and Meaning." Flash
Art, no. 157, Mar/Apr, p. 94-96.
Wagemans, Fred. "Christopher Wool...different voices in a room." Metropolis M, no. 2,
Apr, p. 28-30.
Borum, Jenifer P. Review: Christopher Wool at Luhring Augustine Gallery. Artforum,
Nov, pp. 166-167.
Caldwell, John. "Christopher Wool, New York." NOEMA, May/Jun, pp. 35-38.
Cameron, Dan. "Unfixed States: Notes on Christopher Wool's New Editions." Print
Collector's Newsletter, no.21, Mar/Apr, pp. 13-15.
Faust, Wolfgang Max. "Wenn Woerter sich zu Bildern fuegen." Art, Nov, pp. 80-95.
Jan, Alferd. "Audience Response to ‘New Work: A New Generation'." Visions, Summer,
pp. 24-26.
Marta, Karen. "A Conversation with Jutta Koether, Karen Marta and Christopher
Wool." NOEMA, May/Jun, pp. 35-38.
Raynor, Vivien. "Medium and Message Blend in ‘Language and Art' Aldrich." The New
York Times, Nov 4, p. C 26.
----------. "Renaissance show a challenging trilogy." Chicago Tribune, Apr 7, sec. 7, p.
48.
Baker, Kenneth. "S.F. Museum Show Toys with ‘Art'." San Francisco Chronicle, Feb 22,
sec. C3.
Cotter, Holland. "A Bland Biennial." Art In America, Sep, p. 87.
Decter, Joshua. "Christopher Wool." Arts Magazine, Feb, p. 104
Koether, Jutta. Review: Christopher Wool at Galerie Max Hetzler, Cologne. Flash Art,
no. 149, Nov/De, p. 147.
Liu, Catherine. "Christopher Wool: At the Limits of Image Making and Meaning
Production." Flash Art, no. 145, Mar/Apr, p. 106.
Messler, Norbert. Review: Christopher Wool at Gisela Capitain. Artscribe International,
no. 74, Mar/Apr, p. 87.
----------. "More Women and Unknowns in the Whitney Biennial." The New York Times,
Apr 28, sec. C 32.
----------. (insert), Parkett, no. 22, Dec, p. 112-128.
Solnit, Rebecca. "One-Liner Invitations to Theory." Artweek, Aug 20, 26, p. 7.
Van Nieuwenhuyzen, Martijn. "Horn of Plenty." Flash Art, Mar/Apr, p. 102.
Von Kunstadt, Theodor. "The 1989 Whitney Biennial." Flash Art, Summer, p. 139.
----------. Black Book (Edition of 350), Galerie Gisela Capitain and Thea Westreich
Associates.
Evans, Steven. "Robert Gober and Christopher Wool." Artscribe International, no. 72
Nov/Dec, p. 80.
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1983
Saltz, Jerry. "This is the End: Christopher Wool's Apocalypse Now." Arts Magazine,
Sep, p. 19- 20.
----------. "Chronicle in Black and White." Village Voice, Mar 31, p. 89.
Gardner, Colin. "The Art Galleries." Los Angeles Times, Aug 7, part VI, p. 16.
Knight, Christopher. "Caricaturist Expresses a 'Bone' to Pick," Los Angeles Herald, Jul
31, p. 4.
----------. "Where to see the Newest of the New American Art." The New York Times,
May 1.
----------. "Art: Christopher Wool." Village Voice, Feb 25, p. 68.
Artner, Alan G. "New Antiques: Christopher Wool." Chicago Tribune, May 23, sec. 7, p.
45.
Bulka, Michael. "Christopher Wool at Robbin Lockett Gallery." New Art Examiner,
summer, p. 46.
Lurie, David. Review: Christopher Wool. Arts Magazine, Apr, p. 133.
Indiana, Gary. "The Age of Silver." The Village Voice, Dec 17, p. 107.
Smith, Roberta. "Around Town." The Village Voice, Sep 4.
Cohen, Ronnie. "Group Show: Delahunty." ARTnews, Sep.
Glueck, Grace. Review: Big American Figure Drawings. The New York Times, Mar 18.
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