Sharad Arghya 2014 - Houston Durgabari Society

¢qEØVe c¤NÑ¡h¡s£ ®p¡p¡C¢V n¡lc AOÑÉ 1421 Sharad Arghya 2014 Sharad Arghya 2014 p§Q£fœ Section I: General Index Advertisement List Editorial Pujo Nirghantya Message from Consulate General of India, Houston Message from President, HDBS Message from President, Pujo Committee, 2014 Pujo Committee Magazine Committee Library Obituary Kalabhavan Section II: Bengali Section III: English Section IV: Children Section V: Graduation Section VI: HDBS Section VII: Community Address Book I-1 I-2 I-3 I-4 I-5 I-6 I-9 I-10 I-11 I-12 Sharad Arghya 2014 pÇf¡cL£u k¢c HLh¡l ¢g−l −k−a f¡la¡j −pC ph¤S Bjh¡N¡−el gy¡−L −R¡– f¤L¥−ll f¡−s - HL X¥h py¡a¡−l f¡l¡f¡l L−lC R¥V m¡N¡a¡j l¡u h¡¢sl c¡m¡−ez Y¡−Ll n−ë O¤j i¡P−a¡ p¡a pL¡−mz pÀ¡e e¡ L−l k¡h¡l Ef¡u −eCz a¡C L¡L pÀ¡e L−lC −c±s¡a¡j f¤−S¡jä−fz Lar−Z A”¢m q−h, Bl m¤¢Q, Bm¤l alL¡l£ Bl −hy¡−c M¡hz a¡lfl, hå¥−cl p¡−b −Mm¡z Bl hsl¡ −LE hL−h e¡ - j¡e¡ Ll−h e¡ -- HC LV¡ ¢ce öd¤ Bj¡lz f¤−S¡l L'¢ce B−N −b−LC ea¥e S¡j¡ L¡fs −N¡e¡l öl¦z o¢ø, pçj£, Aøj£, ehj£ Bl cnj£ - HL HLV¡ S¡j¡, fÉ¡¾V, éL h¡ n¡s£ - ¢e−ce f−r, c¤-¢ae−V −a¡ q−hCz A−eLV¡ ea¥e LÓ¡−p E−W ea¥e hC f¡h¡l jaz Bh¡l i¡C −h¡e h¡ hå¥−cl j−dÉ Lb¡ -"HC −a¡l LV¡ −q¡−m¡? Bj¡l ph ¢j−m cnV¡'z e¡, Hl j−dÉ fË¢a−k¡¢Na¡ ¢Rm e¡ - ¢Rm HL −R−mj¡e¤o£z Bl ph¡C ¢j−m ¢Rm f¡s¡u f¡s¡u O¤−l W¡L¥l −cM¡z Aøj£−a h¡s£−a BaÈ£u üSe Bp−a¡z M¤h M¡Ju¡ c¡Ju¡ Bl NÒfz ¢hSu¡−a f¡s¡l −m¡L Bp−a¡ - j¡, L¡L£j¡ Bl W¡L¥j¡l h¡e¡−e¡ e¡s¥, −j¡u¡, O¤Ne£ B−l¡ L−a¡ ¢L! Bh¡l Bjl¡J f¡s¡l ph h¡s£−a h¡s£−a O¤−l −Ma¡jz HV¡C ¢R−m¡ cÙ¹¥lz Øj«¢a a¥¢j paaC p¤¤−Mlz L¡n g¥−ml −c¡m¡ Bl ¢nE¢m g¥−ml −pC Nå, −j−u−cl m¡m −f−s n¡s£, −R−m−cl d¤¢a Bl f¡”¡h£, f¡a −f−s M¡Ju¡ Bl B—¡z f¤−S¡ j¡−eC HL R¥¢V R¥¢V B−jSz HLV¡ i¡m m¡N¡ - HLV¡ p¤¤¾cl Ae¤i¨¢az ¢L¿¹¥ −c−nC hm Bl ¢h−c−nC hm, c¤NÑ¡f¤−S¡l −pC B¢aÈL håe Bl LC! a−h ¢LR¥C ¢L −eC? BSJ ¢L Bjl¡ f¤−S¡ hm−a −e−Q E¢W e¡? BSJ ¢L Bjl¡ hý j¡p d−l HC ¢ceLV¡l SeÉC h−p b¡¢L e¡? BSJ ¢L −j−ul¡ n¡¢sl h¡S¡−l ¢is L−l e¡? L−lz öd¤ −S±m¤−pl l−P B¢aÈL håeV¡ HLV¥ ¢g−Lz ¢h−c−nl h¤−L h−p ah¤ h¡P¡m£l¡ h¡P¡¢mu¡e¡V¡ hS¡u l¡M¡l BfË¡e −Qø¡ L−l k¡uz plüa£ f¤−S¡ −no q−a e¡ q−aC, f−s k¡u f−ll f¤−S¡l Y¡−L L¡¢Wz flha£Ñ f¤−S¡l ¢eOÑ¾V, B¢VÑØV Hl A¢NËj h¤¢Lw −b−L öl¦ L−l, ¢ej¿»Z fœ R¡f¡−e¡ - ph HL HL L−l Qm−a b¡−Lz a¡lfl −m¡L¡m Ae¤ù¡−el fËÙ¹¥¢az HL p¡−S¡ p¡−S¡ lh öl¦ qu f¤−S¡l HL j¡p B−N −b−LCz Bjl¡ j¡−ul Bl¡de¡ L¢l HLcj p¡−hL£ i¡−hz f¤−S¡−a ¢e−S−cl H−a¡ A‰¡‰£i¡−h Ss¡−e¡ −h¡d qu −c−nJ qu e¡z pç¡q¡−¿¹ f¤−S¡, ¢L¿¹¥, hÉ¡Ù¹a¡ öl¦ qu h¤d h¡ hªqØf¢ah¡l −b−LCz f¤−S¡ f¢œL¡ qm ¢h−c−n f¤−S¡l Bl HL ¢h−no Ahc¡ez H−L S¢s−uC Bjl¡ f¡C La −mML −m¢ML¡l på¡e La fË¢ai¡l E−eÈoz h¡wm¡u p¡¢qaÉ QQÑ¡l −k Be¾c - a¡ f¢lØg¥V qu HC n¡lc AOÑÉ-Hl j¡dÉ−jz Bn¡L¢l f¡WL−cl HC fË−Qø¡ i¡−m¡ m¡N−hz −L¡−e¡ i¥mœ¥¢V b¡L−m fËb−jC rj¡ −Q−u ¢e¢µRz f¤−S¡l Bl öi ¢hSu¡l BN¡j ö−iµR¡ S¡e¡C pLm−Lz i¡−m¡ b¡L−he - p¤¤ÙÛ b¡L−he Bl n¡¢¿¹−a b¡L−he HC Bj¡−cl fË¡bÑe¡z p¤¤c£f h−¾cÉ¡f¡dÉ¡u I-1 Houston Durga Bari Puja Nirghanta 2014-15 DURGA PUJA Oct 2 (Thursday) Maha Sashthi 7:30 PM Maha Sashthi Puja& Sandhyarati Oct 3 (Friday) Maha Saptami 08:30 09:30 12:30 06:30 Chandipath Naba Patrika Prabesh Balidan, Pushpanjali & Bhog Arati Sandhyarati AM AM PM PM Oct 4 (Saturday) Maha Asthami 08:30 12:30 02:00 02:40 06:30 AM PM PM PM PM Oct 5 (Sunday) 08:30 AM 12:30 PM 01:00 PM 02:00 PM 03:00 PM 06:30 PM Chandipath & Maha Asthami Puja Pushpanjali & Bhog Arati Sandhi Puja Pushpanjali & Bhog Arati Sandhyarati Maha Nabami Chandipath & Maha Nabami Puja Balidan, Pushpanjali & Bhog Arati Havan Bijoya Dashami, Dashami Vehita, Aparajita Puja Naba Patrika, Bishorjon, Sidoor Khela Sandhyarati LASHMI PUJA Oct 7 (Tuesday) 8:00 PM: Lakshmi Pujo & Arati KALI PUJA Oct 17 (Friday) Pre-Kali Puja Sandhya 6:30 PM Sandhyarati Oct 18 (Saturday) Kali Puja 09:00 AM 06:30 PM 07:00 PM 08:45 PM Chandipath Sandhyarati Shyama Puja Balidan, Pushpanjali & Bhog Arati SARASWATI PUJA Jan 25, 2015 (Sunday) Saraswati Puja 10:00 AM 11:30 AM Saraswati Pujo, Pushpanjali “Haatey Khori” I-2 Sharad Arghya 2014 Message from President of Houston Durgabari Society On behalf of Houston Durga Bari Society, it is my pleasure to extend a cordial welcome to you all on this auspicious occasion of Durga Puja. Sri Sri Chandi quotes, “I bow before the resplendent universe born out of the dark gloom of the night” (Om ratirupa viswaprasuti namaste ) The gloom that we have faced also confirms our faith in the ultimate emergence of a better world. This yearly event brings forth a sense of belonging, and more than a festival, it is celebration of life. Let us all forget our differences, support and participate in this joyous occasion, and strengthen our bonds with friends and families. I would like to take this opportunity to thank all members, volunteers, and well wishers in supporting our beloved organization during the recent trying time. We appreciate and acknowledge your continual support, and generous donation. Your devotion and commitment are always special. I would appeal to you all to unite, motivate each other, and encourage understanding, inclusion, consideration, and respect. I wish you all peace, prosperity, good health, and happiness. May this season be blessed with Ma Durga’s benevolence and blessing. Sincerely, Mila Sengupta President, HDBS October, 2014 I-4 Sharad Arghya 2014 HDBS Puja Committee 2014 Pujo President's Message On behalf of the entire Puja Committee it is my sincere pleasure to welcome everyone to our annual Durga Puja. I am honored and privileged to serve as this year’s Puja Committee President and hope this puja continues the vibrant tradition that is so unique to our community. Needless to say organizing this event carries with it certain challenges and obstacles to overcome every year, but this year has been especially difficult. The Executive Board has been faced with some tough decisions financially with the very existence of Durgabari at stake. We have weathered a tumultuous period. So far we are prevailing and our great annual Sharodotsav will be successful by the grace of God, as well as the sacrifice and support of so many wellwishers and volunteers. Now most importantly is a time to put the past behind us, come together and pray to Ma Durga that she may bestow her blessings upon us and bring back the glory days. Nevertheless, if I may invoke Mother Teresa, “prayer without action is no prayer at all.” Durgabari needs your support now more than ever. We are operating under great financial constraint and every contribution is critical. The money raised during the this time not only supports the puja itself, but also funds a large portion of the yearly operating costs. So to all who enjoy our temple please consider this and demonstrate your commitment to our religious and communal cornerstone. That being said I wish to convey my sincere gratitude and thanks to all the members and dedicated volunteers of the Puja Committee without whom this year’s puja would not be possible. I am so lucky to have a team of very efficient committee members who have been working so tirelessly and diligently day after day sacrificing their personal time throughout the months prior. I would also like to express the utmost gratitude to those who generously responded to our appeal for donations in such time of need without whom also this puja would not be possible. No matter how hard we work, ultimate success depends upon your participation. I appeal to all of you to come together under one roof for these days of our Mahotsab, worship, celebrate and enjoy our cultural heritage through the variety of programs, and most importantly come together in every way with a very positive attitude. Finally, we need to motivate the next generation to be involved in Durgabari affairs and have them come forward to take the baton to relay our cultural heritage from generation to generation. If we don’t set a good example of how we conduct ourselves in managing Durgabari they will never identify Durgabari as a home away from home. Let Ma Durga guide us on the right path and bless us all with happiness, prosperity and wisdom. On behalf of the Puja Committee and our distinguished resident priest, Dr. Bishnupada Goswami, I wish you all a joyous Durga Puja & Shuvo Bijoya! Jayati Banerjee I-5 Sharad Arghya 2014 HDBS Puja Committee -2014 Chairperson Jayati Banerjee Secretary Asst Secretary Treasurer Asst Treasure Souvik Ghose Banibrata Sen Barun Tarafdar Subhas Das Fund Raising Team Soovo Sen Jayati Banerjee Sudeshna (Mou) Das Partha S. Chatterjee Gopendu Chackraborty Cultural Chair Madhumita Sengupta Kousik Bhattacharya Registration Chair Subhas Das Sujit Sengupta Arghyadeep Pradhan Puja Website Abhijit Bhattacharya Dhiman Bhattacharya Puja Cuumications/Grievances Cell Diptabhas Sarkar Anindya Chakrabarti Mahalaya Stotram Rajnita Bandhopadhya Swapan Dasgupta Anandamela (Food Ticket Selling) Raja Roy Shantanu Mukhopadhyay Anandamela (Food Organizer) Suchitra Roy Paula Talukdar Poli Tarafdar I-6 Sharad Arghya 2014 Anandamela Setup Sandip Bhattacharya Ron Bhattacharya Santanu Khan Soumen Bhattacharya Sharad Arghya Advisor Advisor Sudip Bandhopadhya Dilip and Sukti Dutta Mrinal Chowdhury Advertisement Achintya Ghosh Mrinal Chowdhury Dilip Dutta Temple Operation (Overall) Template Inside Co-ordinations and Bhog etc Nirmalya Roy Ganesh Mandal Achintya Ghosh Pronobesh Banik Sanchita Guha Kids Korner Snacks Corner Rinku Mitra Shantanu Mukhopadhyay Commercial Operation Udipta Mukherjee Ramlal Dasgupta Food/Kitchen & Water Pradip Saha Rajib Datta Pataki (Asit) Ghosh Banibrata Sen Dibeyendu Chacraborty Shouvik Chowdhury Subrata Ghosh Jit Biswas Pijush Mondol Anindya Chakrabarti Anandamela Setup team Food Distribution Purnendu Dasgupta (Johor) Dipankar Sinha Roy Rajib Datta Lights I-7 Sharad Arghya 2014 Decorations Sailaja Bandopadhya Mumu Choudhuri Piyal Sengupta Subrata Dasgupta Photography Saurabh Sengupta Jit Biswas Facility Partha Ghoshal Diptabhas Sarkar Shantanu Mookerjee Bikash Ghosh Parking & Security Shuttle Service Shantanu Mookerjee Ron Bhattacharya Safety Health Environment (SHE) Raja Roy Balaka Ghoshal Tenting & Any temporary Structures Biren Das Biswas I-8 Sharad Arghya 2014 Pujo Magazine Committee Editor-in-Chief Sri Sudip Bandyopadhyay Bengali Section Editor Smt Malabika Chatterjee Proof Reading Rupchhanda Ghosh English Section Editor Smt Chandana Guha Children’s Section Editor Smt Srabani Akila Graduation Section Sri Partha Ghosal Advertisement Sri Achintya Ghosh Advisors Sri Dilip Dutta Sri Mrinal Choudhury Printing TGM Printers Cover Art Ms Rukmini Das I-9 Sharad Arghya 2014 Elona Memorial Library – Building an Oasis for Bengali Literature Lovers Aloke Sarkar The little girl Elona, whose memory inspired to establish our humble ‘Elona Memorial Library’ at Houston Durgabari, would have been very proud to see it grow over time. Foresight of the few who imagined a ‘grown-up’ fruit bearing tree bringing everyone together under its shade and offer food, is now big and fulfilling its original objective. Our Library certainly has more room to grow and indeed it will, but the recent boost in interest and enthusiasm among library members and volunteers warrant a steady growth making the Library an ‘Oasis’ for the Bengali book and movie lovers and bring them together. The Library had been moved two years back from the Auditorium section to the new Kalabhavan building, giving lot more shelf space to display books and DVD’s, and also has generous space for peaceful reading experience inside the Library. Several volunteers have joined this year, attracted more active members who regularly visit and return/take out books and DVD’s. Having more volunteers helped making excellent progress in cataloging and provide greater flexibility to manage Library affairs. Currently, Library books and DVD’s are being cataloged and now complete for the popular books (over 700 books!). There is work to be done on the reference books and magazines. Over 250 DVD’s are now available in Bengali titles (all cataloged). New books/DVD’s are almost always quite expensive here due to transportation (shipping) costs – several volunteers who went to India during Summer vacation this year brought books/DVD’s on their own in order to keep costs down (or get more material). Mr. Subhas Das deserves a special mention here, as he continues to spearhead the Library operation and growth activities. His dedication and interest have helped shape the Library for better experience to readers (or viewers). Contacts for the other volunteers are posted below. Recently some rules have been modified to make the Library more user-friendly. A ‘refundable deposit’ has been introduced to ensure safekeeping and returning of issued materials, and to our delight has been very welcomed by members. Previously issued and non-accounted/returned books and DVD’s are being tracked, with great cooperation from our past / one-time members. Library encourages its members to propose/suggest new ideas that will improve quality. In future, there are plans to use software for electronic transaction in future (suggestions welcome and appreciated) which can help making books/DVD’s more searchable and help track better. Who knows, may be in near future, you can check and reserve a book/DVD’s on internet while sipping your favorite Darjeeling tea at your home! With us all working together, it’s a matter of time. We hope to get your support, and some more, as we have received all the time. Mr. Sudip Bandopadhaya Mrs. Mita Some Mr. Subhas Das Mrs. Arundhati Chattopadhaya 281-221-4225 832-641-4123 832-677-0860 281-777-1599 I-10 Mr. Tarun Das Mr. Palash Sinha Mr. Aloke Sarkar 225-284-6495 832-493-2873 281-732-1540 Sharad Arghya 2014 ky¡−cl ØjlZ Ll¢R HC hR−ll S¡e¤u¡¢l j¡pV¡ ¢Rm ¢qEØVe Bl ¢LÓu¡l −m−Ll h¡P¡¢m L¢jE¢e¢V Bl c¤NÑ¡h¡¢sl L¡−R −n¡−Ll j¡pz Bjl¡ q¡¢l−u¢R ¢aeSe−Lz ay¡−cl E−Ÿ−nÉ Bl ay¡−cl Lb¡ ØjlZ L−l jÉ¡N¡¢S−el HC f¡a¡¢Vl Aha¡lZ¡z l¡j M¡e l¡j M¡e ¢R−me c¤NÑ¡h¡¢sl −h¡XÑ AgÚ VÊ¡¢ØVl A−eL ¢c−el −jð¡lz ¢qEØV−eJ c£OÑ¢c−el h¡¢p¾c¡ ¢R−mez j¡p ¢a−e−Ll Ap¤¤ÙÛa¡l fl Na 16C S¡e¤u¡¢l ¢a¢e jªa¥Éj¤−M f¢aa q'ez pc¡ q¡pÉju l¡j M¡e c¤NÑ¡h¡¢s J hå¥-h¡åh−cl j−dÉ ¢R−me AaÉ¿¹ Se¢fËuz ¢a¢e −l−M −N−Re Ù»£ fË¢Za¡ (mL¥), f¤œ L−õ¡m, LeÉ¡ m¡iÚ¢m, Bl e¡¢a-e¡ae£ AÉ¡¾V¢e, p¡miÚ, Bi¡, ¢cu¡e¡ Bl m£m¡−Lz ¢nh¡e£ p¡q¡ ¢nh¡e£ p¡q¡ c£OÑ¢ce ¢LÓu¡l −m−L hph¡p L−l−Rez −N¡s¡ −b−LC c¤NÑ¡h¡¢sl pcpÉ¡ ¢R−mez Na S¡e¤u¡¢l j¡−pl 8 a¡¢l−M ¢a¢e Cq−m¡L aÉ¡N L−lez ¢a¢e ¢R−me HL¡d¡−l Ù»£, j¡, hå¥ Bl Afl¢c−L ¢n¢rL¡z ¢fR−e −g−m −N−Re ü¡j£ ¢qj¡wL¥n Bl c¤C f¤œ e£m¡wL¥n Hhw −ch¡wL¥n−L Bj¡−cl j¡−Tz L¡ee ¢hq¡l£ p¡q¡ L¡ee ¢hq¡l£ p¡q¡ c£OÑ¢ce ¢LÓu¡l −m−Ll h¡¢p¾c¡ ¢R−mez A¢a pÇj¡−el p¡−b e¡p¡ −ØfpÚ −p¾V¡−l c£OÑ¢ce L¡S L−l−Rez hl¡hl c¤NÑ¡h¡¢sl pcpÉz S¡e¤u¡¢l j¡−pl 24 a¡¢l−M ¢a¢e fl−m¡L Nje L−l−Rez −l−M −N−Re Ù»£ i¡la£, LeÉ¡ hËaa£ J −chk¡e£ Bl f¤œ −p±¢jœ J p¤¤hËa−Lz p−‰ Ùjª¢a hqe Ll−R c¤C e¡¢a ¢L¢le Bl −Se¡z LmÉ¡e hp¤ hp¤ LmÉ¡e hp¤¤ Bj¡−cl c¤NÑ¡h¡s£l HL AeÉaj pcpÉ J öi¡e¤dÉ¡u£ ¢R−me hý¢cez H¢fËm j¡−pl 7 a¡¢l−M ¢a¢e fl−m¡L Nje L−l−Rez −l−M −N−Re Ù»£ ¢hfË¡ Bl f¤œ −p±li−L (l¡S¡)z fËn¡¿¹ L¥j¡l Ll L−eÑm fËn¡¿¹ L¥j¡l Ll ¢R−me Bj¡−cl VÊ¡¢ØV Bl hý¢c−el pcpÉz j¡QÑ j¡−pl 27 a¡¢l−M ¢a¢e fl−m¡L Nje L−l−Rez ¢a¢e −l−M −N−Re Ù»£ m£e¡, f¤œ paÉ¢Sv J ¢hnÄ¢Sv Bl LeÉ¡ p£j¡−L z Bjl¡ ay¡−cl BaÈ¡l n¡¢¿¹ L¡je¡ L¢lz ay¡−cl Øj«¢al E−Ÿ−nÉ −n¡Laç f¢lh¡−ll SeÉ Bj¡−cl B¿¹¢lL pq¡e¤i¨¢a J pj−hce¡ S¡e¡Cz I-11 Houston Durga Bari Society 13944 Schiller Road, Houston, TX – 77082 kalabhavan@durgabari.org Rabindrasangeet: Kamalpriya Roy Classes: Sunday 11:15-12:15 Email: kamroy292@gmail.com Art: Indranil (Neil) Sen Classes: Sunday 9:30-10:30 Email: neilsen65@gmail.com Website: www.redblueart.com Odissi: Supradipta Datta Classes: Saturday 9:00-2:00 Email: dipta1@yahoo.com Website: www.kalaangan.org Bangla School: Classes: Sunday 11:00-12:00 Email: sudipbando@yahoo.com Vocal: Rajnita Bandopadhyay Classes: Sunday 12:30-1:30 Email: rajnitab@gmail.com Website: www.rajnitab.com Bharatnatyam: Arpita Mukhopadhyay Classes: Sunday 10:00-11:00; 12:30-1:30 Email: arpitamukhopadhyay@hotmail.com Website: www.payaldance.net Tabla: Raja Banga Classes: Sunday 12:30-1:30 Email: tbanga@hotmail.com Website: www.gotpranamusic.org http://www.durgabari.org h¡wm¡ ¢hi¡N n¡lc AOÑÉ p§Q£fœ pÇf¡cL£u Aê j¡m¢hL¡ QÉ¡V¡SÑ£ (¢qEØVe) l¦j¡¢e e¡b −L¡e¡l (C¢äu¡) II-1 II-2 h¤mh¤m −pe…ç (¢qEØVe) HpÚ. 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LÉ¡−Çf fË¢a¢hð ea¥e L¡¢mc¡p HL c¤f−¤ l −gpÚh−¤ Ll c¡fV ¢eE CuLÑ J B¢j II-12 II-14 II-16 II-21 II-23 II-25 II-26 II-27 II-32 II-34 II-36 II-39 II-40 II-42 L¢ha¡ qW¡v M¤¢nl TmL p¡S¡−e¡ S£he ¢nöl ¢hnÄ¡p J DnÄl m¡i ¢cn¡q¡l¡ J−cl n£a −eC i¡m B¢R i¡m b¡Lh j¡−L −S−e¡p¡CXÚ j−e −l−M¡ g¡Vm AØfø a¥¢j fËØg¥¢Va¡ LeÉ¡L¥j¡l£l f−b a¥¢j −L¡e AS¡e¡ p¤S ¤ e Aa¢LÑa ehSeÈ NËÉ¡ä LÉ¡¢eueÚ II-13 II-16 II-19 II-20 II-20 II-20 II-22 II-30 II-31 II-38 II-41 II-41 Sharad Arghya 2014 pÇf¡cL£u hRl O¤−l Bh¡l H−p−R h¡P¡¢m−cl −pC A¢a h¡¢“a c¤NÑ¡f¤−S¡l jlöj, −k pju¢Vl SeÉ h¡P¡¢ml¡ Ad£l BNË−q A−fr¡ L−l b¡−Lz Bj¡−cl c¤NÑ¡h¡¢sl c¤NÑ¡f¤−S¡ qua LmL¡a¡l f¤−S¡l fË¢aj¡ Ns¡ Bl jäf p¡S¡−e¡l fË¢a−k¡¢Na¡u pja¡ hS¡u l¡M−a f¡l−h e¡, ¢L¿¹¥ Bj¡−cl ILa¡−el −L¡b¡J HaV¥LJ ¥ Ai¡h −eCz c¤NÑ¡h¡¢sl ¢eaÉ-f§¢Sa¡ Afl©f¡ c¤NÑ¡j§¢aÑ B¢nÄ−el Q¡l¢V ¢c−e −keHL ¢h−no B−m¡L ¢hµR¥lZ L−lez h¡−l¡u¡¢l f¤−S¡l −m¡L¡lZÉ eu, AbQ h¡¢sl f¤−S¡l −R¡V Sepj¡−hnJ eu Bj¡−cl c¤NÑ¡h¡¢s−a; h¡¢sl B¿¹¢lLa¡u h¡−l¡u¡¢l d¤jd¡j! c¤NÑ¡f¤−S¡l pju c¤NÑ¡h¡¢s−a q¡S¡l fy¡−QL j¡e¤o HL¢œa q−u ¢ce Q¡−lL −k f¢lj¡Z f¢lnËj, g¥¢aÑ Bl Ae¤ù¡e Ll¡ qu aaV¡ ¢h−c−nl Bl −L¡b¡J qu h−m Bj¡l S¡e¡ −eCz −pM¡−e ¢eRL Be¾cV¡C fËLV q−u J−W ph¡l j−dÉz Bp¤e¤ Bjl¡ ph¡C c¤NÑ¡h¡¢s−a HC c¤NÑ¡f§S¡ Ae¤ù¡−el n¢lL qCz f¢œL¡l L¡−S pq−k¡¢Na¡l SeÉ l©fR¾c¡ −O¡−ol L¡−R Bj¡l B¿¹¢lL L«a‘a¡ ü£L¡l L¢lz h¡wm¡ ¢hi¡N fËµRc-¢nÒf£x l¦j¡¢e e¡b −L¡e¡lz l¦j¡¢e−L Hhw pjÙ¹ −mML, −m¢ML¡−cl deÉh¡c S¡e¡Cz f§S¡l A¢ie¾ce S¡e¡Cj¡m¢hL¡ QÉ¡V¡SÑ£ !!!!"!!!! 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h−m−Re"B−hn m¡−N h−e −nÄaLlh£l AL¡m S¡Nl−Zz' (fËL¢« a, 173) ¢Lwh¡ II- 5 "¢ce −n−o hp¿¹ k¡ fË¡−Z −Nm h−m a¡C ¢e−u h−p B¢R, h£Z¡M¡¢e −L¡−mz' (fËL¢« a, 212) "¢ch¡ ¢en¡ B¢R ¢eâ¡ql¡ ¢hl−qz' (fËL¢« a, 246) Sharad Arghya 2014 hp¿¹ p¤h¤ ¡−p j−e¡−j¡qe-hå¥l ¢hlq L¢hfË¡Z−L hÉ¡L¥m L−l −a¡−mz lh£¾cÊe¡b ay¡l N¡−e −fËj-f§S¡-fËL¢« a−L HL A¢ieh R¾chå−e −hy−d ¢e−u−Rez ay¡l ¢nÒfpª¢øl AeÉaj Ae¤−fËlZ¡ ¢Rm "fËL¢« a'z −pC fËL¢« a-−fËj h¡−l h¡−lC dl¡ ¢c−u−R ay¡l ph N¡−e J AeÉ¡eÉ lQe¡uz a¡−L My¥S−a qu e¡, −p ü-fËL¡nz !!!!"!!!! qW¡v M¤¢nl TmL Ljm¢fËu¡ l¡u qW¡v M¤¢nl TmL H−p kMe j−e m¡−N, je i−l k¡u fËi¡a B−m¡l eh£e Al¦Z l¡−Nz −jOm¡ ¢c−el pL¡m −hm¡J l¢hl B−m¡u i−l, −pC B−m¡LpÀ¡a jeal¦−a hp¿¹ g¥m d−lz −R¡– q¡¢p, −R¡– M¤¢n phC −k qu −p¡e¡, Ajm Be−¾clC l−P M¤¢nl j¡m¡ −h¡e¡z c¤xM k¡ ph ¢Rm Bj¡l q¡¢pl j¡m¡u ¢j−m, ph HL¡L¡l q−u ¢N−u mr fËc£f SÆ¡−mz −pC Be¾c ¢e−u k¢c Qm−a f¡¢l fËi,¥ S£h−el HC Qm¡l f−b Xlh e¡ −a¡ Li¥z !!!!"!!!! 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Sharad Arghya ¢nöl ¢hnÄ¡p J DnÄlm¡i c£fL h¡NQ£ ¢nöl −kje ¢hnÄ¡p b¡−L, Bl b¡−L a¡l hÉ¡L¥ma¡, −pCl©f q'−m DnÄl m¡−i H−p b¡−L ¢WL pgma¡z HC Lb¡¢V−L −h¡T¡h¡l a−l nË£l¡jL«o· iš²N−Z ¢ae¢V L¡¢qe£ h−me, −k…¢m fs¥e Hh¡l Bfe j−ez fËbj L¡¢qe£ HLS−el HL −j−u ¢Rm k¡l ¢h−u q−u¢Rm °nn−hC, Bl a¡l ü¡j£ j¡l¡ ¢N−u¢Rm ¢h−ul f−l−a, −pC L−hCz ü¡j£−L −j−u¢V S¡−e¢e LM−e¡, qu¢e hup S¡e¡l j−a¡; ¢LR¥ hs q'−a −c−M −p AeÉ −j−u−cl b¡−L ü¡j£l¡ kaz öd¡m ¢fa¡−L HL¢ce −p, "h¡h¡ BS h−m¡ a¥¢j Bj¡u, ph −j−ulC l−u−R −a¡ ü¡j£, ¢L¿¹¥ Bj¡l ü¡j£ −L¡b¡u?' ¢fa¡ hm−me a¡−L, "−N¡¢h¾c, j¡ −a¡l q'm −a¡ ü¡j£; X¡L−mC a¡−L Bp−h −p −a¡l −Q¡−Ml p¡j−e, hm¢R B¢jz' ö−e −pC Lb¡, −j−u¢V aMe O−l ¢N−u hå L−l c¥u¡l X¡L−a m¡Nm −N¡¢h¾c−L −p, −Ly−c B¢aÑ S¡¢e−u a¡l, "Bj¡l p¡j−e H−p¡ −N¡¢h¾c, −cM¡ c¡J −j¡−l, B−p¡ e¡ −Le?' e¡ −f−l lC−a B¢aÑ−a ¢ÙÛl, iNh¡e a¡−l cnÑe −cez ¢àa£u L¡¢qe£ S¢Vm e¡−j HL¢V −R−ml NÒfV¡ a−h h¢m Hh¡l, h−el fbC ¢Rm öd¤ a¡l Cú¥−m−a −l¡S k¡h¡lz M¤hC iu −fa −R−m¢V Qm−a h−el j¢dÉM¡e ¢c−u; a¡C HL¢ce i−ul Lb¡V¡ hmm −p a¡l j¡−L ¢N−uz j¡ h−me a¡−L, "i−ul B−R L£? k¢c iu f¡p a¥C a−h, jd¤pc§ e−L X¡¢Lp a¡q−m, −p H−m Bl iu e¡ l−hz' j¡a¡−L −R−m¢V L−l ¢S‘¡p¡, "−L j¡ qe HC jd¤pc§ e?' j¡ a¡−l h−me, "−p −a¡j¡l HL hs c¡c¡ qu, dez' Hl Lu¢ce f−l −pC −R−m Qm−a −p hef−b, −kC −fm iu, "jd¤pc§ ec¡' −X−L J−W −L¡ej−az ¢L¿¹¥ −L¡eC qu e¡−L¡ gm, X¡L¡V¡ a¡l hªb¡C k¡u, a¡C −c−M −p −a¡ B−l¡ iu −f−u −i−‰ f−s L¡æ¡u, "J jd¤p§ce c¡c¡, −L¡b¡ a¥¢j? Hp, iu f¡C,' L'−a, −R−m¢Vl HC X¡−L iNh¡e e¡ f¡−le c§−l l'−az pÇj¥−M a¡l q−u B¢hiÑa ¨ iNh¡e a¡−l L'e, "HC −cM B¢j, −Le iu f¡J,' h−me a¡−L aMez h−el h¡C−l H−e −cM¡−me −L¡e fb d−l −N−m Cú¥−m −p −a¡ fyý¢Ru¡ k¡−h, ph fb ¢f−R −g−mz −R−m¢V−L −R−s k¡h¡l pju Bn¡il¡ h¡LÉu iNh¡e L'e, "X¡L−mC B¢j Bph, −fJ e¡ iuz' a«a£u L¡¢qe£ Nªq−cha¡−L fËaÉq ¢e−S ¢e−hce L¢l M¡cÉ, i¢š²l p¡−b f§¢S−ae HL hË¡þZ kb¡p¡dÉz 2014 HLc¡ ay¡q¡−L qCm k¡C−a Nªq R¡¢s −L¡eJ L−jÑ, h¡mL f¤−œ X¡¢L ¢eu¡ ¢a¢e L−qe Hl©f j−jÑ, "k¡C−a¢R B¢j AeÉ NË¡−j−a, a¡C−a¡ HL¢V L¡kÑ L¢l−a qC−h B¢S−L −a¡−LC, Cq¡ L¢lu¡¢R d¡kÑz −k L¡S¢V −a¡−L L¢l−a qC−h Bj¡l qCu¡ AcÉ, a¡q¡ H−h −a¡−L −k−a¢R h¢mu¡, −n¡e je ¢cu¡ pcÉz f§S¡l O−l−a Nªq−cha¡−L k¡Cu¡ −i¡SÉ…¢m ¢c¢h ay¡−l −M−a; ay¡q¡−L M¡Ju¡−a −c¢Mp k¡p e¡ i¥¢mz' HC Lb¡ a¡−l h¢mu¡ −a¡ ¢fa¡ −N−me Bfe L¡−kÑ; h¡mLJ M¤¢n, B¢S −cha¡−L M¡Ju¡−e¡l i¡l a¡l −kz kb¡ pj−u−a −i¡SÉ mCu¡ h¡mL f§S¡l L−r −cha¡ pj¤−M l¡¢Mu¡ f¡œ, qÙ¹ S¥¢su¡ h−r L¢qm, "W¡L¥l, B¢S −L¡e L¡−S ¢fa¡ ¢Nu¡−Re Q−m, k¡h¡l f§−hÑ ¢Nu¡−Re ¢a¢e −a¡j¡−L M¡Ju¡−a h−mz a¡C −a¡ H−e¢R −a¡j¡l −i¡SÉ j¡−ul ¢eL−V −Q−u, Ah¢nø e¡ −l−M −a¡ ¢LR¥C −gm phV¥L¥ −M−uz' −chj§¢aÑ¢V l−q ¢eÕQm, −i¡SÉ L−l e¡ ØfnÑ, HL¢V h¡LÉ e¡¢q EµQ¡−l, h¡mL m¤ç-qoÑz h¡m−Ll ¢Rm ¢ÙÛl ¢hnÄ¡p −cha¡ M¡C−a M¡cÉ, −h¢c q'−a e¡¢j Eq¡l pj¤−M h¢pu¡C kb¡p¡dÉ M¡C−he ay¡−L ¢e−h¢ca ph −i¡SÉ −a¡ q¡−a a¥¢mu¡; ¢L¿¹¥ ¢a¢e a¡ e¡ L¢l −h¢c−a Bp£e pLmC i¥¢mu¡? −cha¡l L¡−R fË¡bÑe¡ L−l h¡mL h¡lð¡lC, "−q W¡L¥l, a¥¢j H−p M¡J HC M¡cÉ k¡ ¢c¢µR h¡¢sz a¡s¡a¡¢s L¢l M¡J e¡ −a¡j¡l −i¡SÉ k¡ B−R −qb¡u; −c−M¡ e¡ Akb¡ q'm La −cl£, pju −k h−u k¡uz Bl f¡¢l e¡ −a¡ h−p l'−a −qb¡, dl¢R −a¡j¡l f¡c¥¢V; −a¡j¡l M¡h¡l −M−u ¢e−u a¥¢j, Bj¡−L c¡J −N¡ R¥¢Vz' ah¤ e¡ h−me HL¢V h¡LÉ, −cha¡ l−qe e£l−h; L¡æ¡u i¡¢P f¢su¡ h¡mL X¥L¡¢lu¡ Lu a−h, "−q W¡L¥l, −j¡l ¢fa¡ −k Bj¡−L −N−Re B−cn ¢c−u, −a¡j¡−L e¡ −ke Ai¥š² l¡¢M, M¡Ju¡C kaÀ ¢e−uz a−h −Le a¥¢j Bp−h e¡ −e−j, hp−a M¡cÉ pj¤−M? B¢j q¡−a L'−l −i¡SÉ ¢cm¡j, −c−h e¡ ¢L a¡C j¤−M?' A¿¹l q'−a Lb¡…¢m h¢m h¡mL m¡¢Nm Ly¡¢c−a, a¡q¡ −c¢Mu¡ −h¢c q'−a e¡¢j −cha¡ q¡¢p−a q¡¢p−a M¡cÉ pj¤−M h¢p' M¡C−me −i¡SÉf¡œ qC−a k¡q¡ ¢Rm ph ¢ex−no L¢l, ¢LR¥ e¡ l¢qm f¡−a−az −cha¡l M¡Ju¡ qC−m −no, f§S¡l Lr R¡¢su¡ k−h h¡¢q¢lm h¡mL a¡q¡−l L¢qm pL−m ¢O¢lu¡, "f§S¡ −a¡ q−u−R −no, a−h Be Evp−NÑl b¡m¡u p¡S¡−u −k ph gm J ¢j¢ø ¢c¢m J−l −cha¡uz' a¡ ö¢e plm h¡mL L¢qm, "f§S¡ −no −j¡l AcÉ; a−h ¢LR¥ −eC f¡œ−a f−s, W¡L¥l −M−me pcÉz' f¢lSeNZ a¡−l p−h Lu, "Apñh' L¢l cñ; II- 10 Sharad Arghya 2014 f§S¡l L−r k¡Cu¡ a¡q¡l¡ −c¢M qu qaiðz −i¡SÉf¡−œ ¢LR¥ e¡C f¢s, e¡C f¢s LZ¡j¡œ; −cha¡C ph irZ L¢l, −l−M−Re M¡¢m f¡œ! J−cl n£a −eC (HC lQe¡¢V nË£j L¢ba nË£nË£l¡jL«o·Lb¡jªa, 2u i¡N, 12n M™, 2u f¢l−µR−c h¢ZÑa Hhw Eš² L¡¢qe£…¢ml i¡h¡hmð−e l¢Qa) !!!!"!!!! n£a¡aÑ l¡−al c¤−V¡ … Q¥u¡X¡P¡l fÔÉ¡Vg−jÑ −VÊ−el A−fr¡u B¢j, Bl LyL ¥ −s b¡L¡ HL¢V L¥Ll¥ z n£am −l−ml f¡¢V, S¡¢e e¡ −VÊe LMe Bp−R, c§−l bj−L −N−R ¢nl£o N¡−Rl f¡a¡, f¡e-¢h¢sJu¡m¡ ¢eâ¡a¥lz ¢pN¡−l−Vl j¤M SÆm−R, −L¡−Vl L−h¡’ Nl−j B¢jz ¢œfm Y¡L¡ HL¢V Ù¹̈f, HL¢V djL¡¢el p¤¤l…! nš² c¤¢V q¡a −V−e B−e ¢œf−ml ¢ial −b−L HL¢V nl£lz p¤¢¤ al q¡gÚfÉ¡¾V, HL¢V N¡jR¡, cn-h¡−l¡ hR−ll L¡−m¡ −R−mz "¢L L¢lp HM¡−e?'- ¢aš² hÉhp¡u£l Lãz "−Q¡l a¥C, −a−ml ¢Ve B−R, pl¡h¡l jamh!'- Bh¡l h−mz −R−mV¡ Ly¡−f WLWL L−l¢œf−ml Bf¡ax Eo·a¡ q¡l¡h¡l g−mz B¢j cy¡s¡C- "hm, ¢L Ll¢R¢m?' O¡s Ty¡L¡¢el p¡−b B−l¡ Ly¡−f −pz "n£a Ll¢Rm a¡C h−p¢Rm¡jz' ö×L −Q¡−M −R−m¢Vl Nm¡z f¤¢mn B−p hÉ¡f¡l£l X¡−L, "¢Q−e l¡M −Ry¡s¡V¡−L, −gl LMeJ −cM−m…' ¢Qs¢h−s f¤¢m−nl Nm¡z "qua n£−a h−p ¢Rm, ¢LR¥C −a¡ N¡−u −eC!' qW¡v j¡eha¡ Eà¤Ü Bj¡l Lã, ¢je¢j−ez "Bf¢e S¡−ee e¡, Hl¡ f¡L¡ −Q¡l!' qua h¡, i¡¢h B¢jz −R−mV¡ Q−m k¡uLy¡−f n£−a h¡ ApÇj¡−e, fÔÉ¡Vg−jÑl HL −L¡−Zz B¢j h¢m- "−Le h−p¢R¢m −l?' ö×L −Q¡−M f¡¢e −eCn£−a S−j hlg −ial- Lb¡ −eCz a£hË n£a ým −g¡V¡−a f¡−l e¡ Bj¡l j¡eh nl£−l −L¡−Vl fcÑ¡ −W−mz ¢L¿¹¥ −L¡e fË¢ah¡c Llm¡j e¡, a−h ¢L B¢j Nä¡l! e¡, e¡, B¢j −a¡ piÉa¡l Qlj EvL−oÑ JW¡ ¢hwn na¡ë£l −nËùaj fË¡Z£! J−q¡ −q¡- a¡C −a¡! !!!!"!!!! HpÚ. HpÚ. −eJu¡S ¢cn¡q¡l¡ j¤Lm ¥ −O¡oq¡Sl¡ T•¡ T•¡ EeÈš-Eš¡m, An¡¿¹-°ilh, n¡¿¹ qJ, n¡¿¹ qJ, −e−j H−p¡, H−p¡ −e−j, Eš¡m al−‰l iuˆl n£oÑ Q¨s¡ q−a! fËQä fËmu −h−N a¢m−u −kJ e¡ a¥¢j ¢e¢ÕQa NqÄ−l, A¢eÕQu AåL¡−lBaÈ-¢hØj«¢al f−b, f¢lZ¡j k¡l ¢e¢ÕQq² pj¡¢çl −œ²¡−s! ¢hØj«¢al Byd¡−l ¢hm¡e HLp¤¤lz −ke ¢hc¡−ul −nor−Z ah Ahc¡e jp£¢mç ¢hoi¡ä −L¡−l¡ e¡ −N¡ c¡e! 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"−a¡j¡l h¡¢sl fË¡Q£−l ¢pyc L¡V−a ¢N−u Bj¡l HL ¢elfl¡d fËS¡ fË¡Z q¡¢l−u−Rz a¥¢j k¢c fË¡Q£l¢V jSh¤a L−l h¡e¡−a a¡q−m …¢f ¢pyc −L−V Q¥¢l Ll−a f¡la Bl Jl fË¡ZV¡J −ka e¡z a¡lfl dl¡ fs−m e¡qu B¢j J−L kb¡kb n¡¢Ù¹ ¢ca¡jz H Afl¡−dl n¡¢Ù¹ −a¡j¡−L −f−aC q−h ee£z −a¡j¡−L gy¡¢p ¢cm¡jz' II- 14 Sharad Arghya 2014 ee£ −cMm gy¡¢p qu quz jq¡l¡S¡l B−cn! ¢L¿¹¥ h¤¢Ü q¡l¡−m Qm−h e¡z hmm, "jq¡l¡S fË¡Q£l¢V Bj¡l, ¢WL Lb¡z ¢L¿¹¥ l¡S¢jÙ»£ L¢lj −nM fË¡Q£l¢V h¡¢e−u−Rz jq¡l¡S, Bfe¡l fË¡p¡−cl −L¡e fË¡Q£−l g¡Vm dl−m Bf¢e ¢L c¡u£ q−he?' "jq¡j¿»£, H −a¡ AL¡VÉ k¤¢š² ¢c−u−R!' "qyÉ¡ jq¡l¡S, ee£ AL¡VÉ k¤¢š² ¢c−u−Rz' "−L¡−a¡u¡m ee£−L −R−s c¡J, L¢lj −nM−L d−l ¢e−u H−p¡z' −L¡−a¡u¡m L¢lj −nM−L d−l ¢e−u Hmz L¢lj −nM ph ö−e hm−m, "jq¡l¡S, B¢j −a¡ ¢jÙ£», k¡ CyV −f−u¢R, a¡C ¢c−u fy¡¢Qm −Ny−b¢Rz CyV-iy¡V¡l j¡¢mL hej¡¢m Hl SeÉ c¡u£z' "jq¡j¿»£, HV¡ ¢L AL¡VÉ k¤¢š²?' 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"−m¡Qe jämz' "−L¡−a¡u¡m, hej¡¢m−L −R−s c¡J Bl −m¡Qe−L d−l ¢e−u H−p¡z' −m¡Qe−L Be¡ q'm l¡Spi¡uz "−m¡Qe, a¥¢j CyV Ny¡b¡l jnm¡ ¢WLja j¡−M¡¢e, a¡C fË¡Q£l dÆ−p f−s Bj¡l HL ¢elfl¡d fËS¡ fË¡Z q¡¢l−u−Rz −a¡j¡u gy¡¢p ¢cm¡jz' "jq¡l¡S, Bj¡l L£ −c¡o, J f¡s¡l −Oy¡ae¡ jnm¡u Sm −jn¡uz J −hn£ Sm −Y−m jnm¡V¡ Lj−S¡¢l L−l ¢c−u−R, −p SeÉC HC ¢hf¢šz' "−L¡−a¡u¡m, H−L −R−s ¢c−u −Oy¡ae¡−L d−l ¢e−u H−p¡z' −Oy¡ae¡ cn-h¡−l¡ hR−ll N¢lh −R−mz h¡h¡ nÈn¡−e h¡NÚ¢cl L¡S L−lz e¡ −M−a f¡Ju¡ −Qq¡l¡z f¡…−m¡ ¢VL¢VL Ll−R, f¡V L¡¢Wl j−a¡ pl¦ Nm¡, q¡s…−m¡ −cM¡ k¡uz jq¡l¡S X¡L−Re ö−e Be−¾c m¡g¡−a m¡g¡−a Hm −p- k¢c jq¡l¡S M¤¢n q−u ¢LR¥ f¤lú¡l −ce! "−Oy¡ae¡, a¥¢j Afl¡d L−lRz −Le jnm¡u −hn£ Sm ¢j¢n−uR? −a¡j¡l SeÉ Bj¡l HL ¢elfl¡d fËS¡ fË¡Z q¡¢l−u−Rz' "jq¡l¡S, kMe B¢j jnm¡u Sm −jn¡¢µRm¡j aMe Bj¡l f¡−n X¥NX¥¢N h¡¢S−u hy¡cl −Mm¡ q¢µRm, a¡C −cM−a ¢N−u −hn£ Sm f−s −N−Rz' "jq¡j¿»£, HV¡ ¢L AL¡VÉ k¤¢š²?' 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HM¡−e Q¡¢l¢c−L Ha f¤¢mn, −cM−mC −Lje −Lje m¡−N! - B−l e¡, JV¡ Bj¡l h¡¢s euz JV¡ −a¡j¡l jq¡…l¦ mÉ¡V¡ j−¾Vl h¡¢sz qW¡v ¢LR¥ Mhl −f−u JC h¡¢s−a q¡e¡ ¢c−u mÉ¡V¡ j−¾V−L AÉ¡−lØV L¢l−u kMe −h−l¡¢µRm¡j aMeC a¥¢j Bj¡l ¢fR¥ ¢e−u¢R−mz qyÉ¡, HC ¢limÚh¡lV¡ JC jq¡…l¦lCz k¡C−q¡L, ¢L ¢WL Ll−m L¡m S¡¢eJz iâ−m¡L f−LV −b−L HLV¡ L¡XÑ h¡l L−l ¢eh¡lZ−L ¢c−mez ¢eh¡lZ ejú¡l S¡¢e−u −h¢l−u fsmz l¡Ù¹¡u −h¢l−u −c¡L¡−el B−m¡u L¡XÑV¡ fsm- −mM¡ B−RII- 19 f’¡ee −O¡o¡m HjÚ. HpÚ. −Xf¤¢V L¢jne¡l ¢X−VLÚ¢ViÚ ¢Xf¡VÑ−j¾V m¡mh¡S¡l, L¢mL¡a¡ !!!!"!!!! −S−e¡p¡CXÚ l‰e¡b Qa¥¢cÑ−L dÆwp-dÆ¢e, c¡‰¡-q¡‰¡j¡, qaÉ¡L¡ä, Ae¡Q¡l −c¢M öd¤ Es¿¹ p¡c¡-L¡−m¡ −d¡yu¡, BL¡nV¡ AåL¡l; lš²l¢”a j¡e¤o i−u bl bl, qah¤¢Ü, œ²¾cela– −f−u−R ýL¥j c§l qJ! q−h Ae¤Na ea¥h¡ ¢eqa! Hl¡ Jl¡ Hl¡ Jl¡ qy¡−L, −j¡l¡C −nËù, Adj−cl ¢eÙ¹¡l Bl e¡C; Lu, SeÈ −qb¡, LjÑ −qb¡, −L¡b¡ k¡h i¡C? h−m, −j¡l¡C Bpm, ¢ie-S¡−al¡ q−h h¢q×L«a; i¡−h, j¡e¤o −a¡ −cM−a HL, ¢L−p ag¡v Ha? Hl¡ J−cl Hl¡ J−cl djL¡u, −a¡l¡ a¥µR, c¤l¡Q¡l, ¢eOÑ¡v elLN¡j£; BL¥¢a, elfö−cl −R¡hm −b−L h¡yQ¡J A¿¹kÑ¡j£! ¢X¢œ² ¢c−u BCe L−l, a¡−a AeÉ¡u qu eÉ¡u; iu, Qljf¿Û£−cl q¡−a Hh¡l fË¡Z h¤¢T k¡u! Hl¡ Jl¡ Hl¡ Jl¡ jš EeÈ¡c, j¡l−R ¢nö, ¢L−n¡l, L¡V−R ele¡l£; S¡e-j¡e hy¡Q¡−a R¡s−R −cn, Ll−R Bq¡S¡¢lz f¡o¡Z q©cu, lš²Qr¥, q¡y¢L−u qy¡¢L−u d¡u Nªqq£e, phÑq¡l¡, Bn¢â, f¡¢m−u −hs¡uz Hl¡ Jl¡ Hl¡ Jl¡ SÆ¡m¡u h¡¢s, −f¡s¡u N¡¢s, i¡P−R La ¢LR¥ f¡u e¡ −i−h, ¢L L¡l−Z fsn£l¡ Ha e£Q¥; Q¡m¡u −N¡m¡-…¢m, g¡V¡u j¡b¡, Nm¡ L¡−V jl−R na na; m¡n q¡sq¡¢— j¡−W O¡−Vz Hl¡ Jl¡ Hl¡ Jl¡ i¡−h, AeÉ fr L£V-fa‰, jn¡-j¡¢Rl j−a¡ f¤œ-LeÉ¡, j¡-−h¡e, üSepq L¡y−c A¢hlaz q¡−p q¡ q¡, pc−ñ h−m, q−µR −j¡−cl Su, AnË¥¢pš²- L£ k¤¢š²−a j¡e¤o Ha ¢eù¥l qu? ¢h‘−cl j−a¡ e¡L N¢m−u m¡i −eC, k¡ q−µR −q¡L L'¢ce fl phC ¢WL q−h, HMe jl−h ¢LR¥ −m¡Lz ¢hnÄS¥−s ph¡C −cM−R, ¢mM−R; −ea¡l¡ R¡s−R h¤¢m −S−e¡p¡CXÚ r¡¿¹ q−u −N−m a¡l¡ …e−h j¡b¡l M¥¢m! k¤−N-k¤−N, Aqlq k¡ e¡¢L j¡eha¡l Afj¡e, Ahru j¡e¤o a¡ b¡j¡−a Arj, a¡C öd¤ C¢aq¡p q−u luz !!!!"!!!! 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HC ¢e−u −a¡l p−‰ Bj¡l ¢L lLj T¡−jm¡ hy¡da j¡−T j¡−T?' ¢LR¥ hmm¡j e¡z ¢L¿¹¥ qW¡v −Q¡−Ml p¡j−e −i−p EWm L¢g q¡EpÚ-Hl HLV¡ −V¢h−m c¤ L¡f W¡ä¡ q−u k¡Ju¡ L¢gl p¡j−e h−p c¤S−el aLÑ¡a¢Lz A¢e−L h−m¢Rm¡j e¾ce-H paÉ¢Sv l¡−ul "Afl¡¢Sa' −cM−a −k−a, Bl Je¡l e¡¢L B−Nl ¢ce gym-H k¡Ju¡ qu¢e, a¡C −p¢ce Je¡−L −k−aC q−h! HC ¢e−u c¤S−el −R−mj¡e¤o£ TNs¡u c¤ O¾V¡ L¡h¡lz e¡ Bj¡−cl k¡Ju¡ q'm ¢p−ej¡ −cM−a, e¡ A¢e −k−a f¡lm gym-Hz p¢aÉC −pCph ¢ce…−m¡… HC TNs¡, HC i¡h, HC M¤ep¤¢¤ V, HC i¡mh¡p¡-h¡¢pz Hh¡l HLV¥ i¡m L−l a¡¢L−u −cMm¡j A¢e−Lz HC −pC A¢e, −k Lb¡u Lb¡u j¡LÑpÚ Bl −m¢ee BJs¡a; n¢š² Q−–¡f¡dÉ¡u, e£−l¾cÊe¡b Qœ²haÑ£ −b−L öl¦ L−l p¤¤e£m N−‰¡f¡dÉ¡u, Su −N¡ü¡j£ k¡l LãÙÛ ¢Rm… BS HC suited, booted, clean shaven Ty¡ QLQ−L −Qq¡l¡l j¡e¤oV¡−L h— A−Qe¡ m¡N−Rz H BS f¤−l¡f¤¢l "Ae¤fj' q−u −N−R…, Bj¡l −pC B−Nl "A¢e' Bl Ah¢nø −eC −ke HC j¡e¤oV¡l j−dÉ! "¢L−l L£ i¡h¢Rp A−a¡? j−e B−R −a¡l- Bj¡l HC −a¡−L "jn¡' h−m X¡L¡ ¢e−uJ a¥C ¢LlLj −l−N −k¢ap? hm¢ap, −Le −j¡e¡¢mp¡−L −R¡V L−l −j¡e¡ Ll¡ k¡u e¡? ph¡C −kje X¡−L! a¡ e¡ ph¡l p¡j−e jn¡ jn¡! Bq¡, L£ e¡−jl ¢R¢l!' "qyÉ¡, j−e Bh¡l −eC! Bl a¥C hm¢ap, -B¢j −a¡−L Hje HLV¡ e¡−j X¡Lh −k e¡−j −a¡−L X¡L¡l Lb¡ −LE −L¡e¢ce LÒfe¡−aJ Be−h e¡z Bj¡l −cJu¡ e¡jV¡ q−h H−‚h¡−l unique! fª¢bh£l −k fË¡−¿¹C a¥C öe¢h HC e¡jV¡, S¡e¢h −k −p B¢j R¡s¡ Bl −LE euz- p¢aÉC BS a¡C q'm! Ha hRl f−l qW¡v "jn¡' X¡LV¡ ö−e…' "p¢aÉC −a¡l j¤MV¡ −cM¡l j−a¡ q−u¢Rmz' h−mC A¢e −q¡ −q¡ L−l q¡p−a m¡Nmz B¢jJ q¡p−a q¡p−a hmm¡j, "a¡lfl, −a¡l Bl ¢L Mhl? ¢L Ll¢Rp HMe?' "B¢j −a¡ IT consulting-H B¢Rz HLV¡ business trip-H H−p¢R HM¡−e, for a week. a¥C?' "¢LR¥ e¡! Ol-pwp¡l, ¢nöf¡me- H −c−nl i¡o¡u homemaker hm−a f¡¢lp, i¡m −n¡e¡u!' "M.Sc. fs−a fs−aC −klLj ¢h−u ¢h−u L−l −r−f E−W¢R¢m a¥C! h¡fÚ −l!' "Bl a¡−aC a¥C iu −f−u Bj¡−L −R−s ¢cõ£ f¡m¡¢m!' "i¡mC −a¡ L−l¢Rm¡j, aMe ¢h−u Ll−m −a¡l Bl B−j¢lL¡−a Sy¡¢L−u h−p pwp¡l Ll¡ q'a e¡, Bl Bj¡l career-J −N¡õ¡u −kaz' "aMe a¥C öd¤ −a¡l ¢e−Sl Lb¡C −i−h¢R¢m A¢e! ¢QlL¡−ml careerist! B¢j −a¡−cl −p¡cf¤−ll h¡¢s−aJ ¢N−u¢Rm¡j −a¡l −My¡S Ll−az j¡p£j¡l L¡R −b−L −a¡l ¢cõ£l −g¡e eðl ¢e−u −a¡−L Lah¡l call L−l¢Rz ¢L¿¹¥ −a¡−L −L¡e¢ceC f¡C¢ez' "B¢j aMe L−uLSe hå¥l p−‰ HLV¡ Ol share L−l b¡La¡jz' "S¡¢ez −a¡l ph LSe hå¥l p−‰C −h¡dqu Bj¡l Lb¡ q−u ¢N−u¢Rmz a¡−cl hma¡j −a¡−L call back Ll−a hm−az a¡l¡ ph¡C −L¡e HL AS¡e¡ L¡l−Z Q¥f L−l b¡Laz Bl M¤h ü¡i¡¢hLi¡−hC "−k −V¢m−g¡e Bp¡l Lb¡ −p −V¢m−g¡e B−p¢ez…' HLV¥ −b−j hmm¡j, "j−e B−R −a¡l HC L¢ha¡V¡?' A¢e HLV¥ CaÙ¹a L−l hmm, "qyÉ¡, j¡−e JC HLV¥ HLV¥…, −a¡l j−e B−R?' "−k −V¢m−g¡e Bp¡l Lb¡ −p −V¢m−g¡e B−p¢ez fËa£r¡−a fËa£r¡−a p§kÑ −X¡−h lš²f¡−a ph ¢e¢i−u HLm¡ BL¡n ¢e−Sl n§eÉ ¢hR¡e¡−az HL¡−¿¹ k¡l q¡¢pl Lb¡ q¡−p¢ez −k −V¢m−g¡e Bp¡l Lb¡ B−p¢ez' "h¡qÚ, a¥C HMeJ L£ p¤¾¤ cl Bhª¢š L¢lp −l! f§−ZÑ¾c¥ fœ£, a¡C e¡−l jn¡?' B¢j B−Ù¹ B−Ù¹ j¡b¡ e¡sm¡jz "Bj¡l ph¢LR¥C HLcj B−Nl jaC B−R −l A¢e! hcm¡−a Q¡C−m −a¡ hcm¡−e¡C k¡u! ¢L¿¹¥ B¢j hcm¡−a ¢cC¢e ¢e−S−L!' Q¡f¡ HLV¡ c£OÑn¡Ä p −h¢l−u Hm AS¡−¿¹Cz j¤M a¥−m −c¢M A¢e HLV¥ Ah¡L −Q¡−M Bj¡l j¤−Ml ¢c−L a¡¢L−u B−Rz fËp‰V¡ f¡ÒV¡−a ¢S−‘p Llm¡j, "Anyway, ¢h−u L−l¢Rp?' fËnÀV¡ M¤h ü¡i¡¢hL Nm¡u Ll−mJ −Lje −ke j−el j−dÉ HLV¡ r£Z Bn¡- qua h¡ "e¡' öehz qua A¢e hm−h, "¢L L−l Bl ¢h−u Llh hm? −a¡−LC −k −L¡e¢ce i¥m−a f¡lm¡j e¡!' Bl HC Lb¡V¡C, öd¤ HC Lb¡V¡C- h¤−Ll j−dÉ A¢ij¡−el −k −Q¡lLy¡V¡V¡, BS fË¡u f−e−l¡ hRl pj−u Apj−u VeVe L−l II- 21 Sharad Arghya 2014 J−W hÉb¡u, j¡−T j¡−TC S¡e¡e −cu "B¢j B¢R, B¢j HM−e¡ B¢R', −pV¡−L j¤q−¨ aÑ p¡¢l−u −c−hz QjL i¡Pm A¢el X¡−L"HC jn¡, L£ i¡h¢Rp ¢h−i¡l q−u? qyÉ¡, ¢h−u L−l¢R, p¤¤je¡ hÉ¡‰¡−m¡−l b¡−Lz Bj¡l p−‰C fsa ¢cõ£−a MCA. aMeC Bm¡fz J HMe hÉ¡‰¡−m¡−l L¡S L−lz JM¡−e −a¡ IT-l −hn i¡m prospect HMe! H k¤−N −L h¢p−u M¡Ju¡−h boss? She is earning really well, and I’m too! B¢j hR−l 2/3 h¡l k¡C JM¡−e, fË¡u h¡−l¡ hRl d−l Hi¡−hC Qm−Rz We are very q−u Ae¤ih Llm¡j −k h¤−Ll −pC MQM−Q Ly¡V¡V¡ Bl −eC, ¢Qe¢Q−e hÉb¡V¡ −a¡ Bl HLcjC −Vl f¡¢µR e¡! S¡em¡l Ly¡Q e¡¢j−u Ae¤f−jl −cJu¡ cardV¡ −g−m ¢cm¡j h¡C−lz hª¢øl Sm Ha −e¡ea¡ m¡N−R −Le −L S¡−e! qW¡v j−e q'm- hs −cl£ q−u −N−R ¢L? N¡¢s−a start ¢cm¡j, M¤h a¡s¡a¡¢s ¢e−Sl h¡¢s−a ¢gl−a C−µR Ll−R Bj¡lz happy with our own lives… no obligations, no dependency! Kids-Hl T¡−jm¡J −eC ¢LR¥! Just like free birds in this big, beautiful world! q¡x q¡x q¡x q¡x!' Bj¡l j¡b¡l j−dÉ −Lje −ke Ty¡ Ty¡ Ll−a m¡Nm! Migraine-Hl attackV¡ Bp−R j−e q−µRz HC ¢L −pC Ae¤fj, k¡−L HL¢ce −p f¡N−ml j−a¡ i¡mh¡pa, −k M.Sc. f¡n L−l qW¡v a¡l p−‰ ph pÇfLÑ Q¥¢L−u ¢cõ£ Q−m k¡Ju¡l fl −p fË¡u nkÉ¡ ¢e−u¢Rmz a¡lfl fË¡u j¡p R−uL fl j¡-h¡h¡ kMe fË¡u −S¡l L−lC l”−el p−‰ a¡l ¢h−u ¢WL Ll−me, −p aMeJ B−Nl emotional trauma L¡¢V−u EW−a f¡−l¢ez HMeJ pL−m kMe l”−el j−a¡ loving, caring husbandHl fËnwp¡u f’j¤M q−u J−W, a¡l −p±i¡−NÉ DoÑ¡L¡al q−u f−s, aMeC a¡l p¡j−e Ae¤f−jl j¤MV¡ qW¡v qW¡v −i−p E−W, h¤−Ll j−dÉ ¢hy−d b¡L¡ Ly¡V¡V¡ MQMQ L−l J−W k¿»Z¡u! A−eL −Qø¡ L−lJ j¤M−Q¡M ü¡i¡¢hL l¡M−a f¡−l e¡ −pz l”e ¢WL h¤T−a f¡−l −pC j¤qa ¨ Ñ…−m¡z L¡−R H−p elj Nm¡u ¢S−‘p L−l, "j¢Z, are you OK?' l”e Bj¡−L −h¡−Tz J−L B¢j ¢h−ul B−NC Ae¤f−jl ph Lb¡ S¡¢e−u¢Rm¡jz Jl −b−L i¡m Bl −LE Bj¡l je M¡l¡−fl p‰£ q−a f¡−l e¡ a¡Cz C¢aj−dÉ Ae¤fj ¢N−u ¢e−Sl cart-H ¢L ph ¢S¢ep a¥−m H−e−Rz a¡lfl Bj¡l cart-Hl ¢c−L a¡¢L−u hmm, "¢L−l, −a¡l −a¡ −cM¢R ¢LR¥C −Le¡ qu¢e HM−e¡! I’m running late! a¥C HL L¡S Ll, HC −e Bj¡l business card, H−a HM¡eL¡l contact number −mM¡ B−Rz Let’s meet someday. Call me tonight. We’ll talk about it. OK?' h−mC Ae¤fj a¢sv N¢a−a check-out counter-Hl ¢c−L H¢N−u −Nmz B¢j aMeJ −Lje −ke HLV¡ AS¡e¡ −O¡−ll j−dÉ l−u¢Rz −L¡e¢c−L e¡ a¡¢L−u −h¢l−u Hm¡j −c¡L¡e −b−Lz h¡C−l aMe ¢Tl¢Tl L−l hª¢ø −e−j−Rz ¢iS−a ¢iS−aC parking lot-Hl ¢c−L qy¡V−a m¡Nm¡jz N¡¢s−a E−WC −g¡e Llm¡j l”e−Lz HL HLV¡ j¤qa ¨ Ñ −ke HL HLV¡ k¤N j−e q−µR! l”−el Nm¡u EvLã¡ −i−p B−p"L£ q−u−R j¢Z? HlLj Apj−u? Are you OK? nl£l M¡l¡f m¡N−R?' Nm¡V¡ qW¡v h¤−S Hmz −L¡elL−j hmm¡j, "a¥¢j a¡s¡a¡¢s h¡¢s Q−m H−p¡z Bj¡l −a¡j¡−L M¤h −cM−a C−µR Ll−Rz' −g¡eV¡ −l−M −Q¡M h¤−S h−p lCm¡j… S¡¢e e¡ LarZ! öd¤ Ah¡L II- 22 (HC −mM¡¢V "HC pju' hÔ−N fËL¡¢na q−u−R) !!!!"!!!! a¥¢j fËØg¥¢Va¡ N£a¡”¢m h‰ A¾cl jq−ml ¢e¢ÕRâ Ah…ãe eu, f¡m−ˆl N¢c−a h−p ¢ec¡l¦Z ¢e×L−jÑ eu, ¢hl¡V JS−el Nqe¡l i¡−l LÓ¡¿¹ −jcjdÉ¡ pqd¢jÑe£ l©−f−a eu −a¡j¡−L −c−M¢R ea¥e fª¢bh£l i¡h£ Se¢uœ£ l©−fz l¦r LmL¡a¡l R¡C d§−m¡L¡¢m-jum¡-S”¡m c¤C f¡−u i¡P−a i¡P−a Bj¡lC p−‰ p‰£e Ey¢Q−u M¡−cÉl pwNË−q hÉÙ¹ −b−L, a¥¢j TZÑ¡ −b−L a«o·¡l Sm H−eRz ¢Vu¡ jue¡, h¤mh¤¢ml Ty¡−Ll j−dÉ HL¢V −fË−jl ju§l£ q−u −fMj a¥−mRz d§pl LmL¡a¡l h¤−L h−‰¡fp¡N−ll e£m, Sea¡l ¢e×Ll¦Z ¢i−sl j−dÉ ¢eSÑ−el üfÀ, ApwMÉ L¥cnÑ−el ¢ia−l p¤¤cnÑe¡ a¥¢jlš²¡š² ea¥e ¢nö h¤−L ¢e−u ¢e−iÑS¡m Ù¹eÉc¡−e f¢la«ç¡ j¡a¡ −jl£l j−a¡ ö¢Q¢pÀ‡¡z −a¡j¡l c¤¢c−L Q−m−R −nËZ£hÜ AnË¡¿¹ −Q¡Mz f¢laÉš² −VÊ−el hc−m ea¥e −VÊe dl¡l a¡se¡u fbnË¡−¿¹l cmz !!!!"!!!! Sharad Arghya 2014 f§ZÑ Qy¡−cl j¡u¡ A¢ja −c −pC L−h −b−L ¢X−pðl, S¡e¤u¡¢l H−mC −Le S¡¢e e¡ n¢jÑù¡l j−el −ial Be−¾cl heÉ¡ h−u k¡uz m¡N¡j R¡s¡ jeV¡ −h¢l−u fs−a Q¡u c§−l, c§−l, B−l¡ c§−lz C−µR L−l n¡mhe d−l d¡e −ra −h−u H−m¡−j−m¡ fb f¡l q−u Q−m k¡u, −p HL AS¡e¡, A−Qe¡ −p¡e¡l üfÀ −i¡−l! −j¡qe¡ BS M¤¢n−a VNhN Ll−Rz ¢hNa cn hRl fl HC fËbj ¢fe¡L£ n¢jÑù¡ J −j¡qe¡−L ¢e−u c£O¡ k¡−hz ph¡C a¡−cl f¢lh¡l ¢e−u k¡u, ¢L¿¹¥ ¢fe¡L£l −L¡b¡J k¡Ju¡ qu¢e J−cl ¢e−uz Bl fy¡QV¡ −R−m−cl j−a¡ −p euz j¡−ul fË¢a i¡mh¡p¡, nËÜ¡ Bl LaÑhÉ−L −p pL−ml Q¡C−a hs L−l −c−Mz j¡−L HLm¡ −l−M −L¡b¡J k¡Ju¡ a¡l fR¾c euz j¡−ul HL¡L£aÆ −p pqÉ Ll−a f¡−l e¡z hs A¢ij¡e£ j¡ a¡l, a¡C ¢h−ul l¡−aC ¢fe¡L£ N¡‰¥m£ n¢jÑù¡−L h−m¢Rm, "−a¡j¡l L¡−R B¢j ¢LR¥ Q¡C e¡, Bj¡l j¡−L a¥¢j p¤M¤ £ −L¡−l¡z j¡ Bj¡l hs HL¡z' −pC l¡−aC n¢jÑù¡ ¢e−S−L °al£ L−l ¢e−u¢Rm, −L¡−e¡ −jO BL¡−n Sj−a −cu¢ez BS A¢gp −b−L ¢g−l ¢fe¡L£ −p¡S¡ −j¡qe¡l fs¡l O−l Y¥−L −Nmz −j¡qe¡ hmm, "h¡h¡, a¥¢j LMe H−m?' - HC −a¡ −j¡q, Qm Bjl¡ −h¢s−u B¢pz - −L¡b¡u h¡h¡? - c£O¡u! fËb−j −j¡qe¡ HLV¥ Qj−L E−W¢Rmz Hje −a¡ qJu¡l Lb¡ eu, h¡h¡ −a¡ Hje Lb¡ LMeJ h−m e¡! HC ¢e−u n¢jÑù¡ −L¡e¢ce ¢fe¡L£l ¢hl¦−Ü HLV¡J Lb¡ LM−e¡ h−m e¡z qua −pV¡ Jl A¢ij¡ez AbQ ¢nr¡-c£r¡u, e¡−Q-N¡−e f¡lcnÑ£ HC n¢jÑù¡ QÉ¡V¡SÑ£ HL¢ce L−mS S£h−e −pl¡ R¡œ£ ¢Rmz J−L −c−M hå¥ jq−m jªc¤ …”eJ EWaz ph¡C a¡−L pj£q L−l Qmaz H−qe n¢jÑù¡ N¡‰¥m£ (haÑj¡−e), ¢fe¡L£l ¢hh¡¢qa¡ Ù»£ HC −a¡ −p¢ce l©fR¾c¡−L L−mS LÉ¡¢¾V−e fË¡u dj−Ll p¤−¤ l h−m¢Rm, "−a¡−cl HC fÉ¡efÉ¡e¡¢e öe−m Bj¡l m‹¡ quz −L¡e −j−u k¢c ¢e−S−L a¥µR h−m j−e L−l a¡q−m Bj¡l j¡b¡u B…e Q−s k¡uz HLV¡ R¾cju S£he, Ha i¡hh¡l L£ B−R?' - kaV¡ i¡h¢Rp aa ¢L −p¡S¡ n¢jÑù¡?' - ¢L −p¡S¡ eu? a¥C −Qø¡ Ll, ¢eÕQuC f¡l¢hz - −n¡e l©fR¾c¡, ¢e−Sl f¡−u e¡ cy¡¢s−u ¢h−u Ll¡l Lb¡ ¢Q¿¹¡J Ll¢h e¡ LM−e¡z −j¡qe¡l Q¥m Ay¡Qs¡−a Ay¡Qs¡−a qW¡v a¡l j−e q'm HC hu−p Bjl¡ Bj¡−cl j¡−ul Jfl Ha ph −h¡T¡ Q¡f¡a¡j e¡z HMeL¡l −R−m-−j−u−cl phC L−l ¢c−a qu q¡−a q¡−az HCi¡−h Bjl¡C qua j¡e¤o Ll−a Q¡Cz - a¡q−m a¥¢j k¡−h e¡? ¢fe¡L£ fËnÀ Llmz - e¡z - −Le? - l¡Ù¹¡u h¡l q−mC Bj¡l nl£l A¢ÙÛl A¢ÙÛl L−lz Bj¡−L ¢e−u −N−m a¥¢j ¢hhËa −h¡d Ll−hz ph Be¾cV¡C −a¡j¡l j¡¢V q−u k¡−hz - ¢j−bÉ Lb¡! - ¢j−bÉ B¢j h¢m e¡z - A¢ij¡e? - L¡l fË¢a? −a¡j¡l fË¢a? a¥¢j i¡h−m ¢L L−l j¡e- A¢ij¡e, p¤M¤ -c¤xM, −fËj-i¡mh¡p¡ Hph Bj¡l B−R? n¢jÑù¡ HjeC HL f¤a¥m- pL¡m −b−L l¡a Ah¢d cj −cJu¡ f¤a¥−ml j−a¡ −O¡−lz j¡−T j¡−T fË¡Zi−l BL¡nV¡ −c−Mz −LE Bl a¡l hå¥ −eC BSz n¢jÑù¡l S£he HL ¢hoZÀa¡l L¥u¡n¡u −Y−L B−Rz HC ¢L −p −Q−u¢Rm? HL ü¡bÑfl f¤l¦o a¡l ü¡j£, −k öd¤ ¢e−S−L ¢e−uC hÉÙ¹z - −n¡e ¢fe¡L£, cn hRl fl a¥¢j Bj¡l L¡−R ¢LR¥ S¡e−a −QJ e¡z H−a −j¡qe¡l r¢a q−hz J−L hy¡Q−a c¡Jz Bj¡l ¢hl¦−Ü −a¡j¡l f¢lh¡−ll −a¡ −L¡e A¢i−k¡N −eC! - e¡, a¡ −eCz a¥¢j −pC hÉ¡f¡−l M¤hC p−Qaez pLm−L M¤¢n Ll−a −a¡j¡l S¥¢s −eCz ¢L¿¹¥ h−m¡, Bj¡l Afl¡dV¡ −L¡b¡u? n¢jÑù¡ −j¡qe¡l hÉ¡−N hC il−a il−a ¢fe¡L£l ¢c−L ¢g−l a¡L¡mz jªc¤ −q−p M¤h pqS L−lC hmm, "−a¡j¡l Afl¡d! −L h−m−R −a¡j¡l Afl¡−dl Lb¡? pL−mC S¡−e Bjl¡ p¤M¤ £ ü¡j£Ù»£, HV¡C ¢L k−bø eu?' Ah¡L q−u ¢fe¡L£ n¢jÑù¡l ¢c−L a¡¢L−u b¡Lmz H L£ hm−R n¢jÑù¡! cn hRl d−l f¤−o l¡M¡ −r¡i J k¿»Z¡ a¡−L c‡ L−l ¢a−m ¢a−m −f¡s¡ CyV °al£ L−l−Rz ¢fe¡L£ ¢pN¡−l−Vl −dy¡u¡ R¢s−u ¢cm O−lz −p −ke −cM−a e¡ f¡u n¢jÑù¡l j¤Mz ¢fe¡L£−L HCi¡−hC b¡L−a c¡Jz në eu, Lb¡ eu, Ry¥−u¡ e¡ n¢jÑù¡−Lz Ha k¿»Z¡u −k −p i¥−N−R a¡ −a¡ B−N −h¡−T¢e ¢fe¡L£! Na cn hR−l L£ ¢c−u−R −p n¢jÑù¡−L? i¡mh¡p¡, pÇj¡e! −kM¡−e p¤M¤ -c¤xM, −fËj-jja¡ i¡N L−l −eh¡l Lb¡ −pM¡−e −Le Hje q'm! −Le a¡l j−el −p±¾ckÑ q¡¢l−u −gmm −p? −L HC n¢jÑù¡ N¡‰¥m£? −p −a¡ ¢e−S−LC q¡¢l−u −g−m−R ¢e−Sl A¿¹l¡−m! HL¢ce n¢jÑù¡l n¡ö¢s h−m¢R−me a¡−L, "a¥¢j Aa Nñ£l b¡−L¡ −Le? HLV¥ q¡¢p M¤¢n bL−a f¡−l¡ −a¡!' L£ L−l n¢jÑù¡ −h¡T¡−h ay¡−L −k a¡l −ia−l HLV¡ B…e SÆm−a b¡−Lz −p ¢LR¥C hm−a f¡−l¢ez HLpju −p ¢Rm L−mS g¡wn¡−el −pl¡ eªaÉ¢nÒf£z p¡l¡ qmOl¢V Lla¡¢m−a j¤Ml q−u b¡Laz n¢jÑù¡ R¥−V ¢N−u h¡h¡−L fËZ¡j L−l¢Rmz S£he¡e¾c QÉ¡V¡SÑ£ −p¢ce −j−ul pª¢ø −c−M N¢hÑaz Be¾c EµRÅ¡−p −j−u−L S¢s−u d−l A−eL Bc−l i¢l−u a¥−m¢R−mez HL¢ce e¡−Ql fl HL…µR −N¡m¡f H−e n¢jÑù¡l q¡−a ¢c−u¢Rm l¦âz h−m¢Rm"Af§hÑ n¢jÑù¡, c¡l¦Z! p¤f ¤ ¡l!' - deÉh¡cz II- 23 Sharad Arghya 2014 fc¡bÑ ¢hcÉ¡l −R−m l¦âe£m l¡uz HL¢ce L¢gq¡E−p S£h−el p¢aÉ Lb¡V¡ h−m¢Rmz −pC ö−e n¢jÑù¡ −q−p E−W¢Rmz - −cM l¦â Hje Lb¡ −a¡j¡l L¡R −b−L öeh Bn¡ L¢l¢ez −a¡jl¡ ph f¤l¦oC pj¡ez - −Le, ¢LR¥ i¥m hmm¡j? - e¡, a¥¢j −a¡j¡l ¢cL −b−L ¢WLC h−mRz a−h ¢L S¡−e¡- HC −R¡– nëV¡ −a¡jl¡ −Lje pq−SC h−m −gm! k¤N k¤N d−l pª¢øl −pC B¢cj L¡m −b−L j¡e¤o −fË−jl SeÉ A¿¹q£e fb −qy−V−R, q©cu lš²¡š² L−l−Rz l¦â n¢jÑù¡−L b¡¢j−u ¢c−u hmm, "−Le, BSJ ¢L Hje −eC?' - f¡Nm! −fË−jl e¡−j OÉ¡eOÉ¡e¡¢ez Jph HC k¤−Nl L¡−R AbÑq£ez l¦â, a¥¢j M¤h i¡m −R−mz pqS, plmz i¡−m¡ −b−L¡z −p¢ce l¦âe£m M¤h −hce¡qa q−u ¢g−l ¢N−u¢Rmz L¢g−a Q¥jL ¤ ¢c−a ¢c−a Bea −Q¡−M n¢jÑù¡−L h−m¢Rm, "ü−fÀl −ial ¢c−u La fb f¡l q−u k¡C n¢jÑù¡! ¢L¿¹¥ h¡Ù¹h hs L¢We! −pM¡−e j−el üfÀ h¡Ù¹−h l©f f¡u e¡z −L¡e håe−L ü£L¡l L¢l¢e LMeJ, ¢L¿¹¥ H−L ¢L Aü£L¡l Ll−a f¡lh? a¡C k¢c −L¡e¢ce −a¡j¡l −L¡e L¡−S m¡N−a f¡¢l, X¡L ¢cJz öd¤ HV¥L¥C j−e −l−M¡z −p¢c−el Lb¡ j−e H−mC n¢jÑù¡l hy¡Q−a C−µR L−lz Bh¡l ¢g−l −f−a C−µR L−l S£h−el −pC c¢pÉfe¡z h¤−Ll j−dÉl −k Ts −p¢ce Ae¤ih L−l¢e BS a¡l −pph −Lje −ke p¢aÉ j−e quz BSJ −Le −pC N¡e, −pC Lb¡ j−el j−dÉ −a¡mf¡s L−l! 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Ef−l −hn W¡ä¡ ¢L¿¹¥ −pC W¡ä¡V¡C h¤−L S¢s−u dl−a C−µR Llmz Ef−l E−W ¢e−S−L M¤h i¡NÉh¡e j−e q'm, −k¡NÉa¡l ¢e¢l−M A−eL −hn£C −f−u −Nm¡jz Qy¡−cl B−m¡ B−Ù¹ B−Ù¹ L−j ¢N−u BL¡−n pL¡−ml Bi¡ −cM¡ −k−a m¡Nmz BL¡−n ¢h¢iæ l−Pl f¢lhaÑe q−a q−a qW¡v −p¡e¡m£ l−P −fy±−R −Nmz Bl a¡lC gy¡−L HL j¤q−¨ aÑ Bj¡l f¡−ul e£−Q f¡q¡−sl am¡ −b−L −h−l¡m HL A¢NÀhZÑ −N¡m¡, ¢LR¥r−Zl j−dÉC −p¢V HLa¡m −p¡e¡l cm¡u f¢lZa q'mz j−e q'm Ry−¥ u −c¢Mz −p −kje La L¡−R Bh¡l La c§−lJ! a¡l a£hË l©−fl ¢c−L a¡L¡−e¡ k¡u e¡z Sj¡−ua j¡e¤−ol j−dÉ HLV¡ ý−õ¡s E−W ph¡C Bh¡l Q¥f q−u −Nmz ¢eÙ¹ìa¡ NË¡p L−l ¢em pLm−Lz fª¢bh£l −p±¾c−kÑ j¤‡ q−u −Nm¡j! Hlfl e¡j¡l f¡m¡z j−e HLV¡ iu Hm N¡¢sV¡ pjuja Bp−h ¢Le¡ Abh¡ B−c± Bp−h ¢Le¡z ¢jnl£u−cl pju ‘¡e pÇf−LÑ Bj¡l i¡m d¡le¡ −eCz J−cl pju pwœ²¡¿¹ ¢LR¥ ¢S−‘p Ll−m h−m "Cen¡ Bõ¡qÚ'! 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Bj¡l ¢ae −j−ul j¤M −Q¡−Ml p¡j−e −i−p EWmz a¡lfl ph T¡fp¡z Jl¡ Bj¡l XÊ¡Ci¡l−L N¡¢s −b−L e¡¢j−u, h¾c¥Ld¡l£ HLSe N¡¢s−a E−W H−p p¡l¡ N¡¢sl aõ¡¢p ¢em aæ aæ L−lz a¡lfl Bj¡−L e¡j−a ýL¥j II- 28 Sharad Arghya 2014 Llmz i−u Ssps q−u blbl L−l Ly¡f−a Ly¡f−a B¢j e¡jm¡jz Bj¡l L¡−R Jl¡ ¢LR¥ HLV¡ Q¡Cmz XÊ¡Ci¡l −h¡T¡m Jl¡ Bj¡l BC¢X Q¡C−Rz Bj¡l f¡pÚ−f¡VÑ h¡l L−l J−cl −cM¡m¡jz Jl¡ Bj¡l ¢c−L a¡¢L−u −c−M f¡pÚ−f¡VÑV¡ ¢e−u f¡−n HLV¡ ay¡h¤−a Y¥−L −Nmz k¡h¡l B−N Bj¡−L L£ ph h−m n¡¢p−u −Nm- k¡l AbÑ HLV¡C q−a f¡−l −k B¢j k¢c HL f¡J e¢s a¡q−m Bj¡l S¡e Majz ¢LR¥rZ f−l Jl¡ Bj¡l f¡p−f¡VÑ q¡−a ¢e−u −h¢l−u Hmz B¢j d−s fË¡Z ¢g−l −fm¡jz ¢L¿¹¥ Jl¡ Bj¡l f¡p−f¡VÑV¡ −gla ¢cm e¡ Bj¡−Lz hc−m hmm Bj¡l pjÙ¹ S¡j¡L¡fs, S¥−a¡ −j¡S¡ ph M¤−m −gm−a Hje¢L Bj¡l A¿¹hÑ¡p¢VJz B¢j Apq¡u −Q¡−M XÊ¡Ci¡−ll ¢c−L a¡L¡m¡jz −p Bj¡−L Cn¡l¡u J−cl Lb¡ −j−e −eh¡l ¢e−cÑn ¢cmz Jl¡ Bj¡l ph¢LR¥l aõ¡¢p Llmz h¤Tm¡j Bj¡l B−j¢lL¡e f¡pÚ−f¡VÑV¡C HC j¤q−¨ aÑ ka T•¡−Vl L¡lZz B¢j J−cl −h¡T¡−a −Qø¡ Llm¡j −k B¢j Bc−f i¡la£uz H−c−n −hs¡−a −hs¡−a mrÉ L−l¢Rm¡j −k ¢jnl£ul¡ h¢mEXÚ ¢p−ej¡l M¤h iš²z ¢V¢i−a Hl¡ Blh£ p¡hÚ V¡C−VmÚ ¢c−u p¡l¡¢ce ¢q¾c£ ¢p−ej¡ −cM¡uz −pC Lb¡ −i−h B¢j h¢mE−Xl ¢Qœ a¡lL¡−cl e¡j ¢e−u B−h¡m a¡−h¡m hL−a öl¦ Llm¡jz a¡−aC L¡S q'm, e¡¢L Jl¡ Bj¡−L hÜ EeÈ¡c i¡hm S¡¢e e¡, Bj¡l Jfl J−cl p−¾cqV¡ L−j Hmz Bj¡l pjÙ¹ S¡j¡L¡fs Bl M¤m−a q'm e¡z Jl¡ Bj¡l f¡p−f¡VÑ −gla ¢c−u h¡¢L S¡j¡L¡fs f−l −eh¡l ¢e−cÑn ¢cmz −pV¡ L¥¢s−u f¡u Bl Bj¡l −j−u−cl L¡−R −fy±−R k¡uz qW¡v p¡j−el S£fÚV¡ cy¡¢s−u fsm −pC Ae¤k¡u£ Bjl¡Jz aMeC Bj¡l j−e q'm −k B¢j Bj¡l Lb¡l −Mm¡f L−l¢R, HC aõ¡−V Bl −L¡e R¢h a¥mh e¡ hm¡ p−šÄJ R¢h a¥−m¢Rz Jl¡ ¢L a−h c§lh£Z ¢c−u −cM−a −f−u−R Bj¡l R¢h −a¡m¡ Bl L¡XÑV¡ h¡C−l Ry−¥ s −gm¡l L£¢aÑLm¡f? −c¢M c¤Se h¾c¥Ld¡l£ S£fÚ −b−L −e−j Bj¡−cl N¡¢sl ¢c−L H¢N−u Bp−Rz HMe L£ L¢l! 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N¡¢s ¢L Es−h i¡h−R e¡¢L? −hËLÚ j¡lm ¢Le¡ hm! e¾cc¤m¡m- HMe p£eÚV¡ HlLj- qm¤c hl¢g Ns−el p¡CeÚ Bp−R… "−XXÚ Hä', "−pÔ¡', La p¡CeÚ Hm, h¡h¤l −Q¡−MC fsm e¡z −R¡V-−M¡L¡C k¡ fs−R! e¡s¥−N¡f¡m- B−Nl L¡¢mc¡p −a¡ ah¤ j¤MÉ¤ -p¤M¤ ¤É ¢Rm, HJ −a¡ Lj k¡u e¡ −cM¢R! e¾cc¤m¡m- Eyý,y H M¤h EµQ ¢n¢ra −l! e¡−jl −fR−e H-¢h-¢p¢X La ¢LR¥ B−R! ¢L¿¹¥ a¡−a L£ q−h, HCph p¡CeÚ f−s O¡hs¡h¡l f¡hÚ¢mL −p euz Xm¡l ¢c−u ph −L−e ¢Le¡, i¡−h Jl¡ ph f¡−lz hs i¡m m¡N−R a¡l, i¡h−R Bl HLV¥M¡¢e H¢N−u M¡−cl d¡−l ¢N−u −fy±−R −hËLÚ Lo−mC h¡¢Sj¡a q−u k¡−hz e¡s¥−N¡f¡m- L¡¢mc¡ph¡h¤ Bl LMe h¤T−he −k h¡s¡h¡¢s L−l −g−m−Re?… −hËLÚ Lo−mJ JC −no p£j¡e¡u b¡j¡ Bl pñh eu? e¾cc¤m¡m- −M¡L¡ aar−Z −QyQ¡−a öl¦ L−l−Rz ¢L¿¹¥ j¡ aMe ¢j¢V¢j¢V −q−p −pmÚ-−g¡−e −L¡e HL pM£l p¡−b LÉ¡QÚ-BfÚ Ll−Rez h¡h¡ HL q¡−a ¢ØVu¡¢lw d−l, B−lL q¡−a L¢gl L¡f, Bl −Wy¡−V N¡ez e¡s¥−N¡f¡m- B−l l¡M −a¡l LÉ¡QÚ-BfÚ! N¡¢sV¡ M¡−cl N¡ ¢c−u kMe Ns¡−h ¢e−Ql ¢c−L aMe −L −k LÉ¡QÚ-BfÚ Ll−h a¡l ¢WL −eC! Bl −j−uV¡? −p¢L O¤−j¡−µR e¡¢L? e¾cc¤m¡m- O¤−j¡−µR? c§l! J LMe −b−L e¡e¡e AÉ¡−‰−m −pmÚ¢g a¥−m Q−m−Rz e¡s¥−N¡f¡m- −pmÚ¢g? −p L£? B¢j −a¡ −pmÚ¢gnÚ S¡¢e, JC k¡l¡ ph pju ¢e−Sl Lb¡ i¡−hz e¾cc¤m¡m- JC q'mz HC −pmÚ¢gJ HLlLj JC −pmÚ¢g−nlC hÉ¡f¡l, ¢e−Sl R¢h ¢e−SC a¥m−a b¡L¡, −N¡V¡ c¤¢eu¡ b¡L ¢e−Sl −fR−ez Hlfl N¢s−u M¡−c f−s k¡Ju¡lJ −pmÚ¢gJ J-C a¥m−a f¡l−hz −gpÚh¤−L e¡j −c−h "cÉ m¡ØV −pmÚ¢g'z e¡s¥−N¡f¡m- J−l e¾c, H −k hs p¡pÚ−f¾p! −n−o L£ q−h a¡s¡a¡¢s h−m −gm, Bj¡l a¡s¡ B−Rz e¾cc¤m¡m- HC HM¡−eC O¤jV¡ −Nm −i−P, h¤T¢m- −Q¡M h¤S−mC −cM−a f¡¢µR Jl¡ HMeJ k¡−µRz HLV¥ −pÔ¡ −j¡n−e LÒfe¡ Ll¢Rz HC −kje dl… II- 37 Sharad Arghya 2014 e¡s¥−N¡f¡m- h¢mp L£? −noV¡ −c¢Mp¢e? −nofhÑ HMeJ q−u Q−m−R e¡¢L? H −a¡ hs −qyu¡¢ml jae −WL−R! e¾cc¤m¡m- J−l e¡s¥ −l, HC NÒfV¡ −pÔ¡ −j¡n−eC i¡m- −no −S−e ¢L q−h? c¤x−Ml NÒf… e¡s¥−N¡f¡m- a¥¢jC −gy−cR Aje NÒf- a¡lfl C−j¡ne¡mÚ q−u fs−m Qm−h −Le? −L h−m¢Rm Hje üfÀ −cM−a, AyÉ¡? e¾cc¤m¡m- a¥C h¤T¢m e¡… N¡¢s M¡−c f−s k¡Ju¡l c¤x−Ml −b−L −hn£ c¤xM L£ hm −a¡? pjuja p¡CeÚ −c−MJ N¡¢s e¡ b¡j¡−e¡V¡z Aa L«¢a q−u, ¢h.HjÚ.X¢hÔE. Q−s, −n−o ¢Le¡ HC? e¡s¥−N¡f¡m- BµR¡, MVL¡ HLV¡ m¡N−Rz −a¡l ph NÒf −a¡ i¡¢l i¡¢l e£¢ah¡QL q−u b¡−L, a¡C −a¡l N−Òfl e¡−j f¡¢m−u −hs¡Cz ¢L¿¹¥ HC ü−fÀJ −ke j−e q−µR a¥¢j ¢LR¤ ‘¡e −R−s−R¡ h¡S¡−lz e¾cc¤m¡m- d−l¢Rp ¢WLC, a−h H q'm ašÄLb¡z −pph i¡h¢R h−mC −h¡dqu üfÀV¡ −c−M −gmm¡jz f¤l−e¡ L¡¢mc¡p N¡−Rl −k X¡−m h−p¢R−me −pV¡C L¡V¢R−mez HC ehk¤−Nl eh L¡¢mc¡pJ "LÉ¡¢m' −c¢M−u −La¡ Ll−Re, Bl Bjl¡… e¡s¥−N¡f¡m- HC cÉ¡M, Hl j−dÉ Bh¡l Bjl¡ L£ Llm¡j? M¡−j¡M¡ −c¡o ¢c¢µRp −Le? e¾cc¤m¡m- Bjl¡ pî¡C HL HLV¡ L¡¢mc¡p −l! −Q¡M-L¡e h¤−S −R−mf¤−m p−ja HC HLV¡C fª¢bh£−L −L¡e ¢c−L −k ¢e−u Q−m¢R…! e¡s¥−N¡f¡m- h¤−T −N¢R, h¤−T −N¢R! HMe −N¡V¡ c¤¢eu¡V¡C Bjl¡ lp¡a−ml f−b ¢e−u k¡¢µR −a¡? B−NC −h¡T¡ E¢Qa ¢Rm −k a¥¢j ‘¡e ¢c−a Q−mRz a−h NÒfV¡ j¾c h¢mp¢ez JC jS¡u jS¡−m¡ −Qae¡…! k¡C, h¡¢sl L−m Sm −eC, ¢Næ£ f¢W−u¢Rm L¤−u¡ −b−L Sm a¥−m Be−a, −cl£ q−µR h−m ¢hÙ¹l l¡N Ll−hz −p −a¡ Bl Lb¡u Lb¡u "Ap¡jÚ' h−m e¡! e¾cc¤m¡m- J−l e¡s¥, JC L−m Sm −no q−u k¡Ju¡V¡ ¢L¿¹¥ HLV¡ "−X”¡l' p¡CeÚ −h¡XÑ h−m l¡Mm¡jz L¤−u¡l Sm k¡u k¡uz AaHh… e¡s¥−N¡f¡m- AaHh −pÔ¡ X¡EeÚ- HC fª¢bh£l N¡¢sV¡ b¡j¡J… Bl i¥m q−h e¡ e¾c… Hh¡l f¡m¡C! !!!!"!!!! Aa¢LÑa EŸ¡mL ilà¡S B¢j −a¡ L−hC Ly¡V¡ a¡l −f¢l−u, p§kÑ −Ry¡u¡ −i¡l, −fy±−R¢R a¡jp-jNÀz ¢hQ¡−ll r£Z Bn¡, LÓ¡¿¹ e£m f¡¢Ml h¡pe¡u −Q−u¢R −a¡j¡−Lz a¥¢jJ Ešl e¡ −cJu¡l R−m H¢s−uR fËµRæ ¢hhlz ¢n¢bm l−bl l¢n HMe nl−al −jO, f¤l−e¡ A−iÉ−p −cM¡u, nl£l£ eNÀa¡z −pC fb, ¢ews−e¡ p¤M¤ , HMe Bl lš²−pË¡−a L−õ¡m −a¡−m e¡z ah¤ −a¡l p§kÑ JW¡ j¤−M a¡L¡−a i¡m m¡−Nz j¤q−¨ aÑl Ù¹ìa¡l QlZ-h¾ce¡u k¡Cz −ke −L¡e üNÑ-Q¥Éa eNÀ h¡¢mL¡ a¥Cz c¤ HL S£h−el i¥−m Ry−¥ u −g¢m p¡d quz AbQ Øf−nÑl j¡e¡, Ny¡b¡ B−R A¢ÙÛl N¡q−ez !!!!"!!!! II- 38 Sharad Arghya 2014 HL c¤f¤−l j¡m¢hL¡ QÉ¡V¡SÑ£ O−l Y¥−L G¢Ü −V¢epÚ hÉ¡VÚV¡ −V¢h−m −l−M f¡M¡V¡ g¥mÚ Øf£−X Q¡¢m−u −p¡g¡u H¢m−u fsmz −R−ml h¡¢s −gl¡l BJu¡S −f−u pw¢qa¡ hp¡l O−l Y¥L−mez hm−me- ¢L−l, Ha −cl£ Ll¢m? G¢Ül −Q¡Mc¤−V¡ −h¡S¡, j¡b¡l Ef−l c¤−V¡ q¡a −S¡s¡ m¡¢N−u h−p −b−LC hmm- j¡ H−Lh¡−l ¢pÜf¤l¦o q−u −N¢Rz j¡ Qj−L E−W hm−me- a¥C Bh¡l Ha d¡¢jÑL q¢m L−h −b−L? j¡−T j¡−T Hje ph E−ÒV¡f¡ÒV¡ −R−m¢f−ml p−‰ ¢j¢np −k iu qu L−h hM¡−V q−u k¡¢hz a¡l hc−m ¢L d¡¢jÑL q−u pæÉ¡p −eh¡l Lb¡ i¡h¢Rp e¡¢L? G¢Ü HLCi¡−h h−p −b−L hmm- e¡ j¡, d¡¢jÑL qJu¡ −h¡dqu Bj¡l Bl q−u EW−h e¡z B¢j hm¢Rm¡j Nl−j −O−j ¢pÜ f¤l¦−o f¢lZa q−u¢Rz pw¢qa¡ AeÉjeúi¡−h hm−me- −h¡p, Bl¡j Ll, B¢j −mh¤l plhv ¢e−u B¢p −a¡l SeÉz pw¢qa¡ −mh¤l plhv °al£ Ll−a Ll−a i¡h−a m¡N−me BÕQkÑ −R−m G¢Ü! öd¤ djÑ j¡e−h e¡ h−mC ¢L J aLÑ L−l k¡u? Hj¢e−a −a¡ −hn ¢LR¥ djÑ ¢e−u Jl i¡mlLj ‘¡e B−R, ¢L¿¹¥ a¡l −L¡eV¡−aC −k −Le Jl pjbÑe −eC h¤T−a f¡l¡ i¡l! Jl p−‰ aLÑ Ll−a hp−m k¡l¡ d¡¢jÑL a¡l¡C e¡−Sq¡m q−u k¡u Jl e¡e¡lLj d−jÑl ‘¡e p¡j¡m ¢c−az Hje ph f¡ÒV¡ fËnÀ Ll−h −k ¢LR¥ ¢h−no hm¡l b¡−L e¡z pw¢qa¡ plhv ¢e−u O−l Y¥L−mez −R−ml j¡b¡u q¡a h¤¢m−u hm−me- −e, plhvV¡ −M−u HLV¥ W¡ä¡ q−u −ez a¡lfl Q¡e −p−l i¡a M¡¢h Bu, −hm¡ q−u −N−Rz G¢Ü hmm- e¡ j¡, BS Bl ¢LR¥ M¡h e¡z −iˆ−VnÄl−Zl h¡¢s−a HLV¡ hC Be−a ¢N−u¢Rm¡jz Jl W¡L¥j¡ CXÚ¢m, pðl Bl HLV¡ ¢L ¢L −ke M¡Ju¡−me, −fV i−l B−R HLcjz Bj¡−L Bh¡l HLV¥ −h−l¡−a q−hz pw¢qa¡ M¡¢eL CaÙ¹a L−l hm−me- BµR¡ G¢Ü, −a¡l Ha Bf¢š −Le hm −a¡ iNh¡e j¡e−a? G¢Ü HLV¡ TyL¡¢e ¢c−u Q¡‰¡ q−u h−p hmm- e¡ j¡, a¥¢j i¥m h¤TRz iNh¡e j¡e−a −a¡ Bj¡l −L¡eC Bf¢š −eC! ¢L¿¹,¥ −Le j¡eh, ¢L−pl SeÉ j¡eh −pV¡ B−N Bj¡−L S¡e−a q−hz a¥¢j k¢c Bj¡−L HLV¡ k¤¢š²k¤š² L¡lZ −cM¡−a f¡−l¡, a¡q−m ¢eÕQuC j¡ehz −a¡j¡−cl −h¢nli¡−Nl j−a¡ ¢LµR¥ f¢l×L¡li¡−h e¡ −S−e öd¤ NÒfLb¡l Jfl ilp¡ −l−M iNh¡e j¡e−a Bj¡l je Q¡u e¡z fËj¡Z Q¡C, j¡, Bj¡lz B¢j HMeJ Hje −L¡eJ p¢mXÚ fËj¡Z f¡C¢e −k JC f−b Qmhz hmm- HC djÑ L−l L£ q−µR ph S¡uN¡u −cM−a f¡µR? −a¡jl¡ ¢L−pl SeÉ djÑ j¡−e¡? d−jÑl e¡−j k¢c Ha cm¡c¢m, Ha A¢qwp¡l f−b Qm−a qu a−h j¢¾c−l ¢N−u W¡L¥−ll p¡j−e cy¡¢s−u −Q¡M h¤−S, j¡b¡ ¢eQ¥ L−l L£ Q¡u j¡e¤o? −a¡j¡−cl W¡L¥l −Le HMeJ Ha ¢hnË£ HLV¡ ¢pQ¥−uneÚ−L Bu−š Be−a f¡l−Re e¡? pw¢qa¡ hm−me- öd¤ öd¤ h¡−S hL¢Rp −Le? W¡L¥−ll L¡−R ¢N−u −m¡−L ¢L Q¡u S¡¢ep? Q¡u n¢š², Q¡u h¤¢Ü, n¡¢¿¹, ü¡ÙÛÉ… - Bl a¡lfl? −a¡jl¡ k¡ Q¡CR iNh¡−el L¡−R, a¡ phC ¢L q¡−al j¤−W¡u −f−u k¡µR? S£h−el HLV¡ N¢a B−R, j¡, HLV¡ d¡l¡ B−Rz ¢WL −pCjaC S£he Q−m, OVe¡ O−Vz - −pC d¡l¡V¡−LC Bjl¡ h¢m djÑ, h¤T¢m? HLV¡ ¢euj ¢eù¡ −j−e Qm¡l −k d¡l¡ Bjl¡ f¡me L¢l a¡l j−dÉ HLV¡ p¤ù¤ ¤a¡, HLV¡ p¡j¡¢SL håe Bjl¡ Ae¤ih L¢lz - ¢L¿¹¥ j¡, −L-C h¡ −pC iNh¡e h¡ DnÄl? ¢a¢e −L? ky¡l SeÉ fª¢bh£l Ha j¡e¤o q−eÉ q−u k¡−µR? AbQ B¢j h¡ Bj¡l j−a¡ j¡e¤oJ −a¡ B−R, k¡l¡ JCph H−Lh¡−lC ¢hnÄ¡p Ll−a f¢l e¡! ¢L¿¹¥ ah¤J Bj¡−cl S£h−el d¡l¡J −a¡ −a¡j¡−cl DnÄl-¢hnÄ¡p£ j¡e¤o−cl d¡l¡l j−a¡ Ae¡u¡−pC Qm−a b¡L−R! Hl L£ k¤¢š² −c−h, j¡ −a¡jl¡? −a¡j¡−cl S£h−e Hje L£ ¢h−noaÆ B−R k¡ Bj¡−cl jae j¡e¤o−cl −eC? - EgÚ, −a¡l p−‰ Lb¡ hm−m e¡ Bj¡l l¡N d−l k¡uz Hje L−l hm¢h −ke DnÄ−ll −L¡e L«¢aaÆC −eC! BµR¡ a¥C ¢L p¢aÉC j¡¢ep e¡ −k p¤f ¤ ¡l f¡Ju¡l h−m HLV¡ ¢LR¥ B−R? 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HCph S¢Vm p¡a fy¡Q −i−h N¢s−u k¡u pw¢qa¡l c¤f¤lV¡! !!!!"!!!! 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BS S£ZÑ-n£ZÑ L−m¡l¡−X¡, −L¡b¡u −a¡j¡l −pC c¤cÑ¡¿¹ Sm−pË¡a? L£ i£oZ! −L¡b¡u −pC fË¡Zh¿¹ Bfe M¡−a hqj¡e S£he? BS q¡¢l−u k¡Ju¡l AhÉš² œ²¾ce My−¥ S −g−l −a¡j¡l håeq£e Aa£a S£he! ah¤ Jl −fËj Bj¡l −fË−jl q¡a d−lh−m e¡ −a¡, ""Qm''! B¢j ¢L h¢m? e¡, B¢jJ h¢m e¡ Blz ¢L q−h, h−m? pj−ul n§eÉ −p¡f¡−e q¡a dl¡d¢l L−l hp¡a¡L¡−e¡ ¢ei«a p§−kÑl f¡−eAåL¡l L¡−Wl ¢py¢s, O¤−l, O¤−l, O¤−l… BSJ h−oÑ h−oÑ c−m c−m −a¡j¡l c¤¢eÑh¡l BLoÑ−Z R¥−V k¡u j¡e¤o ¢eiÑ£L fl¡−Zz La na j¡e¤−ol ILa¡−e N−s J−W −a¡j¡l f¡cf£−W, HL jq¡ ¢jm−el ¢eN§t håe; −q ASl Ajl NËÉ¡ä LÉ¡¢eueÚ! !!!!"!!!! −Q−u b¡L−a b¡L−aJ −ke Q¡Ju¡C q−u −Nm BS BL¡nju… !!!!"!!!! NËÉ¡ä LÉ¡¢eueÚ II- 41 Sharad Arghya 2014 ¢eE CuLÑ J B¢j öi¡ BYÉ H Lb¡ −a¡ ph¡lC S¡e¡ −k fËh£Z j¡e¤−o f¤l−e¡ Lb¡ hm−a i¡¢l Be¾c −f−u b¡−Lez Bj¡l j¡−ul HL j¡j¡c¡c¤ ¢R−me, ¢k¢e fËbj jq¡k¤−Ü B¢jÑ−a X¡š²¡l ¢R−mez B¢mf¤−l ay¡l ¢hn¡m h¡w−m¡l −N−V TLT−L −fa−ml gm−L −mM¡ ¢Rm "−jSl HpÚ. HeÚ. cšl¡u'z aMe Bj¡−cl fsh¡l h−up qu¢e, ¢L¿¹¥ j¡j¡c¡c¤l HLj¡œ −R−m, j¾V¥j¡j¡l −c±m−a JV¡ Bj¡−cl S¡e¡ q−u ¢N−u¢Rmz j¡j¡c¡c¤ Bj¡l j¡−ul c¡c¤ q−mJ Bjl¡ ph¡C ay¡−L hs−cl p¡j−e "j¡j¡c¡c¤' Bl −fR−e "¢Qy−sc¡c¤' h−m p−ð¡de Lla¡jz j¡j¡c¡c¤l e¡j ¢Rm "p¢µQc¡e¾c'z −L¡e c¤ø¥ −R−ml A¢ieh L¡lp¡¢S−a "p' Hl ¢h−u¡−N "¢µQc¡', Bl Bj¡−cl Be¾chdÑL "¢Qy−s'−a f¢lZa q−u¢Rmz HC ¢h¢Qœ e¡−jl c¡c¤l h¡¢s−a f¡m¡ f¡hÑ−Z ph¡C HL¢œa q'a, Bl ¢Qy−sc¡c¤ p¤¤¢h−d −f−mC Bj¡−cl −a¡ h−VC, f¡s¡-fs¢n−cl L¢QLy¡Q¡−clJ f¡Ls¡J L−l "N−è¡' −n¡e¡−a hp−aez k¡l¡ HLV¥ hs Bl −c±s f¡lcnÑ£ ¢Rm, a¡l¡ q¡a gpÚ−L Nªq¡¿¹¢la q'a, Bl Bjl¡ k¡l¡ −eq¡aC f¡m¡−a Af¡lN, a¡l¡ cnh¡l −n¡e¡ NÒf Bh¡l öea¡j, karZ e¡ j¡−ul¡ H−p Bd-O¤j¿¹ Bj¡−cl "Qm, M¡¢h Qm' h−m EÜ¡l Ll−aez −pCph k¿»Z¡c¡uL ¢ce…¢ml Lb¡ BSJ i¡−m¡C j−e f−sz −Q¡M h¤S−m −cM−a f¡C n£−al påÉ¡u −h−al Bl¡j −Lc¡l¡u Bd-n¡¢ua j¡j¡c¡c¤l j¡b¡u hy¡cl-V¥¢f, N¡−u B−øfª−ù Ss¡−e¡ L¡−m¡ n¡m Bl f¡−ul L¡−R nal¢’−a −N¡V¡ c−nL h¡m¢MmÉz N−Òfl öl¦ h¡ −no ¢LR¥ ¢Rm ¢Le¡ j−e −eCz öd¤ HV¥L¥ j−e B−R j¡j¡c¡c¤ −b−L −b−LC a¡¢lM V¡¢lM ¢e−u O¤lf¡L −M−aez −kje ¢a¢e 1918 e¡ 1917-−a k¤−Ü ¢N−u¢R−me, j¾V¥j¡j¡ aMe S−eÈ¢R−me e¡ SeÈ¡h SeÈ¡h Ll¢R−me, j¡j£¢cc¡ −ppju ph¤S −p¡−uV¡lV¡ h¤e−a ¢nM¢R−me ¢Le¡- Hph ¢e−u ¢a¢e M¤hC i¡he¡ ¢Q¿¹¡ Ll−aez Bl j¡−T j¡−T −Q¡M h¤−S −L¡b¡u −ke −hf¡š¡ q−u −k−aez Bj¡−cl −pph a−bÉl −L¡eC fË−u¡Se ¢Rm e¡ h−m Bjl¡ −pC pju H−L J−L d¡‚¡d¡¢‚ L−l, hL −c¢M−u, ¢Si −iw−Q ¢e−S−cl j−e¡l”e Lla¡jz j¡j¡c¡c¤ Bj¡−cl j¡−T j¡−T ¢hú¥V ¢c−ae, a¡−aC Lø ¢LR¥V¡ pqe£u q'az BS−Ll N−Òfl e¡uL AhnÉ j¡j¡c¡c¤ eez i¢Za¡ Ll¡l L¡lZV¡ hm¢Rz NÒfV¡ Bj¡lC, a−h kMeL¡l NÒf aMe qua BS−Ll ¢LR¥ −nË¡a¡l¡ Vmj−m qy¡¢V qy¡¢V f¡ f¡ L−l j¡ j¡¢p−L a¡L m¡¢N−u ¢c−µRe h¡ hs−S¡l Ly¡−d hÉ¡N T¥¢m−u Cú¥−m k¡Ju¡ öl¦ L−l−Rez ¢e−S−L k¢cJ fË¡−Z d−l h−u¡hªÜ hm−a f¡l¢R e¡ ah¤J Bj¡l NÒf¢V −hn f¤l−e¡ pj−ulCz −pC ö−e k¢c L¡−l¡ hL −cM¡−a C−µR qu a¡q−m "…Ù¹¡¢L j¡gÚ'! k¡L, Hh¡l −j¡Ÿ¡ Lb¡u Bn¡ k¡L! j¡j¡c¡c¤l j−a¡ p¡mV¡ ¢c−uC öl¦ L¢lz 1969-Hl −p−ÃVðl j¡pz p−h pç¡q c¤C q'm B−j¢lL¡l ¢eE CuLÑ nq−l fc¡fÑZ L−l¢Rz H−Lh¡−l HL¡! −cn −b−L Bp¡l pju T¥¢m−a ka p¡qp p’u L−l H−e¢Rm¡j a¡l phV¥L¥C ¢eE CuLÑ −qe ¢hn¡m Sef−c f¡ −l−M J Lm¢ðu¡ CE¢ei¡¢pÑ¢Vl QaÆ−l c¤h¡l Q‚l ¢c−uC h¡¢p −hm¤−el q¡Ju¡l j−a¡ E−h −N−Rz H−p¢Rm¡j h−ð −b−L, −i−h¢Rm¡j q'mC h¡ ¢eE CuLÑ, L£ Bl Hje q−h! j−e l¡M−he −p pj−u −c−n ¢V¢i-l Qm qu¢e, L¡−SC c¤-Q¡lM¡e¡ Cw−lS£ R¢h−a ¢L −cM−a ¢L −c−M¢R, A−a¡ j−e b¡−L¢ez pc¡-hÉÙ¹ eNl£l j¡e¤oSe, k¡e-h¡qe, −c¡L¡e-f¡V −c−M Qr¥ QsL N¡R! c¤−V¡ Lb¡ hmh Hje L¡E−L −c¢M e¡z ph¡C öd¤ q¿¹c¿¹ q−u R¥V−R, −L¡e l¡SL¡−kÑ −L S¡−e! −LE b¡−j e¡, −LE ¢S−‘p L−l e¡ "−Lje BR' ¢i−sl O§¢ZÑ−a −LhmC O¤lf¡L −M−u j¢l, Bl −g−m Bp¡ −Qe¡ −c−nl SeÉ je −Ly−c j−lz aMe Bh¡l −es¡ j¡b¡u ¢V¢L c¤¢m−u "q−l L«o·'l¡ qm−c BmM¡õ¡ f−l f−b O¡−V −Lše L−l −hs¡−aez HL¢ce −L±a¨qmhnax ay¡−cl FdÆÑh¡ý e¡Q −cM−a ¢N−u HLSe q−l L«o·l −Q¡−M f−s −Nm¡jz Bj¡−L n¡¢s fl¡ −c−M BqÓ¡−c BVM¡e¡ q−u N¡−u f−s öd¡−me B¢j "yogik' l¡æ¡ S¡¢e ¢Le¡z "S¡¢e e¡' ö−e FdÆÑ−eœ q−u S¡e¡−me l¡æ¡−a "yogurt' ¢c−m yogik l¡æ¡ qu, a¡J S¡−e¡ e¡?' a¡lfl qaið Bj¡−L j¡Tf−b −R−s B−j¢lL¡e EµQ¡l−Z "q¢l−h¡m' hm−a hm−a −h¡dL¢l °hL¥−ãl E−Ÿ−nÉC lJu¡e¡ ¢c−mez Q¡l¢c−L p¡−qh −jjÚ−cl Rs¡R¢s, MQÚMQÚ L−l ¢hoj Øf£−X L£ −k h−m, B−ÜL pjuC h¤T−a f¡¢l e¡z A−Qe¡ M¡h¡l AXÑ¡l Ll−a h¤L dsgs L−l, A−Qe¡ Xm¡−ll ¢q−ph Ll−a Nä−N¡m q−u k¡u, Bl- HLV¡ Xm¡l−L BV ¢c−u …Z Ll−m Ba−ˆ Nm¡ ö¢L−u L¡W q−u k¡uz ah¤ ¢M−c −f−m −M−a −a¡ q−hC, L¡−SC "k¡ b¡−L L¤m Lf¡−m' h−m HL¢ce Y¥−L fsm¡j HL pÉ¡ä¥C−Ql −c¡L¡−ez ¢hn¡m m¡Ce, c¡j −c−M j−e q'm AeÉ S¡uN¡l −b−L HLV¥ Ljz a¡C −h¡dqu Lm¢ðu¡ CE¢ei¡¢pÑ¢Vl c¢lâ R¡œL¤m HM¡−eC jdÉ¢c−el Bq¡l NËqZ L−lz m¡Ce H−N¡−µR, B¢jJz −i−h¢Q−¿¹ ¢WL Llm¡j ¢Q−Le pÉ¡m¡XÚ pÉ¡ä¥CQÚ hm−m phC −a¡ hm¡ q−h, Bl ¢LR¥ hm−a q−h e¡z q¡ Lf¡m! L¡E¾V¡−ll p¡j−e ¢hn¡m HL m¡mj¤−M¡ p¡−qh−L Bja¡ Bja¡ L−l h−mC −gmm¡j "¢Q−Le pÉ¡m¡XÚ pÉ¡ä¥CQÚ'! p¡−q−hl f¡ÒV¡ fËnÀ "on what'? H fË−nÀl L£ Ešl −ch! M¡h¡l −a¡ p¡−qhl¡ −fÔ−VC M¡u S¡¢e, n¡m¡f¡a¡ ¢Lwh¡ Lm¡f¡a¡u −a¡ eu −l h¡h¡! p¡−qh Bh¡l Ny¡L Ny¡L L−l ¢S−‘p Ll−me, "on what, lady'? Bj¡l −a¡ e¡¢s −R−s k¡h¡l AhÙÛ¡! −fR−e a¡¢L−u e¡ −c−MJ h¤T−a f¡l¢R Sea¡ Q’m q−u EW−R HL Aá¥a L¡fs Ss¡−e¡ Be¡¢sl "Be¡¢saÆ' −c−Mz ¢je¢je L−l hmm¡j, "on a plate, please'! Bl k¡u −L¡b¡u, p¡−qh −a¡ qÉ¡ qÉ¡ L−l −q−p EW−meC, a¡l p−‰ Bj¡l −fR−e m¡C−el pî¡C Ns¡N¢s ¢c−a h¡¢Lz! iÉ¡hm¡l j−a¡ cy¡¢s−u B¢R, q¡ph e¡ Ly¡ch, e¡ ¢fWV¡e −ch i¡h¢R- p¡−q−hl −h¡dL¢l Bj¡l AhÙÛ¡ −c−M Ll¦Z¡ q'm! ¢a¢e Bj¡−L −M¡mp¡ L−l h¤¢T−u hm−me- ¢L lLj fy¡El¦¢V Bj¡l fR¾c −pV¡ S¡e−m ¢a¢e Bj¡−L pÉ¡ä¥CQÚ h¡¢e−u II- 42 Sharad Arghya 2014 −c−he! B¢j B−l¡ p¡a q¡a S−m! fy¡El¦¢Vl Bh¡l e¡j-−N¡œ ¢c−u f¢lQu ¢c−a qu a¡ L£ L−l S¡eh? fy¡El¦¢V HL lL−jlC qu −c−M Bp¢R BSeÈz Bh¡lJ h−m l¡M¡ i¡m −k −p pj−u −c−n −V¢m¢ineÚ Q¡m¤ qu¢ez Bl −cn −b−L −p pju ý−c¡ ý−c¡ j¡e¤o c¤−hm¡ B−j¢lL¡u Bpa e¡z L¡−SC Bj¡−cl ‘¡e-N¢jÉ A¢a p£¢ja ¢Rmz p¡−qh T¡e¤ −m¡L, Bj¡l c¤cÑn¡ Bl e¡ h¡¢s−u pÉ¡ä¥CQÚ h¡¢e−u, L¡N−S j¤−s Bjl q¡−a d¢l−u ¢c−mez Hlfl hý¢ce B¢j JC j¤−M¡ qC¢ez j§MÑa¡l B−l¡ Ec¡qlZ B−Rz Lm¢ðu¡ CE¢ei¡¢pÑ¢Vl hC−ul −c¡L¡−e- e¡−jC hC−ul −c¡L¡e, Bp−m −R¡VM¡V HL¢V f¡s¡z hC −a¡ B−RC BmÚ¢fe −b−L BmÚf¡L¡l −L¡V, Bl a¡J ¢L HL lL−jlC, Bl HL¢V c¤¢V! b−l b−l a¡−Ll fl a¡L, Efl-¢eQ, p¡j−e-−fRe, −k¢c−L a¡L¡J −p¢c−LC ¢S¢e−pl Rs¡R¢sz Bj¡l ¢eSü A¢i‘a¡ N¢su¡q¡V, L−mS ØVÊ£V h¡ hs−S¡l f¡LÑ ØVÊ£−Vl hC−ul −c¡L¡e Ah¢dz −pM¡−e −c¡L¡−el ¢h−œ²a¡l¡ ph pjuC ¢hl¢š²l j¤−M¡p f−l b¡L¡ fR¾c Ll−ae, hC My−¥ S Be−a q'−m a−a¡¢dL ¢hlš²z −hn£l i¡NC "−eC', "BN¡j£ −p¡jh¡l −My¡S Ll−he' h−m i¡¢N−u ¢c−aez k¡C−q¡L, CE¢ei¡¢pÑ¢Vl −c¡L¡−e hy¡nh−e −X¡j L¡e¡l j−a¡ O¤−l −hs¡¢µR HL ¢n¢n BW¡ −Le¡l h¡pe¡uz HLSe pq©cu¡ j¢qm¡ H−p ¢S−‘p Ll−me, p¡q¡kÉ Ll−a f¡−le ¢Le¡z L«a‘ q−u S¡e¡m¡j, "gum' ¢Le−a Q¡Cz j¢qm¡ Ešl ¢c−me, "h¡R¡, "gum' l¡Ù¹¡l Jf¡−ll JC LÉ¡¢äl −c¡L¡−e f¡−h'z −c¡L¡eV¡ −c¢M−u −ch¡l SeÉ L¡E−L X¡L−meJz Ha hÉhÙÛ¡ p−šÄJ es¢R e¡ −c−M −h¡dqu ay¡l −L±a¨q−ml E−âL q'mz öd¡−me "gum' ¢c−u L£ Llhz j−e j−e i¡hm¡j −j−jl h¤¢Ül hql −a¡ fËnwp¡−k¡NÉ j−e q−µR e¡z BW¡ ¢c−u −m¡−L L£ L−l? j¤−M hmm¡j −k L¡NS S¥shz q¡−al c¤−V¡ BP¥m S¥−s Cn¡l¡u −c¢M−uJ ¢cm¡jz ¢Q¢su¡M¡e¡u Bjl¡ −kje BÕQkÑ¡¢eÄa cª¢ø−a EVf¡¢M −cMa¡j, −jjÚp¡−qh −aj¢e L−l Bj¡−L fkÑ−hrZ L−l ay¡l p−‰ −k−a hm−mez −hn ¢LR¥ a¡−Ll N¢m −f¢l−u p¡¢l p¡¢l −R¡V hs BW¡l ¢n¢n −c¢M−u ¢c−mez −k−a −k−a L¡−e L¡−e ¢gp¢g¢p−u h−m −N−me- HL h−m "glue'! −h¡−T¡ −Wm¡! ¢QlL¡m BW¡−L "l¡h¡l N¡j' h−mC S¡¢ez Hlfl −S−e¢R ph p¡−q−hl i¡o¡ HL euz HC ¢eu−j ¢h−m−al brinjal B−j¢lL¡u H−p q'm ¢X−jl N¡R h¡ eggplant. Curd h¡ cC e¡j hc−m yogurt! q-k-h-l-m-−a −kje "¢Rm HLV¡ l¦j¡m q−u −Nm HLV¡ −hs¡m'-Hl j−a¡, ¢Rm HLV¡ g¥Vf Ú ¡b, q−u −Nm p¡CXÚ Ju¡LÚz YÉy¡sp−L −m¢XpÚ ¢g‰¡l h−m L£ Ba¡¿¹l! −Le MyS ¥ R, L£ Llh, qÉ¡e¡aÉ¡e¡ ¢S−‘p Ll¡l fl −kC h−m¢R l¡æ¡ L−l M¡h, Ay¡a−L JW¡ −c¡L¡ec¡−ll j¤M ö¢L−u BjÚ¢p! −p a¡l h¡−fl S−eÈ LMeJ L¡E−L B‰¥m −ly−d −M−a −n¡−e¢e! LÓ¡−p −N¢R, fË−gpl H−me, ¢e−Sl j−e M¡a¡fšl −cM−Re, Oli¢aÑ R¡œ-R¡œ£−cl −L¡−e¡ −qm−c¡m −eCz −LE −V¢h−m f¡ a¥−m h−p L¢gl L¡−f Q¥jL ¤ ¢c−µR, −LE −X¡e¡−Vl ¢jøaÆ ¢e−u f¡−n HLS−el p−‰ −O¡l B−m¡Qe¡u hÉÙ¹z M¡¢eL f−l fË−gpl Sea¡l E−Ÿ−n HL fËnÀ Ry¥−s ¢c−a Har−Zl Aj−e¡−k¡N£ pî¡C TVfV q¡a a¥−m Ešl ¢c−a fËÙ¹¥az LÓ¡p q−µR, e¡ Q¡−ul −V¢h−m fË−nÀ¡šl q−µR −h¡T¡ c¤×Llz fË−gp−ll e¡j Xx f£V¡l XÉ¡¢e−umÚpeÚ zÚ ay¡l −mM¡ hC−ul a¡¢mL¡ h¡e¡−a q−m hC ¢mM−a qu! c¤dÑoÑ ‘¡e£ h−m −c−n ¢h−c−n e¡j B−Rz H−qe h¡O¡ fË−gpl−L −k −LE e¡j d−l "−q f£VÚp'Ú h−m p−ð¡de Ll−a f¡−l a¡ Bj¡l d¡lZ¡l h¡C−lz ¢L¿¹¥ "f£VÚp'Ú Hl a¡−a −L¡e AjkÑ¡c¡ q−µR h−m j−e q'm e¡z ¢c¢hÉ −q−p Ešl ¢c−u k¡−µRez B¢j kac§l pñh AcªnÉ q−u h−p b¡L¡l −Qø¡ Ll¢Rm¡j, f¡−R fË−gp−ll −Q¡−M f−s k¡C! f−b O¡−V −W¡‚l −M−u −M−u ¢e−Sl Jfl ilp¡ −j¡−VC ¢Rm e¡z a¡l Jfl HC fËQä e¡j£ f¢äa h¡ −hf−l¡u¡ R¡œhª−¾cl j¤−M¡j¤¢M q−a q−h i¡h−mC q¡a f¡ W¡ä¡ q−u Bp¢Rmz LÓ¡p −no q'm, j−e q'm e¡ −LE Bj¡−L mrÉ L−l−Rz "c¤†¡' h−m ¢exn−ë −L−V fs¡l a¡m Ll¢R, Hja pj−u −kM¡−e h¡−Ol iu, fs¢h −a¡ fs −M¡c h¡−Ol j¤−Mz qW¡v −L¡b¡ −b−L Ecu q−u j¡ØV¡l jn¡C e¡−Ll Qnj¡l Jfl ¢c−u Bj¡−L W¡ql Ll−Rez M¡¢eLrZ Bj¡l BN¡f¡Ù¹m¡ Sl£f L−l hm−me- "H−p¡ Bj¡l A¢g−pz' gy¡¢pl Bp¡j£ eÉ¡u −fR−e −fR−e lJu¡e¡ ¢cm¡jz ¢LR¥−aC h¤T−a f¡l¢R e¡ B¢j −qe HC p¡j¡eÉ ¢h−cn£ R¡œ£l fË¢a ay¡l HC Ap¡j¡eÉ L«f¡ −Le? fl j¤q¨−aÑC i¡h¢R- L£ −l h¡h¡, L£ Llm¡j, k¡l SeÉ B¢f−p X¡L ¢c−a q'm! Cú¥−m b¡L−a ¢fË¢¾pf¡−ml O−l ¢eu¢ja X¡L fs¡u, fË−gp−ll B¢f−p X¡L fs¡l L¡lZ Bj¡l ¢hmrZ S¡e¡ ¢Rm! fË−gpl Bj¡−L ¢e−Sl O−l ¢e−u ¢N−u hp−a ¢c−me, L¢g M¡h ¢Le¡ öd¡−me, a¡lfl HL −j¡V¡−p¡V¡ g¡Cm ¢e−u hp−mez Bj¡l aMe c¤¢ÕQ¿¹¡ Ll¡l n¢š²J −m¡f −f−u−Rz AÒf −n¡−L L¡al, A¢dL −n¡−L f¡bl Bl ¢L! k¡L, −hn£rZ Bl T¤¢m−u e¡ −l−M fË−gpl Bj¡l e¡j, d¡j, ¢WL¥¢S L¥ù£, −L¡e p¡−m ¢L f¡p L−l¢R- ph ¢eiÑm ¥ h−m k¡Q¡C L−l ¢e−me −k B¢j- B¢jC ¢Le¡z a¡lfl ¢S−‘p Ll−me, Bj¡l Cw−lS£ h¤T−a h¡ hm−a −L¡eJ Ap¤¤¢hd¡ B−R ¢Le¡z "−eC' ö−e Bh¡l fËn-À "LÓ¡−pl B−m¡Qe¡−a −k¡N ¢c¢µR−m e¡ −Le?' HLV¥ p¡qp −f−u Ešl ¢cC- "Bf¢e b¡L−a B¢j Lb¡ hmh?' p¡−qh q¡¢pj¤−M Aiu ¢c−u hm−me- "a¥¢j Lb¡ e¡ hm−m B¢j −Lje L−l h¤Th a¥¢j Bj¡−L k¡Q¡C L−l ¢e−a f¡lR ¢Le¡?' H −a¡ H−Lh¡−l Bj¡l p¡l¡ S£h−e −nM¡ f¡−Wl pÇf¨ZÑ ¢hfl£a d¡l¡! i¡−m¡ k¡l¡ a¡l¡ p¡j−e h−p ¢e¢hÑh¡−c Q¥f −b−L j¡ØV¡l jn¡C−ul Lb¡ Nm¡dxLlZ Ll−h Bl BN¡-hN¡l¡ −fR−el −h¢’ Nlj Ll−h Bl Lb¡ hm−m hL¥¢e M¡−h, HC −a¡ S¡¢ez j¡ØV¡l jn¡C−L QÉ¡−m” Ll¡l j−a¡ −Xy−f¡¢j Ll−h? O¡−s L¡l c¤−V¡ j¡b¡ ¢hl¡Sj¡e? −p¢ce h¤Tm¡j, −nM¡l e¡e¡ fb! !!!!"!!!! II- 43 Sharad Arghya 2014 h¡dÑ−LÉl Ahmðe, LmL¡a¡u HL¢V AeeÉ pwÙÛ¡ "VÊ¡C−hL¡ −Lu¡l' X¡x SunË£ −O¡o B−j¢lL¡l ¢puÉ¡VÚmÚ nq−ll h¡¢p¾c¡z c£OÑ¢ce ¢h−c−n b¡L¡l cl¦Z −cn −b−L −hn ¢LR¥V¡ ¢h¢µRæz ¢L¿¹¥ LmL¡a¡u Ap¤¤ÙÛ hs −h¡−el SeÉ phÑc¡ ¢Q¢¿¹az Ah−n−o Ap¤¤ÙÛ hs −h¡−el ¢Q¢Lvp¡ J Be¤o¢‰L L¡−Sl SeÉ E¢e "VÊ¡C−hL¡ −Lu¡l'−L ¢e−u¡¢Sa L−lez "VÊ¡C−hL¡ −Lu¡l' BS cn j¡p q'm Je¡l ¢Q¢Lvp¡ J −cM¡−n¡e¡l i¡l NËqZ L−l- AÉ¡ð¥−m¾p, X¡š²¡l −cM¡−e¡, q¡pf¡a¡−m i¢aÑ Ll¡, ph L¡SC ¢eù¡l p−‰ f¡me L−lz hup J e¡e¡ lLj Ap¤¤−Ml Lh−m Ah−n−o E¢e jªa¥Éj¤−M f¢aa qez "VÊ¡C−hL¡ −Lu¡l' nhc¡−ql hÉhÙÛ¡−aJ H¢N−u B−pz "VÊ¡C−hL¡ −Lu¡l'-Hl fy¡QSe N.R.I, ky¡l¡ mäe, ¢eE CuLÑ, c¤h¡Ch¡p£, ¢e−Sl¡ i¥š²−i¡N£ ay¡−cl j¡ h¡h¡−cl Apq¡ua¡ ¢e−uz ay¡l¡ ph −R−s HMe cªtfË¢a‘ HC hªÜ-hªÜ¡−cl kaÀ −eJu¡l SeÉz One STOP-SHOP, HOME CARE. phlLj −Lu¡l f¡−he HLC S¡uN¡uz öd¤ −g¡e L−l, −cM¡ L−lC, kaÀ −eJu¡ k¡u e¡, HLV¡ hu−pl fl n¡l£¢lL pjpÉ¡V¡ i£oZi¡−h ¢Q¿¹¡l L¡lZ quz a¡C "VÊ¡C−hL¡ −Lu¡l' a¡−cl −Lu¡l jÉ¡−eS¡l−cl ¢c−u HC hªÜ-hªÜ¡−cl k−aÀl HL ¢hnÄÙ¹ fËu¡p Q¡¢m−u k¡−µR fË¢a j¤q−¨ aÑz ¢hf−cl pju AÉ¡ð¥−m¾p X¡L¡, h¡¢s−a X¡š²¡l H−e −cM¡−e¡, e¡pÑ ¢c−u −ph¡ Ll¡−e¡, ¢Q¢Lvp¡j§mL pl”¡j ¢c−u p¡q¡kÉ Ll¡, nq−ll ph−b−L e¡j£ q¡pf¡a¡−m ay¡−cl önË©o¡l hÉhÙÛ¡ Ll¡, 24 O¾V¡l −qÒf m¡Ce, phC "VÊ¡C−hL¡ −Lu¡l' L−l Q−m−Rz "VÊ¡C−hL¡ −Lu¡l'-Hl jÉ¡−eS¡ll¡ −pCph ¢hnÄÙ¹ j¡e¤o ky¡l¡ p¿¹¡e ¢qp¡−h HC hªÜ-hªÜ¡−cl f¡−n b¡L−Re p¡l¡rZz "VÊ¡C−hL¡ −Lu¡l'-Hl HC V£j Columbia University, New York University, Boston University, IIT, IIM, Kolkata Medical College-Hl R¡œz −k¡N¡−k¡N Ll¡l Ef¡u: Kolkata office: +91-33-4027-7777 (10am-6pm, Mon-Sat other than public holidays) Prateep Sen: +91-99034-54775; prateep@tribecacare.com Tamojit Dutta: +44-78-1393-6262; +91-98367-89899 (India) tamojit@tribecacare.com Ellina Dutta: +97-15-5754-3882; elina@tribecacare.com For reference, you can contact Dr. Jayasri Ghosh through email: dr.jayasrighosh@gmail.com II- 44 ENGLISH SECTION TABLE OF CONTENTS Editorial Chandana Guha III - 1 Ballad of an Oriental Woman Husne Jahan III - 2 Loss From Across the World Gargi Chaudhuri III - 5 Amitav Ghosh Enlightens Houstonians Through Trilogy Sanchali Basu III - 6 The Story Of An Odd Dusk Shyama Mishra III -8 Swami Girishananda at VSGH Center Sanchali Basu III - 10 Crimson Leaf Monomita Chakraborty M. Sivaramkrishna III - 11 The Imperishable Power Vivekananda Gave Us From The Desk Of Banga Sammelan Leaving A Mark By Giving Back 2015 - Partha Sarathi Chatterjee III - 12 III - 16 Intuition Mrinal Chaudhuri III - 19 Aparajita Meenakshi Bhattacharjee Chandana Guha III - 20 Tagore as Painter III - 22 Sharad Arghya 2014 FOREWARD It is that time of the year for which Bengalis all over the world wait all year long – its Durga Puja. The Puja festival, though celebrated by our Houston expatriate society in a somewhat abbreviated form, makes us all feel closer to home. In essence, it feels like a huge extended family celebrating Puja in the same neighborhood of our own that we left behind. Our lives now are all about change and once a year we have an anchor, Ma Durga, who is an unwavering constant. The Puja feeling that pervades our consciousness across the Bengali society is constant. Ma Durga - the source of strength, symbolizing victory over evil, the beauty and power is constant. Each year she leaves us with the strength to live the rest of the year in the right path, to fight against wrong, to believe in ourselves, to know there is a ‘Durga’ in all of us. Durga is the eternal source of power. She is the fierce and the powerful and the protector and nurturer at the same time. “Durga” means the ‘invincible’ in Sanskrit. Devi Durga symbolizes freedom from all evils. She is our soul, our inner strength, our beauty, our invincible spirit that remain with us for the rest of the year after the pratima is symbolically immersed on Bijoya Dashami. I wrote about this last year and chose to repeat again as progress for education of girls is so slow and the need is so crucial. It would be the true legacy and message of Durga Puja each year if we can impart to our children that while dressing up, entertainment programs and food is part of the festivities, the concept and message of Ma Durga is much beyond that – it is the concept and understanding of a responsibility that all children born into privileged circumstances need to have, specially the girls, towards their counterparts in underprivileged parts of the world, India included, that do not have any opportunity to overcome the poverty, oppression and despair of the circumstances they were born into. No one chooses where they are born, but it is the circumstance of birth that chooses how a girl develops. In the rural and urban communities of developing countries like India, education means the difference between poverty and comfort, between servitude and opportunity. If we can teach our daughters (and our sons) the value of empowering girls through education, then in their lifetime, and hopefully in ours, we will see a global change in our society’s recognition that all women deserve to be treated with dignity, respect and care. Educating women and girls offers the most optimistic and positive effect on families, communities and economies of any developing nation. Education of girls is the most achievable way to deliver hope, reasonable, measurable, tangible hope for Indian society for a kinder more prosperous future. Our daughters need to understand and feel that, it is our responsibility to make them understand. Only then we have really and truly celebrated and worshipped Ma Durga! Sincerely Chandana Guha Editor – English Section III - 1 Sharad Arghya Ballad of an Oriental Woman Husne Jahan "You asked me, Do you remember her"? Do I remember? Indeed! How can I forget? My loving chhotokhala the youngest in her family, loved by family and friends; soft spoken, gentle and understanding, taking care and guiding us in matters personal and academics, helping my first entry to schools. A brilliant Math student intent on completing Master program from the prestigious college before submitting to Nature's role.. But Fate ordained it otherwise: the guardians wished to fulfill parental obligation by tying her knot with a suitable final year medical student before they bade farewell to earthly life. How can I forget my khala's initial frustration and vehement protest; all in vain and passed over, seating her in grudging silence, breaking loose a flood of tears, continued till the nuptial altar where pressured to utter "I do"? Her lack of response barely had an impact and was misconstrued as passive consent from a bashful oriental bride, and rituals were completed of a happy wedding celebration… Then the tearful complaint the next morning of marital consummation of the unwilling bride (pretty common in arranged marriages 2014 in third world countries), whispered to her older siblings, ( in time related to us ), left indelible marks on our tender minds, forever haunting and forbidding. Even now I can visualize her first housekeeping in a single room apartment with a makeshift kitchen & toilet on the ground floor of ours, angled to the left, visible from our balcony. There my aunt, pregnant from her wedding month, pursued her traditional role of a dedicated wife: waiting patiently in late afternoons to lunch with an internee husband, which culturally aims to satisfy more the man's appetite with whatever can be afforded on a meager earning. The wife was too dignified to accept even brief early bites offered by her sister upstairs before husband's arrivals. The situation got worse with the birth of their daughter whom she had to nurse on an empty stomach, though the baby got pampered and was fed upstairs while mother attended to household chores. There was a piece of added nuisance that the caretaker of the apartments who pumped up water manually in a narrow space outside their bedroom, also slept there coughing all night, the sound of which even faintly floated upwards to our floor. Hence, it is easy to guess how much it taxed the patience and forbearance of its next door inmates to live with that nagging sound III - 2 Sharad Arghya 2014 throughout the night. when I witnessed in utter distress your mother carried on a stretcher up the stairs to our parents' fourth floor residence. Soon we departed from that city due to political demarcations effected by administrative decisions. But the small family stayed behind in the dingy coupe through the husband's internship, little apprehending that the dutiful struggling wife had been lethally stamped by the polluted environment of their honeymoon resort, which surfaced when she got pregnant a second time within another year: the devoted wife had contracted tuberculosis from the coughing caretaker, unable to fight it with her frail constitution. It was fortunate that her husband was able to treat her with strong medications, which were just available in that part of developing world, for her rescue and allow her to give birth to a normal healthy male child unaffected by her fearful ailment. Thousand thanks to The Almighty. On their next family visit to our part of the subcontinent, I fathomed from my khala's talks her deep affection for her husband and In the next following years, we got news of the birth of their two more children in succession. Then out of the blues we were shocked to hear the news of my dear aunt fatally invaded by an unknown malady whose source was still baffling to medical science, defeating all quest at the time to understand and find its remedy. I was residing at my mother's home indisposed with my first pregnancy, Even after more than half a century can I ever forget that helpless, pining and searching look on my dear "chhotokhala"'s wide eyes, wandering from side to side under the grip of terminal illness? I perceived in the floating eyes of the lying swollen face of that loving hearty woman, a huge silent question mark seeking answers from everyone and probably from the "One Above", "why did this have to happen to me?" "is this the end of life?" "wasn't the first illness enough suffering for me?" " why did I have to survive just to suffer this again?" I tried to stay away from her pitiful looks as I knew no answer to those insoluble queries. Her husband took her to their country house, which he had purchased to enjoy life together after retiring from active work. Their oldest daughter merely seven and the youngest gleefully jumping around with newly acquired skillful steps, unaware of the appalling dismal fate awaiting them all. Her body had to be revived with fresh blood every week, which my father took upon himself to fly with to keep her alive for an extra week. The week my father's flight got delayed, my aunt kept looking helplessly around waiting for the life saving fluid, searching with yearning eyes for her beloved ones; III - 3 Sharad Arghya 2014 while gasping pitifully for breath she asked her attending husband, "Is there nothing else available for my cure?" Alas! my father's late flight carrying the life saving bottle, failed to catch up with her last breath and she left us all for the unknown. . Not to speak of her old parents, it made my mother inconsolable; to lose her youngest sister leaving behind 4 innocent ones, of whom she offered to adopt the youngest two. a demanding situation. However, what it is to grow up with the impact of missing the loving care of your birth mother, while witnessing the difference between blood and adopted kins you were fated to verify with your own lives. . Who can tell why things happen the way they do and how one would've fared if life followed other directions…, that'll remain the eternal riddle and mysterious secret of mortal life. ( to my nephew) The thought of giving any away was unacceptable to the father's ego, even it be to the loving care of their aunt or grandma. As per anticipated norm, the father soon found beyond him to continue his medical profession with hands full of 4 young kids, along with household chores besides his own personal needs, ultimately resulting in decision within the following 6 months to gift the kids with a permanent care giver, who could hold the rein of domestic matters. The newly arrived lost no time to make all out efforts to play her motherly role by providing her wards with a matching set of playmates of her own. It is a hearsay that a father behaves like an uncle or a stepfather to his former issues after giving them a second mother, in his efforts to maintain family peace in Foot Note My khala was very special to all of us. Her children remained very attached to my mother and grandmother. I also try to keep in touch with them as much as possible, though everyone seems so busy with their own affairs. One of her sons is in Birmingham, one in KSA, one in USA and the oldest in Dhaka. Their children are also all over. It was in reply to the one in UK, that I composed the above narration. My nanu never got over the loss of her 2 daughters meeting untimely death --one died as a child who loved 'roshogolla'. So Nanu never touched that sweet again all her life. And chotokhala's grave was in her parents' Khulna house next to her husband's home and nanu stayed put there alone till the end in the nearness of her grand kids and Khala's grave in spite of all her difficulties and physical ailments. I've been thinking that as information like this is unknown to our generation & never will b to the next, I should think of writing about myself, my parents & my husband's & our siblings for our next generation who don't even know who, what, where & how their families were. Everything will be lost with our generation if they don't know as the world is concentrating only on technology for everything. I feel sorry why I never asked my grandparents or parents & in-laws about their forefathers. Now there's no one to tell us. I feel history of ancestry should be preserved for understanding ourselves. I wonder how much Minu knows about her ancestors. I shall ask. III - 4 Sharad Arghya 2014 make anything easier to process or understand, but it does let me reflect on how my grandfather has affected me from the other side of the world. It’s almost impossible for me to write a proper goodbye to him because I never got to know him as well I wish I could have–an immigrant child’s dilemma. But I know some things. He had a loud, booming voice and a wonderfully hearty laugh that echoed all over the house. He used to call me “Gargi Didi,” even though I was a young child, and he was much older and wiser than me. His favorite color–or at least his favorite color for me–was pink. He once worked as an executive of a company that made bottle caps. When I was little, I would check the bottom of every bottle cap to see if it was made by the company he worked for. On trips to India when I was younger, he was always first in line at the airport, ready and waiting to run over and give me a hug. On weekends, he would go out and get my favorite kind of dessert from the market– jalebi–and bring it back, warm and sticky and sweet. He went through a lot of hardships, but I would never know about them if my mother hadn’t told me stories. He was nothing but positive and warm around me. He was unfailingly dedicated to his family. He had two children: my mother and my uncle. Through their strength and compassion, I can see exactly what kind of legacy he left behind. Thank you, so much, Bhalodadu, for everything that you’ve brought to my life. You were an incredible man, and I hope you can see how much you’ve inspired your children and your grandchildren. Loss From Across the World Gargi Chaudhuri In November of last year, my grandfather passed away. I wrote a short piece afterwards to help me explore and express the many emotions that the event evoked for me. It’s been almost a year, and after the immediate effects of his death, I’ve realized that loss is something that becomes a part of you. Sometimes a random memory with him, or with my other grandfather, who I lost many years ago, will just appear in my head, out of thin air. And while the initial sense of pain that comes with that memory softens over time, it still continues to be an emotional weak spot, like a phantom limb. I think the strangest part, however, is that most of my more vivid memories with both my grandfathers are from when I was incredibly young. It is truly bizarre to grow up so far away from people who have influenced your life a great deal. Sometimes when I look in the mirror from a certain angle, I catch glimpses of traits I’ve inherited from my grandparents. Their features are written on my face, their stories told to me by my parents, creating a strange, undefined bond that reminds me that we are so much more than just ourselves. While my memories of both my grandfathers are limited, I put together what I know about my maternal grandfather to write this piece after his passing last year: The only other loss of an immediate family member, that of my other grandfather, happened when I was very young, so it’s strange now being at an age where the ideas of life, death, heritage, and identity are much more complicated in my mind. It doesn’t III - 5 Sharad Arghya 2014 Amitav Ghosh Enlightens Houstonians Through Trilogy Sanchali Basu It was indeed a treat to listen to Amitav Ghosh discuss his latest work, the Ibis trilogy at the Asia Society of Texas earlier this year. The first 2 of the trilogy, the bestselling Sea of Poppies, was shortlisted for the Man Booker prize in 2008. River of Smoke is the second in the Ibis Trilogy, where one travels the opium route with Bahram Modi, a Parsi opium merchant from Bombay to 19th centuryChina. Amitabh Ghosh The author was welcomed by the cochairs Dinesh Singhal and Rick Pal of the University of Houston India Studies program. They thanked Chancellor, Dr. Renu Khator, Lois Zamora, chair comparative literature, and Chitra Banerjee Divakaruni, writer, faculty UH, with whose collaboration the evening was made possible. Chitra introduced the author as someone who had a great influence on her, being born in the same city, Kolkata. Ghosh has taught Comparative Literature and English at City University of New York, and Harvard University. He is the recipient of several awards including the Padma Shri, Sahitya Akademi Award and Ananda Puraskar in India and International e-book and Arthur C. Clarke award to name a few. His work has been translated into more than twenty languages, and he currently divides his time between Calcutta, Goa and Brooklyn. He started his talk by giving the background of his trilogy and how in the late 19th century when India was under the rule of the British, the East India Company’s main trade commodity was tea which amounted to more than 20% of all British revenue. Tea was taxed as high as 100% and the taxes alone paid for all non-military expenses. The Chinese were more interested in buying opium and the British found it to be more profitable. Thus began the protagonist’s journey on a smuggling boat to Canton. The author walked us through a very extensive slide show which encompassed the types of boats used, including the graduation from the square rigged ship to the Baltimore schooner. He mentioned the Parsis (a dwindling community in India now) who ran the most important ship building companies in the world at that time. The opium factories in the east and west coast of India generated enough wealth to build almost half of London and the grand palaces in India and there was not a single merchant at that time who did not trade opium. The places like Macau, Lintin Island, Whampoa in the Pearl River estuary were shown on maps which formed the trade route. The sneaky process in which they off loaded the opium on Lintin Island and landed on the mainland (Canton) without their cargo was explained. The significance of Canton, the mega city as old as Rome and its rich heritage and culture was touched on. The industrial power that it has now become stemmed from that era, be it in the field of porcelain, furniture, flowers, lacquerware or pictures. Most of the paintings of western leaders were III - 6 Sharad Arghya 2014 done by Chinese painters, Lamqua being the most notable. The conversation with Chitra ensued and Ghosh elaborated that characters do have a will of their own and end up in places one wouldn’t have conceived. He loved to read since childhood and historical fiction by Bengali and other writers had inspired him with his present worker. He does like to travel to the places he writes about but they do not in any way resemble what they used to be. There are magical moments that trigger a novel, when characters come alive. On the topic of the political and social function of literature and the difference between India and the USA, he did emphasize that there is more freedom of expression in China vs India and that Indian books are subjected to attacks by Indian politics. The audience was mesmerized by the mellifluous flow, depth of knowledge and the charismatic persona of the author. A reception followed with wine and finger foods and the author obliged by talking to all his ardent admirers who stood in line to get their books autographed by him. Ghosh definitely made a great impact on Houstonians on his first visit to the Space City. III - 7 Sharad Arghya 2014 The Story of an Odd Dusk Shyama Mishra It was an odd dusk. It was a regular dusk otherwise, just like every other day, when the smoggy skies of Kolkata outside the glass walls and windows turned a dull shade of gray. She had always hated this time of the day. Stuck between light and dark, vacillating between day and night, this time of the day bored her because if she really hated something, it was indecision. But today was an especially odd dusk. As she stood in the lobby of her workplace, the luxury hotel throbbed with life. It wasn’t her day for lobby duty, but she smiled anyways at a group of Middle Eastern airline crew checking in at the reception. The girls are restless on their heels; the boys are flirting with the receptionists as they waited to check in. Some celebrity walked by, she nodded and smiled again. A bunch of random businessmen are milling around, checking in, checking out. Her eyes browsed everyone all part of her job. Then she looked out of the glass doors, again, looking for the cab to roll in. Waiting, but not restlessly, no, there was no reason to be nervous, or restless, or impatient at all. It was a strange ennui, certain complacency. It was just a job to be taken care of, so she had to just get done with it. It wasn’t always this placid - her waiting for him to come in through those doors, meeting her in the lobby, going down to the restaurant for a cup of tea or coffee, talking about the business of separating. Then, as checks were delivered, papers were signed, forms were filled, she had always felt that lump in her throat. As long as he stayed, the feeling stayed. She would want to reach out. May be touch those fingers that she was free to hold even a year ago. May be talk about patching up; pick up the threads that were straggling open ended, waiting to be snipped off by an indifferent judge, sitting in some overcrowded, stuffy courtroom in some unknown corner of the city. She had wanted to say a lot, but then the words clammed up right there in her throat. They Jammed up till they choked her, till it hurt, and then her eyes would start to hurt, and then she would just cut the meeting short, needing to get away, escape to her office, fight for breath, stifle her pain, stare listlessly at the computer screen -all behind the closed doors of her office. In the hallways outside, work went on, normally. Through the glass doors of the lobby the man walked away, naturally. It was a one way street – this “situation “of theirs. There was no going back, but since when did human mind become so sensible? So every time he came, waves of pain, grief, frustration and anger at all this meaningless, slushy emotions, crashed down on the closed door of her office. But this was an odd dusk because today she didn’t plan to get hurt. Not that she ever planned it. Actually, she had no idea what would happen today, and she hated indecision. She was curious to see his reaction to her wedding ring, the fine mark of vermillion in her hair, the gold encased iron bracelet on her left wrist. Months had passed after they had last met on the final day at the court. She had crossed an endless sea of time getting to where she was anchored now. They had once talked over the phone two days after her wedding when she had casually passed on the message. She had moved on. She was on her way to her in-law’s place, the papers had to wait. How many papers did she have to sign anyways? This time she was irritated slightly. She was on a new path, and much like before, there was no looking back. But III - 8 Sharad Arghya 2014 unlike before, there was no tragedy in that thought. Maybe honestly, she even felt somewhat smug, a dull sense of revenge towards that man who had walked away so indifferently carefully and triumphantly managing the many folds of his ego. This time she was the winner. So he came in, and she walked towards him, and they sat down, the papers came out – all as usual. She noticed he had gained weight. She noticed the sweat, and she noticed something else, something new on that face. The eyes were sad! Those same eyes that had once demolished her self esteem were almost empty of that stern self confidence!! That reeking ego – defeated! There was a certain emptiness that made him somewhat human in his sadness! She was almost ready to sympathize, when the words came through. “You informed me about your marriage two days after the fact; I am here to let you know two days before mine, that I am getting married”. Not a word before that, not a word after. She probably managed a “congratulations”. Did he even realize that they were officially divorced, legally strangers now, and it didn’t matter anymore who married and who didn’t? What was it with him, His helplessness at losing control? Still shadow fighting to save the last dregs of his ego, mere childish rivalry? In truth, none of it made any sense. The random act of paper signing done, the more unnecessary statement made, he walked out (victorious?) and she looked on trying to decide whether to laugh at this ridiculously egotistic fool of a contender, or sympathize with a broken man on rebound. But she hated indecision so she decided to opt for the latter, because the first choice was much too ruthless, even when it came to judging her ex. III - 9 Sharad Arghya 2014 Sri Ramakrishna had various Gurus beginning with Kenaram Chattopadhyay, Bhairavi Brahmani and Totapuri and each played a great part in him attaining Sat-chitananda (truth-consciousness- bliss). Swami Vivekananda who initially had several doubts in his mind about Sri Ramakrishna tested him in various ways before accepting him as his Guru when he realized that Sri Ramakrishna was indeed an incarnation of the Divine Power. As the chief disciple he then took on the colossal work of spreading his Master’s message once the dormant power (Brahmakundalini) within him was awakened. Sri Sarada Devi, Sri Ramakrishna’s consort in whom Sri Ramakrishna saw the Holy Mother was the catalystic power who provided the support to Swami Vivekananda on the Master’s passing. So much so that in the short 18 years of his life after Sri Ramakrishna’s death, Swami Vivekananda was the first key figure in the introduction of the Indian philosophies of Vedanta and Yoga to the western world and was credited with raising interfaith awareness, bringing Hinduism to the status of a major world religion in the late 19th century. He was ahead of his time in preaching the motto that all the different religions lead to the same goal – realization is one. In a Satsang at the center Sw. Girishananda answered questions asked by the devotees. “What is the relationship between God, guru and the shishya?” was the question posed. He replied that one does not have to be an intellectual to have spirituality and God realization. These come to the most common man through unimaginable absolute renunciation. Mother Kali made Sri Ramakrishna follow all the religions including Christianity, Islam and non-dualism to find out the ultimate truth for Swami Girishananda at VSGH Center Sanchali Basu It was a great opportunity for Vedanta Society of Greater Houston (VSGH) devotees to be able to meet Sw. Girishananda on his very short hurricane tour through Houston last year. Being a trustee and the Belur Math office manager, Houston Vedantites were fortunate that Maharaj made a little time out of his very busy schedule to make a stop at Houston. After his arrival late afternoon, he gave a lecture on the guru (teacher)-shishya (disciple) relationship between Sri Ramakrishna and Swami Vivekananda. As the 150th birth anniversary celebrations of Swami Vivekananda was wrapping up, it was good to hear about how important a role a guru plays in spiritual life. He described a guru as one who has got the realization of the interpretation of the scriptures, and has no bad intentions, lust or evil in mind. When one approaches the Guru to know the truth, one has the power (guru Shakti) to choose the path to follow. The shishya has to depend on the Guru to be exempt from the repeated birth and death cycles of human life. The Guru holds the hand of the shishya and helps cross Samsara (worldliness) by making ignorance/darkness go away with faith. The Guru must be respected and there needs to be immense earnestness to learn and absolute surrender. The guru must be served with utter devotion and questions must be asked with humility and humbleness to extract truth. The Guru will then bless and advise and direct the shishya in the right path. III - 10 Sharad Arghya 2014 himself. Incomparable renunciation of lust and attachment to gold made his mind crystal pure leading him to go into Samadhi (pure ecstatic state) often. Discrimination is the other asset and seeing God in everything and looking at all work as God’s work is the other tool for the highest spiritual transformation. The effort of VSGH to attain a resident swami was well accepted by Sw. Girishananda. He mentioned that patience and perseverance needs to be practiced and to then leave it in God’s hands. We at VSGH are very hopeful that Sw. Girishananda will put in a good word in our favor and the toils of the devotees will come to fruition. Belur Math Crimson Leaf Monomita Chakraborty One leaf is particular caught my eye One day in autumn, while walking on by It was just the one I was looking for Lying on the top of earths leafy floor Crimson in color amongst golden brown Winds blowing lightly tumbling it around Chasing after, I hurried with delight But the wind soon blew it quite out of sight Dear God I prayed as I walked to my home This leaf reminds me of one love, my own Just a sample of what I found so dear Now losing this leaf, I wiped off a tear There’s no other leaf like it I could see Many colors, none other suited me Sadly I walked home my head hung with grief There at my door lay, that one crimson leaf. III - 11 Sharad Arghya 2014 all, Vivekananda was wrong in claiming that there is absence of religious persecution in India. Look at the description: Vivekananda “a proselytizing guru”. Is he? The one who affirmed in the World Parliament of Religions that, “if anyone here hopes that this unity will come by the triumph of any one of the religions and the destruction of the others, to him I say, “Brother, yours is an impossible hope. Do I wish that the Christian become Hindu? God forbid. Do I wish that the Hindu or Buddhist would become a Christian? God forbid.” And “The Christian is not to become a Hindu or a Buddhist to become a Christian. But each must assimilate the spirit of the others and preserve his own individuality and grow according to his own law of growth.” The final words (in the concluding session) are equally forceful: “…if anybody dreams of the exclusive survival of his own religion and the destruction of the others, I pity him from the bottom of my heart and point to him that upon the banner of every religion will soon be written, in spite of resistance: ‘Help and not fight, Assimilation and Peace and not Destruction.’ “Even during the parliament days, Vivekananda was described as “a thorough student of world history”, “thirty years old in time, ages in civilization”. And “you can’t trip him up or get ahead of him.” And he did make “converts”! As Harriet Monroe, the editor of Poetry magazine who was present at the Parliament described his speeches as “peaks of human eloquence” which “made converts by the score to his hope of uniting East and West in a world religion above the tumult of controversy.” In our own days U Thant, the then Secretary-General of United Nations, pointing out, that “there is no political tolerance”, no “intellectual development” alongside “moral and spiritual” growth, THE IMPERISHABLE POWER VIVEKANANDA GAVE US M. SIVARAMKRISHNA I The 150th Birthday context of Swami Vivekananda has come in handy for, some serious but frequently frivolous and even perverse, studies. Since many western publishers have set up their outsourcing branches in India, it is convenient to look after mutual trade interests. Authors can get the imprint of the publisher which creates the colossal illusion that the authors are impeccable scholars. But, insensitive books are defended in terms of secularism-you can write anything, for instance, on Hinduism particularly, and if somebody feels hurt, it is intolerance. Strange statements that India is no nation at all, that Hinduism and Hindutva are the same that Shiva is an overly erotic and marginally ascetic god, etc. are the staple of research scholars. Now there are ideas going round that Vivekananda (by and large) delinked himself from his guru, made fun of Vedanta etc. And the irrepressible Wendy Doniger comes out with another tome On Hinduism (you not only require money to buy but also angelic tolerance to read it) wherein she frames (repeats?) her usual insights. What did Vivekananda do? “Ramakrishna’s disciple [he] was the first in a long line of proselytizing gurus who exported the ideals of reformed Hinduism to America and, in turn, brought back American ideas that became infused into Indian Vedanta.” Moreover, Vivekananda “quoted out of context”, the Vedic statement, ‘The wise speak of what is One in many ways.’ “And, his “Hinduism jettisoned the particulars of Hindu polytheism (doctrine, dogmas, rituals, traditions and temples) in order to extract a universal essence of ‘spirituality’ “. Above III - 12 Sharad Arghya 2014 pleads for Swamiji’s insights of “tolerance”, his distinct mark: “This spirit of tolerance, this philosophy of live and let live, the concept of trying to understand the other’s point of view has been what Swami Vivekananda strove to put out-particularly to the American people. I think it is a very great lesson to be learnt from the teachings of Swamiji.” This prospect of world spirituality in Vivekananda needs another kind of “proselytizing”. And it is warranted, authenticated by the fact that he had tremendous POWER of experiential spirituality. An admirer and not his devotee, Lilian Montgomery, after listening to him wrote: “Vivekananda was so entirely different from anything we had known in America. I had heard all my life, it seemed to me, of power and repose and, the first time I had seen it was in the presence of Swami Vivekananda. …Power seemed to emanate from him…It seemed to me there was an ocean of consciousness back of Swami Vivekananda, and in some way it focused and flowed through his words, … there was a purity and an intense power as such, a power I think we had never seen-that I had never seen and I don’t expect I will ever see it again. It seemed to flow from an infinite source…” transcendent authority are filling public places and winning key political contexts.” Moreover, a European Value Survey, and a World Value Survey suggests that levels of religiosity are not only high but increasing in most of the world. The data from countries “containing more than 85 percent of the population” demonstrate that the most populous and fastest-growing countries in the world- including United States- are witnessing measurable interest in religiosity, based on questions concerning belief in God, importance of God in one’s life, importance of religion in one’s life, whether people were raised religiously at home, how much comfort people find in religion and frequency of attendance at church or religious service.” The surveys done in China, Brazil, Nigeria, Russia, South Africa and the United States, “showed increased levels of religious belief and behavior in the course of the 1990s.” In addition, there is also a remarkable quantum of balanced approaches to religion. A fascinating development is the return of some kind of religion-studied guardedly, cautiously exploring the compatibility of religious values and their functioning in secular contexts. For instance, Allen de Botton’s Religion for Atheists and Daniel Dennett’s Breaking the Spell seem to suggest what can be described as the indispensability of faith. And I would like to believe that Vivekananda’s vital role in this is like what he himself called “the gentle dew that drops unseen and unheard but brings into blossom the fairest of roses.” In essence, there is nothing of a spectacular, showy, propagandist or proselytizing nature in Swami’s work. With neither public to please nor critics to appease his impact is inescapable. Two significant developments evident in very recent studies may be noted as a conclusion to this note. One is the emergence of Yoga in various contexts. For II At this stage, one feels tempted to coin a caption: “SAVE VIVEKANANDA FROM ACADEMICS”. But, then, an interesting study edited by Paul Marshall et al assured me that God and his related ethos do not leave us so easily. In an article in that volume- entitled “God is Winning: Religion in Global Politics”, the authors Timothy Samuel Shah and Monica Duffy Toft – tell us: “Global politics as a whole is increasingly becoming what could be called ‘prophetic politics’ in which voices claiming III - 13 Sharad Arghya 2014 instance, Yoga is being used with the theme “Harmonious Learning: Yoga in the English Language Classroom”. Lisa Morgan designed this pedagogy published in the English-teaching oriented journal published by the United States Department of State for Teachers of English. Harmonious Learning is the base for balanced living in a world dominated by STEM education (Science, Technology, Engineering, and Mathematics). truth in Indian society be put in service of politics. “The tremendous power in the hands of the roving sanyasins has got to be transformed, and it will raise the masses up.” IV In short, the intrinsic renunciatory freedom of the SELF is the desperate need of the hour. “Fill the land with spiritual ideas” makes immense sense, imperative today. It is this imperishable power that the Swami gave us. Do we claim it or content ourselves with copious reverence or work out its relevance as the new inevitable model of global development? It seems the frequent change of development models and their growth potential show that the Vivekananda vision of total human development restores sanity to the paradoxes which are current now: availability of resources but no accessibility; GDP measurement is mis-measurement since the growth does not reach the needy. In short, the corruption all over is the result of preponderance of the motifs of economics and enjoyment fatally dissociated from ethics and equilibrium. Perhaps, the classical scheme of Purusharthas and their ideal of integral well-being all over the globe need to be restored in terms of Vivekananda’s integrated spirituality. It is necessary to integrate our reverence for him into the power which enables us to work out its immensely practical relevance. But, yes, we cannot terminate the imbalances but we can effectively tame them: “Toned-down materialism”- in Swamiji’s impeccable idiom. III The most significant breakthrough in our awareness of Swami’s practical Vedanta today is – its practical potential to cleanse, if not totally purify, the political field. “Keep off politics” said the Swami. It has to be interpreted carefully. Its hermeneutics is exemplified in the very structure of the Ramakrishna Mission: It is built on tyaga and seva: renunciation and service. Do they work? The global impact of the RK movement in institutional form is irrefutable evidence that it works. Indeed, as recent studies – especially of Ananya Vajpeyi, Mithi Mukharjee and the essays on political thought in practice (with special reference to The Bhagavat Gita and Modern India) edited by Shruti Kapila and Faisal Devji- explore the immense power of renunciation and service. They are dynamic sources beyond and inclusive of what analysts these days are calling “hard power” and “soft power.” Mithi Mukharjee puts this without any self-consciousness, implicit or explicit: “As one who had detached himself from the affairs of the world and had identified himself with the cosmos, the renounced stood outside society and was precisely that position of disinterestedness and impartiality toward the affairs of the world that made him the enunciator of truth. Vivekananda had even suggested that the power the sanyasins commanded as enunciations of III - 14 Sharad Arghya 2014 Allen de Botton, Religion For Atheists, Penguin, 2005 Daniel Dennett, Breaking the Spell, Religion as a Natural Phenomenon, Viking/Penguin, 2007 See also Louise M. Antony, (ed) Philosophers Without Gods, New York: Oxford University Press, 2010 Lisa Morgan, “Harmonious Learning: Yoga in the English Language Classroom”, English Language Forum; Washington: Office of the English Language Forums Vol I, No.4, 2011 Ananya Vajpeyi, Righteous Republic: The Political Foundations of Modern India: Harvard University Press, 2012 Mithi Mukharjee, India in the Shadows of Empire; Delhi: Oxford University Press; 2010 Shruti Kapila and Faisal Devji (editors), Political Thought in Action: The Bhagavad Gita and Modern India, Cambridge University Press, 2013 SOURCES Wendy Doniger, On Hinduism, 2013, Aleph/Rupa Vivekananda, Chicago Addresses, Kolkata: Advaita Ashrama Marie Louis Burke, Swami Vivekananda in the West, part I U Thant, Vedanta Kesari: Vivekananda Birth Centenary Number, 1963 Gopal Stevig, Western Admirers of Ramakrishna and His Disciples, Kolkata: Advaita Ashrama, 2010 Paul Marshal, Lela Gilbert et. al, (eds) Blind Spot: When Journalists Don’t Get Religion; New York: Oxford University Press, 2009 Professor M. Sivaramkrishna is former Chair, Department of English, Osmania University, Hyderabad, India; has written extensively on Ramakrishna-Vivekananda Tradition and recently compiled VIVEKANANDA READER for Advaita Ashrama, Kolkata. III - 15 Sharad Arghya 2014 From the desk of Banga Sammelan 2015 - leaving a mark by giving back Sammelan will also cater to the next generation – where they not only learn from the parents but mingle and learn from their contemporaries in India. Finally, new NABC will not just revolve around three days of fun – it will make a significant and sustainable difference to the global community and Bengal – give back and make a difference. Partha Sarathi Chatterjee It was in July 1905. Dark clouds were hovering on the horizon of British India when Lord Curzon decided to punish Bengal for being at the forefront of the independence resistance. Partition of Bengal was supposed to destroy the Bengali intellectuals, the growth story and most importantly, the backbone of Bengal. 110 years later, in July 2015, in a new global economy, in a world of cultural diversity and modern technological innovation, glonal Bengalis will gather in Houston to celebrate that rich culture, the heady intellectualism and the fire in the belly which Curzon and many others could never destroy. It is our way of celebrating our rich culture and projecting Bengal to the world – our humble way of giving back to our motherland. Banga Sammelan is about to take off on that new orbit with Space City Houston's NABC 2015 being the launch pad. It is the destination of our journey to transform and reinvent the conference for the 21st century so that the great work of past NABC's can be sustained. Why is Houston different? NABC 2015 team boasts of a core group of highly successful younger global Bengali diaspora, at senior executive levels of world-renowned multinational companies, educated at IIT and other top institutions in India and US. We have gained experience and gotten accolades organizing NABC 2006 and IIT 2013 Global Conference. We are relatively young, but truly motivated and enthused to give back to our motherland and make a sustainable and tangible difference. We have achieved professional success – we want to share our success with Bengal and help Bengal in a meaningful way. We intend to take Brand Bengal to the world. We are motivated by Swami Vivekananda’s saying – “Leave a mark” (“ ”) and Rabindranath Thakur’s vision of a borderless mind and universal culture. We want to make a difference – leave a legacy! Our strategy for the new NABC is based on the framework provided by the four pillars: Ideas, Execution, Communication and Philanthropy. We are committed to making the event and our programs for the future a resounding success. New Banga Sammelan… The new Banga Sammelan will be a revitalized conference, not only dedicated to the culture and arts but contributing something concrete for the global community and Bengal and Bangladesh, be it green initiatives or social entrepreneurship. The new Banga Sammelan will bring enormous value to donors and sponsors US, India, Bangladesh and beyond – ensuring they realize the potential of the global platform we bring. The new Banga Unique features of Banga Sammelan 2015 1) Highlighting Bengal as an investment destination – Where sky is the limit! III - 16 Sharad Arghya 2014 a. Business forum – highlight Bengal and its investment opportunities, build bridges between Bengal and global industrial giants. Showcase Bengal as the destination of choice for industry. 2) Highlight Bengal’s traditional festival globally – Bengali at core, carnival in spirit! a. Puja contest – Banga Sammlean will run a Puja contest to pick the best 3 pujas with the top puja winner being felicitated in Houston during the conference. They will get a rare opportunity to showcase their talent in front of the audience. Celebrate the unique carnival in typical Bengali style – promote that festival to the global audience! 3) Searching the future Bengali leaders all over the world a. We will shine light on the new stalwarts from amongst global Bengalis in any field – be it as entrepreneur, educationist or social activist. 4) Bringing America to Bengal – build bonding between the two cultures a. Pre-conference activities in December – Starting with a “prabhat pheri” showcasing traditional Bengali culture (Baul and dhak), from Rabindra Sadan to Nazrul Mancha, we will kick off the event with a gala event in Nazrul mancha on December 28th. That cultural extravaganza will feature the stalwart artists of NABC 2015. We will organize the similar event in Dhaka on December 30th – showcasing our culture across two nations. 5) Shining light on Bengali’s diaspora’s passion for drama a. Houston artists on Kolkata stage – they will perform Nati Binodini on December 27th at Star Theater. 6) Highlighting our rich heritage of arts through Arts and handicrafts show a. NABC 2015 will feature an elaborate display of arts and handicrafts from all over Bengal from Himalayas to Bay of Bengal, showing the diversity of talents and uniqueness of its crafts. 7) Bringing vibrancy of colors and energy – where west meets east a. NABC 2015 will also feature a painting exhibition of young budding school artists from Houston across the entire American community. We will also like to display some paintings from India which will be a real celebration of global cultural diversity. 8) Bonding through books – satiating Bengali’s thirst for books a. Books from Bengal in Bayou City – organizing the Bengali book fair in Houston. b. Building Brand Bengal NABC will work in association with leading Bengal-based organizations like Biswa Bangla to promote Brand Bengal on a global platform. III - 17 Sharad Arghya      2014 barriers, it is time for us to push the limit, tackle the hard problems of the world – not think about myself but the global we. Accomplished pool of experts – providing mentoring, expertise and relationships to new as well as mature entrepreneurs, students and leaders. Topics covered can span multiple disciplines, from education to enterprise, strategic to tactical. That will serve as a global pool of experts focused on helping Bengal. Channeling investment to Bengal – leveraging business relationships, guiding budding enterprises, developing partnerships to Bengalbased ventures. It may also come in the form of direct investment from interested parties or partners. Giving back to motherland – many want to contribute back to their motherland in the form of helping education or health care or other necessary services. Setting up schools, vocational training centers, heloing traditional arts (like Baul village), building health centers are some of the areas NABC like to focus on, working together with Bengal. Partnering with Bengal – NABC can mobilize support to help on multiple projects both at private and government levels with interest parties. NABC can be the mouthpiece and trusted partner of Brand Bengal with the sole aim of promoting Bengal. It is time to think about giving back – not necessarily through financial contribution but through ideas, innovation, and organization towards a better future for the greater humanity. A hundred years after two extraordinary human beings broke Giving Back. As we celebrate 35 years of NABC, we, the Bengali diaspora, should take a moment and reflect on our successes. But, it is more important to look forward and think about ways to give back. Blessed with tools to succeed, supported by a whole nation, we should put our collective brains together to help our motherland. It is our humble attempt to recognize the tremendous gratitude we feel about our motherland. We can never repay that debt but we can at least honestly and sincerely try to give back in a meaningful way. If we through our collective efforts during and after conference can help take Bengal to its dizzy heights of glory, the glory which made Alexander come to Gangaridai from far Macedonia, which made Lord Curzon split Bengal, then, we will consider our efforts and the conference a success. Hope that honest and genuine effort can bear fruit and Bengal will be at the forefront of a huge futuristic growth and glory across India and Bangladesh. Rocket ship is about to take off with Brand Bengal - hope to see you on it! Sanku Bose, Joint President (sanku01@aol.com); Tapan Das, JointPresident (dasfamilymail@yahoo.com); Partha Sarathi Chatterjee, Joint GeneralSecretary (parthausa@gmail.com); Gopendu Chakrabarti, Jt General Secretary(gopendu.chakrabarti@gmail.com ) III - 18 Sharad Arghya 2014 Intuition Mrinal Chaudhuri Recently I started thinking that “Intuition” is the most powerful tool for making one’s life success and meaningful in real sense. God has given everybody an equal time- 24 hours a day, 365 days in a year. No matter how capable one is, one is limited with time, resource and knowledge to make the correct decision at every step of life. In real life every moment there is a step and there is a decision. Wrong decision falls one back and behind. Right decision makes one go forward. Here comes the intuition- instantaneous right and correct decision which comes from inside. The word intuition comes from the Latin “intuir”, which appropriately means “knowledge from within”. Ingrid Bergman said, “You must train your intuition. You must trust the small voice inside you which tells you what to say, what to decide.” Intuition is the highest form of intelligence, transcending all individual abilities and skills. Albert Einstein is a strong believer of intuition. In last July during Orlando NABC I met Dr. Mani Bhaumik, the distinguished Physicist known for his invention of laser technology in eye surgery where our main discussion was related to his recent Bengali book, “Hallo Einstein- known name unknown facts”. I had an intimate time with him when I came to know from him that all Einstein’s theories came out of intuition rather than extensive studies and knowledge. Einstein said, ”The intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honors the servant and has forgotten the gift.” Intuition is a natural ability or power that makes it possible to know something without any proof or evidence. However, it can be developed and built. It comes from two sources, one’s instinct and one’s experience. The instincts are pre-equipped with one’s mental equipment but experiences are gathered and stored in one’s memory. Intuition is basically message from one’s subconscious coming from the storehouse of information gathered by one’s five senses. We have already spent our whole life building and refining our intuition but it can further be increased by refining and increasing our database of information. Observation is highly important to build one’s intuitive database. We encode the information with our 5 senses and when we use our skills of deductive reasoning, it further helps redefine our intuition. The two will build the intuition tremendously. Our observation is heightened when we take ourselves out of the experience and simply watch, listen etc. It is a brain enriching state used for more than just developing intuition. The deductive reasoning pretty much comes naturally with focus observation. Curiosity is an unbiased emotion and is great for developing a valuable database. It is also a motivator for attention, observation and reasoning. Developing one’s curiosity will refine a trust worthy database unbiased by emotion. Honed curiosity never ends and one will find oneself always searching for answers, experiencing new things and build an excellent intuition. Steve Job said,” Your time is limited, so don’t waste it living someone’s life. Don’t be trapped by dogma- which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, save the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary”. III - 19 Sharad Arghya 2014 and often termed as the miracle plant. All the parts of the plant-leaves stem flowers roots are have medicinal value and used in ayurvedic medicine. Aparajita flowers and plant are used to prepare a variety of medicinal extracts according to ancient Ayurvedic texts. This plant’s medicinal use extends to the cure of certain poisonous snake bites. Mixed with other herbs, it is a potent cure for depression. The roots of the white flowered plant are used to make a medicinal paste for skin diseases. The root extracts are also used for eye, throat infections, and ulcer and for urinary troubles. The root juice extract poured through the nostrils are found to bring relief in cases of migraine. Extracts from the root are also used to treat leucoderma. Aparajita- Maa Durga’s Favorite Flower and a Miracle Plant Prof. Meenakshi Bhattacharjee “Aparajita” is also the destroyer form of Goddess Durga. Aparajita manifests from the womb of the earth with the help of the absolute earth element. This manifestation of Goddess Aparajita is for the sake of souls on the Earth. Goddess Aparajita through the medium of the eight Devtas destroy the accumulated raja-tama energy purifying the atmosphere to help people on the earth to lead an obstacle-free life. The flower Aparajita (Clitoria ternatea Linn) named after the Goddess which means “undefeated” is said to be the favorite flower of Maa Durga and blooms in this season and is an essential part of Bengali Durga puja. Flowers form an important and integral part of Durga puja. They serve as medium to communicate with the deities and attract the inherent divine or positive elements in the space and emit them through their petals charging the atmosphere with positive vibration. The Aparajita flower is considered to be a scared one and is widely used in Durga puja and rituals During Saptami twigs of white Aparajita plant along with 9 bunches of yellow threads are used to tie the Navapatrika an important ritual involving the 9 goddesses. Also Aparajita plant is used on Dashami puja. The paste of Aparajita leaf, mixed with little salt is effective in cases of retro auricular adenitis. The juice of the fresh leaves mixed with ginger juice can be used to control excessive sweating. Leaf juice is also used as nasal drops to relieve headaches. Flower is used for common cold, cough, asthama and it reduces the irritation of respiratory organs. It is a good blood purifier too. Because of its tranquillizing effects on the brain, extracts from the plant can be used in symptoms like brain weakness, vertigo and syncope. Aparajita is an antiemetic, antidypsetic, mild laxative and cholagogue Therefore it is used in emesis, dyspepsia, constipation jaundice and piles. In addition to the roots and leaves, the seeds have medicinal value too. They are fried in Apart from being used in puja Aparajita has amazing medicinal properties III - 20 Sharad Arghya 2014 ghee and powdered and consumed with hot water for skin diseases. Or, they can be crushed with honey and applied topically for Tonsillitis. Herbal extracts from plants are seen to possess spermatogenic properties and thus used in cases of sperm debility. A decoction of this herbal plant is used for cleaning wounds and it has ability to prevent pus formation. Hot infusion of dhamasa is given to prevent small pox. Ayurvedic practitioners are at a loss to explain this plant's miraculous properties, particularly how it's root when merely tied as a garland or waistband around an expectant mother's neck or waist, facilitates normal childbirth even when a Caesarean Surgery is predicted. The roots of the white Aparajita are tied as an amulet or charm around the waist about seven days before the scheduled delivery date. How this root facilitates a miraculous and safe normal delivery is beyond scientific explanation. Peptide isolated from it is recently being used for the development of novel antimicrobial and anti-cancer agents. Apart from its amazing medicinal properties Aparajita flowers have some other interesting benefits. The blue flowers are used as a food colorant. In Malay cooking, an aqueous extract is used to color glutinous rice for kuih ketan. In some places it is used to color white rice for Nasi Kerabu. In Thailand, a syrupy blue drink is made called nam dok anchan, it is sometimes consumed with a drop of sweet lime juice to increase acidity and turn the juice into pink-purple. In Burmese and Thai cuisine the flowers are also dipped in batter and fried. It's Feng Shui properties are also miraculous. An added benefit of having a plant in your garden is that it gives a house an “Invincible Aura” which extends to its inhabitants as well, according to Feng shuiso make sure you have a Aparajita plant in your home too! Happy Durga Puja to all. III - 21 Sharad Arghya 2014 he painted as he liked. He painted fast and with a sure hand, in between his writings, finishing each picture at one sitting. He has left behind nearly 2500 paintings and drawings, all done in the last fifteen years of his life and created a body of work that made him one of South Asia's great modern painters. Over 1500 of his paintings are preserved in Viswa Bharati, the innovative university he founded in the rural settings of Santiniketan Tagore as Painter Chandana Guha Rabindranath Tagore (1861–1941) is iconized by Indians as a poet and writer, and recognized around the world as the first nonEuropean to be awarded a Nobel Prize for literature. Tagore is immortalized not only by his writings but also by his paintings. Few outside of India know that he was also a highly regarded visual artist, whose drawings and paintings were shown in Europe beginning in the 1930s. Tagore began drawing and painting at the age of sixty-three with no formal training, although several members of his family were renowned artists with formal education in art. His artistic expression grew from his habits as a writer and a poet. In 1924, while writing "Purabi" he started doodling on the pages of his manuscript. Revision marks and scratched-out Tagore transformed his lack of formal training of art into an advantage and opened new horizons in the use of line and color. A different side of Tagore’s thoughts may be seen in the free flow of lines, free choice of colors, and reflect moods that are sometimes whimsical and at other times pensive and somber. In his search of newer form of expression with pen and paint Tagore manifested different expressions from what he did in his poetry and songs. If he sought peace, love, enlightenment, gratitude and reverence in his songs, he explored darkness, abstract and mystery in his drawings. Tagore himself, in his article 'My Pictures', explains his paintings as follows "People often ask me about the meaning of my pictures. I remain silent even as my pictures are. It is for them to express and not to explain. They have nothing ulterior behind their own appearance for the thoughts to explore and words to describe, and that appearance carries its ultimate worth. Then they remain, otherwise they are words on his manuscripts became free-form doodles. He sketched and doodled freely with his pen. His manuscripts are filled with these fascinating sketches interwoven with his verses. Gradually, his pictures became independent from his writings. From then on III - 22 Sharad Arghya 2014 rejected and forgotten even though they may have some scientific truth or ethical justification. Love is kindred to art, it is inexplicable. Duty can be measured by the degree of its benefit, utility by the profit and power it may bring, but art by nothing but itself. There are other factors of life which are visitors that come and go. Art is the guest that comes and remains. The dithers may be important, but Art is inevitable." In spring 1930, when on a tour to France, Tagore was advised, by some art critics of local newspapers who saw his paintings, to hold an exhibition in Paris. He held the first public and international exhibition of his paintings in Paris in May 1930, at the Gallerie Pigalle. The exhibition remained open to public from the 5th to the 19th May, 1930. Duchess Anna de Noailles, in her introductory remarks in the catalogue of the exhibition of Tagore's paintings "To me it is like climbing a staircase of dreamland" After the conclusion of Paris exhibition, exhibitions were held in England, Denmark, Sweden, Rome, Germany and Russia in Europe. Later exhibitions were also held in USA and Canada. The exhibition of paintings drew an unprecedented overwhelming admiration in Germany. It was shown in Berlin, Munich, Hamburg, Dusseldorf, Stuttgart and other places in Germany. The then German President and ministers and also Albert Einstein, the great scientist, attended Tagore's exhibition. This earned him critical acclaim in the West as a painter, where Expressionists and Surrealists were celebrating the subconscious and exploring raw sensations as a means of breaking from conventions It is interesting to delve into a sampling of reviews at the time: “… Some of these (paintings) are of astounding Power, their very deep tones and wonderfully harmonious sequence produce exactly the same effect of rhythm as that which is to be observed in purely linear work, and we might sum up the whole of this exhibition as being a marvelous example of the sense of balance and of harmony, even in the most fortuitous of its forms.” – Kainer Smith in ‘The Birmingham Mail’ A contemporary report on Tagore’s painting exhibition at Charlottenburg in 1930 states – “The impression one gets when one today is passing through the galleries at Charlottenburg where Tagore’s pictures are exhibited is something out of the ordinary. The Indian poet draws more than he paints. He uses ink, Indian ink and water – colors, and he has developed a special technique. He uses his pen normally and with the back side and also his fingers. Only recently has this poet – thinker ventured to enter into the field of painting. He thinks himself that he has reached the rhythm of the lines through the rhythm of thoughts and music. And he says, “My pictures are verses in lines.” III - 23 Sharad Arghya 2014 Tagore’s paintings could not be compared to what was prevalent amongst Indian artists of his time. When shown in India for the first time a year after his foreign exhibitions, the paintings evoked perplexity, and were termed incomprehensible even by the modern Indian artists. His paintings and drawings even today remain fresh and thoughtprovoking while they continue to not conform to any kind of categorization of other modern art experiments. Through his paintings, like in his poems, songs, and literature, he searched for a unifying theme or universal truth that ran as a common thread through all his creations. In recent decades, many new foreign language translations of Tagore’s writings have appeared. This has renewed interest in his art, politics, and educational philosophy. This contemporary focus is perhaps due to his belief in cross-cultural exchange and unbridled pursuit of harmony through the notion of global citizenship, a unique borderless world view envisioned by Tagore that is even more relevant today than during his lifetime. III - 24 Kids Corner এই এ ই ! এ , । এ এ ই , ই । ই এ ই । ই , ! । , book shelve এ , , ই । এ ই ই ..... । INDEX The Summer with a Reality Shock By Devangshu Goswami ………………… Page 1-2 The Magical Sticks By Swarnil Mandal……………………………………………………. Page 2 The Haunted House By Rishabh Dey ………………………………………………………. Page 3 The Forgotten Question By Bibartan Jha ………………………………………………… Page 4-7 The Time Traveler By Deepsikha Das……………………………………………………… Page 7-9 Durga Puja By Akash Roy ………………………………………………………………………… Page 9-10 I can Fly,Not! By Vikram Banga …………………………………………………………….. Page 10 Good Day By Anurag Ghosh …………………………………………………………………… Page 11 Tomato Pizza Bread Recipe By Ankit Sarkar ………………………………………….. Page 11 Memories Unforgotten By Trisha Chatterjee ……………………………………………. Page 12 Time Leap By Ankita Ghosh ……………………………………………………………………… Page 13-15 2014 Fifa World Cup in Review By Ishaan Chatterjee………………………………… Page 15-17 Climbing up and down the Social Ladder By Amartya Sinha …………………… Page 18 Drawings and Paintings…………………………………………………………………………. Page 19-22 Sharad Arghya 2014 a surprise! His cousin from the far away state of Bihar was sitting there. But soon the biggest shock smacked Madhav in the face – one of his uncles was dead. In utter confusion, he ran out of the door to meet his aunt, leaving only the smell of burnt rubber and rooster tail in his wake. Usually the one kilometer journey took an hour because of all the people that stopped him on the way to let him into their homes, or give him some sweets, but that day the time was cut into tenths. Everyone had woeful looks on their faces for they knew what had happened. In the village everyone knew everyone, but most of them looked up to my uncle and were in despair. As soon as he stepped into his aunt’s house, he began to appreciate the phrase “cry me a river”. Of all the people who weren’t emptying their tear bladders, wore frowns or straight lines of resignation. There were a few smiles that flashed around the room, but only at him. At that point, Madhav couldn’t take it anymore; he fell down and started to cry. Quietly at first and then it grew, it grew and grew until the room resonated with the sound of crying. Hitherto the fire of sadness and regret that burned inside him refused to be doused by the water that trickled out of his eyes and down his cheek. At first, he was ashamed at his public show of emotion, but he realized that it was okay to cry, it was okay to feel strong emotion, and that it was okay to feel sad. Far removed from ubiquitous gadgets and games, constant babbling and chattering with friends, imaginary beautiful worlds of Minecraft or the gory battlefields on little screens, here was Madhav sitting among real people in real world facing real human conditions! It was a big crisis that he needed to overcome and in that case, it was not trying to find a special potion or trying to find diamonds on a laptop, instead, it was trying to get over the feeling of loss and despair. On the way back, he thought what happens after a person dies. He tried to find The Summer With a Reality Shock Devangshu Goswami Madhav was so excited, words could not describe it. After a long year of grueling academic and other activities, he was finally on the plane and ready to go to India. Memories of frolicking with friends in the lush green fields and dusty roads kept flashing upon his mind. The little goat of the neighbor that walked on forelegs when he lifted it by the hind legs, and giggling of the onlooking children. And those friends who would smoke bidi hiding from elders. Lost in the thought, occasionally he smiled, inviting a strange look from his mother. However, little did he know what was in store for him. His entire life was about to take a turn in the summer with a reality shock. The year was off to a very bad start. A close family friend had suddenly passed away. In the distant land, he had substituted for elders in Madhav’s home. It took Madhav quite some time to recover from the loss. That was also one of the reasons Madhav was so eagerly looking forward to the annual summer trip. When the immense plane touched down at the Dum Dum airport in Kolkata, a smile started to creep upon his face until it was a full-fledged ear-to-ear grin. “I am finally home, after so long!” Madhav thought. Even though he cherished all his friends and classmates in Sugar Land, nothing could compare to the elation of being with his kith and kin in the small village of Koshigram. As soon as the old Tata Sumo rumbled its way onto the dirt road in front of his house, he shot out of it like a bullet, the 35-pound suitcase weighing less than air itself. And what IV-1 Sharad Arghya 2014 answers through many stories he had read from ancient epics or heard from elders. He came to the conclusion that after people die they go to a better place depending on what they did in their lifetime. For those that are left behind, it also gives a lesson to live well and be grateful for whatever is left. That day was a very emotional day for Madhav, he had lost a person very near and dear to him, but he also learned to think in a more mature way about the loss of the people around him. Summer vacation in Disney Land can always be full of fun, but time together with extended family can be a mix of good and bad, but always the best thing that can happen to any person. Even to this day, Madhav has never spent a day without thinking about his uncle. The Magical Sticks: Swarnil Mandal Once there lived a trader, who worked hard and earned a lot of money. One evening the trader was at home from a long day at work. He put his money in a box, put his keys under his pillow, and went to sleep. The next day he opened his box and saw it was empty. So he called his guard and asked him, “Have you seen any one suspicious in my room last night?” The guard said no. The trader sighed, “Well I guess I’ll have to tell Birbal’. Therefore, the trader went to Birbal’s house and told him what happened. Birabal told the trader to meet him at Emperor Akbar’s palace today and bring your all servant’s and guard too. When they entered the court, Birbal gave each servant and guard one magic stick, and told them who ever has stolen, this magic stick will grow by one inch. The next day Birbal collected all the sticks, saw that the guard’s stick was one inch short, and told the trader that the guard was the thief. The trader asked how he recognized. Birbal said that the sticks were in the same sizes. I told them the sticks would grow one inch. But the guard thought he was going to get caught and so he cut the stick one inch shorter so it would be the so it would be the same size. Finally, the guard went to prison and Birbal got 100 gold coins as a gift. ------------------------------------ IV-2 Sharad Arghya 2014 turned on the AC at 38° and he just shivered but he did not give up. Then I threw the sofas, first time he dodged it by an inch, second time I was off-aim, and third time I hit him on the leg but simply removed it then I saw he was strong so tried to make him deaf by turning on the boom box at high volume but he covered his ear with the special technology earmuff (they can block any sound) Roger invented then he walked straight into the room where all the blueprints, prototypes and inventions Roger hid. He was very very pleased after what he saw this and he took the prototypes and the blueprints and went home, the only invention’s prototype and/or blueprint he didn’t have was me myself. My blueprint was hidden under the cushion of the sofa I threw at him and I was the only invention Roger made that no one knew about. Today is December 25th, 1905. Have you been wondering how I know all this? I use the time ball Roger invented. You might be wondering how I saw, heard and started the time ball? The security cameras are my eyes, the AC vents are my ears and if you watch the floor closely, you would see the each hardwood panels move and that is my hand. I was, am, will be open to everyone. This is my life and this is who I am. The Haunted House Rishabh Dey I am a house, abandon house, people avoid me because they think I am haunted but I am just a living house. The sound I make creep people out, they think I have ghost inside myself. Well, my story begins in 1516 when Louis Roger build me. He was a secret inventor and he invented a lot of stuff including thing that are not even discovered today like the flying car and the time machine and also the teleporter (he never used them and that is why no one discovered his inventions). He was making me use his DNA so that my voice is just like a mimic of Roger’s voice. I was his last invention. He hid all his inventions inside me. One day in 1517, Terry Booters, his neighbor, saw me talk and then Roger ran away so his secret isn’t discovered. He was murdered the same year by bandits. From that day on, most people avoided this house and the people brave enough to enter the house ran away almost immediately because they thought Roger’s ghost haunts the house after they heard my voice. In 2168 Kfors Drev “invented”, the flying car, and basically all the things Roger invented. He used to be an ordinary office man. He was every brave and courageous and didn’t believe in superstition. He was also good at making things. He also got a decree in Harvard University. He was one of the people brave enough to enter me and he was not afraid of the sound I make. I kept on moving the floor panels and he just fell down once or twice, then I IV-3 Sharad Arghya 2014 handlebars as our only lifeline, our legs wobbling under this newfound apprehension which has forced itself into our unsuspecting minds. We close our eyes and scream – praying that we will not vomit upon the person sitting next to us. Praying that we will not topple over the edge and fall to our dooms. The Forgotten Question Bibartan Jha Praying that we will not die. The dialogue of the conversation has begun. They ask me what my name is. My name is Mason Green, I respond. They ask me my age. 16, I respond. They ask me where I live, what I do, what I like. I live in New Daunsfeld, in New Hampshire. I am a junior in high school, and I work at my uncle’s restaurant afterschool. I love playing basketball and playing hockey and drinking coffee next to the fireplace on a freezing, wintery day. They then throw a volley of hollow, meaningless questions – substance less balloons which serve to simply add glamour to the party. They ask me my hobbies, my favorite books, my favorite movies, what I like to eat, what I like to drink, my talents, my skills, my interests, my desires. Formalities, these are called – all serving to make “small-talk”. Yet there is always that one question that is never asked – the one treasure of gold which, when found, is worth more than all the little bronze coins combined. A question with an answer which can last hours, days, months, years, centuries. A millennium. Conversations have always intrigued me. It seems a certain aspect in the art of conversing with another has always left my juvenile mind spinning in confusion, searching blindly, endlessly, desperately for an answer – as if a frenzied pirate searching franticly for the one golden treasure which would magically solve all his problems. The initial aspects within a conversation seem rather simple – the tranquil, relaxed initial ascent of the roller coaster car up the steep hill before the real horror begins. A simple handshake – firm grasp and two short, simple nudges; a straightforward routine we have all been trained to follow since our adolescence. A flaky, nonchalant smile – often performed out of habit to mask even the fiercest of emotions bubbling inside our twisted heads. They never ask me my story. Why? Stories, we have learned, are tales of far and wide – telling us the lives of valiant knights in armor and dauntless superheroes who can take down legions of villainous armies without batting an eye. Stories of folk and tale would accumulate – like raindrops into a plump, marshmallow-like cloud – within the books of the kindergarten classroom. Every day during story-time, our teacher would read us one of her lovable tales as we would sit on the rug, Relaxed. Easy. Simple. Yet when this initial ascent rises to its finale, the real horror begins – slamming us mercilessly in our faces as we cringe our stomachs, daunted, to withstand its horrendous torture. The car topples over the peak of the first hill, and we find ourselves hurtling towards the ground at speeds even light cannot overtake in its wildest dreams. We grasp the metal IV-4 Sharad Arghya 2014 dreamily imagining ourselves in the shoes of the courageous heroes who brought joy and happiness to the people around them. On the last day of school, our teacher told us that – throughout our lives – we would each build our own stories; that we were tiny mustard seeds and would one day each grow into towering, majestic trees. I was given the task of driving to the store to buy more pizza – due to the heavy snowfall occurring outside, the pizza company has refused to send any delivery trucks and had requested we come pick up the pizza ourselves. I squeezed out the front door, relieved I had survived escaping from the congested house of stacked-up sardines. It was past midnight – the firefly-like stars in the pitch-black sky above swarmed around the outcasted moon, who had finally emerged from his hideout after his tormentor, the kingly sun, had departed to his celestial palace. Battalions of snowflakes were raining down upon the icy ground, covering the earth in a milky white blanket. Many of us did grow into the tall, grandiose trees of virtue and success which our teacher predicted, each adding a new long branch full of flourishing leaves with each new achievement accomplished. Yet my tree withered, drooping upon the ground like an old woman upon a cane, begging for water like a cactus in the desert. My story was not of virtue. It was the eve of a frozen apocalypse. Anticipation for the holidays was marked by the vibrant light and colors ornamenting each house on the street. Sparking lights of red and green were embroidered around the trees, swarming amongst the bushes, and topping the rooftops like a colorful hat. Store-brought sculptures of Santa Claus and his reindeer dotted several of the front lawns, and colorful wreaths were hung on each door, welcoming the gift-giver into their homes. It was of regret. It had started on the eve of a horrific blizzard – a friend’s 16th birthday. The typical party scene – hundreds of teenagers dancing in huddles, a sunglass-rimmed DJ blasting music in the corner. Drinks were thrown from one corner to the next, pizza boxes flying over people’s heads like saucers. The house was in complete chaos. I stood mystified by the pandemonium around me – never had I been to a party with such grandiosity. IV-5 Sharad Arghya 2014 It was the perfect time for celebration. A perfect time for laughter and excitement, for love and rejoicing. The two bodies were a mother and her baby son – Catherine and Willy Jones, respectively. Both had coal-black hair and watery blue eyes. Their car had broken down, and they were walking to the nearest bus-stop to ride to the airport. The baby’s father, who had been shipped off to fight in the Middle East, was returning home. Catherine, despite her severe injuries, managed to survive the accident. An imperfect time for death. I found my car near the end of the road – a needle in a haystack among the hundreds of other cars parked around, for nearly the entire school had been invited to the party. Wiping off the mountain of snow which was toppled upon the car, I slid into the front seat – and lit the ignition. Willy did not. He never met his father. The funeral was short and simple. Willy’s parents, despite their sorrows, seemed forgiving on my mistake. They thanked me for coming to the funeral. It was on 5th Avenue where the incident occurred. I drove through the frozen wasteland of our city, straining my eyes to look past the clumps of snow plopping upon the windshield. The streets were empty – most people were sitting at home with their families, drinking coffee next to the fireplace. A buzz shook my pants – my phone. A short, static beep emerged, indicating a text. I took out the phone, reading the message. “Make sure you get extra cheese on the pizza,” I read. It was Drew, the host of the party. I grinned, and proceeded to text him back. My hands went off the steering wheel and onto the phone. “Thank god you took them to the hospital, son,” the father, Bobby, smiled. He too, like his son, bared the coal-black hair and watery blue eyes. “If it wasn’t for you, Catherine wouldn’t be here.” Yet if it wasn’t for me, Willy would be here. Those words were never spoken, but they lingered in the freezing air – burning into my heart as I stared into his tear-stricken eyes. The car was still running. A small thud. And a scream. I swerved the car around, franticly looking for what I had hit. Opening the door, I rushed out of my seat. Straining my eyes through the snow, I looked up at the streetlight – I had run a red light. Two bodies were lying on the street – one big, one small. A bright river of blood flowed across the snow. It was until weeks later, at the funeral, that I learned their names. That fateful night, however, I worked on impulse. I dragged them into my car, and rushed to the nearest hospital – franticly awaiting the whole night to hear the doctor’s verdict on their well-being. His eyes. Despite the Jones’ kindest words, their eyes did all the talking. They glared into my soul, searching for answers. “Why did you kill our son?” they pleaded. “Why did you kill him before he even got to meet his father?” Before he even got to meet his father. Thus started my lifelong Trojan War of acceptance. Acceptance of myself, acceptance of what I did, acceptance that life could go on. I never forgot that fateful night, nor will I ever forgot Bobby’s eyes at the funeral – how they IV-6 Sharad Arghya 2014 glared into my soul, pleading me for answers. I tried visiting therapy centers and support groups. I tried visiting schools and seminars, warning people of the dangers of texting and driving. I tried visiting the Jones’ home frequently, hoping to help them overcome their grief. Anything. Anything that would rid me of this guilt. Nothing worked. The war never ended. My Trojan horse never appeared. Several years later, a young baby will be born. A boy, with coal-black hair and watery blue eyes. He would lay in my arms, glancing innocently up at a man who would forever live his life in regret. His father. The boy’s name will be Willy. Thus was my tale of regret. Thus was my ongoing war for acceptance. Thus was my life – a withering tree which droops upon the ground like an old woman on a cane, begging for water like a cactus in the desert. The Time Traveler Deepsikha Das Thus was my story – the golden treasure of the conversation. They ask me what my name is. My name is Mason Green, I respond. They ask me my age. 16, I respond. They ask me where I live, what I do, what I like. I live in New Daunsfeld, in New Hampshire. I am a junior in high school, and I work at my uncle’s restaurant afterschool. I love playing basketball and playing hockey and drinking coffee next to the fireplace on a freezing, wintery day. And finally, the golden treasure – the silver-less lining to finish off the hellish roller coaster. The unspoken answer to the forgotten question. My name is Mason Green. My name is Mason Green, and I killed a baby boy. “I think I’ve got it now….” William said. William Harris was a scientist. A few years ago he found a strange broken machine in the back of an alley as he was walking. It was labeled `Time Traveler’ though it could very well have been someone’s very fertile imagination. He took it home and worked on it with his partner, Jackson. Jackson was a boy who had been abandoned on the streets. William took him in and made him his partner in his science experiments. For years they worked to repair the machine and one day, William thought they had done as much as they could, he casually typed 1914, a hundred years back, into the machine and it showed up on the screen. He pressed the green button thinking nothing ever will happen but the machine started jumping and all sorts of weird noises were sounding off. Electricity bounced off from IV-7 Sharad Arghya 2014 the tangled antennas. The whole room was shaking and William and his partner tried to hold on but everything was falling apart. Everything was getting louder and artifacts belonging to William fell to the floor and broke into tiny pieces. The room was crumbling down and a new landscape was emerging. Suddenly, everything stopped. There were no more loud noises. The quaking stopped. The walls of the room had collapsed to the floor. William and Jackson stared in awe. They were standing in the middle of a busy street filled with honking cars and people bustling about. William quickly grabbed Jackson, who was being pulled away by the crowd. He quickly came to the man’s aid and told the boys to leave him alone. William helped the old man up. “Thank you so much,” the old man said. “My name is Charles Colt, but calls me Charlie.” “Excuse me, Charlie, I’m not from here, can you tell me where I am and what year it is?” asked William. Charlie gave a confused look and said, “Why you’re in New York sir, and its 1914!” “How can you forget this year?” he asked suspiciously. “Oh, just hit my head and seemed to have forgotten some things,” mumbled William, nervously. “Oh, well I didn’t seem to catch your name, sir,” said Charlie. “It’s William Harris and this is my little friend Jackson,” replied William. “It’s a pleasure to meet the both of you,” said Charlie. “Let me repay you by staying at my home for a few days until your head can get better,” said Charlie. “Oh no we couldn’t,” said William, but Charlie insisted. William gave in and so they went off. As they were walking, William and Jackson trailed behind Charlie to talk among themselves. He took the machine out of his jacket and showed it to Jackson. “Jackson, the time machine worked!” exclaimed William. “It’s truly amazing, Mr. Harris!” said Jackson. Charlie finally stopped in front of a tiny one story house. “It’s old and small but it’s all I have,” said Charlie. He opened the door for William and Jackson. Inside, a delicious smell wafted through the house. “Macaroni and cheese!” exclaimed Jackson and rushed to kitchen. William realized how hungry he was and followed Jackson to the kitchen. There, he saw a tall woman with graying hairs sticking out of her messy bun. Charlie entered the kitchen. “William, Jackson, this is my lovely wife, Lucy Colt,” said Charlie as he pointed towards the lady. William and Jackson introduced themselves and Charlie explained what had happened. “Oh, thank you so much for standing up! I was just making some macaroni and cheese for lunch,” said Lucy. “Charlie, why don’t you let these men freshen up and then we’ll all eat.” Charlie showed William and Jackson their room and some extra clothes. They took a shower and went to the kitchen to find the table set with macaroni and cheese. They all talked about what life was like. “Charlie, can I watch TV after our meal?” said Jackson. “TV? Now what’s that?” said Lucy. William realized that the TV hadn’t been invented yet and kicked Jackson under the table. “Nothing, Jacksons just a bit delusional,” said William as he glared at Jackson. “Did you hear about Archduke Franz Ferdinand has been assassinated and now a war has broken out in Europe?” said Charlie. “Oh yes so I’ve heard,” said Lucy, “I hope the war ends soon.” After their meal, William took his jacket and got out of the house to take a walk around the streets. As he walked around he picked up a newspaper. GERMANY AIDS AUSTRIA AGAINST RUSSIA IN WAR, it said on the cover. He thought about what Lucy said. He felt saddened to know that this war would in fact, not end as IV-8 Sharad Arghya 2014 soon as she hoped. He tucked the newspaper into his jacket and kept on walking. He reached home to find Charlie and Lucy enjoying a cup of coffee. Jackson was on the floor reading. “Welcome back William!” said Charlie. “Did you enjoy the walk?” said Lucy. “Yes I did,” replied William. He sat down next to Lucy. “Here’s your coffee,” said Lucy. William thanked her and took a sip. As he drank, he looked around the room. A few feet from where he was sitting, he saw an old telephone on the table. “I never knew you were interested in antiques, Charlie?” said William as he pointed towards the phone. “Antiques? What kind of place do you live in? That’s the latest model that I got last month!” said Charlie. William quickly interrupted. “Jackson, I think it’s time we leave,” said William. Jackson got up and headed for their room to pack. “It was good having you Mr. Harris,” said Charlie. Charlie took out a pocket watch out of his pocket. “Why don’t you have this… as a memoir of New York and us,” said Charlie. William took the pocket watch and examined it. It was old but still worked. On the back was engraved Charles S. Colt. “Thank you, that’s very kind of you,” said William. Jackson came in with their belongings. “Mr. Colt, here’s your book,” said Jackson. “You can keep it,” smiled Charlie. He led William and Jackson to the door. “Thank you for everything Mr. Colt,” said William. They headed out and walked on. When they were out of sight, William took out the time machine and typed in 2014. He pressed the green button and the machine started trembling and sputtering all sorts of noises. “Come on Jackson, let’s go home,” said William. As they came back to their familiar surroundings, he thought should he now type 2114 but left it for another time. He needed some time to recover. Durgapuja Akash Roy Every year, I wait for my favorite time of the year: Durga Puja! It is my favorite since that is the day when I get to play with all my friends who come to the temple, because I know that none of my friends will miss Durga Puja. Durga Puja is celebrated in the honor of the mighty ten-handed goddess Durga. Durga is the goddess of strength who saved us from the mighty asur Mahisasur. In India, Durga Puja is celebrated for 10 days. In America, people tend to come to the temple but most of the celebration happens during the weekends. I loved to see all the different goddess Durgas in different temples or mandirs. All of the Durga statues were in the same pose as all of the rest. Each of them depicted a 10 handed woman with 8 weapons in 8 hands, a snake in another, and one hand in a blessing way. They all showed Durga with 3 eyes, with one foot on the back of a lion and the other foot pressing against Mahisasur. All of them showed Durga holding a trident piercing Mahisasur’s stomach, and shows the lion attacking a buffalo. IV-9 Sharad Arghya 2014 The story goes that Mahisasur, a powerful asur tortured the Earth until all the gods used all their powers to create Shakti (Durga). Shakti then single handedly kills all of the asuras torturing the humans including their king, Mahisasur. I love all the Durga Pujas that I went to since all of them provided me with new friends, beliefs, and a renewed system of trust. I remember in one of the pujas where I got to play the Dhol in whatever beat I wanted. I also participated in many art competitions staged there. In Durga Bari, there was a fireworks event where we played with fireworks. All the celebrations at Durga Bari during Durga Puja are awesome since there are so many activities and you never get bored. Kid Programs in Durga Pujas are the best. In every Durga Puja, usually near the end, the ladies and girls play with shidur and paint others red. The shidur event is almost like holi except it’s just the color red. Another similarity between all Durga Pujas is that Durga ma is always sunk in the water after the 10 days of puja is over. Every year I pray to Durga ma that all my studies go well and that I don’t fall prey to weakness and stay strong. Durga ma has supreme knowledge and strength. Do you know why Durga has 10 arms? It proves the strength that our goddess sustains and the weapons in each hand represents that she is the ultimate Shakti of all the Gods and Goddesses. Why does Durga have a third eye? According to the story, Durga’s third eye opens once she reaches rage mode. In conclusion, Durga Puja is my favorite festival and also a major Bengali Hindus festival. Durga is the goddess of strength. She is one of my favorite goddesses. and her puja is my favorite time. No matter what we do, Durga is there for us. I can fly,not Vikram Banga One summer day I was sitting on the rocking chair in the garden staring at nothing. I saw everything. Flying clouds, wandering butterflies and millions and millions of birds. I felt an urge to fly with them .I jumped of the floor but that didn’t work so I tried hanging on to a kite but accidently let it go. The kite was soaring high in sky blown by the summer breeze, I felt so happy as if I was flying with the kite.I remembered the song …….. ‘ IV-10 ’ Sharad Arghya 2014 Good Day Anurag Ghosh Tomato Pizza Bread Recipe Ankit Sarkar Good night Wasted day TOTAL TIME: Prep/Total Time: 30 min. MAKES: 8 servings Ingredients • 1 tube (13.8 ounces) refrigerated pizza crust • 2 garlic cloves, minced • 1/2 teaspoon dried oregano • 1 cup (4 ounces) shredded part-skim mozzarella cheese, divided • 1 plum tomato, halved lengthwise and thinly sliced • 1/2 teaspoon Italian seasoning, optional Directions 1. On a greased baking sheet, roll pizza crust into a 12-in. x 8-in. rectangle. Bake at 425° for 6-8 minutes or until the edges are lightly browned. Sprinkle with garlic, oregano and half of the cheese. 2. Arrange tomato slices in a single layer over cheese. Top with remaining cheese and Italian seasoning if desired. Bake 6-8 minutes longer or until cheese is melted and crust is lightly browned. Yield: 8 servings. That I will leave Anyway. Good day today A day That I will leave forgotten Anyway. Good night Good day, For This day In my mind, Will stay. IV-11 Sharad Arghya 2014 Memories Unforgotten Trisha Chatterjee Everything. They mean everything to me Old pictures. Sweet orimemes. Strolling and chatting. Gold and blue. Not many, just few. It’s a part. Not of me. Of her. Flashing memories. Giggling, grinning, watching, and relaxing. Together. Feeding ducks, sipping hot tea. Together. Oh! It’s still there. Not in one of the memories. In all of them. Memories, memories, oh sweet memories. Special thoughts. Floating in your head. Special thoughts. Memories. Keep them, love them, use them, but forever cherish them. Memories. Not often, but unforgettable. Don’t ever forget. If you forget, you’ll forget her. All of her in her alluring, exquisite sari. Never forget. Never, never, never. IV-12 Sharad Arghya 2014 examine it. She then showed me a piece pf text, “Must this not fall into the wrong hands, for it may cause utter chaos, utter chaos? Seems pretty serious. What dya think Gray? We’ll do just fine, “Let’s both snap it in half to see what’s inside!” Erza nodded as I grabbed one side and she grabbed to other and pulled. To our surprise, it didn’t snap, it crumbled. And at that moment I saw this number on my wrist say 50. Erza’s wrist also said 50. “Is this a curse?” I asked, Erza shook her head, “I’ll ask my aunt, she may know what just happened” dang, her aunt’s office is an extra 5 miles, “Well what are we waiting for? Let’s go!” As we sprinted another 5 miles. “It’s called a time shell.” We were inside the cool air conditioned building as Erza’s aunt explained everything, “A time shell comes from the future, about an million years from now. It can only be here if someone from the present goes to the future or someone from the future comes to the present. That process is called time leaping. You get 100 tries though, but since you ‘shared’ you only get 50. That’s why there’s a 50 on your wrist.” Mind-blowing, “So let’s say if I failed a test, not that I have, and wanted to redo it, I could time leap to the past and redo it?” Erza’s aunt replied, “Precisely, but be warned, this only occurs in a leap year, and if you use it for deeds that are unnecessary...” I didn’t care to listen to her anymore, I got a test to retake! I headed outside. She explained how to time leap, think about what you want to redo and leap 4 steps. “1,2,3,4!” OOF! I landed on my chair, everyone stared and the started laughing. 9:30, the time it started. Nice! Erza glared at me, (she whispered) “You idiot, you time leaped?!” I nodded my head, the answer key was inside my desk as I quickly wrote them before I pressed snooze again. “Isn’t this the past, Erza? How come you know about time leaping?” I waved my 100 in front of her. “Before you time leaped my aunt said, if one of us time leaps, we BOTH get affected. And also, we don’t see the time shell Time Leap Ankita Ghosh “Gray! Gray!” I heard the echoes in my ears, but it didn’t stop my daydream to end. I waited 3 long years to finally celebrate my REAL birthday, February 29, 2000. Most people didn’t believe me when I said that’s when my birthday was, before I was 10, it was hard to believe that was a REAL date myself. I’m turning 16, tomorrow (this is taking place in 2016). “GRAY!” I flung up as the class started laughing. Tests these days, they’re my snooze button. “Test?” I glanced at it; only 10 were done, out of 56 questions. My luck. The girl next to me, ahem, Erza grabbed the paper of disgrace and gave to the teacher. Erza gave me the ‘What a fail!!’ look. Yeah, what a fail. Erza was my only friend, annoying friend. “WHAT A FAIL!” wow, don’t rub it in. “I get the point now, if I could go back in time I would redo the test, wait, first look at the answer key and then redo the test, how does that sound?” “Not like that’s ever gonna happen! But I can’t wait until your REAL birthday tomorrow Gray!” We were walking home the long 12 miles, we usually rode our bikes, but Erza’s bike was broken. So we walked. “Yeah.” For Texas weather, it was nice, not very hot, but not humid. I then saw this metallic thing, it looked like a date (date as in fruit) shaped device, and it started blinking inside this dividing line cut vertically. “Hey come on! What’s the hold up?” and she noticed it as well. “What is that, thing?” I asked, as I picked it up. I gave it to Erza, she started to IV-13 Sharad Arghya 2014 again. AND what you just did, was an unnecessary deed. Don’t do it again.” I then saw her hand, it said 49. So did mine. “Your hand” as I pointed to her’s. We knew what to do, another 5 miles. Dang it. “So my future self, told you about time leaping?” We were inside that chilled building again. “Yeah, but you see here, Gray time leaped and he has 49 left, but why do I also have 49 left?” Her aunt thought about it, “Well, you BOTH get affected, isn’t that what you know?” So be careful, also, don’t time leap tomorrow.” After talking some more, we left for home. Erza was sleeping over at my place so she decided to help set up for an epic party tomorrow with my cousins and Erza. “Gray, let’s get work’n!” We got party supplies and started to put them up, Erza and I got the cake as some of my cousins came over to put the decorations. Then we went to sleep at 12 at night. We just ended this big day, Erza was gonna stay one more day, but the other’s left for their homes, “Hey Gray, can I ask you something?” I looked toward Erza, “Today was so awesome! So, do you wanna time leap to spend the day again?” I nodded, “But remember what your aunt said, if we leap too soon it will be total demise!” We started jumping across from pillows until, Erza said “We only jumped across 3 pillows but I can’t stop thinking about today, let’s go to sleep I started walking until I tripped on a Kendama( it’s like a Japanese version of paddle ball) toy, and leaped. We were too early; it was only 11:59! OUT!” my mom slammed the door. My head was bleeding, so was Erza’s. “Your head!” I pointed at hers as she yelped. “It’s like they don’t know us! We were thrown out.” I looked at my watch, 9am March 1st 2016. “Our wrists, look! Where’s the numbers?” My wrist was supposed to say 48, it only said 0. We headed to the office. And finally found her aunt. We were inside as she wrapped our heads with the bandage tape, “Hmm, you time leaped on February 29th? Gosh, I thought I was the only one who believed that was a real date. Well it doesn’t exist anymore but, I heard that if you time leaped on that da-” “Get to the point already!” I shouted, “Yes, Gray, you need another time shell to restore what happened. When you return to the date February 29th you will land up in a control room full of… evil people destroying the world minute by minute. If you sneak past them go to the control panel and pause the countdown, it can’t be stopped. After that, time leap just like that, don’t need to think about anything, just do it.” I was about to ask where do we get the time shell but then she wanted to talk to Erza in private. They talked a bit as I heard gasps from Erza. I then saw a flash of light and it was dead silent. The door slowly opened, as her eyes were red. She gave me a time shell, and didn’t say a word as we snapped the shell, and time leaped. We landed in the control room, which had a floor of clear water and a big blue bright sky with white, but with no sun. “Here, use it to destroy these demons.” DEMONS?! She gave me a laser whip (It’s like the Ray of Electricity from last year’s story) as she showed her skills I woke up with a sudden pain, it was morning, and we were outside, “AND STAY IV-14 Sharad Arghya 2014 of a whiptastic (get that joke? No… dang. I got bad humor) fight. She demolished one by one, I wondered why she acted normal. She was supposed to be crazy, it wasn’t normal if she was acting like one. But hey, she’s probably raging anger by whipping evil. Once she finished, they all turned into time shells, I picked one up, “Don’t, no more. Please” “Ok” as I dropped it back. I felt like it was getting dark. It was, the sky turned dark orange with black clouds and the water was red. Ugh. We walked towards the control panel and pressed pause just in time. It was scary; it was at 89% ready to destruct the world. “Well, ready?” I saw a grin on her face, “Yeah, let’s end this.” We landed on our desks, at 9:30am. They started laughing. Wait a minute; this was the time of the test. And I didn’t have my answer key. NOO!! I ended up sleeping through the test again. I got a 37 on it. What a fail, me, what a fail. “You know she’s dead.” We were enjoying our milkshakes after my birthday party and attempting to have the ball balancing on the kendama. Erza told me what happened. “Time shells are created when a person sacrifice themselves for desire to save or destroy the world. That’s why when I demolished those monsters, they turned into time shells.” Oh yeah the moment she shined like a laser whipping goddess or something. “Well, I never talk about my family, but I had a sister who was pronounced dead 8 years ago On a leap year. My aunt died on the same day. My REAL aunt.” That was the only time I saw her cry, I hated seeing her like that, “Well but they said she escaped death. But what really happened was my sister time leaped on February 29th, as well. The world was in 99% close to destruction, and my aunt sacrificed herself to restore the world. My sister ended up in the future unable to come back. She was mistaken by mom, that she was my aunt. And they both looked like twins. . She lived like that until 2 days ago she sacrificed herself to save us and the world.” “Man that’s deep” “Oh yeah, but I did enjoy whipping evil, how’d I look like?” “A whipping GODDESS!” She smiled her big cheesy smile. We played with the Kendama Toy for a while and then had a pillow fight. Well, most would think this is crazy, but who knows if anyone makes the same mistake again, but for now let’s enjoy today because I can’t wait for another 3 years to have fun like this. 2014 FIFA World Cup in Review Ishaan Chatterjee Wow, what a tournament this was. From late game drama to breath-taking goals such as the one by Colombia’s James Rodriguez and even cannibalistic controversies it seems that this tournament had it all. 31 days ago, Brazil edged past Croatia 3-1 with the help of a Neymar brace and today Mario Gotze served as the hero and final goal scorer as a tourney-long dominating Germany took home the title 1-0 over a devastated Argentina. From early on this tournament seemed to be offense offense offense as goals were scored at a rapid rate, completely reverse to the defensive tendencies from South AFrica in 2010. We witnessed several surprises in the IV-15 Sharad Arghya 2014 Group stage. Spain, one of the favorites to lift the cup, exited in the group stage following a 51 hammering by Netherlands and a devastating 2-0 defeat to Chile. Colombia were efficient as they rolled over Greece, Cote D'Ivoire, and Japan en route to a top finish in Group C. Costa Rica shocked the footballing planet as they finished on top of Group D, a group of death, featuring former champions Italy, Uruguay, and England. Bosnia and Herzegovina, first timers at the World Cup but still favored to advance, exited after demoralising losses to Nigeria and Argentina. USA’s 2-1 late victory over Ghana sparked a mass following of the World Cup in the States albeit the victory did come at a cost as star American forward Altidore injured his hamstring which would keep him out for the rest of the competition. In their next match the Americans faced Portugal, fresh off a 4-0 drubbing by the Germans and were able to take a 2-1 seemingly unassailable lead but Silvestre Varela broke American hearts as he smashed the ball past Tim Howard to end the match in a disappointing draw. The Americans were able to advance despite a 1-0 loss to Germany, and responded to their many critics by managing to get out of an extremely difficult group. In complete contrast, the knockout round was characterized by low scoring and tight defending. Brazil kicked things off with a narrow penalty kick win over Chile after two potentially game winning Chilean shots hit the crossbar. Uruguay, missing star striker Suarez due to an absurd biting incident, never seemed to trouble star James Rodriguez and Colombia in their 2-0 loss. Netherlands then broke many Mexican hearts after a controversial penalty took them to a 2-1 win over Mexico and Costa Rica defied the odds and reached the quarters following a penalty kick win over Greece. France and Germany followed suit by posting narrow wins over their respective African opponents, Nigeria and Algeria. Argentina edged past Switzerland 1-0 and despite Tim Howards record-breaking 16 saves, the United States were eliminated by Belgium 2-1 ending a brilliant run for the Americans. The quarters were not much different. Brazil slipped past Colombia 2-1 by keeping James Rodriguez in check although the victory came at a cost as Neymar, the side’s star forward, was rule out of the tourney with a broken back and Thiago Silva the star center back come captain was suspended following his picking up of 2 yellow cards. Germany dominated possession against France and was able to win 1-0, Costa Rica lost to the Dutch after penalties following a scoreless 120 minutes, ending a unbelievable run for the Ticos, and Argentina with an early goal by Gonzalo Higuain downed the Belgians 1-0. The stage was then set for the semifinals with two dream matches, Germany vs Brazil and Argentina vs Netherlands. The crowd gathering at Belo Horizonte had no idea what was to come from the Germans. With an astounding 4 goals in a 10 minute span the German “machine” devastated the unorganized, lazy, and unmotivated Brazilians 7-1 smashing a ton of FIFA records in the process. The Brazilians were in shock as their dream of lifting the cup on home soil were in ruins. The Argentina Netherlands game was a polar opposite to the first semifinal. Following a defensive minded and goalless 120 minutes, the match was headed to penalties. After two Dutch missed penalties, the true Brazilian nightmare was realized. The Argentinians were headed to the World Cup final in Rio and the Brazilians would not be participating. IV-16 Sharad Arghya 2014 In the 3rd place match, the stage was set in the capital for the Brazilians to rally behind their 7-1 drubbing and win it for pride. Alas, it wasn't meant to be as the Dutch got off to an early lead following a controversial Robben penalty and never looked back, scoring 2 more and taking the bronze medals with a 3-0 win. This was the first back to back losses on home soil by the Brazilians in 80 years, ending a depressing and horrifying tournament for Brazilian fans everywhere. But the World Cup had one more match in store, the 2014 FIFA World Cup Final, a match soccer fans have been waiting for, a match oozing with storylines; could Messi bring home the cup like Maradona did in ‘86 or will the German machine move on, winning their first title since 1990. The match started off slow, similar to the Argentina Netherlands. Germany seemed to dominate the possession but Argentina had the better chances. After a dull and possession oriented 90 minutes the match was headed to extra time. The first period of extra time was more of the same possession game from the 1st 90’ and the match seemingly was headed to penalties. But young Bayern Munich false 9 Mario Gotze would have none of that. After a short extra time halftime, Chelsea’s Andre Schurrle made a beautiful run down the left touchline and after a fantastic cross, Gotze was able to bring it down and smash the ball past Sergio Romero from a difficult angle to give the Germans the lead. Lionel Messi won a free kick on the right side of the box in the dying seconds of the match but placed the ball far over the crossbar. The whistle blew three times and the Germans extinguished their streak of multiple 3rd place and 2nd place finishes and delivered to the German people the 2014 FIFA World Cup. The 2nd place medals were handed out to the distraught Argentinian players, who played a terrific match with fantastic organization, specifically on the defensive third of the field. The Germans then lifted the cup, after a dominating run through the tournament and broke the hearts of the thousands of Argentines in Rio as well as the millions more around the globe. IV-17 Sharad Arghya 2014 smug and silent to rage and outspoken. Eventually Burris storms out bellowing “‘Report and be damned to ye! Ain’t no snotnosed slut of a schoolteacher ever born c’n make me do nothin’! You ain’t makin’ me go nowhere missus. You just remember that, you ain’t makin’ me go nowhere.’”2. Burris then departs once he made sure Ms. Caroline was weeping; thus, exhibiting that he is evidently an ill-mannered, boorish oppressor. Although one might consider that these two characters are exact opposites, which is understandable due to the fact that one is a pacifier while another is a tormenter, they are, in fact, quite alike. They both have similar economic and living conditions as they are extremely poor. This is proved by the quotes “Little Chuck Little was another member of the population who didn’t know where his next meal was coming from,” 3. and “Atticus said the Ewells had been the disgrace… They were people, but they lived like animals.”4. Another example of their similarity is that they both obviously represent authority and leadership. The only difference is that one expresses these qualities in a positive method while another displays it in a negative way. In conclusion, it can be said that Harper Lee purposely put these two children as two sides of the same coin so the audience can analyze her message of not judging others and that we are, basically, very similar to each other. To Kill a Mockingbird definitely is a marvelous novel that exhibits the social ladder through the small town of Maycomb. By progressively building up momentum with the sweet and subtle, yet compelling, school scene in chapters 2 and 3, Lee immediately reveals to the reader us the theme of To Kill a Mockingbird. Climbing Up & Down the Social Ladder Amartya Sinha In Harper Lee’s To Kill a Mockingbird, the reader gradually sees the social ladder of Maycomb County, Alabama, and even society in general. Initially the audience sees the comparison and contrast between people of both different and equal status when the protagonist, Jean Louise (Scout) Finch, goes to school for the first time in chapter two and three. As trite as that sounds, Harper Lee does indeed delicately, yet powerfully, introduces the theme for the entirety of the novel that one should not be bias to others for they are undoubtedly similar to him/her. One exemplary example can be seen between Burris Ewell and Little Chuck Little. Despite the fact that these characters appeared only once, throughout the entire novel, they, similar to every single character in this story, represent something. Accordingly, Little Chuck Little represents the people who goes against the crowd to stand up for what is right. Similar to how many civil rights activists upheld their attempts to stop injustices to African Americans, women, etc., in spite of the overwhelming odds, Little Chuck Little stood up for his teacher Ms. Caroline Fisher, and said enough. In his moment of glory he told of Burris Ewell by articulating “‘Watch your step Burris’ he said. ‘I’d soon kill you as look at you. Now go home.’”1. In closing it can be said that Chuck led his fellow peers to assist and comfort their new and inexperienced educator. In contrast, Harper Lee added a foil in Burris Ewell who is utterly the most disrespectful student to step in a classroom. After someone explained to Miss Caroline who the Ewells are and their unorthodox method of going to school only once a year, she makes a vain and fleeting attempt to correct Burris’s way by telling him to sit back down. In reaction, Burris’s attitude transformed from References Lee, Harper. To Kill a Mockingbird. New York: Grand Central Publishing, 1960. 37. Print. IV-18 Sharad Arghya 2014 Durga Drawing By Meghna Saha Cartoon by Ankita Ghosh IV- 19 Sharad Arghya Art wrok: Kavin Mukerjee Sachh David Kirk 2014 Isha Mukerjee Austin Martinez IV- 20 Sharad Arghya 2014 Sneha Ballav By Ankit Sarkar Sreesha Chakrabarty By Arpan Sarkar IV- 21 Sharad Arghya My life by Anusha Sen 2014 My world By Soumodip Saha Meghna Saha Elan IV- 22 Sharad Arghya 2014 Love and Blessings: New Born Babies Name: Sriya Bose Born in Feb, 2014 Daughter of Rituparna and Sushanta Bose Name: Roosha Chatterjee D.O.B: 15th Feb 2014 Parents: Nilotpal and Aditi Chatterjee Name Jiko DOB 25/11/2013 Son of Koushik and Arundhati Chatterjee Jayna Kaur Dutta Born 03.23.14 Parents Aurko & Rapinder Dutta Puspa Chatterjee with Late Satya R. Chatterjee announce the addition of new grandson to family Bodhi Van Kirk June 17, 2014 12:42pm - 7lbs - 20 inches Sharad Arghya 2014 It is the celebration time for the young graduates of our community. We tried to reach out to all the graduates of our community. Here is a window showcasing their achievements to present them to all of us. We miss a few of the graduates whose information was not in till the time of publication. We celebrate their success all the same. Your living is determined not so much by what life brings to you as by the attitude you bring to life; not so much by what happens to you as by the way your mind looks at what happens. Kahlil Gibran V-1 Sharad Arghya 2014 Lakshmi Achari School Graduated from: Memorial High School Moving on to: Texas A&M University (Honors Psychology) Awards: AP Scholar, National Honor Society, Nationals Science Honor Society, Special Distinction member of National Forensics League, Cum Laude Hobbies: Odissi dance, debate, tennis, soccer, reading, baking, biking, running, and spending time with friends and family Goals: Run in a full marathon, become a lawyer, and write a novel Parents: Arup and Ameeta Achari Sharoni Neha Bandyopadhyay School Gradated from: Clements High School. Moving on to: University of Houston Major: Health. Goal: Planning on attending medical school afterwards. Parents: Sampa and Arindam Bandyopadhyay Get your facts first, then you can distort them as you please. Mark Twain V-2 Sharad Arghya 2014 Krishti Bhowmick School/Graduated from: Katy ISD (Former Brookfield Central High School) Moving on to: UT Austin Awards/achievements: Forensics award winner, President's outstanding academic excellence awardee, Newspaper Editor's award, Honor student award etc. Major : Biochemistry(CNS) Hobbies : Reading,Tennis,Swimming Parents: Somnath & Bratati bhowmick. Shakkhar Biswas Graduating from: Friendswood High School Moving on to: University of Texas at Austin Hobbies: Painting, Travelling. Ambition: To study Chemical Engineering Parents: Sanjit and Minakhi Biswas Parents’ Message: We love you and wish you all the best. May Lord Krishna bless you. Much education today is monumentally ineffective. All too often we are giving young people cut flowers when we should be teaching them to grow their own plants. John W. Gardner V-3 Sharad Arghya 2014 Rukmini Das Graduating from: William P. Clements High School Moving on to: New York University Major: Economics Awards/Achievements: National Merit Finalist, Cum Laude, AP Scholar with Distinction, Arangetram under Dr. Rathna Kumar, Gold Key National Scholastic Art Portfolio, First Place Visual Art Scholastic Event, Octathalon & Decathlon finalist, VP of English Honor Society, Chairman of Activities of National Art Honor Society, Finalist Culture Shapers, National Honor Society. Ambition in Life: To pursue my interest in economics and explore other interests. Hobbies: Classical Bharatnatyam and Kuchipudi. Art in all mediums including oil, soft pastel, charcoal, graphite, and molding clay. Likes butter chicken and naan. Parents: Mou and Tapan Das Sabarno Datta School/Graduated from: Carnegie Vanguard High School Moving on to: UT Austin Major: Biochemistry Awards/Honors/Achievements: Top 10% in school, AP Scholar with Distinction, UIL 2nd place in Writing Hobbies: Swimming, playing Basketball Goals: To gain entrance into a medical school and become a successful doctor Parents: Aparna and Sudipta Datta Parents’ Message: All the best Sabarno!! The highest education is that which does not merely give us information but makes our life in harmony with all existence. Rabindranath Tagore V-4 Sharad Arghya 2014 Akash Ghosal School/Graduated from: Westside High School Moving on to: Rice University Major: Biochemistry and Political Science Awards/Honors/Achievements: I have managed to stay alive for 6,550 days as of June 8th, 2014. Hobbies: kissin’ hands and shakin’ babies, preventing crime Goals: To figure out what exactly my goals are Parents: Partha and Balaka Ghosal Parents’ Message: Dream, love, have wings to fly and find your own space Rahul Gupta School attended: Lawrence E. Elkins High School. Moving on to: University of Texas at Austin. Awards/Honors/ Achievements: National Merit Finalist, National Chemistry Olympiad Semifinalist, AIME Qualifier, Published research author in Quantum Physics journal. Hobbies: Performing piano and tabla, and participating in Math & Science Competitions, Goals: Major in Mathematics and Computer Science, attend graduate school. Parents: Nina and Rajnish Gupta. The hardest thing to learn in life is which bridge to cross and which to burn. Bertrand Russell V-5 Sharad Arghya 2014 Niladri Gupta School/Graduated from: Mayde Creek High School, Katy Moving on to: Texas A&M Major: Business Law Hobbies: Has been on mission trips around the nation helping build homes and gardens for the underprivileged people as part of the youth group of the Presbyterian Church. He is passionate about being a MMA fighter and participated in competitive events. Also volunteers actively in Durgabari. Parents: Reema and Purnendu (Jahar) Gupta Neer Hazra School/Graduated from: Ball High School Moving on to: University of Texas at Austin Hobbies: Reading, photography, piano, and flute Goals: become a doctor Parents: Dr.Tapas Hazra and Debi Hazra I would rather entertain and hope that people learned something than educate people and hope they were entertained. Walt Disney V-6 Sharad Arghya 2014 Sarina Mahadevan School/Graduated from: Cinco Ranch High School Moving on to: Duke University Awards/Honors/Achievements: Valedictorian. Angier B. Duke Scholar, National Merit Scholar, National AP Scholar, Welch Scholar. Recipient of Schlumberger Foundation Scholarship, MD Anderson Volunteer Scholarship, Dorothy Kelly Piano Scholarship, and Katy ISD Math Award of Excellence. Named CRHS Outstanding Student and Class of 2014 Most Likely to Succeed. Presided over Science National Honor Society, Mu Alpha Theta, and Quiz Bowl. Served as Chair of Relay for Life and as Executive Director of Kilometers to Combat Cancer 5K Fundraiser. Hobbies: Enjoy rock-climbing, piano, powernapping, traveling, and Netflix marathons. Goals: Plan to study Biomedical Engineering and Global Health, envisioning a career as a research physician. Hope to improve medicine in underserved nations and to streamline cancer treatments to make them more cost-effective and affordable. Parents: Swati and Raghu Madhavan Parents’ Message: With your unstoppable desire to learn, to share, and to grow, you are an inspiration! As you embark on this journey to lands filled with wonderment, may you remain the positive, loving, and open person that you are. Let me not pray to be sheltered from dangers, but to be fearless in facing them. Rabindranath Tagore V-7 Sharad Arghya 2014 Shreya Mandal School Gradated from: LV Hightower High School Moving on to: Texas A&M University Awards/Honors/Achievements: Ranked 3rd in Graduating Class (Magna Cum Laude), AP Scholar, International Sustainable World Engineering Energy Environment Bronze Medal Winner, Science Fair Regional and State Winner with Monetary Prize, Special Awards (1st Place) from Society of Women Engineers, Alumni Club of MIT, American Society of Indian Engineers, Houston Law and Patent Association, Rice University Engineering, Academic Excellence: Twice Carnegie Hall Piano Winner, Featured Student of the Month in Fort Bend Lifestyles and Home Magazine , Competitively Selected Gifted and Talented Mentorship Student (FBISD), Full Scholarship to Texas A&M University Hobbies: Performing Indian Classical Dance (Odissi and Kathak), Playing Piano Goals: Pursue Chemical Engineering Degree Parents: Batakrishna and Kabita Mandal Debosree Pathak School/Graduated from: Klein Oak High School Moving on to: Texas A&M University, College Station Honors/Achievements: Top 7%, completed National Honor Society, French Honor Society, Math Honor Society and Science Honor Society, various French awards Hobbies: volunteer for animals, learn French Goals: Become a wildlife veterinarian and travel Parents: Deb Pathak and Sree Pathak An eye for an eye will only make the whole world blind. ― Mahatma Gandhi V-8 Sharad Arghya 2014 Monica Alissa Rakhit School Graduated From: Katy High School Moving on to: Texas A&M Major: Electrical Engineering Hobbies: Crafting, Listening to Music, Baking, Spending time with friends and family Goals: Complete a successful education and pursue a great career Parents: Anita and Ashis Rakhit Parents’ Message: We are very proud of what she has accomplished so far! Congratulations and we hope you have a wonderful and successful future! Sayan Deep Ray School: Cinco Ranch High School, Katy Moving on to: Will be joining Jackson School of Geosciences at UT Austin. Goal: Goal is to become a professional geoscientist. Hobbies: Robotics, Computer games, Choir Parents: Amal & Tuhina Ray Anyone who has never made a mistake has never tried anything new. Albert Einstein V-9 Sharad Arghya 2014 Ranjini Roy Graduating from: Katy High School Moving on to: UT Austin Major: Environmental Science Ambition in Life: To better the environment and wake up happy every day knowing I am working to preserve the force that nurtures us all. Hobbies: Drawing, painting, playing guitar, singing, tennis Parents: Sanjit and Rupa Roy Ruhika Roy Graduating From: Lawrence E. Elkins High School Moving on to: Princeton University (Chemical Engineering) Hobbies: Swimming, singing, hiking, playing piano, current events, traveling, and debate. Ambition in Life: To become a neurosurgeon; to leave a mark on history. Parents: Ruma and Sankar Roy Parents’ Message: Tuktuk, we have seen you grow into an all rounded person. We know you will definitely reach your dreams. God bless you. Lots of love. - Ma & Baba Be the change that you wish to see in the world. Mahatma Gandhi V-10 Sharad Arghya 2014 Shayak Sen Moving on to: The University of Texas at Austin Major: Biochemistry Hobbies: Playing Basketball, Cooking, and watching TV. Goals: To achieve a doctorate and to hopefully travel the world! Parents: Partha and Santasri Sen Parents message: "Shayak has worked hard for his high school diploma and we are proud for his commendable feats. We love him and wish that he succeeds in achieving his goals in future and wish him a healthy and happy life." Sarmistha Sinha School/Graduated from: Lawrence E. Elkins High School Moving on to: University of Texas at Dallas Awards/Honors/Achievements: Distinguished Cum Laude Graduate, Engineering Academy, Outstanding Senior in English and Recipient of the Lemelson-MIT InvenTeam Grant (Project Lead), Hobbies: Dancing, Baking, Creative Writing, Volunteering, Student Council, member of the Social Studies Honor Society, Secretary of Engineering Society, Secretary of Habitat for Humanity and mentee at Texas Instruments. Parents: Sujata and Rebati Sinha The whole purpose of education is to turn mirrors into windows. Sydney J. Harris V-11 Sharad Arghya 2014 College Graduates Anuva Banik School/Graduated from: University of Houston Victoria Major: MBA International Business Awards/Honors/Achievements: MBA Scholarship Hobbies: Teaching, Watching Movies, Going to Theater, Reading, Cooking Goals: Start a Business, Continue with Education Parents: Alo and Niranjan Banik Parents’ Message: Anuva has shown us that education is always an ongoing process. You never stop learning. Gargi Chaudhuri School/Graduated from: Harvard College Moving on to: Will be a Fulbright Fellow in Italy starting in October, followed by law school Awards/Honors/Achievements: Graduating with high honors, Fulbright English Teaching Assistant Fellowship Recipient, Music Director of the Harvard-Radcliffe Veritones Hobbies: Singing, playing guitar, reading and writing, exploring new cities with friends Goals: Make the most of my time abroad, find a fulfilling and exciting career, write more Parents: Anjan and Sucheta Chaudhuri Nrityasi Roy Ankur Roy Nrityasi ( Natasha ) Roy graduated from University of Houston last December to be teacher. She is a substitute teacher. Parents: Kamalpriya and Alok Roy Ankur Roy graduated from University of Pennsylvania this May and he will be working in Washington DC area from this July. Parents: Kamalpriya and Alok Roy Dear young graduates, At this juncture of life, the future is looking good to you. You’re now ready to go ahead and walk the new path of your life. We will cheer you on, every step of the way. Durgabari community of Houston V-12 öi ¢hSu¡l fË£¢a J ö−iµR¡ S¡e¡C

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