PERCUSSION MANUAL
RULES AND REGULATIONS
for
GROUPS I, II, III, IV, AND V
Including the
REQUIRED MUSIC LIST FOR GROUP I
2013-14 -- 2018-19
This Association is governed by an elected State Board consisting of three
music teachers and one school administrator from each of the eight zones in
Indiana. Rules and Regulations of all events are determined through
procedures as prescribed in the ISSMA Music Festivals Manual.
All festivals are administered and coordinated through the ISSMA office.
Please direct all inquiries to:
Indiana State School Music Association, Inc.
www.issma.net
All Directors Please Note
It is important to refer to the Solo and Ensemble required manuals listed on
the official ISSMA web site to validate and retrieve the most current
information. Any publication posted on the ISSMA, Inc. website will
supersede any previously printed edition.
Unless a particular editor or arranger is specified, any standard, unabridged,
unarranged edition is acceptable.
2
TABLE OF CONTENTS
Acknowledgements ...........................................................................................................4
Drum Set Solo - Event No. 99 ...........................................................................................5-6
Mallet Solo (Xylophone, Marimba, Vibraphone) - Event No. 100 ...................................6-7
Glockenspiel or Bell Lyra - Event No. 101 for Groups IV and V only ..................................7
Snare Drum Solo - Event No. 102 ................................................................................7-9
Timpani Solo - Event No. 103 ......................................................................................9-11
Multiple Percussion Solo - Event No. 104 .......................................................................12
Multi-Tenor Solo - Event No. 105 .................................................................................12
Percussion Ensembles - Event No. 110 (3 to 6 performers) ........................................12
Mallet Ensembles - Event No. 111 (3 to 6 performers) .............................................12
Large Mallet Ensembles - Event No. 112 (7 to 20 performers) ..........................................12
Large Concert Percussion Ensembles - Event No. 113 (7 to 20 performers) .........12
Large Marching Percussion Ensembles - Event No. 115 (7 to 20 performers) ................12
Specifics for All Percussion Ensemble Events .........................................................13-14
Guideline for Stick and Mallet Selection .....................................................................15-16
Required Music Selections
Drum Set Solos - Event No. 99 ..............................................................................17
Xylophone, Marimba, and Vibraphone Solos - Event No. 100 ...........................17-19
Snare Drum Solos - Event No. 102 ..................................................................19-21
Timpani Solos - Event No. 103 .............................................................................22
Multiple Percussion Solos - Event No. 104 .......................................................22-23
Multi-Tenor Solos - Event No. 105 .........................................................................23
Percussion Ensembles - Event No. 110 ........................................................23-24
Mallet Ensembles - Event No. 111 ...................................................................24-26
Large Mallet Ensembles - Event No. 112 ..........................................................24
Large Concert Percussion Ensembles - Event No. 113 ..................................26-28
Large Marching Percussion Ensembles - Event No. 115 .....................................29
Audio Example Links .......................................................................................................30
Drum Set Style Patterns
Group V .................................................................................................................31
Group IV and III ...............................................................................................32-33
Group II ..........................................................................................................34-35
Group I ............................................................................................................36-37
Mallet Scales and Arpeggios .........................................................................................38
Timpani Roll Requirement ..............................................................................................38
Snare Rudiment Required List with Minimum Tempos .................................................39
Snare Drum Rudiments (International Drum Rudiments) ........................................40-41
Recommended Supplementary Material ..................................................................42-47
Key to Publisher Codes ..............................................................................................48-54
3
The Indiana State School Music Association gratefully acknowledges the
professional efforts of the Percussion Manual Revision Committee and all the
contributors who offered suggestions for this publication. Jim Williams and
his committee devoted many hours in research and meetings to develop all the
material included. This publication includes the required music selections as
well as educational instructions and explanations to aid teachers and students in
their quest to develop total percussion musicianship.
Percussion Committee
Jim Williams, Chairman
Luke Aylsworth
Brandan Baker
John Coller
Keith Cozart
Dr. Penny Dimmick
Wilber England
Karl Gilbert
Herbert Hedstrom
Bill Leather
Kevin Miles
Dr. Erwin Mueller
Jeff Parthun
Jason Pruden
Robb Thiel
Murray Weaver
4
PERCUSSION SOLO EVENTS
I.
Drum Set Solo – Event No. 99
A.
Event Requirements
1.
Any three of the appended “Drum Set Rhythmic Patterns” (depending on the Group Level entered,
beginning on page 31) must be performed from MEMORY.
2.
Group Requirements should be as follows:
3.
B.
C.
a.
Group V will play any three of the following Drum Set Rhythmic Patterns: one Rock Time, one
Swing Time, and either Basic Latin or Show Style. (Student’s choice)
b.
Groups IV and III will play any three of the following Drum Set Rhythmic Patterns: Rock Time;
Jazz Time; Brush Time; Bossa Nova; Cha Cha; Funk; Samba. (Gp IV – Student’s choice; Gp. III Judge’s choice)
c.
Groups II and I will play any three of the following Drum Set Rhythmic Patterns: Rock Time; Jazz
Time; Brush Time; Jazz Waltz; Bossa Nova; Cha Cha; Mambo; Samba; Funk; Beguine. (Judge’s
choice)
Performers should continue playing patterns until requested to stop by the judge.
Tuning, Stick Choice, Drum Set-Up
1.
Tuning of an indefinite pitched instrument and size relationship of sticks to that instrument are
extremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation and
clarity.
(For stick choice, see appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED –
ONLY A RECOMMENDED GUIDELINE.)
2.
Tune drum set in order of “Pitch” from highest to lowest – snare drum, small tom-tom, large floor
tom-tom, and bass drum.
3.
Drum set set-up should give the performer a comfortable playing position and accessibility to all
pieces of equipment.
Accuracy of Notes and Rhythms
1.
Correct pitches on correct drum.
2.
Correct interpretation of rhythms.
a.
Optional interpretation of eighth and sixteenth notes when applied to jazz phrasing:
(1)
(2)
D.
Interpretation, General Musicianship and Balance of Sound
1.
Correct interpretation of style (jazz, rock, latin, etc.)
2.
Evaluation should be made only on the indicated expression marks.
5
.
II.
E.
3.
Additional expression marks may be indicated on the music by the performer or teacher and are
acceptable but not required.
4.
Evaluation of the observation of dynamics.
5.
Balance of sound – the ability of the performer to dynamically control the various drums and cymbals
of the drum set (e.g., the bass drum and/or ride cymbal too loud or the small tom-tom too soft)
Technique – Facility on Set
1.
Matched or traditional grip is acceptable on the drum set.
2.
Technique – the ability of the student to perform with skill on the drum set (stiff/relaxed – fast/slow).
3.
Facility on the drum set – the ability of the performer to get around on the set (smoothly or awkwardly).
F.
General Effect (Preparation) - Evaluation of the performer’s adherence to the details or aspects of a
composition which results in a fine musical performance.
G.
Time Keeping – Evaluation of the ability of the performer to keep a steady beat.
Mallet Solo (Xylophone, Marimba, Vibraphone) Event No. 100
A.
Required Scales – Arpeggios
1.
Three (3) Scales – Arpeggios (depending on the group level entered) must be performed from
MEMORY. (See appended list of “Mallet Scales – Arpeggios,” page 38, for tempi, rhythm options, and
range.)
2.
Group Requirements
3.
B.
a.
Group V and IV - Any three scales and arpeggios up to four flats and four sharps, one octave.
(student’s choice)
b.
Group III, Scales – Arpeggios; C, F, G, B-flat, D, E-flat, A, A-flat, E. (judge’s choice)
c.
Groups II and I, Scales – Arpeggios; C, F, G, B-flat, D, E-flat, A, A-flat, E, D-flat, B, G-flat, Fsharp, C-flat, C-sharp. (judge’s choice)
Size of instrument may limit the Scale – Arpeggio range with no penalty to the performer.
Choice of Mallets and Correct Playing Area
Considering that the performer has no pre-performance knowledge of the acoustics of the room, the
adjudicator must not allow his evaluation of choice of mallets to be influenced by either excellent or poor
acoustics. (See appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A
RECOMMENDED GUIDELINE.)
1.
Choice of mallets – Considering the highly subjective nature of this area, the adjudicator should base
his evaluation on the following criteria:
a.
Balance of solo with accompaniment.
b.
Dictates of music:
(1) Indicated on the solo
(2) Rhythmic articulation and clarity
6
(3) Legato, staccato, etc.
(4) See appended “Guideline for Stick and Mallet Selection,” page 15.
2.
Correct playing area
C.
D.
E.
Center of bar.
b.
End of bar (not on node).
Accuracy of Notes and Rhythms
1.
Correct notes.
2.
Correct interpretation of the rhythms.
Expression, Phrasing, Tempo, Dynamics
1.
Evaluation should be made only on the indicated expression marks.
2.
Additional expression marks may be indicated on the music by the student or teacher and are
acceptable but not required.
Mechanical Skills (Technique) and Physical Approach
1.
F.
a.
Acceptable grips
a.
Two mallets – Traditional grip.
b.
Four mallets – Traditional, “Musser,” “Stevens,” or “Burton” grips acceptable.
General Effect (Preparation)
Evaluation of the contestant’s adherence to the details or aspects of a composition which results in a fine
musical performance.
III. Glockenspiel or Bell Lyra – Event No. 101 for Groups IV and V only
Event No. 101 is not offered at the Group III, II or I level.
A.
Groups IV and V will perform Scales – Arpeggios as listed under Group Requirements for
Event No. 100 (Mallet Solo), page 6.
B.
All captions for Events No. 101 are the same as Event No. 100. (See II. Mallet Solo, page 6.)
IV. SNARE DRUM SOLO – Event No. 102
A.
Required Rudiments
1.
Three of the PAS 40 rudiments will be performed selecting not more than one from each category. The
rudiments must be memorized at State Level only. (see appended “List of Rudiments” and their
metronome markings for each Group Level, page 39-41)
2.
Group Requirements
a.
Group V – The student will choose three rudiments designated for Group V selecting not more than
one from each category.
b. Group IV – The student will choose three rudiments designated for Group IV selecting not more
than one from each category.
c. Group III – The judge will choose three rudiments designated for Group III selecting not more than
one from each category.
7
d. Group II – The judge will choose three rudiments designated for Group II selecting not more than
one from each category.
e. Group I – The judge will choose three rudiments designated for Group I selecting not more than
one from each category. Memorization is required for Group I performance at State Level event.
3.
4.
B.
Acceptable Methods of Demonstration
a.
Fortissimo, gradual decrescendo to pianissimo, gradual crescendo to fortissimo, at performer’s
maximum controlled tempo. (See appended “List of Rudiments” for minimum tempi.)
b.
Run-down – slow, gradual accelerando to fast gradual ritard to slow. (See “List of Rudiments”
for minimum fast tempi.)
A uniform rhythm, as specified in the appended “List of Rudiments,” must be maintained throughout
the demonstration of each rudiment.
Tone, Snare Adjustment, Head Tension
The tuning of a snare or field drum and the size relationship of sticks to drums are extremely subjective.
Consequently, the adjudicator should evaluate this category as to rhythmic articulation and clarity. (See
appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A
RECOMMENDED GUIDELINE.)
C.
Rhythmic Accuracy
1.
Rudimental Solos
a.
Correct interpretation of the 7-Stroke Roll:
(1) Short 7-Stroke Roll
(2) Long 7-Stroke Roll
(Tempo and uniformity are governing factors.)
b.
Correct interpretation of the 15-Stroke Roll:
8
2.
Jazz Style Solos in a Moderate Tempo
a. Optional interpretation of eighth and sixteenth notes when applied to jazz phrasing:
(1)
(2)
D.
E.
Expression, Phrasing, Tempo, Dynamics
1.
Evaluation should be made only on the indicated expression marks.
2.
Additional expression marks may be indicated on the music by the performer or teacher and are
acceptable but not required.
Mechanical Skills (Technique) and Physical Approach
1.
Acceptable hand positions:
a.
b.
2.
Angle of the drum should be compatible with the hand position; however, drum angles are extremely
subjective. Consequently, the judge should evaluate this category as to rhythmic articulation and
clarity. The suggestions regarding playing surface angle are only a guide.
a.
b.
3.
F.
Traditional (Unmatched)
Matched (Left hand identical to the right hand of the traditional grip)
Traditional – Playing surface should be slanted, high side to the player’s left.
Matched – Playing surface should be horizontal.
Style of the rolls used (rudimental or multiple-bounce) must be consistent with the style of the solo
or as indicated by the composer.
General Effect (Preparation)
Evaluation of the performer’s adherence to the details or aspects of a composition which results in a fine
musical performance.
V.
Timpani Solo – Event No. 103
A.
Event Requirements
1.
Tuning Requirements
a.
Groups V and IV – Tune pitches needed in performer’s solo.
b.
Group III – Tune an interval of a perfect fifth up from one of the following initial pitches:
G, A-flat, or B-flat. (judge’s choice)
1)
G to D
2)
A-flat to E-flat
3)
B-flat to F.
9
c.
Groups II and I – Tune one interval, either a major third, perfect fourth, or perfect fifth up
from an initial pitch of G, A-flat, or B-flat. (judge’s choice)
1)
2)
3)
d.
Major third
(a)
G to B
(b)
A-flat to C
(c)
B-flat to D
Perfect fourth
(a)
G to C
(b)
A-flat to D-flat
(c)
B-flat to E-flat
Perfect fifth
(a)
G to D
(b)
A-flat to E-flat
(c)
B-flat to F
Adjudicators will indicate the initial pitch to be tuned on timpano 2. (The performer will utilize an
accepted pitch source to obtain initial pitch.) The second pitch of the interval requested by the
adjudicator is to be tuned on timpano 3 without further assistance, i.e., by ear.
1
B.
2
3
4
(set of timpani)
2.
Tuning of the timpani will be accomplished from memory solely by the performer.
3.
Acceptable pitch sources:
a.
Pitch pipe (unaccompanied solo)
b.
Tuning fork (unaccompanied solo)
c.
Accompanying instrument (accompanied solo).
Roll Requirement
The “Roll Technique” exercise (see appended “Timpani Roll Requirement,” page 38) is to be performed from
memory on a pitch determined by the tuning requirements of V-A-1.
C.
Choice of Mallets and Correct Playing Area
Considering that the performer has no pre-performance knowledge of the acoustics of the room, the
adjudicator must not allow his evaluation of choice of mallets to be influenced by either excellent or poor
acoustics. Choice of timpani mallets for a particular solo is extremely subjective. Consequently, the
adjudicator should evaluate as to rhythmic articulation and clarity. (See appended “Guideline for Stick
and Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDED GUIDELINE.)
10
1.
Objective criteria to be used to evaluate this area:
a.
Balance of solo with accompaniment
b.
Dictates of music:
(1) As indicated on the music
(2) Rhythmic articulation and clarity
c.
2.
See “Guideline for Stick and Mallet Selection,” page 15.
Correct Playing Area
a.
The general playing area – approximately four to five inches from the edge of the kettle.
b.
Dictates of the music:
(1) Legato – General playing area used
(2) Staccato – Playing area may be moved slightly toward the center of the kettle
(3) Pianissimo – Playing area may be moved slightly toward the edge of the kettle
(4) Special effects – As indicated on the solo.
D.
E.
F.
Accuracy of Notes and Rhythms
1.
Correct notes and/or pitches on kettles.
2.
Correct interpretation of the rhythms.
Expression, Phrasing, Tempo, Dynamics
1.
Evaluation should be made only on the indicated expression marks.
2.
Additional expression marks may be indicated on the music by the student or teacher and are
acceptable but not required.
Mechanical Skills (Technique) and Physical Approach
1.
Acceptable grips
a.
Matched
b.
Thumbs up:
(1) “French” – Use of finger for impetus
(2) “German” – Use of wrist for impetus.
G.
General Effect (Preparation)
Evaluation of the performer’s adherence to the details or aspects of the composition which results in a fine
musical performance.
11
VI. Multiple Percussion Solo – Event No. 104
A.
Event Requirements
No requirement for tuning, rudiments, or Scales – Arpeggios – in the Multiple Percussion event.
B.
Tuning of an indefinite pitched instrument and the size relationship of sticks to that instrument are
extremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation and
clarity.
C.
All captions for Multiple Percussion Solos other than tone and intonation will be the same as for
the Timpani Solo Event, No. 103 (page 9).
VII. Multi-Tenor Solo – Event No. 105
A.
Required Rudiments
Rudiments are to be performed the same as specified for Event No. 102, Snare Drum (page 7).
B.
Tuning of an indefinite pitched instrument and the size relationship of sticks to that instrument are
extremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation and
clarity.
C.
All captions for Multi Tenor Solos other than tone and intonation will be the same as for
the Snare Drum Solo Event, No. 102 (page 7).
PERCUSSION ENSEMBLE EVENTS
I.
Percussion Ensembles – Event No. 110 (3 to 6 performers)
II.
Mallet Ensembles – Event No. 111 (3 to 6 performers)
Small Ensembles shall perform without direction. Small ensembles that are directed by an individual from
any place in the audition room shall be penalized one division rating except that a student director is
permitted when he/she is a performing member of the small ensemble.
III. Large Mallet Ensembles – Event. No. 112 (7 to 20 performers)
IV. Large Percussion Ensembles – Event No. 113 (7 to 20 performers)
Large Ensembles (Events 112, 113, and 115) may be directed by a student director who might or might not be
a performing member of the ensemble.
V.
Large Marching Percussion Ensembles - Event No. 115 (7 to 20 performers)
12
SPECIFICS FOR ALL PERCUSSION ENSEMBLE EVENTS
A.
Tone and Intonation
(Refer to this category under “Snare Drum Solo, Mallet Solo, Timpani Solo, Multiple Percussion Solo,
Multi-Tenor Solo, and Drum Set Solo.”)
B.
1.
Tuning of an indefinite pitched instrument and the size relationship of the sticks to that instrument are
extremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation and
clarity.
2.
Tune drum set in order of “Pitch” from highest to lowest – snare drum, small tom-tom, large tom-tom,
floor tom-tom, bass drum.
3.
Appropriate substitution for unique and difficult to obtain instruments is acceptable without penalty.
Set-Up, Choice of Mallets, Sticks, Beaters and Correct Playing Area
1.
Considering the vast choice of beaters, mallets, and sticks available and the extreme subjectivity of
this area, evaluation should be made according to rhythmic articulation and clarity. (See appended
“Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDED
GUIDELINE.)
2.
Correct playing area:
3.
C.
D.
a.
Mallets – center of bar or end of bar (not on node)
b.
Timpani – General playing area, approximately four to five inches from the edge of the kettle
c.
Snare Drum – Dependent upon dynamic level desired or dictates of music.
Set-up:
a.
All instruments should be easily accessible to the performer
b.
Section leader should be visible to all musicians.
Accuracy of Notes, Rhythms and Precision
1.
Accuracy of Notes – Drum set notation is generally written considering the placement of the drums
rather than the pitch of the drums themselves and is not standardized. Therefore, the adjudicator
must refer to the music for its legend and correct interpretation.
2.
Correct notes performed on mallet instruments.
3.
Correct pitches performed on timpani.
4.
Correct interpretation of the rhythms.
Expression, Phrasing, Tempo, Dynamics and Balance
1.
Evaluation should be made only on the indicated expression marks.
2.
Additional expression marks may be indicated on the music by the student or teacher and are
acceptable but not required.
3.
Evaluation of tempos played and the observation of dynamics.
13
E.
F.
Mechanical Skills (Technique) and Physical Approach
1.
Refer to this category under the “Snare Drum Solo, Mallet Solo, Timpani Solo, Multiple Percussion Solo
and the Drum Set Solo.”
2.
Matched or traditional grip acceptable.
General Effect (Preparation)
Evaluation of the performer’s adherence to the details or aspects of a composition which results in a fine
musical performance.
14
GUIDELINE FOR STICK AND MALLET SELECTION
There is an infinite number of possibilities to choose from when selecting mallets and sticks. The following
suggestions are meant only as a guide. These selections are NOT required. The committee is only attempting to
aid the non-percussionist music educator and his students.
Considering the highly subjective nature of this area, the selection of sticks and mallets should be based on:
A.
Balance of solo with accompaniment
B
Dictates of the music:
1.
2.
3.
Indicated on the printed solo or ensemble part
Rhythmic articulation and clarity
Striving to obtain legato, staccato, etc.
Many fine stick and mallet manufacturers are in operation today. However, the following list has been compiled
for the sake of reference.
SUGGESTED STICKS AND MALLETS (only suggestions; not required)
Snare Drum Sticks (Concert Use)
Innovative Percussion IP1
Pro-Mark SD-1 (general)
Vic Firth SD-1 (general)
Pro-Mark OWL (light)
Vic Firth SD-2 (light)
Snare Drum Sticks (Drum Set Use)
Vic Firth 5A
Pro-Mark 5A
Timpani Mallets
Grover TM4 (cartwheel-soft)
Vic Firth T2 (cartwheel-soft)
Grover TM1 (general)
Vic Firth T1 (general)
Grover TM2 (staccato-hard)
Vic Firth T4 (ultra-staccato-very hard)
Xylophone
Innovative Percussion IP 901 (soft)
Vic Firth M14 (soft)
Pro-Mark PK63
Innovative Percussion IP 902 (general)
Vic Firth M6 (general)
Pro-Mark PK60 (general)
Innovative Percussion IP 905
Vic Firth M7 (loud)
Pro-Mark PK61 (loud)
Bells/Glockenspiel
Innovative Percussion IP 902 (soft)
Innovative Percussion IP 906 (general)
Vic Firth M6 (general)
Pro-Mark PK60 (general)
Innovative Percussion IP 907 (brass-loud)
Vic Firth M11 (brass-loud)
Pro-Mark PK62 (brass-loud)
15
Marimba
Innovative Percussion IP 100 (soft)
Vic Firth M1 (soft)
Pro-Mark PSM10 (soft)
Innovative Percussion IP 240 (medium)
Vic Firth M2 (medium)
Pro-Mark PSM25 (medium)
Innovative Percussion IP 400 (hard)
Pro-Mark PSM40 (hard)
Vibes
Innovative Percussion RS 201 (soft)
Pro-Mark PK91 (soft)
Innovative Percussion RS 251 (general)
Vic Firth M3 (general)
Pro-Mark PK93 (general)
Innovative Percussion RS 301 (hard)
Vic Firth M9 (loud)
Pro-Mark PK95 (very loud)
Vic Firth M10 (very loud)
Chimes
Grover PM4
Mike Balter CM3
Bass Drum
Vic Firth TG01 (general)
Innovative Percussion CB 1
Vic Firth TG 05 (pair for rolls)
Innovative Percussion CB 5 (pair for rolls)
Gong
Innovative Percussion CG-2 (small)
Mike Balter GM-1 (general)
Innovative Percussion CG-1 (large)
Suspended Cymbal
Various yarn marimba mallets depending on desired
volume and color. Do not use timpani mallets on
suspended cymbals even when noted as such in
the score.
Temple Blocks/Wood Blocks
Pro-Mark PK 21 (soft)
Pro-Mark PK 23 (medium)
Pro-Mark PK 35 (hard)
Innovative Percussion IP 902 (hard)
Bongos
Use fingers when possible (or)
Pro-Mark 716 (timbale stick)
Vic Firth WTAP (timbale stick)
Brushes
Vic Firth WB (general)
Pro-Mark TB3 (general)
Vic Firth BJR (heavy)
16
PERCUSSION SOLO & ENSEMBLE
GROUP I
REQUIRED MUSIC SELECTIONS
DRUM SET SOLOS
XYLOPHONE - MARIMBA - VIBRAPHONE SOLOS
EVENT NO. 99
001 Boursault, E./Lefevre, G.-Dechiffrages pour
Batterie, Book 2 (#4, 11, 15, 16, 21, 31)
(any one)
002 Elias, S.-Sieve’s Tweed
003 Fink, R.-Drum Set Suite (any two mvts.)
004 Henry, A.-C.K.
005 Holmquist, J.-Drum Set Etudes, Book III
(#1, 2, 6, 7, 9, 10, 14, 17, 18) (any one)
006 Houllif, M-Afro Cuban
007 Houllif, M.-Ain’t It Rich
008 Houllif, M.-Con-Fusion
009 Houllif, M.-El Vino
010 Houllif, M.-Geneology
011 Houllif, M.-Homage
012 Houllif, M.-Just For the Funk Of It
013 Houllif, M.-Philly
014 Houllif, M.-Reggae Rock
015 Houllif, M.-Rudimentary, My Dear Watson
016 Houllif, M.-Samba-ly
017 Houllif, M.-Shufflin’ Feat
018 Kastuck S.-Syncopated Swing
019 Keezer, R.-Chop City
020 Kettle, R.-Blue Rondo a la Max
(9 Solos for Drum Set)
021 Kettle, R.-For Philly Joe (9 Solos for Drum Set)
022 Kettle, R.-Folk-Cycle (9 Solos for Drum Set)
023 Kettle, R.-Metric Variations (9 Solos for
Drum Set)
024 Kettle, R.-Snavelying (9 Solos for Drum Set)
025 Kettle, R.-Sonant XVII (9 Solos for Drum Set)
026 Kettle, R.-Trebling (9 Solos for Drum Set)
027 LaRosa, M.-Drum Set Etude #2
028 LaRosa, M.-Rhapsody for Solo Drum Set
029 Morey, C.-All Set
030 Nearpass, J.-BCR
031 Nearpass, J.-Dave’s Samba
032 Paul, D.-Bossa Bop
033 Paul, D.-50 MPH
034 Paul, D.-For Pete’s Sake
035 Paul, D.-Hang Ten
036 Paul, D.-3/4 Bop
037 Perry, C.-Tripling
038 Rogers, Dennis -Conceptual Changes
039 Rogers, Dennis -Groovistic Funk
040 Rogers, Dennis -Jazz Rag
041 Rogers, Dennis -Quadrafunk
042 Rogers, Dennis -Quartz Time
043 Snider, L.-To Rock For Admiral Shunk
044 Stephans, M.-Downside-Up
045 Thompson, R.-Blakey’s End (Jazz Solos)
046 Thompson, R.-Elvin Like
047 Thompson, R.-Max’s Mode
048 Thompson, R.-Tony’s Way
049 White, E.-Two Sketches
EVENT NO. 100
LED
EDI
FIN
KAS
NAK
KEN
KEN
KEN
KEN
KEN
KEN
KEN
KEN
KEN
KEN
KEN
KEN
KAS
KEN
BTP
BTP
BTP
BTP
BTP
BTP
BTP
SOM
SOM
KEN
NEA
NEA
PAU
PAU
PAU
PAU
PAU
KEN
SMP
SMP
SMP
SMP
SMP
BAR
STD
KEN
KEN
KEN
KEN
KEN
17
001 Abe, K.-Frogs
002 Abe, K.-Dream of the Cherry Blossoms
003 Abe, K.-Michi
004 Abe, K.-Works for Marimba (any piece)
005 Albeniz/Stevens-Asturias Leyenda
006 Bach/Hatch-Fugue II (Bach for the
Marimba)
007 Bach/Hatch-Little Two Part Fugue
(Bach for the Marimba)
008 Bach/Hatch-Two Part Invention
(Bach for the Marimba)
009 Bach, J./Goldenberg, M-Violin Concerto
in A Minor (Modern School of
Xylophone, Marimba, and Vibraphone)
010 Bach, J. S./Gastyne-Gigot (Vibe)
(Partita in B Flat Major)
011 Bach, J. S./McMillan,-Sonata in e minor
(Masterpieces for Marimba)
012 Bach, J. S/Moore, J.-Air for the G String
(Bach for Marimba for 2, 3, and 4
Mallet Solos)
013 Bach, J. S./Moore, J.-Chorale-Kom
Susser Tod (Bach for Marimba for 2,
3, and 4 Mallet Solos)
014 Bach, J. S./Payson-Two Part Invention
No. 4 (Progressive Studies in Double
Stops)
015 Bach, J. S.-Concerto in a minor
(1st or 3rd mvt.)
016 Bach, J. S./Moore, J.-1st Mvt. from
Brandenberg Concerto No. 2 (Bach
for Marimba for 2, 3, and 4 Mallet
Solos)
017 Bach, J. S/Moore, J.-Fugue from Sonata
in a minor (Bach for Marimba for 2,
3, and 4 Mallet Solos)
018 Bach, J. S./Moore, J.-Jesu, Joy of Man’s
Desiring (Bach for Marimba for 2,
3, and 4 Mallet Solos)
019 Bach, J. S./Moore, J.-Presto from Sonata
in g minor (Bach for Marimba for 2,
3, and 4 Mallet Solos)
020 Bach, J. S./Moore, J.-Toccata from
Toccata and Fugue in d minor
021 Bach/Stevens-Prelude and Fugue in B flat
Major (perform either one)
022 Bach/Stevens-Prelude in g minor
023 Barnes, J./Maxey, L.-Yorkshire Ballad
for Marimba and Piano
024 Basta, J.-Concerto for Marimba and
Orchestra (any mvt.)
025 Bernadin, P.-Sonata for Vibes and Piano
(any two mvts.)
026 Blume, B.-Like a Burden Too Heavy
STD
ZIM
MUF
SCH
KPP
MUL
MUL
MUL
CHP
FER
PRO
KEN
KEN
PAY
GSI
KEN
KEN
KEN
KEN
KEN
KPP
KPP
SMC
MFP
MFP
TSP
XYLO/MARIMBA/VIBR. SOLOS (Continued)
027 Blume, B.-Unforced Rhythms
028 Boo, M.-Pieces of R (a four mallet solo)
029 Breuer, H-Back Talk (From Mallet
Solo Collection )
030 Breuer, H.-Bit O’Rhythm (From Mallet
Solo Collection)
031 Breuer, H.-Encore-Elise (From Mallet
Solo Collection)
032 Breuer, H.-Happy Hammers (From
Mallet Solo Collection)
033 Breuer, H.-The 1908 Rag (From Mallet
Solo Collection)
034 Breuer, H.-On The Woodpile (From
Mallet Solo Collection)
035 Breuer, H.-Powder Puff (From Mallet
Solo Collection)
036 Brown, T.-Alone (Mallets in Mind)
037 Brown, T.-Cuernevaca (Mallets in Mind)
038 Brown, T.-Dahoon (Suite for Percussion)
(With Piano)
039 Brown, T.-Inagua (Mallets in Mind)
040 Brown, T.-Latin Chiffon (Mallets in Mind)
041 Brown, T.-Marimbato (Mallets in Mind)
042 Brown, T.-Mexican Murals (any piece)
043 Brown, T.-Rhumballade (Mallets in Mind)
044 Brown, T.-Samba Sonic (Mallets in Mind)
045 Brown, T.-Summer Scene (Mallets in Mind)
046 Brown, T.-Sun Shadows (Vibe)
047 Brown, T.-Sunday Trolley (Mallets in Mind)
048 Brown, T.-Time Has Come (Mallets in Mind)
049 Burritt, M.-October Night (marimba solo)
050 Burton, G.-Ajax Men of Science (Vibe)
051 Burton, G.-Catapult (Vibe)
052 Burton, G.-(arr.)-Childhood (Vibe)
053 Burton, G.-Enihs (Vibe)
054 Burton, G.-A Singing Song (Vibe)
(6 Unaccompanied Solos for Vibes)
055 Burton, G.-The Sunset Bell (Vibe)
056 Chopin/Musser-Valse Brillante
057 Clementi, M.-Spiritoso (Vibe) (Solos
for the Vibraphone Player)
058 Davis,T.-Recital for Vibraharp (any one solo)
059 Creston, P.-Concertino for Marimba
(any mvt.)
060 Debussy, C./Miller-First Arabesque for
Vibes and Piano
061 Debussy, C./Miller-Second Arabesque
for Marimba and Piano
062 Debussy, C./Pimentel, L.-Le Petit Negre
063 De Lancey, C.-Rosewood Blues
064 De Ponte, N.-Concertino for Marimba
065 De Pue, W.-Sonata Primitif
066 Diemer, E. L.-Toccata for Marimba
(Unaccompanied)
067 Dinicu/Goldenberg-Hora Staccato
068 Dorn, B.-Step after Step
069 Eyles/Werle-The Golden Age of Xylophone
070 Feldman, V.-Danny Boy (Vibe)
(All Alone by the Vibraphone)
071 Fieldman, G.-Northampton
072 Fink, S.-Concertino for Vibraphone (Vibe)
073 Frackenpohl, A.-Introduction and
Romp for Marimba and Piano
TSP
PPB
ALF
ALF
ALF
ALF
ALF
ALF
ALF
KEN
KEN
KEN
KEN
KEN
KEN
BEL
KEN
KEN
KEN
KEN
KEN
KEN
LUD
CMP
CMP
CMP
CMP
CMP
CMP
FOR
GSI
BAR
GSI
LUD
LUD
PPB
MPM
STD
MFP
MFP,
PMC
CFM
ADL
MED
GWN
TSP
WRE
GSI
18
074 Frazeur, T.-The Quiet Place for
Marimba and Piano
075 Frazeur, T.-Rondo for Marimba and Piano
076 Gibson, Richard-Monograph IV
077 Gomez,A.-Etude in D minor
078 Gomez, A./Rife, M.-Rain Dance
079 Green, G. H.-Waltz Brillante
080 Green, G. H./Becker-Valse Brilliante
081 Green, G. H./Cahn-Dotty Dimples
082 Green, G. H./Cahn, W. L.-Fluffy Ruffles
083 Green, G. H./Eyles, R.-Chromatic Fox
Trot (From Xylophone Rags)
084 Green, G. H./Eyles, R.-Cross Corners
(From Xylophone Rags)
085 Green, G. H./Eyles, R.-Jovial Jasper
(From Xylophone Rags)
086 Green, G. H./Eyles, R.-Log Cabin Blues
(From Xylophone Rags)
087 Green, G. H./Eyles, R.-Rainbow Ripples
(From Xylophone Rags)
088 Green, G. H./Eyles, R.-The Ragtime
Robin (From Xylophone Rags)
089 Green, G. H./Eyles, R.-The Whistler
(From Xylophone Rags)
090 Green, G. H./Eyles, R.-Triplets
(From Xylophone Rags)
091 Green, J./Becker, B.-Xylophonia
092 Handel, G./Feldstein, S.-Sonata No. 3
(4th mvt.)
093 Hatch, E.-Furioso and Valse in D minor
094 Haydn, J./Finkel, I.-Divertimento (Vibe)
(Solos for the Vibraphone Player)
095 Herold/Luscomb-Zampa Overture
096 Houllif, M.-Casper’s Dance
097 Houllif, M.-Contemplation for Vibraphone
098 Houllif, M.-Estudios #1-6 para marimba
(any one)
099 Houllif, M.-Mist (Vibe)
100 Houllif, M.-Samba (marimba solo)
101 Hovhaness, A.-Fantasy on Japanese
Woodprints
102 Hulling, C.-A Collection of Marimba Solos
(any one)
103 Immerso, J.-Viaggo per Marimba
104 Irvin, L.-Two Etudes for Marimba (any one)
105 Kraus, P.-Jan
106 Kraus, P.-Just Flippin’
107 Kreisler/Green-Caprice Vienois
108 Kreisler/Green-Tambourin Chinois
109Kreisler/Green-Liebesfreud
110 Kuhlau, F./Finkel, I.-Allegro from
Sonatina No. 1 (Vibe) (Solos for
the Vibraphone Player)
111 Kurka, R.-Concerto for Marimba and
Orchestra (any mvt.)
112 Kuzell, C.-Six Little Pieces for Marimba
(any one or all)
113 Lang, M.-Etude #1 and 5 (Both)
(14 Contemporary Etudes)
114 Lang, M.-Etude #2, 7, 9 (any two)
(14 Contemporary Etudes)
115 Larrick, G.-Marie, A Four Mallet Rag for
Marimba
KEN
PMC
STD
SMC
SMC
CFM
MED
CAH
CAH
MER
MER
MER
MER
MER
MER
MER
MER
BEC
ADL
EHA
GSI
RUB
KEN
KEN
KEN, PPB
KEN
STD
EDP
LUD
PIO
PPB
BEL
BEL
FOL
FOL
FOL
GSI
WTB
MTP
ADL
ADL
PPB
XYLO/MARIMBA/VIBR. SOLOS (Continued)
116 Lecuona, E./Peterson, H.-Gitanerias
117 Lecuona, E./Peterson, H.-Malaguena
118 Lipner, A.-Solo Jazz Vibraphone Etudes
(any one)
119 Liszt/Edwards-Rhapsodie Fantasie
120 Mayuzumi, T.-Concertino for Xylophone
and Orchestra (1st or 3rd mvt.)
121 McConnell, Bruce-Various Sinful Dances
(any one solo)
122 Miki, M.-”Time” (marimba solo from
Modern Japanese Marimba Pieces)
123 Molenhof, B.-A Dancer At Heart
124 Molenhof, B.-From Music of the Day
(any one)
125 Molenhof, B.-From New Works for New
Times (any one-except Solo #1)
126 Molenhof, B.-Kleine Albstadt
127 Monkman, J.-Parody
128 Monti, V./Moore, J.-Csardas
129 Mozart, W./Scarmolin, A.-Allegretto
for Marimba and Piano
130 Musser, C.-Etude in A Flat, Op. 6, No. 2
131 Musser, C.-Etude in C Major, Op. 6, No. 10
132 Musser, C.-Prelude, Op. 11, No. 3
133 Musser, C.-Etude in B, Op. 6, No. 9
134 Nearpass, J.-Border Song
135 Nearpass, J.-Childlike
136 Paganini/Daughtrey-24 Caprices, Op. 1,
No.2 in b minor
137 Parthun, Jeff-Nora’s Nightmare
138 Peters, M.-Sonata Allegro for Marimba
and Piano
139 Peters, M.-Theme and Variations
140 Peters, M.-Three Pieces for Three Mallets
(any two mvts.)
141 Peters, M.-Waves (marimba solo)
142 Peters, M.-Yellow After the Rain for
Marimba
143 Pitfield-Sonata (any mvt.)
144 Rimsky-Korsakov/Quick-The Flight of
the Bumble Bee
145 Rosauro, N.-Concert for Marimba and
Orchestra (any mvt.)
146 Rosauro, N.-Sonata-The Periods of Life
(any mvt.)
147 Rosauro, N.-Suite Popular Brasileira
(any mvt.)
148 Samuels, D.-Footpath (marimba solo)
149 Satei/Casella-Gymnopedie No. 1
150 Schubert/Quick-Marche Militaire
151 Schumann/Stevens-Album for the Young
(any piece)
152 Sholle, E.-The Brook
153 Sifler, P.-Marimba Suite (any or all)
154 Skoog, D.-Water and Fire
155 Smadbeck, P.-Rhythm Song
156 Smith, S.-Suite Moderne (marimba solo)
157 Spencer, J.-After the Storm
158 Spencer, J.-Ask (vibraphone solo)
159 Spencer, J.-Fire Elves (marimba solo)
160 Spencer, J.-Icecream (marimba solo)
161 Spencer, J.-Mountain Stream
162 Steinquest, D.-Radford Rag
MAR
MAR
163 Stout, G.-Andante and Allegro
164 Stout, C.-Astral Dance
165 Stout, G.-Elegy
166 Stout, G.-Two Mexican Dances for
Marimba (any mvt.)
167 Tanner, P.-Sonata for Marimba and
Piano (any two mvts.)
168 Tschaikowsky/Stevens-Album for the
Young (any mvt.)
169 Ukena, T.-Tempest
170 Ulrich-Suite No. 1 (Marimba,
Unaccompanied)
171 Verdi/Edwards-Il Trovatore Fantasie
172 Virich-Suite No. 1 (Finale)
173 Vivaldi/Moore-Concerto in a minor,
Op. 3, No. 6 RV356 (1st mvt.)
174 Watson, W.-Recital Suite for Marimba
175 Weber, C. M./Sifert, C.-Invitation to Dance
LUD
RUB
CFP
STD
TPC
KEN
KEN
KEN
KEN
TSP
PPB
LUD
STD
STD
STD
STD
NEA
NEA
STD, ALF
ALF
STD, ALF
STD, ALF
COP
STD
SMC
MFP
RUB
PMC, MFP
PPB
MFP
BMP
ORCHESTRA BELLS - BELL LYRA SOLOS
EVENT NO. 101
ALP
PPB
NO REQUIRED LIST
MTP
MPM
Entries accepted only in Groups IV & V
(Not a State Event)
MPM
MPM
SNARE DRUM SOLOS
MTP
PET
EVENT NO. 102
RUB
001 Abel, A.-Hi Ho Simpson
FMH
002 Abel, A.-Jennifer’s Jog
PPB
003 Abel, A.-2040’s Sortie
LUD
004 Angelis, N.-Train Wreck (from An Amazing
Collection of Top Ranking Snare Drum
Solos)
TSP
005 Baker, J.-Lonely City Suite (Mvts. I,II,III) (from An Amazing Collection of Top Ranking Snare
Drum Solos)
TSP
006 Barrett, G.-Rudimental Heights
PPB
007 Beck, J.-Advanced Solos for the Snare Drum
(No. 2 or 3)
KEN
008 Beck, J.-Colonial Capers
KEN
009 Beddis, Lee-Igidibick (from Ziggadabuszz
Collection)
RLP
010 Benson, W.-Three Dances for Solo Snare
Drum
CHP
011 Berg, S.-Festival Capers
BOU
012 Berg. S.-Rocky Rhythm
BOU
013 Burns/Feldstein-Soloistic Studies
(Intermediate Drum Method, Pp. 49,
50, 52, 55, 56, 57,58, 59, 60 - any two)
ADL
POP
ZIM
ZIM
TSP
RUB
MAP
BPC
WIM
CNT
MAL
PPB
SPP
SPP
SPP
SPP
SPP
PIO
19
SNARE DRUM SOLOS (Continued)
014 Cappio, A.-Lu-Lu
015 Casey, Mark-Casey Claw (from the Blue
Book collection)
016 Ceroli-Trick Stickery
017 Cirone, Anthony-Portraits in Rhythm (a book
collection) (play any selection)
018 Colgrass, M.-Six Unaccompanied Solos for
Snare Drum (any one)
019 Corcoran Jr., James-7 Days & 7 Nights
(from the Blue Book collection)
020 Delecluse, Jacques-12 Studies for Snare
Drum (any one selection) with piano
021 DeLucia, Dennis-Five for Joe (from Just
Desserts collection)
022 Dempsey, T.-Rodent Tomfoolery (from
An Amazing Collection of Top Ranking
Snare Drum Solos)
023 DiBona, E.-Celtic American, The
024 DiBona, E.-Latin Drum Sargent, The
025 Duggan, Stacey-Display (from Just Desserts
collection)
026 Duggan, Stacey-First (The Rudimental
Cookbook)
027 Duggan, Stacey-Method To My Madness
(The Rudimental Cookbook)
028 Duggan, Stacey-Popeye (from The Just
Desserts collection)
029 Firestone-Etudes for Drum
030 Firestone-Solo No. 11
031Firestone-Tapology
032 Freytag, E.-And The Kitchen Sink
(The Rudimental Cookbook)
033 Freytag, E.-Prattfalls (The Rudimental
Cookbook)
034 Funnell, J.-Corps-Dially Yours
035 Gauger, T.-Snare Drum Solo No. 1
036 Gauthreaux, S.-Technica 9
037 Gilbert, K.-Barney the Pedantic Weasel
038 Gilbert, K.-Esoteric 6/8
039 Goldenberg, M.-Farfel’s Gavotte
040 Goldenberg, M.-5/8 Etude
041 Goldenberg, M.-5/8 Romp
042 Goldenberg, M.-Graduation Etude
043 Goldenberg, M.-Ramble Rumple
044 Goldenberg, M.-Rim Shot March
045 Goldenberg, M.-7/8 Romp
046 Goldenberg, M.-6/8 Etude
047 Hall, Jason-Invision (from Ziggadubuzz
collection)
048 Hampton, Ellis-Aylesford Tonight (from
The Blue Book collection)
049 Harber, S.-1/2 Way There
050 Harris, E. E.-Sonata (The Solo Drummer)
051 Harris, E. E.-Theme and Variations
(The Solo Drummer)
052 Harris, E. E.-The Yankee Flamdoodle
(The Solo Drummer)
053 Helm, D.-The Titan
054 Hoey, F.-Jet Age 6/8
055 Hoey, F.-Ruff Drag Strip
056 Hoey, F.-Unrolly Permutation
057 Hurley, M.-Crash Landing
(Festival Snare Solos)
HMR
058 Hurley, M.-Mambo King, The (Festival
Snare Solos)
059 Hurley, M.-The Phancy Phantom
060 Hurley, M.-Phantom of the Phield
061 Hurley, M.-Phantom Phire
062 Hurley, M.-Phantom Phrenzy
063 Hurley, M.-Scud Attack (Festival Snare Solos)
064 Hurley, M.-Tower of Terror
(Festival Snare Solos)
065 Jenny, J.-At Odds (2nd & 4th mvts.)
066 Johnson, Scott-Cheese…Glorious Cheese
(from Progression collection)
067 Johnson, Scott-Hercules (from Progression
collection)
068 Johnson, Scott-Modulation (from
Progression collection)
069 Johnson, Scott-Para-Dise (from Progression
collection)
070 Johnson, Scott-Patty (from Progression
collection)
071 Johnson, Scott-Red Five (from Progression
collection)
072 Johnson, Scott-Seven (from Progression
collection)
073 Johnson, Scott-Sticking (from Progression
collection)
074 Kettle, R.-Three Etudes for Snare Drum
(any one)
075 Leonard, S.-5 - 6 - 7 (Contemporary Album
for the Snare Drum)
076 Lynch, Michael-It’s About Time (from Just
Desserts collection)
077 Lynch, Michael-Odyssey II (The Rudimental
Cookbook)
078 Lynch, Michael-On Parade (from Just
Desserts collection)
079 Machamer, S.-Twenty-Four Swing Street
080 Maines, John-Git’n Jiggy With It (from
Just Desserts colletion)
081 Mason, Brian-Penmoken (from the Blue
Book collection)
082 Markovich, M.-Stamina
083 Markovich, M.-Tornado
084 Markovich, M.-The Winner
085 Marvin, H.-Variety
086 Marvin, H.-HaMaR’s Delight
087 McCoy, Scott-Guido’s Birthday (from The
Blue Book collection)
088 McIntosh, M.-Three (from An Amazing
Collection of top ranking Snare Drum
Solos)
089 McMahan, J. W.-Hamiltonian
090 McMahan, J. W.-Lizard Thicket, The
091 McMahan, J. W.-Mueller’s Mazurka
092 Miller, D.-Four Marches for the Rudimental
Snare Drummer (Nos. 1 & 3 or 3 & 4)
093 Moore, James-Six Solos for Snare Drum
(any of the six)
094 Moore, Jeff-Rhythmic Incantation (from
Ziggadabuzz collection)
095 Morey, C.-Jim Dandy
096 Morey, C.-A Real Drag
097 Morey, C.-Waltzing Hipster, The
TSP
PDS
ALF
GSI, LGM
TSP
TPC
RLP
TSP
RLP
RLP
RLP
RLP
RLP
RLP
OOP
OOP
OOP
RLP
RLP
KEN
PMC, MFP
STD
KGG
KGG
CHP
CHP
CHP
CHP
CHP
MFP
CHP
CHP, MFP
RLP
TSP
STD
RIC
RIC
RIC
PIO
SMC
SMC
SMC
RLP
20
RLP
MHA
MHA
RLP
MHA
RLP
RLP
PPB
RLP
RLP
RLP
RLP
RLP
RLP
RLP
RLP
STD
LUD
RLP
RLP
RLP
PPB
RLP
TSP
CMP
CMP
CMP
MFP
HMR
TSP
TSP
SPR
SPR
SPR
LUD
PER
RLP
KEN
KEN
KEN
SNARE DRUM SOLOS (Continued)
098 Morrell, Jonathan-3.28 Pie Squared (from
Just Desserts collection)
RLP
099 Morton, J.-One of a Kind
STD
100 Mouse, J.-Accentric
SPR
101 Mouse, J.-Conception
SPR
102 Murray, Al-Ramma Jamma (from
Ziggadabuzz collection)
RLP
103 Payson, A.-Snare Drum Solo No. 1
MFP
104 Pepe, J.-Snare Drum Solo
PPP
105 Petercsak, J.-Snare Drum Solo No. 1
MFP
106 Peters, Mitchel-Advanced Snare Drum Studies
Nos. 2,4,5,7,9,10,11,12,17,21,25
(any one in orchestral style)
MTP
107 Poole, Charles-Lancer (from Ziggadabuzz
collection)
RLP
108 Pratt, J.-Attaching the 4-Stroke Ruff
(Rudimental Solos for the Accomplished
Drummer)
MED
109 Pratt, J.-Boston’s Drumming Crusader
(Rudimental Solos for the Accomplished
Drummer)
MED
110 Pratt, J.-Buttermilk and Crackers
(Rudimental Solos for the Accomplished
Drummer)
MED
111 Pratt, J. S.-Cider Jug (From The New
Pratt Book)
PPB
112 Pratt, J. S.-Conquering Legions of Rome, The
(From The New Pratt Book)
PPB
113 Pratt, J. S.-Coordination
BMP
114 Pratt, J. S.-Drum Corps on Parade
(14 Modern Contest Solos)
BMP
115 Pratt, J.-Emperor Justinian at Constantinople
(Rudimental Solos for the Accomplished
Drummer)
MED
116 Pratt, J. S.-Flamaque Quickstep
BMP
117 Pratt, J. S.-Gladstone Cadets
(14 Modern Contest Solos)
BMP
118 Pratt, J. S.-Hodge Podge
(14 Modern Contest Solos)
BMP
119 Pratt, J. S.-My Friend Norman
BEL, BMP
120 Pratt, J. S.-Sound Off (From The New
Pratt Book)
PPB
121 Pratt, J.-Swinging the Swiss Pataflafla
(Rudimental Solos for the Accomplished
Drummer)
MED
122 Pratt, J. S.-Syncopating the Single Drag
BEL, SMP
123 Pratt, J. S./Schinstine/Moore-The Solo Snare
Drummer Vol. 1 (pp 11 & 12, or pp14 & 15)
PPB
124 Prentice, H. F.-Richard’s Rampage
BMP, SMC
125 Prentice H. F.-Santa Fe Chief
BMP
126 Queen, J.-Tribute (from An Amazing Collection
of Top Ranking Snare Drum Solos)
TSP
127 Ratliff, David-Fear (from The Blue Book
collection)
TSP
128 Reichett, K.-Adagio (from An Amazing Collection
of Top Ranking Snare Drum Solos)
TSP
129 Rogers, Lisa-Kiwi (from Ziggadabuzz
collection)
RLP
130 Rogers, R. E.-Flamboyant
STD
131 Roy, J. M.-Prestidigitation
BAR
132 Schinstine, W. J.-Recital Suite for Solo
Snare Drum
KEN
133 Schinstine, W. J.-Beating the Blues
SMC
134 Schinstine, W. J.-Contrary Computer, The
135 Schinstine, W. J.-Festival Drummer
136 Schinstine, W. J.-Hectic Hickorys
137 Schinstine, W. J.-Innovation in Two-Four
138 Schinstine, W. J.-Soliloquy
139 Schinstine, W. J.-Space Probe
140 Schinstine, W. J.-Synco-Stix
141 Schinstine, W. J.-Evocation #1
142 Schinstine, W. J.-Evocation #2
143 Schinstine, W. J.-Three Means To An End
(any one)
144 Schletzer, Dustin & Derek-Googlyelemo’s Quest
For Glory (from Just Desserts collection)
145 Spede, M.-Speed Trap
146 Stone, G. L.-Massachusetts Champion
147 Straight, E. B.-Drummer’s Downfall
(Deluxe Drum Solos)
148 Street, G.-Steppin’ Out
149 Street, G.-Swingin’ Down the Street
(The Drummer’s Heritage)
150 Tuthill, G.-Snare Drum Solo
151 Varner, M.-Punctuality
152 Wanamaker, J.-Bridgemen (From
Championship Corps Style Contest Solos)
153 Wanamaker, J.-Crazy Army (From
Championship Corps Style Contest Solos)
154 Wanamaker, J.-Drums Corps on the March
(From Championship Corps Style
Contest Solos)
155 Wanamaker, J.-4th of July (From
Championship Corps Style Contest Solos)
156 Wanamaker, J.-Hurricane (From
Championship Corps Style Contest Solos)
157 Wanamaker, J.-Main Street Strut (From
Championship Corps Style Contest Solos)
158 Wanamaker, J.-Spirit of Sanchez (From
Championship Corps Style Contest Solos)
159 Webster, C.-Bolero for Ed (from An Amazing
Collection of Top Ranking Snare
Drum Solos)
160 Whaley, G.-Essay for Snare Drum
161 Whaley, G.-Etude in 32nds
162 Whaley, G.-Recital Solos (any two)
163 White, E.-False Images
164 Whitlock, J.-Hit-N-Run (The Rudimental
Cookbook)
165 Whitlock J.-In-Pulse (The Rudimental
Cookbook)
166 Whitlock J.-Shala’ (The Rudimental
Cookbook)
167 Whitlock J.-Tuo Kaerf (The Rudimental
Cookbook)
168 Wilcoxon, C.-Battin’ ‘Em Out
169 Wilcoxon, C.-Heating the Rudiments
170 Wilcoxon, C.-Lake Woodite, The
171 Wilcoxon, C.-Swinging the Twenty-Six
172 Willmarth, John-Snare con Queso (from
The Blue Book collection)
173 Wooten, J.-Africa Hot
174 Wooten, J.-Rudimental Clave
21
SMC
SMC
SMC
SMC
OOP
SMC
SMC
KEN
KEN
KEN
RLP
PPB
GBS
CFM
CFM
CFM
MFP
PPB
ALF
ALF
ALF
ALF
ALF
ALF
ALF
TSP
MER
RAL
MED
KEN
RLP
RLP
RLP
RLP
CHW
CHW
LUD
CHW
TSP
WOO
RPP
TIMPANI SOLOS
044 Mancini, D.-Suite for Timpani
045 Mancini, D.-Suite #2 for Timpani
046 McCormick, R.-Fanfare Variations for
Solo Timpani
047 Peters, M.-Primal Mood for Four Timpani
048 Peters, M.-Randino
049 Peters, M.-The Storm
050 Ramey, P.-Sonata for Three Unaccompanied
Timpani
051 Riley, S.-A Delivering
052 Schinstine, W.-Dresden Dance
053 Schinstine, W.-Artiste Sonata, The (I or III)
054 Steinhart-Dance (+ 4 Timbales or Rotos)
055 Tharichen, V.-Concerto for Timpani
(any mvt.)
056 Vitto, B.-Scherzo
057 Whaley, G.-Scherzo for Timpani
058 Williams, J.-Variations for Solo Kettledrums
(theme and any one variation)
059 Wuebold, E.-Fantasy for Timpani and Piano
060 Youhass-Four Pieces for Unaccompanied
Kettledrums, Nos. I and II
061 Youhass-Four Pieces for Unaccompanied
Kettledrums, Nos. III and IV
EVENT NO. 103
001 Ameele, D.-Cadenza No. 1
002 Ameele, D.-Cadenza No. 2
003 Beck, J.-Interaction for Music and Sounds
(with CD recording)
004 Beck, J.-Sonata for Timpani (any mvt.)
005 Beck, J.-Three Episodes (II or III)
006 Beck, J.-Triptych Motif (no cut)
007 Beck, J.-Three Movements for Five
Timpani (any one mvt.)
008 Bergamo, J.-Four Pieces for Timpani
Nos. 1 & 4
009 Bergamo, J.-Four Pieces for Timpani
Nos. 2 & 3
010 Britton, M.-Solo Piece for Timpani
011 Bigot-Timpaniana pour Timbales et Piano
012 Campbell, J.-Blue Hammers
013 Carter, E.-Eight Pieces for Four Timpani
(any one)
014 Cheadle, R.-Melodic Movements for Timpani
015 Cirone, A.-Sonata No. 1 for Timpani and
Piano
016 Curnow, J.-Fanfare and Scherzo
017 Erickson, K.-In the Valley of Kings
(Mvts. 2 and 3)
018 Firth, V.-Solo Impressions for Two Timpani
019 Firth, V.-Solo Impressions for Three Timpani
020 Firth, V.-Solo Impressions for Four Timpani
021 Firth, V.-Solo Timpanist, The, Nos. 1, 2, 3, 7,
8, 10, 11, 15, 17, 22, 23, 25, 26 (any one)
022 Frock, G.-Seven Solo Dances (any one)
023 Gay, Kirk-Etude 31, Rock of the 80’s
(from the Pedal To The Kettle collection)
024 Gay, Kirk-Etude 32(from the Pedal To The
Kettle collection)
025 Gay, Kirk-Farfenmarch
026 Gay, Kirk-Fog (from The Pedal To The
Kettle collection)
027 Gay, Kirk-Los Cinco de Clubs (from The
Pedal To The Kettle collection)
028 Gay, Kirk-Overture for Timpani
029 Gomez, A./Rife, M.-International Style
Etudes (any one etude)
030 Goodman, S.-Ballad for the Dance
031 Hinger, F.-Solos for the Virtuoso Timpanist
(any one)
032 Holly, R.-Sonata for Timpani
033 Houliff, M.-Der Paukenmeister
034 Houllif, M.-3 Settings for Timpani
(any two mvts.)
035 Houllif, M.-Suite for Timpani
036 Huston, S.-Suite for Solo Timpani
037 Igelsrud, D.-Soundings
038 Jones, D.-Sonata for Three Unaccompanied
Kettle Drums
039 Kashanski, R.-Semi-Straight Jazz Waltz, A
040 Leonard, S.-Canticle
041 Leonard, S.-Ostinato (From Forms)
042 Leonard, S. Rondino (From Forms)
043 Leonard, S.-Solo Dialogue
KEN
KEN
KEN
BMC
KEN
KEN
MER
MFP, PMC
MFP, PMC
MFP, PMC
LED
RLP
AMP
ALP
CIR
MDM
INP
CFM
CFM
CFM
KEN
KEN
KEN
MTP
MTP
MTP
MFP
ALP
SMC
KEN
LAN
AMP
FDS
MER
MFP
PMC
MMC
MMC
MULTIPLE PERCUSSION SOLOS
EVENT NO. 104
CFM
SMC
001 Angelo, J.-Toccata for Solo Percussionist
002 Beck, J.-Episode for Solo Percussionist
003 Burritt, M.-Sticks of Eloquence
004 Campbell, J.-Engine Room
005 Campbell, J. -Tork
006 Campbell, J. -Sidewinder
007 Campbell, J. - Zoku
008 Christian, B.-Rondino
009 Christian, B.-Danze Espagnola
010 Combs, F.-Gesture for Solo Percussionist
011 Davis, T.-Multi-Percussion, Suite No. 1
012 Davis, T.-Soliloquy
013 Davis, T.-Spanish Dance
014 DeLancey, C.-Love of L’Histoire
015 Delecluse, J.-A La Maniere #3
016 Dervaux-Batterie-Sketch (any two mvts.)
017 Edgerton, M. -Songs of Vent
018 Frazeur, T.-Mood Piece
019 Frock, G.-Concert Etude for Solo Percussionist
020 Gaetano, M.-Multiple Episode No. 1
021 Glassock, L.-Motion
022 Glassock, L.-Statement for Solo Percussion
023 Goldenberg, M.-Studies in Solo Percussion
(any solo, pp 36-72)
024 Guager, T.-Nomad
025 Holliden, D.-Six Ideas for Snare, Bass Drum
and Cymbal
026 Jager, R.-Concerto for Percussion and Band
027 Johnson, W.-Five Words
028 Kastuck, S.-Dance I
TSP
TSP
TSP
TSP
TSP
TSP
SMC
BEL
JER
KEN
KEN
STD
POT
GSI
KEN
HRS
HMR
VLK, LUD
LUD
LUD
VLK, LUD
22
MMC
STD
LUD
RLP
RLP
RLP
RLP
CRE
CMP
MMC
BAR
CRE
CMP
PET
LED
LED
MCP
MFP
HLN
STD
KEN
KEN
CHP
GUA
MCP
MED
SMC
KAS
MULTIPLE PERC. SOLOS (Continued)
029 Kraft, W.-Da-Dit
AMC
030 Kraft, W.-English Suite
(play any one of the six mvts.)
AVM, OOP
031 Kraft, W.-French Suite for Percussion Solo
(any one of four)
MEM, AVM, OOP
032 Kraft, W.-Morris Dance
AVM
033 Lopez, R.-Two Days
TSP
034 McCormick, R.-Homage to Harry Partch
KEN
035 Milhaud, D.-Concerto Op.109 for Percussion
and Small Orchestra (Condensed for Piano)
UTP
036 Moore, J.-Sonata No. 1 for Percussion Soloist
LUD
037 Payson, A.-Die Zwitschermaschine
CMP
038 Payson, A.-Slavic Danse
CMP
039 Peters, M.-Etude #2
MTP
040 Peters, M.-Perpetual Motion for Snare Drum
and Four Tom-Toms
MTP
041 Peters, M.-Rondo for Four Tom-Toms
MPM
042 Pillin, B.-Duo for Percussion and Piano
WIM
043 Ramey, P.-Capriccio
MCP
044 Rosen, J.-Elegy for Solo Percussion
MFP
045 Russell, A.-Sonata (any two mvts.)
MFP
046 Schinstine, W.-Etude for Latin Instruments
CMP
047 Schinstine, W.-Etude for Membranophones
CMP
048 Starer, R.-Excursion
MCA
049 Stern, R.-Adventures for One
(any two mvts.)
MFP, PMC
050 Tagawa, R.-Inspirations Diabolique
(any one mvt.)
WIM
051 Udow, M. W./Watts, C.-Contemporary
Percussionist, The (any one EXCEPT:
IV; VII; XI; XII; XV; XVII; XVIII)
MER
052 Whaley, G.-Three Movements for Two Drums
PRO
014 Hodges, Mike-Afrobeat (from The Violent
Tenor Cream book)
015 Hunter, Mark-Floatmeal (from The Blue
Book collection)
016 Hurley, M.-Crash Landing
017 Hurley, M.-The Phancy Phantom
018 Hurley, M/Hansen, L.-The Phantom of the
Phield
019 Hurley, M./Hansen, L.-Phantom Phrenzy
020 Hysell, E./Bissell, P.-SVC
(From Tenor Madness)
021 Johnson, S.-Cha-Da-Da-Cha-Cha (From
Modern Multi-Tenor Techniques and Solos)
022 McNutt, Colin- Hot Dogs in a Canteen
(from The Violent Tenor Cream book)
023 Murphy, Ian-Sca-Fa (from The Blue Book
collection)
024 Perez, Brian-Grooves & Chops O’Plenty
(from The Violent Tenor Cream book)
025 Rennick, P.-Backstreet Beat (From Modern
Multi-Tenor Techniques and Solos)
026 Werth, Nick-Chocolate Cherry Bomb
(from The Violent Tenor Cream book)
TSP
RLP
RLP
RLP
RLP
GFM
RLP
TSP
TSP
TSP
RLP
TSP
PERCUSSION ENSEMBLES
EVENT NO. 110
(Three to Six Performers)
001 Abel, A.-Allegro Muchacho (6 players)
LUD
002 Abel, A.-Serenade To a Sand Dune (6)
PPB
003 Alfeieri, J.-Fanfare for Tambourines (6)
MUF
004 Artenziano, E.-El Muchacho Cinco (5)
RLP
005 Bach, J.S./Slawson-Concerto in a minor (6)
TSP
006 Bach, J. S./Moore, J.-Little Fugue in g minor (4)
PPB
007 Beck, J.-Concerto for Timpani and
Percussion Ensemble (6)
KEN
008 Bellson, L.-Four Stories (4 drum sets)
TRY
009 Benson, W.-Three Pieces for Percussion
Quartet (any two mvts.) (4)
GSI
010 Blount-Modulation (5)
FMH,CFM
011 Brand, M.-Africantus (4)
KEN
012 Breaux, T.-Ostinato-A-Koto (6)
DSM
013 Brooks, C.-Triple Threat (3)
RLP
014 Brown, T.-Morning Flower (5)
BMP
015 Brown, T.-Particles (any two mvts.) (6)
SMC
016 Carno, Z.-Sextet for Percussion (any one mvt.)
MFP
017 Chavez, C.-Toccata (1st or 3rd mvt.) (6)
BMP
018 Cirone, A.-5 Items for Solo Marimba and
Percussion Ensemble (any two) (6)
BMP
019 Cirone, A.-4/4 for Four (4)
CIR
020 Cirone, A.-Japanese Impressions (5)
BEL
021 Cirone, A.-Overture in Percussion (5)
CIR
022 Cirone, A.-Percussionality (4 percussion +
1 student piano or 6 percussion)
BEL
023 Cirone, A.-Triptych (1st mvt. or 2nd & 3rd mvts.) (4)
BMP
024 Colgrass, M.-Chamber Piece for Percussion
Quintet
MFP, PMC
MULTI-TENOR SOLOS
EVENT NO. 105
001 Altmire, Matt-Green Eggs & Flam (from
The Violent Tenor Cream book)
002 Aungst, T.-It’s Time (From Modern Multi-Tenor
Techniques and Solos)
003 Bachman, Bill-Ubiquitour Illin-ness (from
The Violent Tenor Cream book)
004 Bailey, J.-Green Lightning (From Modern
Multi-Tenor Techniques and Solos)
005 Bissell, P.-Bones (From Tenor Madness)
006 Carr, C.-Busy Frames (From Modern
Multi-Tenor Techniques and Solos)
007 Davila, J.-Cruise Control (From Modern
Multi-Tenor Techniques and Solos)
008 Davila, J.-Webster’s Rumble (From Modern
Multi-Tenor Techniques and Solos)
009 Dekaney, Joshua-Slug Guts (from The
Blue Book collection)
010 Flack, Brian-Bus Bowl (from The Blue
Book collection)
011 Hansen, L.-Out House
012 Hansen, L.-Double Crossed
013 Hansen, L.-Twist It Up
TSP
TSP
RLP
TSP
RLP
GFM
RLP
RLP
RLP
TSP
TSP
RLP
RLP
RLP
23
PERC. ENSEMBLES Ev. 110 (Continued)
025 Colgrass, M.-Fantasy, Variations for 8
Chromatic Drums and Percussion Sextet
MFP
026 Colgrass, M.-Percussion Music (4)
MFP
027 Cowell, H.-Pulse (5)
MFP
028 Davis, T. L.-Greensleeves (5 players and
string bass)
CMP
029 Davis, T. L.-Fughetta Rock (6)
BAR
030 Debussy/Reeves, D.-Bruyeres (from Three Preludes)
(Orch. bells can be sub. for crotales) (3)
TSP
031 Del Borgo, E.-Dimensions (4)
KEN
032 Del Borgo, E. A.-Preludio for Percussion (6)
KEN
033 Delp, R.-Announcement (4)
KEN
034 DiBlasio, D, -Cancun (6)
KEN
035 Elias, S.-Suite for Three Drum Sets
EDI
036 Faberman, H.-Percussion Ensemble Collection
Level III (any two) (6)
BMP
037 Firestone, H.E.-Drummer’s Farewell (3)
OOP
038 Foss, L.-Percussion Quartet (4)
CFM
039 Frock, G.-Fanfare for Double Percussion Trio
SMC
040 Frock, G.-Three Asiatic Dances (6)
SMC
041 Gauger, T.-Gainsborough (any one mvt.) (5)
SMC
ALP
042 Gillingham, D.-Sacrificial Rite (5)
MED
043 Glassock, L.-Between The Lines (5)
044 Glassock, L.-Music for Mallets (6)
ALP
BMP, MEM
045 Goodman, S.-Canon for Percussion (6)
BMP
046 Goodman, S.-Scherzo (3)
047 Goodman, S.-Theme and Variations (4)
BMP, MEN, CHP
CHP
048 Gould, M.-Parade (3)
KEN
049 Handy/Houliff-St. Louis Blues (5)
050 Hankins, J.-Drummers Five (5) (includes bass
drum and cymbals)
FMH
051 Hankins, J.-Five Up Front (5) (includes bass
drum and cymbals)
FMH
FMH
052 Hankins, J.-Snares Forward (3)
053 Hanna, S.-Sonic Sauce (4)
KEN, AKI
054 Haydn/Jeanne, R.-Rondo from String
Quartet Op. 33 No. 3 (4)
PPB
055 Hodkinson, S.-Drawings: Set No. 1
(any two mvts.) (4)
MFP
056 Holly, R.-Battlestations II (4 )
KEN
057 Houliff, M.-Undercurrents (5)
EDP
058 Hovhaness, A.-Bacchanale (5)
059 Jebe, P.-On The Horizon (6)
RLP
WIM
060 Jemison, D.-Quintession (5)
061 Jenny, J.-Pursuit for Solo Marimba and
Percussion Ensemble (6)
PPB
062 Jerger, J.-”36” Heads (4)
OOP
063 Jerger, J.-”54” Heads (3 or 6)
OOP
064 Joplin, S./Burkett, G.-Stoptime Ray (3)
PPB
065 Joplin, S./Houllif, M.-Maple Leaf Rad (4)
PPB
066 Karlin, F.-Repercussions (4)
SFP
067 Keezer, R.-For Four Percussionists (4)
KEN
068 Kosteck, G.-Counterpoint for Percussion
Quartet (4)
BMP
069 Kraft, W.-Suite for Percussion
(any two mvts.) (4)
BEL, MEM
070 LaRosa, M.-Good News, The (4)
HMR
071 Leonard, S.-Four Images (6)
LUD
072 Leonard, S.-Promenade (6)
LUD
073 Lepper, K.-Boasphere (6)
LEP
074 Mancini, D.-Exit 39 (4)
KEN
075 Markovich, M.-Four Horsemen (4)
CMP
076 Markovich, M.-Teamwork (4)
CMP
077 McKenzie, J.-Introduction and Allegro (4)
MFP
078 McKenzie, J.-Three Dances (3)
MFP, PMC
079 McMahan, J.-Connecticut Overtime (6)
SPR
080 McMahan, J.-Trio Con Brio (3)
SPR
081 Meacham/Houliff -American Patrol (6)
KEN
082 Meyer, R.-Ostinato (6)
KEN
083 Miller, D.-5 Short Pieces (No. 1 plus
any two mvts.) (5)
LUD
084 Miller, D.-Prelude for Percussion (6)
MFP, PMC
085 Mozart, W. A./Moore, J. L.-Eine Kleine
Nachtmusik (Allegro Mvt.) (4)
PPB
086 Mozart, W. A./Moore, J. L.-Ronda Ala Turk (4)
PPB
087 Naito/Crowell,-Nanafushi (3)
TSP
088 O’Gorman, P.-Fire (4)
BAR
089 O’Mahoney, T.-Burundi Shuffle (5)
PPB
090 O’Reilly-Three Episodes (5)
SCN
091 Parchman, G.-Symphony for Percussion
(any mvt.) (6)
ELV
092 Parchman, G.-Fifth Symphony for
Percussion Ensemble (any mvt.) (6)
ELV
093 Peters, M.-A La Naningo (6)
KSM
094 Peters, M.-A La Samba (6)
MTP
095 Peters, M.-Piece for Percussion (4)
MTP
PDS, WIM
096 Peters, M.-Study in 5/8 (4)
097 Prentice-Batter Up, Snare Down (with
drum set) (4)
SMC
098 Prentice-Epic of Western Man (4)
FMH
099 Proto/Akins-Protoplasm
(4 percussion + 1 bass)
KEN
100 Rauschenberg-Discussion (4)
PDS, WIM
101 Rossini, G./Houllif, M.-William Tell
Overture, The (6)
KEN
102 Russo, W.-Music for Percussion (4)
SFP
ALP
103 Saint Seans/Moore-Aquarium (6)
104 Slayter-Breakdown (4)
TSP
105 Snider, L.-Fixations (6)
BAR
106 Spears, J.-Jubiloso (5)
SMC
107 Starer, G.-Night Music for Percussion (6)
BMP
108 Strang, G.-Percussion Music for Three
Players
TPC
109 Tatgenhorst, J.-Razzle-Dazzle and Rock (5)
BIM
110 Tilles, D.-Blue Percussion (6)
CMP
111 Williams, K.-African Sketches (4)
LUD
MALLET ENSEMBLES
EVENT NO. 111
(Three to Six Performers)
001 Adams-Sonata Ico (4)
002 Bach/Houliff-Double Concerto In d minor (4)
003 Bach/Houliff-Fugue In A Major (3)
004 Bach/Moore-Air (for the G String) (4)
005 Bach/Moore-Fugue in c minor (3)
006 Bach/Moore-Fugue in d minor from the
Well Tempered Clavier (3)
007 Bach/Moore-Little Fugue in g minor (4)
24
PPB
PPB
PPB
PPB
PPB
PPB
PPB
MALLET ENS. Ev. 111 (Continued)
008 Bach/Moore-Toccata & Fugue in d minor
(4 or 5)
009 Bach/Schaefer-Brandenberg Concerto No. 2
(1st mvt.) (5)
010 Bartok/Jeanne-Rumanian Folk Dances (5)
011 Beethoven/Jeanne-The Metronome from
2nd Mvt., Symphony No. 8 (5)
012 Bizet/Janicki-Miacaela’s Aria (6)
013 Bizet/Jeanne-Farandole from L’Arleisienne
Suite No. 2 (5)
014 Bizet/Musser-Selections from Carmen (5)
015 Brahms/Houllif-Hungarian Dance No.5 (4)
016 Breuer/Gipson-Back Talk (5)
017 Breuer/Gipson-Blue Tid Bit (4)
018 Breuer/Gipson-Four Stick Joe (4)
019 Breuer/Gipson-Minor Moment (4)
020 Breuer/Pershing-Balk Talk (3)
021 Breuer/Pershing-Bit O’ Rhythm (3)
022 Breuer/Pershing-Encore-Elise (3)
023 Breuer/Pershing-1908 Rag, The (3)
024 Breuer/Pershing-On the Woodpile (3)
025 Breuer/Pershing-Powder Puff (3)
026 Butov, G.-Russian Rag (3)
027 Cahn-La Negra (5)
028 Chabrier/Hatch-Espana Rhapsody (6)
029Chandler/White/Cohn/Cahn-Canadian
Capers (5)
030 Chopin/Hatch-Minute Waltz, The (3)
031 Chopin/Jeanne-Prelude Op. 28, No. 4 (5)
032 Dauwalder, L.-Ice Cream Suite Rag, The (4)
033 Debussy/Barton-La Fille Aux Cheveaux De Lin
(The Girl With the Flaxen Hair) (6)
034 Debussy/Prince-Danse (6)
035 DeFalla/Hatch-Ritual Fire Dance (4)
036 Dinicu/Hatch-Hora Staccato (5)
037 Dvorak, A.-Finale from Quartet in F Major (4)
038 Dvorak, A./Musser-Largo from New World
Symphony (5)
039 Ford, M.-Afta-Stuba! (3)
040 Ford, M.-Stubernic (3)
041 Fleck, B./Steinquest, D.-Metric Lips (4)
042 Gabrieli/Schaefer-Canzon Prima (5)
043 Glassock-Passage (6)
044 Green G. H./Becker, B.-Chromatic Fox Trot (5)
045 Green, G. H./Becker, B.-Charleston Capers (5)
046 Green, G. H./Becker, B.-Cross Corners (5)
047 Green, G. H./Becker, B.-Jovial Jasper (5)
048 Green, G. H./Becker, B.-Log Cabin Blues (5)
049 Green, G. H./Becker, B.-Stop Time (5)
050 Green, G. H./Becker ,B.-Triplets (5)
051 Green, G. H./Becker,B.-Whistler, The (5)
052 Green, G. H./Becker, B.-Xylophonia (5)
053 Green, G. H./Cahn, W. L.-Fluffy Ruffles (5)
054 Green, J./Schinstine-The Whirlwind (4)
055 Hatch, E.-Olivera Street, L. A. (any mvt.) (5)
056 Hatch, E.-Pliatan (4)
057 Hatch, E.-Three Concert Pieces for 8 Hands (5)
058 Haydn/Moore-Trio Sonata No. 1 (3)
059 Jeanne, R.-Paquita (5)
060 Johnson, C./Becker, B.-Dill Pickles (5)
061 Joplin/Burkett-Stoptime Rag (3)
062 Joplin/Freytag-The Easy Winners (4)
063 Joplin/Houllif-Maple Leaf Rag (4)
064 Joplin/Moore-The Entertainer Rag (4)
065 Joplin/Rauschenberg-Solace (4)
066 Kabalevsky/Peters-Comedians Gallop (5)
067 Kachaturian/Hatch-Sabre Dance (6)
068 LaRosa, M.-Creation and Rebirth (5)
069 Leonard-Prelude (for Four Marimbas) (4)
070 Leonard-Quarimba (4)
071Mendelssohn-Bartholdy/Tanner-Consolation,
Op. 30, No.3 (6)
072 Moszkowski/Tanner-Scherzino (6)
073 Moszkowski/Vigneron-Caprice Espagnol (5)
074 Moussorgsky/Moore-Gopak (4)
075 Mozart/Gilroy-Variations On “Ah, Vous
Dirai-Je Maman” (Twinkle Twinkle
Little Star) (4)
076 Mozart/Glassock-Allegro (from Quartet In C) (4)
077 Mozart/Glassock-Allegro Assai (from Quartet
In E-flat) (4)
078 Mozart/Glassock-Andante (from Quartet
In C) (4)
079 Mozart/Glassock-Rondo (from Quartet In
B-flat) (4)
080 Mozart/Hatch-Overture to the Magic
Flute (5)
081 Mozart/Hatch-Overture to the Marriage
of Figaro (6)
082 Mozart/Janicki-Rondo (4th mvt. from
Eine Kleine Nachtmusik) (4)
083 Mozart/Moore-Rondo Ala Turk (4)
084 Mozart/Musser-Marriage of Figaro (5)
085 Paine/Roy-Fuga Giocosa (3)
086 Palestrina/Tanner-Exultate Deo (5)
087 Prokofiev/Gipson-Field of the Dead (from
Alexander Nevsky) (4)
088 Raff/Jeanne-The Mill
089 Rimsky-Korsakov/Hatch-Flight of the
Bumble Bee (6)
090 Rimsky-Korsakov/Hatch-Scheherazade (6)
091 Rimsky-Korsakov/Janicki-Variazioni (from
“Capriccio Espagnol”) (6)
092 Rosales/Musser-Bolera (5)
093 Rossini/Parthun-Toast to the
New Year, A (4-5)
094 Rossini/Hatch-Overture to William Tell (6)
095 Sibelius/Musser-Finlandia (5)
096 Slater, J.-Suite for Keyboard Percussion
(I and II, or II and III) (4)
097 Smetana/Musser-Dance of the Comedians (6)
098 Sousa/Hatch-Stars and Stripes Forever (6)
099 Sousa/Leaman-Stars and Stripes Forever (5)
100 Steinquest, arr.-County Claire (6)
101 Strauss/Hatch-Tales of the Vienna Woods (5)
102 Tchaikovsky/Hatch-Dance of the Candy
Fairy (5)
103 Tchaikovsky/Hatch-Dance of the Flutes (6)
104 Tchaikovsky/Hatch-Overture Miniature (5)
105 Tchaikovsky/Hatch-Russian Dance (4)
106 Tchaikovsky/Hatch-Waltz of the Flowers (5)
107 Tchaikovsky/Jeanne-Album for the Young
Suite (all three mvts.) (5)
108 Tchaikovsky/Jeanne-Arabian Dance (5)
109 Tchaikovsky/Musser-Andante from
Symphony No. 5 (5)
PPB
PPB
PPB
PPB
PPB
PPB
FOR
PPB
MED
MED
MED
MED
ALF
ALF
ALF
ALF
ALF
ALF
STD
CAH
EHA
CAH
EHA
PPB
PPB
PPB
PPB
EHA
EHA
PPB
FOR
INP
INP
RLP
PPB
INP
BEC
BEC
BEC
BEC
BEC
BEC
BEC
BEC
BEC
CAH
SMC
EHA
EHA
DSM
PPB
PPB
BEC
PPB
RLP
PPB
25
PPB
EXC
FDS
EHA
KEN
LUD
LUD
PPB
PPB
DSM
PPB
BMP
PPB
PPB
PPB
PPB
EHA
EHA
PPB
PPB
EHA
MDM
PPB
OPE
PPB
EHA
EHA
PPB
FOR
PPB
EHA
FGP
OPE
FOR
EHA
PPB
RLP
EHA
EHA
EHA
EHA
EHA
EHA
PPB
PPB
BHI
MALLET ENS. Ev. 111 (Continued)
110 Tignor-Enchanted Circus (4)
111 Texidor/Jeanne-Amparito Roca
(Spanish March) (5)
112 Vivaldi/Gilroy-Vivo Vivaldi (4)
113 Wagner/Musser-Pilgrim’s Chorus from
Tannhauser (5)
114 Wagner/Musser-Traume (4)
115 Whibley-Higuita! (4)
PPB
014 Beck, J.-Concerto for Tympani and
Percussion Ensemble (6)
015 Beck, J.-Jazz Variants (8)
016 Beck, J.-Overture for Percussion
Ensemble (8)
017 Beethoven/Miller-Pathetique (8)
018 Bencriscutto, F.-Rondeau for Percussion
(7 percussion + 1 piano)
019 Bissonnette, M./Rennick, P.-Wildwood
(11-12 percussion + 1 guitar and 1 bass)
020 Bizet, G./Brooks, C.-Instant Carmen (10-12)
021 Bizet, G./Houllif, M.-Excerpts from
Carmen Suite (7)
022 Blume-Alarm! (7)
023 Brand, M.-Concerto for Percussion
Ensemble (9)
024 Brand, M.-Tijuana Samba (8)
025 Brooks, C.-Echoes of Babylon (15)
026 Brooks, C.-Midnight in Tunisia (18-20) *
027 Brooks, C.-Millennium (14)
028 Brooks, C.-Ritual of the Tribe (9)
029 Brooks, C.-Shongaloo Ramble (9-11)
030 Brooks, C.-Valley of Nepal (14-15)
031 Brown, T.-Above and Beyond (10)
032 Brown, T.-Brazilian Street Dance
(7 percussion + 1 synthesizer + 1 bass)
033 Brown, T.-Keystone Capers (8)
034 Brown, T.-Strike Force (9)
035 Brubeck, D./Kellis/Scheitroma-La Fiesta De la
Posada (13)
036 Bruford, B./Smith, W.-Beelzebub
(11 percussion + 1 bass, 1 piano, 1 guitar)
037 Byrd/Raush-The Bells (13)
038 Camillo, Eigenberg, Koski/Brooks, C.-Why
Not! (9 percussion + 1 piano + 1 bass)
039 Campbell, J.-Batik (10)
040 Carr-Shock and Awe (13)
041 Casella, J.-Cop Drama (16)
042 Casella, J.-Cyclone (12)
043 Casella, J.-Dystopia (15)
044 Casella, J.-Joaquin on Sunshine (15)
045 Casella, J.-Katraterra (9)
046 Casella, J.-Technonlogy (8)
047 Cirone, A.-Dichotomy (8)
048 Cirone, A.-Symphony No. 1 (any mvt.) (8)
049 Cirone, A.-Symphony No. 2 (any mvt.) (9)
050 Coers-Swimmin’ in it (15)
051 Colgrass, M.-Three Brothers (9)
052 Creston, P.-Ceremonial for Percussion
Ensemble (7)
053 Crockarell, C.-Circus Circus! (10-12)
054 Crockarell, C.-Glitzville (9-11)
055 Crockarell, C.-Gorsky’s Dream (12)
056 Crockarell, C.-Stratus (9)
057 Crockarell, C.-Sushi Funk (9-11 percussionists
+ 1 bass)
058 Daughtrey, N.-Ellipsis (8)
059 Daughtrey, N.-Limerick Daydreams (10)
060 Daughtrey, N.-Mercury Rising (7)
061 Daughtrey, N.-Power Struggle (8)
062 Daughtrey, N.-Spun (8)
063 Davila, L.-Cruzin’ (8-12 percussion + 1 bass)
PPB
BMP
BHI
BHI
TSP
LARGE MALLET ENSEMBLES
EVENT NO. 112
(Seven to Twenty Performers)
In addition to this list, any titles from event #111
may be used with appropriate doubling
of parts.
001 Grainger/Ragsdale-Irish Tune (9 players)
002 Granados/Tanner-Moresque (7)
003 Handel/Janicki-Allegro (From Concerto
Grosso In C) (7)
004 Houliff, M.-Octaphonics (8)
005 Saint-Saens/Gipson-Adagio from Symphony
No. 3 (8)
006 Steinhort, W.-Two Movements For Mallets
(Mvt. I or II) (8)
SMC
PPB
PPB
PPB
OPE
OPE
LARGE CONCERT PERCUSSION ENSEMBLES
EVENT NO. 113
(Seven to Twenty Performers)
001 Abujamra, A./Smith, W.-Alma Nao Tem Cor
(17 percussion + 1 bass)
002 Arevalo, M.-Shadows (8)
003 Arevalo, M.-Shiva’s Dance (8)
004 Astrand, A.-Purge (7)
005 Bach, J. S. /Faini-Fuga Five (10)
006 Bach/Freytag, E.-Brandenburg Concerto No.2
(First Mvt.) (10)
007 Bach/Slawson-Brandenburg Concerto No.2:
Allegro Moderato (10)
008 Bach/Jebe, P.-Sambach (6-7 percussion
+ 1 piano)
009 Barber, B./Ford, M.-Invention (11 percussion
+ 1 piano and 1 bass)
010 Barretto, R./Nearpass, J.-Song for Chano
(8 percussion + 1 bass)
011 Bartok/Ancona, J.-The Miraculous
Mandarin (8)
012 Bavicchi, J.-Music for Mallets and
Percussion (12)
013 Beck, J.-Concerto for Drum Set and
Percussion Ensemble (8)
DSM
DSM
DSM
INP
CMP
RLP
TSP
RLP
INP
NEA
TSP
OUP
KEN
26
KEN
BMC
KEN
TSP
MFP
DSM
RLP
KEN
TSP
BRA
KEN
RLP
RLP
RLP
RLP
RLP
RLP
BMP
BMP
KEN
KEN
RLP
DSM
DSM
RLP
RLP
TSP
TSP
TSP
TSP
TSP
TSP
TSP
BMP
CIR
CIR
DSM
MFP
GSI
RLP
RLP
RLP
RLP
RLP
ALP
ALP
ALP
ALP
ALP
RLP
LARGE PERC. ENS. Event 113 (Continued)
064 Davila, L.-Dun’t Be Blue Mon (8 percussion
+ 1 guitar and 1 bass)
065 Davila, L.-Fiesta Latina (8 percussion + 1 bass)
066 Davila, L.-Mo Java (7-8 percussion + 1 bass)
067 Davila, L.-Para Rafa (10-12 percussion + 1 bass)
068 Davila, L.-Ritmo Suave (8-9)
069 Davis, T.-El Races De La Camptown (8)
070 Davis, T.-Flat Baroque (7)
071 Davis, T.-Mau Mau Suite (8)
072 Davis, T.-Panda Pause (9)
073 Davis, T.-Stompin’ Thru the Rye (8)
074 Davis, T.-Taste of Brahms (8)
075 Debussy/Diko-Nocturnes No. 2, Fetes (8)
076 DiBlasio, D.-Outback (8)
077 Djavan & Fieger/Brooks, C.-The Zoo Blues
(10 percussion + rhythm sections)
(Do not use optional horn parts)
078 Douthit, M./Crockarell, C.-If You Please
(9 percussion + 1 synthesizer + 1 bass)
079 Dutton, F.-Rondo Barock (8)
080 Dvorak, A./Rosener, D.-Carnival Overture,
Op.92 (14)
081 Dvorak, A./Daugherty-Song to the Moon (8)
082 Dvorak, A./Hearnes-Slavonic Dance
No. 5 in A (13)
083 Dvorak, A./Hearnes-Slavonic Dance
No. 8 in G (13)
084 Erskine, P./McDonald, S.-Calypso
(11 percussion + synthesizer and bass)
085 Fagen, D./Brooks, C.-The Goodbye Look
(8 percussion + 1 bass)
086 Faini, P.-El Cumbanchero (10 percussion +
1 piano + 1 bass)
087 Firth, V.-Encore in Jazz (7)
088 Fleck, B./Steinquest, D.-Hurricane Camille
(6 percussion + 1 bass)
089 Fleck, B./Steinquest, D.-Sinister Minister
(7-9 percussion + 1 bass)
090Fleck-Wooten/Hearnes,J.-Stompin’
Ground (11-12)
091 Flores, R.-Common Times (11)
092 Freytag, E.-Death by Oooga Booga (10)
099 Gaetano, M.-Mosaic, Op.30 (8)
093 Gaetano, M.-Undercurrents (7)
094 Gilbert, K.-Street Samba (14)
095 Glassock, L.-Consortium (10)
096 Glassock, L.-Dragoon (8)
097 Glassock, L.-Fractions (10)
098 Glassock, L.-Layers (8)
100 Glassock, L.-No Exit (8)
101 Glassock, L.-Teamwork (7)
102 Glassock, L.-Twisted Proverbs (8)
103Gorecki/Kikta,P.-Concerto
104 Gottry-Shifting Waves (10)
105 Gottry-Unsettled Surface (9)
106 Grainger, P./Ragsdale, C.-Irish Tune From
County Derry (9)
107 Grieg, E./Fyffe, D.-In the Hall of the Mountain
King (12)
108 Hennagin, M.-Duo Chopinesque (10)
109 Henson-Conet, D./Nearpass, J.-California
Calypso (7 percussion + 1 bass)
110 Herbert, V./Houllif, M.-March of the Toys (7)
111 Holst/Ancona, J.-Mercury (10)
TSP
112 Horner/Campbell-Casper’s Lullaby (11)
RLP
113 Houghton, S.-The Path (4-7 percussion +
1 piano and 1 bass)
RLP
114 Houllif, M.-Blue Samba (8)
SMC
115 Jacob, G.-Hava Nagila (8)
MAR, HLN, OOP
116 Jebe, P.-Montunosis (9-12 percussion +
1 piano and 1 bass)
RLP
117 Jebe, P.-Xylatin (7-8)
RLP
118 Jenny, J.-Three Scenes from the Scioto
(any two mvts.) (13 percussion + 1 piano)
PPB
119 Johnson, C./Argenziano, E.-Dill Pickles (6-8)
RLP
120 Jones, K.Schietroma, S.-Servitude
(11 percussion + 1 bass and 1 guitar)
DSM
121 Kastuck, S.-Components (all 3 movements) (10)
KAS
122 Kastuck, S.-Ritual No.2 (8-16)
KAS
123 Kennedy, J.-Odyssey: Concerto for Multiple
Percussion and Percussion Ensemble (7)
INP
124 Khachaturian/Moore-Sabre Dance (7-10)
PPB
125 Kim, B.-Concertino for Percussion
(7 percussion + 1 piano)
MTP
DSM
126 Leonard, S.-Antiphonies (8)
127 Leonard, S.-Ex Machina (8)
DSM
128 Leonard, S.-Skies (10)
DSM
129 Leonard, S.-Winter Fantasy (10 percussion and
hand bell choir or piano)
DSM
130 Lins/Martins/Nearpass-Leva E Traz (Elis)
(11 percussion + 1 bass)
NEA
131 Lipner, A./Steinquest, D.-Sweet Rio
(12-14 percussion + 1 bass)
RLP
132 Loya, M./Nearpass, J.-Rain: Weatherman
(6 percussion + 1 bass)
NEA
133 Lytle/Steinquest-Pogo Sticks (8)
RLP
134 Mancini, D.-Caribbean Festival (7 percussion
+ piano and 1 bass)
KEN
135 Mancini, D.-Extremes (7)
KEN
136 Mancini, D.-Jubilee Concerto, Mvt.1: Legacy
(8 percussion + 1 piano)
KEN
137 Mancini, D.-Jubilee Concerto, Mvt.2:
Retrospective (8 percussion + 1 piano)
KEN
138 Mancini, D.-Jubilee Concerto, Mvt.3:
Celebration (8 percussion + 1 piano)
KEN
139 Mancini, D.-Song of Joy (9)
KEN
140 Mancini, D.-Suite for Solo Drum Set and
Percussion Ensemble (8)
KEN
141 Manga, A./Nearpass, J.-Ekanga
(8 percussion + 1 bass)
NEA
142 Manring/Martin/Nearpass-Senegal Calling
(9 percussion + 1 bass)
NEA
143 Manring, M./Nearpass, J.-Life In the Trees
(9 percussion + 1 bass)
NEA
144 Mainieri, M./Rennick, P.-Beirut
(12 percussion + 1 bass)
DSM
145 McKenzie, J.-Introduction and Allegro (9)
MFP
146 McKenzie, J.-Nonet (9)
MFP
147 Mashina, T.-Conversation (10)
NAK
148 Meister, S.-Taqsimn (7)
ALP
149 Mendelssohn/Slawson-A Midsummer Night’s
Dream: Intermezzo (16)
TSP
150 Mendelssohn/Slawson-A Midsummer Night’s
Dream: Scherzo (12)
TSP
151 Metheny/Ancona, J.-Metheny Dream (10)
TSP
RLP
RLP
RLP
RLP
RLP
CMP
CMP
NME
CMP
CMP
CMP
DSM
KEN
RLP
RLP
MTP
DSM
ALP
RLP
RLP
DSM
RLP
BMP
CFM
RLP
RLP
RLP
RLP
RLP
ALP
INP
KGG
ALP
ALP
ALP
SMC
SMC
ALP
ALP
AGP
DSM
DSM
SMC
DSM
OPE
NEA
KEN
27
LARGE PERC. ENS. Event 113 (Continued)
152 Metheny, P./Mays, L.-Phase Dance
(6 percussion + 1 bass)
153 Metheny, P./Houghton & Warrington- (It’s
Just) Talk (7 percussion + 1 bass)
154 Moore, D.-Game Over (9)
155 Moreira, A./Brochocki, D.-Tombo In 7/4
(12 percussion + 1 bass)
156 Moreira, A./McDonald, S.-Lua
(13 percussion + 1 bass)
157 Moussorgsky/Peters-Ballet of the
Unhatched Chicks (7)
158 Moussorgsky/Schietroma-Night on Bald
Mountain (14)
159 Moussorgsky/Hannum-Pictures at an
Exhibition (12)
160Narell/Mayor/Rennick-Calabash
(10 percussion + 1 piano + 1 bass)
161 Nearpass, J.-Blume’n Cuban (4-8)
162 Nearpass, J.-Looking Up (7 percussion
+ 1 bass)
163 Obiedo, R./Rennick, P.-Brasileiro
(11 percussion + 1 bass)
164 O’Connor, T.-Orientale (8)
165 O’Mahoney, T.-Aruba Getaway (8)
166 O’Mahoney, T.-Aruba Roca (Spanish March) (8)
167 O’Mahoney, T.-Cha-Cha Rufus (7 percussion
+ 1 bass)
168 Pascole, H./Nearpass, J.-Pipoca
(9 percussion + 1 bass)
169 Peters, G.-Greensleeves (7 mallets)
170 Peters, G.-Swords of Moda-Ling, The
(Including student piano) (8)
171Piazzolla/Smith/Schietroma-Oblivion
(10 percussion + 1 piano + 1 string bass)
172 Piazzolla, A./Smith, W.-Tres Minutos Con La
Realidad (12 percussion + 1 piano +
1 string bass)
173 Prokofiev, S./Maricle, S.-Troika (12)
174 Ravel/Ancona, J.-Alborada del Gracioso (9)
175 Ravel/Hardimon-Le Tombeau de Couperin
Prelude (9)
176 Reeves-Pieces of Eight (8)
177 Riley, Jim-Legend (8, set feature)
178 Rimsky-Korsakov, N./Houliff, M.-Capriccio
Espagnol (7)
179 Rimsky-Korsakov,N./Norfleet-Dance of the
Tumblers (13)
180 Rimsky-Korsakov, N./Primatic-Russian
Easter Overture (14)
181 Rossini/Kutz/Schietroma-Italian In Algiers (17)
182 Saint Seans/Diko-Carnival of the Animals (8-9)
183 Saint-Seans/Baker-Danse Bacchanale (13)
184 Samuels, D.-Rendezvous (8 percussion +
1 bass)
185 Sanchez/Mayor/Schietroma-Sin Timbal
(10 percussion + 1 piano + 1 bass)
(Do not use optional horn parts)
186 Santamaria/Kikta, P.-Afro Blue
187 Schietroma, T./Schietroma, S.-La Chiave
(13 percussion + synthesizer + 1 bass)
(Do not use optional vocal parts)
188 Schman/Kikta, P.-Conversations
189 Schubert/Hatch-Symphony No. 8
(Unfinished) (7 mallets)
190 Schubert/Primatic-Trout Scherzo (7)
191 Shorter, W./Nearpass, J.-Palladium
(9 percussion + 1 bass)
192 Shostakovich/Peters-Polka from the Golden
Age (7 mallets)
193 Shulze-Shades of Glass (14)
194 Sousa/Hatch-King Cotton (6 mallets +
1 snare)
195 Sousa/Hatch-The Thunderer (6 mallets +
1 snare)
196 Spears, J.-Blues & Chaser (8)
197 Spears, J.-Caprice Diabolique (8)
198 Spears, J.-Flight of the Falcon (8)
199 Spears, J.-Time for Jazz, A (8)
200 Spears, J.-Winstone Suite (any two mvts.) (8)
201 Spruance/Sipe/Schietroma-Ma Meeshka Mow
Skwoz (14 percussion + 1 organ + 1 bass)
202 Steinquest, D.-Big Yellow Mambo
(11 percussion + 1 bass)
203 Steinhort, W.-Two Movements for Mallets (8)
204 Stravinsky, I./Ancona, J.-The Devil’s Dance (8)
205 Stravinsky/Moss/Schietroma-Suite for Small
Orchestra No.2 (12 percussion +
1 piano/celeste)
206 Strayhorn,B./Brooks, C-Take the “A” Train
(9-11 percussion + 1 piano + 1 bass)
207 Tchaikovsky,P./Rath-Symphony No. 4:
Scherzo (12)
208 Tchaikovsky, P./Fyffe, D.-Symphony No. 4:
Finale (16 percussion + 1 bass)
209 Tchaikovsky, P./Houllif, M.-Trepak from the
Nutcracker Suite (7)
210 Tompkins, M.-Islands of Fire (13)
211 Traugh-1812 Over-Easy (13)
212 Udow, M.-African Welcome Piece for
Percussion Ensemble (7-12)
213Vazquez/Warrington/Houghton-Pire
(8 percussion + 1 bass + 1 piano)
214 Verdi/Aylsworth-La Forza del Destino (13-14)
215 Vivaldi/Slawson-Winter from the Four
Seasons (10)
216 Whittaker, S./Schietroma, R.-Stumpy Meets the
Firecracker In Stencil Forest
(10 percussion + 1 piano, 1 guitar and 1 bass)
217 Witt-Cellar Door (12)
218 Yanni/Brooks, C.-Marching Season (14-15)
SIE
SIE
INP
DSM
DSM
FDS
DSM
DSM
DSM
NEA
NEA
DSM
BAR
PPB
PPB
PPB
NEA
FDS
FDS
DSM
DSM
KEN
TSP
TSP
TSP
PER
KEN
DSM
DSM
DSM
DSM
DSM
BMP
DSM
AGP
DSM
AGP
28
EHA
TSP
NEA
FDS
TSP
EHA
EHA
SMC
SMC
SMC
SMC
BAR
DSM
RLP
PLY
TSP
DSM
RLP
TSP
DSM
KEN
TOM
OAM
UMM
RLP
TSP
TSP
DSM
ALP
RLP
LARGE MARCHING PERCUSSION ENSEMBLES
EVENT NO. 115
(Seven to Twenty Performers)
Selections marked with an asterisk (*)
may double the snare and multiple tenor parts up
to a maximum of 20 players in the entire ensemble.
001 Brecker, R./Freytag, E.-Some Skunk Funk
(14-20) *
002 Brooks, C.-Midnight In Tunisia
003 Brooks, C.-Sans Rival
004Camilo/West/McDonald-Caribe
(20 percussion + 1 bass + opt. piano)
005 Clarke, S./Crockarell, C.-Dayride
006 Crockarell, C.-Helichopter
007 Crockarell, C.-Mo Better Groove
008 Crockarell, C.-Orca
009 Crockarell, C.-Pass the Salsa
010 Gusseck, M.-Electric Wheelchair (from
Parking Lot Etudes)
011 Gusseck, M.-It’s In Four (from Parking
Lot Etudes)
012 Gusseck, M.-Martian Mambo (from Parking
Lot Etudes)
013 McNutt, C.-Red’s Rhumba (from the Vacant
Lot Sessions)
014 McNutt, C.-Star ‘93 (from the Vacant Lot
Sessions)
015 Reynolds/Davila/Davila-Cuban Dance
(20 percussion + 1 bass and 1 synthesizer)
016 Shostakovich/Bovenschen-Symphony No.10,
Movement 3 (20)
017 Thompson, C.-Vegas (17-20)
018 Watkins, K./Scheitroma, S.-Mr. Mirror’s
Reflections on Dreams (20)
019 Webster, C.-Mr. Adamson’s Monkey
020 Zawinul, J./Delucia, D.-The Pursuit of the
Lady in the Feathered Hat (19-20) *
RLP
RLP
RLP
DSM
RLP
RLP
RLP
RLP
RLP
TSP
TSP
TSP
TSP
TSP
DSM
DSM
RLP
DSM
TSP
RLP
29
Audio Examples of Percussion Requirements
Links to audio examples of the
Drum Set Rhythmic Patterns (pages 31-37)
and Snare Drum Rudiments (pages 39-41)
can be found on the ISSMA website at:
www.issma.net/percussionmanual.php
30
DRUM SET STYLE PATTERNS / Event No. 099
GROUP V
KEY
 
Hi-Hat


Bass
Drum



Rim
Click
High
Tom-tom
Ride
Cymbal
Snare


Crown
Closed
of Cymbal Hi-hat



Open
Hi-hat
Crash
Cymbal
Group V performers will play any three of the following Drum Set Rhythmic Patterns:
one Rock Time; one Swing Time; and either Basic Latin or Show Style. (Student's choice)
2 - BEAT ROCK (snares on)
       





       





        




       





q=88-100
4 - BEAT ROCK (snares on)
q=88-100
2 - BEAT SWING (snares on)
q=88-100


   

3
  



   

   

  



   

   











3
3
3
4 - BEAT SWING (snares on)
q=88-100



   

3
BASIC LATIN (snares off)

  
q=88-100




3

3


3




SHOW STYLE (snares on)
q=166-200









31





DRUM SET STYLE PATTERNS / Event No. 099
GROUP IV & III
KEY
 
HiHat

Bass
Drum

Snare

Rim
Click



High
tom-tom
Ride
Cymbal

Crown
Closed
of Cymbal HiHat



Open
Hi-hat
Crash
Cymbal
Group IV and III performers will play any three of the following Drum Set Rhythmic Patterns: Rock Time; Jazz Time;
Brush Time; Bossa Nova; Cha Cha; Funk; Samba. (Student's choice - Group IV) (Judge's choice - Group III)
ROCK TIME (snares on)


       

  
 


     

  
q=112-120
JAZZ TIME (snares on)
q=132-152



 3
3
 3
        






 
 

 3
   


 3
   
 
 3
   


 3
   

3
BRUSH TIME (snares on)
q=132-152

  
 3
   


BOSSA NOVA (snares off)
q=128-138
 3
  


Brush on Sn Dr. or
Stick on Ride Cym.
        
  
  

       

  

32

GROUP IV & III
CHA CHA (snares off)


q=104-116


(continued)



FUNK (snares on)
q=112 - 120









 




 

Cowbell or Crown of Cym.







 








SAMBA (snares off)
q=120 - 132
  

 





  



33






DRUM SET STYLE PATTERNS / Event No. 099
GROUP II
KEY
 
Hi-Hat


Bass
Drum




Rim
Click
High
Tom-Tom
Ride
Cymbal
Snare

Crown
Closed
of Cymbal Hi-hat



Open
Hi-hat
Crash
Cymbal
Group II performers will play any three of the following Drum Set Rhythmic Patterns: Rock Time; Jazz Time;
Brush Time; Jazz Waltz; Bossa Nova; Cha Cha; Mambo; Samba; Funk; Beguine. (Judge's choice)
ROCK TIME (snares on)


       


  



 


        

      
q=112-126
JAZZ TIME (snares on)
q=168-192



   


3
3
  

         


  
3


3
3
3
BRUSH TIME (snares on)
q=132-152
  
         




3
3
         


  
3
3
3
3
3
JAZZ WALTZ (snares on)
h.=60


 

3





34
3




3





GROUP II
(continued)
BOSSA NOVA (snares off)
R.H. - Brush on SN Dr. / or stick on Ride Cym.
q=128-144
       


  
 
CHA CHA (snares off)

  
q=104-116




h=112-126
R.H. - Cowbell or Crown of Cym.



MAMBO ( snares off)


       

  
 


 





SAMBA (snares off)
h=104-116

  




R R L R R
R L R




 





  




  
 






 
 

 


 







q=84-96
FUNK (snares on)
R
R L R
R
R
B
R R L R R
L
             


   

 



R

BEGUINE (snares off)
q=128-144
R
R
L
R
L
R
L







    



R
L
R
L
R
L
 

 
    


R
35

DRUM SET STYLE PATTERNS / Event No. 099
GROUP I
KEY

 

Bass
Hi-Hat
Snare
Drum



Rim
Click
High
Tom-tom
Ride
Cymbal




Crown of
Cymbal
Closed
Hi-hat
Open
Hi-hat

Crash
Cymbal
Group I performers will play these patterns in four bar phrases - the 4th measure being an ad lib "fill" in the style of the pattern.
The purpose of the "fill" is to demonstrate the student's ability to keep time and maintain the style / flow of the pattern.
Personal taste of the "fill" should not enter into the judging of the pattern. Students will play three patterns. (Judge's choice)
ROCK TIME (snares on)

    

     
q=112-126

   
 


       
      

   
 
 Fill
      

JAZZ TIME (snares on)
q=168-192 3
                 

   
   
3
3
3
3
3
       
    
   
3
3
Fill
BRUSH TIME (snares on)
  
  

             
q=132-152
3
3
3
3
3
3
3
             
  
3
3
Fill
3
JAZZ WALTZ (snares on)
     
   

h.=60
3
      



3
    
 

3
3
36
  
Fill

GROUP I
BOSSA NOVA (snares off)
q=128-144
(continued)
R.H. - Brush on Snare or / Stick on Ride Cymbal
               

           
CHA CHA (snares off)
 

     

      
Fill
R.H. - Stick on Cowbell or / Stick on Ride Cymbal
               
      
    
   
   
q=104-116
Fill
MAMBO ( snares off)
         Fill









 

     
    
   
   
h=112-126
SAMBA (snares off)

Fill



















                           
h=104-116
FUNK (snares on)
q=84-96
RRLRRRLRRRLR RR B RR RR LR RRLRRRLRRRLR

Fill

























                   
BEGUINE (snares off)
q=128-144
R R
L R L R L R R
L R L R L R R
L R L R L



Fill










                              
37
Mallet Scales - Arpeggios / Timpani Roll Requirement
Event No. 100 - 101
Event No. 103
V - - IV - - III - - II - - I
GROUP V & IV
SCALE PATTERN
 
q = 60

       





 
 
L
R L R L R L
R
L R L R L R
L
R
L
72
84
92 104

 

R
L
R
L
VARIATION 1
GROUP V & IV - ALLOWED ALTERNATIVE SCALE PATTERN
GROUP III - II - I - REQUIRED SCALE PATTERN
         




    
       
 

L R L R L R L R L R L R L R L R L R L R L R L R L R L R
3
3
   







 



3
3
L
R
L
R
L
R
L
R
L
R
L
R
L
VARIATION 2
GROUP V & IV - ALLOWED ALTERNATIVE SCALE PATTERN
GROUP III - II - I - REQUIRED SCALE PATTERN
       



    
         
   

L R L R L R L R L R L R L R L R




L R L R L R L R

 
 
L R L R L R L R L R L R L
  
   
 

 
 
L R L R L R L R
R L R L R L R L
R L R L R L R L
R
TIMPANI ROLL REQUIREMENT - ALL GROUPS
 

q=60
mp
Single Stroke Roll




ff
38


mp
Snare Rudiment Required List with Minimum Tempos
I. Roll Rudiments
Group V
Group IV Group III Group II Group I
1. Single Stroke Roll
40
50
60
70
80
2. Single Stroke Four
90
100
3. Single Stroke Seven
90
100
4. Multiple Bounce Roll
60
76
92
108
124
5. Triple Stroke Roll
90
100
6. Double Stroke Roll
92
108
124
7. Five Stroke Roll
*60
*76
92
108
124
8. Six Stroke Roll
124
9. Seven Stroke Roll
92
108
124
10. Nine Stroke Roll
*60
*76
92
108
124
11. Ten Stroke Roll
124
12. Eleven Stroke Roll
108
124
13. Thirteen Stroke Roll
92
108
124
14. Fifteen Stroke Roll
124
15. Seventeen Stroke Roll
*60
*76
92
108
124
II. Diddle Rudiments
16. Single Paradiddle
70
90
110
130
150
17. Double Paradiddle
70
90
110
130
150
18. Triple Paradiddle
110
130
150
19. Single Paradiddle-diddle
130
150
III. Flam Rudiments
20. Flam
[70]
[90]
[110]
[130]
[150]
21. Flam Accent
70
90
110
130
150
22. Flam Tap
52
66
82
98
112
23. Flamacue
66
82
98
112
24. Flam Paradiddle
52
66
82
98
112
25. Single Flammed Mill
82
98
112
26. Flam Paradiddle-diddle
90
100
27. Pataflafla
90
100
28. Swiss Army Triplet
80
29. Inverted Flam Tap
80
30. Flam Drag
80
IV. Drag Rudiments
31. Drag
90
110
130
150
32. Single Drag Tap
66
82
98
112
33. Double Drag Tap
82
98
112
34. Lesson 25
82
98
112
35. Single Dragadiddle
90
100
36. Drag Paradiddle #1
80
90
100
37. Drag Paradiddle #2
90
100
38. Single Ratamacue
80
90
100
39. Double Ratamacue
90
100
40. Triple Ratamacue
100
All tempos are based on the quarter with the exception of #20 Flam on the eighth note. [ ]
Group V and IV student's choice, Groups III-I Judge's choice
* Multiple Bounce accepted Group V and IV only
39
percussive Arts society internAtionAl drum rudiments
All rudiments should be prActiced: open (slow) to close (fAst) to open (slow) And/or At An even moderAte mArch tempo.
I. Roll RudIments
10. nine stroke roll *
A. single stroke roll rudiments
1. single stroke roll *
œœœœœœœœ
œœœœ œœœœ
R
L
R L R L
L R L R
11
œœœœœœœ
RLRLRLR
LRLRLRL
˙Z
Ͼ
13. thirteen
stroke roll *
R
3
3
3
œœœœœœœœœœœœ
Ͼ
14. fifteen
stroke roll *
R
L
17
˙æ
RRRL L LRRRL L L
15. seventeen
stroke roll
c. double stroke open roll rudiments
˙æ
6. double stroke
open roll *
RRLLRRLL
> 5>
œ@ œ œ@ œ
5
7. five stroke roll *
R
R
L
R
L
LR
RL
> > 10
œ œ ‰ œæ
RL
LR
R
L
RL
LR
R
L
>
œ
L
>>
œœ‰
RL
LR
> 11
œ!œ ‰ œæ
>
œ!œ ‰
RL
LR
> 13
>
œ@ œ œæ œ@ œ
L
L
> 15
>
œ@. œ œæ œ@. œ
LR
RL
> 17
œ ˙æ
R
L
>
œ
L
R
L
II. dIddle RudIments
> >
16. single pArAdiddle * œ œ œ œ œ œ œ œ
RLRRLRL L
L
> 6 >> 6 >
œ œ@ œ œ œ@ œ
8. six stroke roll
R
L
R
15
3
5. triple stroke roll
R
L
13
b. multiple bounce roll rudiments
4. multiple bounce roll
Ͼ
12. eleven
stroke roll *
6
3. single stroke seven
Ͼ
11. ten stroke roll *
Ͼ
9
R
10
3
R L R L
L R L R
Ͼ
R
R L R L R L R L
3
2. single stroke four
>
œ
9
L
R
> 7 >
œ@. œ œ@. œ
17. double pArAdiddle *
18. triple
pArAdiddle
7
>
>
œœœœœœœœœœœœ
R L R L R R L R L R L L
>
>
œœœœœœœœœœœœœœœœ
>
>
œœœœœœœœœœœœ
RLRLRLRRLRLRLRL L
19. single
R
LR
L
pArAdiddle-diddle
R L R R L L R L R R L L
L
RL
R
L R L L R R L R L L R R
* These rudiments are also included in the original Standard 26 American Drum Rudiments.
9. seven stroke roll *
Copyright © 1984 by the Percussive Arts society™, 110 W. Washington street, suite A, Indianapolis, In 46204
International Copyright secured
All Rights Reserved
Used by permission of the Percussive Arts Society.
40
pAs internAtionAl drum rudiments pAge 2
III. flAm RudIments
j
j
œ œ
œ œ
20. flAm *
R
L
>
>
j
j
21. flAm Accent *
œ œ
œ œ œœ œ œ
L
L
R
R
L
R
R
L
R
> > > >
j
j
j
j
œ œ œœ œ œœ œ œœ œ œ
22. flAm tAp *
L
>
j
j
œ œ œ œ œ œ œ
L
R
j
œ
24. flAm
pArAdiddle *
L
25. single flAmmed
mill
26. flAm
pArAdiddlediddle *
27. pAtAflAflA
j
œ
L
L
R
R
L
L
32. single
drAg tAp *
>
>
j
œ œ œ œœ œ œ œ œ
29. inverted
flAm tAp
j
œ
30. flAm drAg
j
œ
L
L
L L
R LLR
L L
R L R LLR L R
L R L RRL R L
L RRL RRL
R
>
>
œ! œ œ œ œ! œ œ œ
R LLR L R R L RRL R L L
>
>
œœœœœœœœœœœœœœœœœœœœ
37. drAg pArAdiddle #2 *
R LLR LLR L R R L RRL RRL R L L
38. single rAtAmAcue *
3 >
>
œ œ œ œ œ œ œ œ œ œ œ œ
3
L L
R L R L RRL R L R
39. double rAtAmAcue *
R R L LR R L
L L RR L L R
> > > >
œ œ œj œ œ œj œ œ œj œ œ
R LR L RL R LR L R
>
>
j
œ œ œ œœ œ œ œ œ
L L R R L
R
>
>
œœœœ œ œ œ œœœœ œ œ œ
36. drAg
pArAdiddle
#1 *
R L R R L LR L R R L
R
L RRL
RR L R R LL R L L
R L R R L L R L R L L R R
L
R
R
35. single drAgAdiddle
R R L R R L L R L
> 3 > 3
œ œ œ œj œ œ œ
L L
RR
>
>
j
œ œ œœœ œœœ œ œ œœœ
j
œ
L
>
>
œ œ œ œ œ œ œ œ œ œ
R L R R R L R L L
>
> >
>
j
j
j
j
œ œ œ œ œ œ œ œ œ œ œ œ
RR
>
>
œ œ œ œ œ œ
œœœœœœœ œ
34. lesson 25 *
L L R
R R L
>
>
j
j
œ œ œ œ œ œ œ œ œ œ
L
28. swiss Army
triplet
R
L
R
>
>
œ œ œ œ œ œ œ œ
L L
33. double
drAg tAp *
L R RR L L L R RR L L
23. flAmAcue *
Iv. dRAG RudIments
œ œ œ
œ œ œ
31. drAg *
3
>
>
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
3
L L
R LLR L R L RRL RRL R L R
40. triple rAtAmAcue *
3 >
>
œ œ œœ œ œœ œ œ œ œ œœ œ œœ œ œœ œ œ œ œ œ
3
R R L
L L
R LLR LLR L R LRRL RRLRRL R L R
for more informAtion on becoming A member of the percussive Arts society contAct pAs At:
110 w. wAshington street, suite A, indiAnApolis, in 46204 • e-mAil: percArts@pAs.org web site: www.pAs.org
Used by permission of the Percussive Arts Society.
See page 39 for minimum tempos.
41
RECOMMENDED SUPPLEMENTARY MATERIAL
Code: B = Beginner; I = Intermediate; A = Advanced
SNARE DRUM/RUDIMENTAL DRUMMING
Accents and Rebounds
George Lawrence Stone
George B. Stone & Son Inc.
B, I
Flams, Ruffs & Rolls
John Beck
Meredith Music Publications
B, I
Primary Handbook for Snare Drum
Garwood Whaley
Meredith Music Publications
B, I
Advanced Snare Drum Studies
Mitchell Peters
Mitchell Peters Publishing
A
Fresh Approach To The Snare Drum, A
Mark Wessels
Mark Wessels Publishing
B, I, A
Readin' Ritin' & Rudiments
John W. McMahan
Columbia Pictures Publications
B, I
Alfred's Snare Drum Method
Books 1 & 2
Sandy Feldstein & Dave Black
Alfred Publishing
B, I
Fundamental Studies for Snare Drum
Garwood Whaley
J. R. Publications
B
Recital Solos for Snare Drum
Garwood Whaley
Meredith Music Publications
I, A
International Drum Rudiments
Book and Tape
Wanamaker/Carson
Alfred Publishing
B, I, A
Rudimental Cookbook, The
Edward Freytag
Row-Loff Productions
I, A
All American Drummer, The
Charley Wilcoxon
Ludwig Music Publishing
I, A
Contemporary Rudimental Studies &
Solos
Lalo Davila
Row-Loff Productions
B, I
Contemporary Studies For the Snare
Drum
Fred Albright
CPP Belwin Pub.
A
Douze Etudes pour Caisse-Claire
(Twelve Studies for Snare Drum)
Jacques Delecluse
Alphonse Leduc
I, A
Drum Method for Band & Orchestra
Bk 1 & 2
Haskell W. Harr
M. M. Cole Publishing
B
Drummer's Rudimental Reference
Book
John Wooton
Row-Loff Productions
B, I, A
Life’s Little Rudiment Book
David Steinquest
Row-Loff Productions
B, I, A
Master Technique Builders for Snare
Drum
Compiled/Edited by: Anthony J. Cirone
Belwin Mills Publishing
I, A
Modern School for Snare Drum
Morris Goldenberg
Hal Leonard Publishing
B, I, A
Musical Studies for the
Intermediate Snare Drummer
Garwood Whaley
J. R. Publications
I
Portraits in Rhythm
Anthony J. Cirone
Belwin Mills Publishing
A
42
Rudimental Primer for the Snare
Drum
Mitchell Peters
Mitchell Peters
B, I, A
Simple Steps To Snare Drum
Anthony J. Cirone
CPP Belwin Pub.
B
Solos and Duets for Snare Drum
Garwood Whaley
Meredith Music Publications
I
Standard Snare Drum Method
Benjamin Podemski
Belwin Mills Publishing
I
Stick Control
George Lawrence Stone
George B. Stone & Son Inc.
B, I, A
20th Century Orchestral Snare
Drum Studies
Thomas McMillan
Creative Music
A
MALLETS
Bar Percussion Notebook Vol. 1 & 2
Linda Lorren Pimentel
Permus Publications
B, I
Method of Movement for Marimba
Leigh Howard Stevens
Marimba Productions
I, A
Percussion Keyboard Technique
Thomas McMillan
Pro Art Publications
B, I
Fresh Approach To Mallet
Percussion, A
Mark Wessels
Mark Wessels Publishing
B,I,A
Modern Mallet Method: Vol. 1, 2, & 3
Phil Kraus
CPP Belwin Pub.
B, I, A
Primary Handbook for Mallets
Garwood Whaley
Meredith Music Publications
B, I
Modern School for
Xylophone/Marimba/Vibraphone
Morris Goldenberg
Hal Leonard Publishing
I, A
Simply Four
4-Mallet Percussion
Gifford Howarth
Tapspace Publishing
B, I, A
Musical Studies for the
Intermediate Mallet Player
Garwood Whaley
Meredith Music Publications
I
Simple Steps to Keyboard
Percussion
Anthony J. Cirone
CPP Belwin Pub.
B
Orchestral Mallet Player, The
Anthony J. Cirone
Belwin Mills Publishing
I
Vibraphone Technique:
Dampening and Pedaling
David Friedman
Berklee Press Pub.
B, I, A
George Hamilton Green's
Instruction Course for Xylophone
Edited by: Randall Eyles & Garwood
Whaley
Meredith Music Publications
I
Mallet Percussion for Young
Beginners
Randall Eyles
Meredith Music Publications
B
Master Technique Builders
for Vibraphone and Marimba
Compiled and Edited by: Anthony J.
Cirone
Belwin Mills Publishing
I, A
4 Mallet Primer
Neil Grover
Meredith Music Pub.
B
TIMPANI
Modern Method for Tympani
Saul Goodman
Belwin Mills Publishing
B, I, A
Orchestral Timpanist, The
Anthony J. Cirone
Belwin Mills Publishing
I
Simple Steps to Timpani
Anthony Cirone
Belwin Mills Pub.
B
Musical Studies For The
Intermediate Timpanist
Garwood Whaley
J. R. Pub.
I, A
Pedal To The Kettle
Kirk J. Gay
Tapspace Publications
B, I, A
Technique for the Virtuoso
Tympanist
Fred D. Hinger
Jerona Music Corporation
I, A
Musical Timpanist, The
Thomas N. Akins
Kendor Music
I, A
Primary Handbook for Timpani
Garwood Whaley
Meredith Music Publications
B, I
Twenty One Etudes for Timpani
Fred Begun
Meredith Music Publications
I, A
Well Tempered Timpanist, The
Charles Dowd
Belwin Mills Pub.
I, A
43
DRUMSET
Advanced Techniques
for the Modern Drummer
Jim Chapin
Pub. by: Jim Chapin
I, A
Drum Improvising Studies for Jazz and
Rock
Joe Lambert
Mel Bay Publications
I
Logical Approach To Rock
Coordination, The
Phil Perkins
Logical Pub.
B, I, A
Alfred Master Tracks (w/CD)
Latin
Houghton, Warrington
Alfred Publishing Company
A
Drumset Reading
Ron Fink
Alfred Publishing Company
I, A
Practical Approach to the Drum
Set, A
John Beck
Belwin Mills Publishing
B
Alfred Master Tracks (w/CD)
Jazz
Houghton, Warrington
Alfred Publishing Company
A
Beats and Variations
for Dance Band Drummers
Joel Rothman
J. R. Publications
I
Drum Set Fundamentals-For Students
and Educators (w/audio tape)
Dave Mancini
Dave Mancini Pub.
B
Essential Styles for the Drummer &
Bassist: Vol. 1 & 2 (w/CD)
Steve Houghton/Tom Warrington
Alfred
A
Dancin’ On The Time
Royal Hartigan
Tapspace Publications
A
Essential Techniques for Drum Set:
Book 1
Ed Soph
Meredith Music Publications
I
Double Bass Drumming
Joe Franco
D. C. Publications
I
Fresh Approach To The Drum Set, A
Mark Wessels
Mark Wessels Publishing
B,I,A
Drummers Cookbook, The
John Pickering
Mel Bay Publications
I
Funk Drumming (book & tape)
Jim Payne
Mel Bay Publications
I
Killer - Fillers
Drum Set Exercises for Today's Drummer
James Morton
Mel Bay Publications
B, I, A
44
Primary Handbook for Drum Set
George Sheppard
Meredith Music Publications
B, I
Rockin' Bass Drum
John Lombardo & Charles Perry
Alfred Publishing
I
Stage Band Drummers Guide
John Pickering
Mel Bay Publications
I
Student’s Guide to the Drumset, A
G.W. “Sandy” Schafer
IMP Publishing
B, I
Studio/Jazz Drum Cookbook
John Pickering
Mel Bay Publications
I
Today's Sounds for Drum Set
Murray Houllif
Kendor Music
B, I
CONCERT PERCUSSION INSTRUMENTS
Art of Playing the Cymbals, The
Sam Denov
Henry Adler, Inc.
I
Modern School for Snare Drum
Morris Goldenberg
Hal Leonard Publishing
B, I, A
Bass Drum, Cymbals, and
Accessories
Al Payson
Payson Percussion Products
B, I
North Texas Percussion Methods Manual
Schiertroma/Arevalo
North Texas Percussion Press
I
Percussion in the School Music
Program
Payson/McKenzie
Payson Percussion Products
B, I
Percussion Symposium
Vic Firth
Carl Fischer
I
Triangle, Tambourine, & Castanets
Paul Price
Music for Percussion
I
Logic of it All, The
Anthony J. Cirone and Joe Sinai
Belwin Mills Publishing
I, A
MARCHING PERCUSSION (DRUM LINE)
Building A Championship Drum
Line
Dennis DeLucia
Hal Leonard Publishing
B, I, A
Marching Percussion Ensemble Exercises
Novice, Intermediate & Advanced Vols.
Marty Hurley
Rudimental Perc. Pub.
B, I, A
Championship Concepts
for Marching Percussion
Thom Hannum & Robert Morrison
Hal Leonard Publishing Corp.
B, I, A
Total Marching Percussion Bk 1 & 2
Larry Snider
C. L. Barnhouse Publishing
I
Developing the Corps Style
Percussion Section
Larry Snider
C. L. Barnhouse Publishing
I
Visual Drum Line, The
Staging the Contemporary
Marching Percussion Section
Will Rapp
Jenson Publications
B, I, A
Up Front
Pit Ensemble
Jim Casella and Jim Ancona
Tapspace Publications
B, I, A
LATIN AND ETHNIC INSTRUMENTS
Authentic Bongo Rhythms
Bob Evans
Henry Alder Publishing
Authentic Conga Rhythms
Bob Evans
Henry Alder Publishing
Brazilian Percussion Manual –
Rhythms and Techniques
Daniel Sabanovich
Alfred Pub.
How to Play Latin American
Rhythm Instruments
Humberto Morales/Henry Adler
CPP Belwin Pub.
45
Let’s All Play Congas
Jack Burger
Robbins Music Publishing
REPAIR
Percussion Repair and Maintenance
Mark P. Bonfoey
Belwin Mills Publishing
B, I, A
Mallet Repair
Arthur Press
Belwin Mills Publishing
I
COMPACT DISC RECORDINGS
Various Recordings
Keiko Abe
Virtuoso Percussion Music
Rainer Kuisma
Various Recordings
Julie Spencer
Various Recordings
Gary Burton
Artistry of the Marimba, The
Linda Maxey
Bach on Marimba
Leigh Howard Stevens
Various Recordings
David Friedman
Various Recordings
Nexus
Marimba When...
Leigh Howard Stevens
Various Recordings
Evelyn Glennie
Various Recordings
David Samuels
Pictures for Percussion
Albrecht Voltz
VIDEO
Concert Percussion: A Performer’s
Guide Vol. 1 & 2
Cirone/Denov/Duff
Yamaha
Contemporary Rhythm Section, The
Steve Houghton
CPP Media Video
Drummer’s Guide to Reading
Drum Charts
Steve Houghton
CPP Media Video
Drumset (The): A Musical Approach
Ed Soph/Horacee Arnold
Yamaha
Living Art of Brushes, The
Clayton Cameron
DCI Music Video
Essence of Brushes
Ed Thigpen
Interworld Music
Mallet Keyboard Musicianship
Steps to Excellence Vol. 1 & 2
Dave Samuels
Yamaha
Everything is Time Keeping
Peter Erskine
DCI Music Video
Fundamental Techniques for
Marching Percussion
Thom Hannum
CPP Media Video
46
Percussive Arts Society
www.pas.org
Time Keeping II
Peter Erskine
DCI Music Video
EDUCATIONAL SOURCES
Modern Drummer Magazine
Modern Drummer Publications, Inc.
12 Old Bridge Rd.
Cedar Grove, NJ 07009-1288
www.moderndrummer.com
On Line Metronomes
www.metronomeonline.com
www.webmetronome.com
Percussive Notes
An Official Publication
of the Percussive Arts Society
110 W. Washington St., Suite A
Indianapolis, IN 46204
www.pas.org
Tapspace Publications
P.O. Box 55753
Portland, OR 97238-5753
www.tapspace.com
Teaching Percussion
Gary D. Cook
Schirmer Books
(2005 edition includes book and DVD’s)
Vic Firth Education
Vic Firth Company
65 Sprague St.
Boston MA 02136
www.vicfirth.com/education
47
KEY TO PUBLISHERS
AAM Afro-American Music
ACA
American Composers Alliance,
170 W. 74th St., New York, NY 10023
ACC
Accura Music, Box 887, Athens, OH 45701
ADL
Henry Adler (See BMP)
ADV
Advance Music, Rottenburg, West Germany
AFL
Affiliated Musicians, Inc.,
Los Angeles, CA 90046 (See EMU)
AGP
Agave Music Press, 3358 W. S.R. 40,
Brazil, IN 47834, tammyandpete@aol.com
AGS
Augsburg Publishing House
426 S. 5th St., Minneapolis, MN 55415
AJA
Albert J. Andraud (See SMC)
AKI
AKI Publisher, 8141 N. Meridian,
Indianapolis, IN 46260
ALF
Alfred Publishing Co. Inc., P. O. Box 10003,
16380 Roscoe Blvd., Suite 200,
Van Nuys, CA 91410
ALI
Alliance Music Publications, P.O. Box 131977,
Houston, TX 77219-1977
ALL
M. W. Allen Music
ALP
C. Alan Publishing, P. O. Box 29323,
Greensboro, NC 27429 Ph: 910/665-6116
ALR
Alry Publications Etc., Inc., P. O. Box 36542,
Charlotte, NC 28236
AMA Edition Amadeus (See FMD)
AMB Amberson Enterprises, Inc. (See GSI & BHI)
AMC Award Music Co., 136 W. 46th St.
New York, NY 10036
AME
American Music Edition, 9109 Sunset Blvd.
Hollywood, CA 95069
AMP
Associated Music Pub. Inc. (See GSI & HLN)
ANT
Antara Music Group, P. O. Box 210,
Alexandria, IN 46001-0201
APL
Alphonse Leduc (See KNG)
ARR
Arrow Music Press (See BHI)
ART
Artisan Press (See PHC)
ASC
Amsco Music Publishing Co. (See MSC)
ATA
ARTIA
ATE
Autograph Editions, Atlantic Music Supply
(See CMC)
AUL
Aulos Music Publishers,
Montgomery, NY 12549
AVM
Avant Music Corp. (See WBR)
B&H
BAK
BAR
BBD
BEC
BEL
BEM
BER
BFW
BGZ
BHC
BHI
BIM
Breitkoph & Haertel (See BRE, FMD, & HLN)
Barenreiter Kassel (SEE FMD)
C. L. Barnhouse, Inc., 205 Cowan Ave. West,
Box 680, Oskaloosa, IA 52577
Broadbent & Dunn, www.broadbent-dunn.com
Bob Becker, c/o Nexus, Box 100,
Norland, Ontario, Canada KOM 2L0
Belwin-Mills, (See BMP)
Bernadol Music
Irving Berlin, 29 West 46th Street,
New York, NY 10019
B. F. Wood Music Co., Inc. (See BMP)
Bergez Music Pub., www.bergez.nl
Baltimore Horn Club, www.poperepair.com
Boosey-Hawkes, Inc., 52 Cooper Square,
New York, NY 10003-7102
Birch Island Music Press (See BAR)
48
BLD
BLF
BMA
BMC
BMP
BOO
BOS
BOT
BOU
BPC
BRA
BRD
BRE
BRH
BRO
BRP
BRS
BRV
BSM
BSO
BTG
BTM
BTP
BUD
BYD
G. Billaudot Editor, 14 rue l’Echiquir,
Paris (Xe) (See TPC)
Belaieff (See CFP)
Broadcast Music, Inc. (See HLN)
Boston Music Co., 116 Boylston St.
Boston, MA 02116
CPP/Belwin Music, 15800 N.W. 48th Ave.,
Miami, FL 33014
Boozey Music Publishing Co.,
25 Clark St., Brooklyn, NY 11201
Bosworth & Co. (See BRD)
Bote & Bock
Bourne, Inc., 5 W. 37th St., New York, NY 10018
Brook Publishing Co., 4047 Meadowbrook Blvd.
University Heights, OH 44118
Bramora, Box 71, St. Cloud, MN 56301
Brodt Music Co., Box 9345, 1409 E. Independence
Blvd., Charlotte, NC 28299
Broude Bros., 141 White Oaks Rd.,
Williamstown, MA 01267
Breitkopf & Hartel, Germany (J.W.Pepper)
www.breitkopf.com
Brolga Music Publishing Co., www.brolgamusic.com
The Brass Press
BRS Music, 603 Chapel Hill W.Dr.
Indianapolis, IN 46214 (317/248-9755)
Barenreiter-Verlag, (See FMD)
Black Squirrel Music,
www.blacksquirrelmusic.com
Basso Music Publications, 6716 W. Canal Point
Lane, Fort Wayne, IN 46804, www.bassomusic.com
Birch Tree Group (See SBP)
Big Three Music Corp., 1350 Ave. of the
Americas, New York, NY 10019
Benjamin Thomas, 4928 St. Elmo Ave.,
Bethesda, MD 20014
Editio Musica Budapest (See BHI & TPC)
Byron Douglas, Box 565, Phoenix, AZ 85001
(See BMP)
CAH
CAN
CAP
CAW
CBC
CBD
CBL
CCB
CCP
CFE
CFM
CFP
CFS
CHC
CHL
CHM
William L. Cahn, (See WBR)
Canzona Publications
Choral Arts Pub. (See SFP)
Carl Anton Wirth, General Delivery,
El Granada, CA 94018
Cundy-Bettony Co., (See CFM)
CeBeDeM, www.cebedem.be
Chamber Brass Library
C. C. Birchard, 265 Secaucus Rd., Secaucus, NJ 07096-2037 (See WBR)
Charles Colin, 315 W. 53rd St.
New York, NY 10019
Composers Facsimile Edition (See ACA)
Carl Fischer, 62 Cooper Square,
New York, NY 10003
C. F. Peters Corp., 373 Park Ave. S.,
New York, NY 10016
(See SBP)
John Church Co., (See TPC)
Chester Ltd. (See MSC)
Chant du Monde, 32 Rue Beaujon,
Paris 8, France
CHN
CHP
CHR
CHW
CIM
CIR
CMC
CMP
CNM
CNO
CNT
COL
CON
COP
COR
COS
CPC
CPI
CPP
CPR
CRD
CRE
CRS
CSD
CUR
CVR
CWU
Chantry Music Press, Inc., 32 N. Center Street
Springfield, OH 45502
Chappell & Co., (See HLN & TPC)
Chart Music Pub., Co. (See WBR)
Charles Wilcoxen, Box 2993,
Cleveland, OH 44116
Cimarron Music & Productions,
8500 N. Stemmons Frwy (#2073)
Dallas, TX 75247
Anthony Cirone (See BMP)
Criterion Music Corp., 6124 Selma Ave.,
Hollywood, CA 90028
Creative Music Publishing, (See SBP & WBR)
Concert Music Publishing Co.,
5003 Ridgebury Blvd., Cleveland, OH 44124
Continuo MP (See BRE)
Contemporary Music Project, 1186 15th N.W.,
Washington, D.C. 20005
Franco Colombo, Inc. (See BMP)
Concordia Publishing House,
3558 S. Jefferson Ave., St. Louis, MO 63118
M. M. Cole Pub. Co., 823 S. Wabash Ave.,
Chicago, IL 60605
Core Publishing Co., (See WBR)
Costallat (See TPC)
Carousel Publishing Corp., 27 Union St.
Brighton, MA 02135
Choral Press, Inc. (See SHP)
Capitol Press
Composers Press (See Raol Ronson,
177 E. 187th St., New York, NY 10018)
Concord Music Pub., Co. (SEE HEM)
Creative Music (See SBP & WBR)
Crescendo Music Sales, (FEMA Music
Publications) Box 395, Naperville, IL 60566
Consolidated Music Pub., Inc. (See MSC)
Curwen Pub. (See GSI & HLN)
Classical Vocal Reprints, P.O. Box 20263
Columbus Circle St., New York, NY 10023
Concert Works Unlimited, Delaware Water
Gap, PA 18327
DEA
DEL
DER
DES
DFT
DGO
DIT
DMC
DOB
DON
DOR
DOV
DRM
DSM
DUR
Roger Dean Publishing (See LOR)
Delkas (See MCA)
Derby Music Service, 11007 N. 56th St., Suite N,
Temple Terrace, FL 33617
DeSantis (See BMP)
DFT Music, P.O. Box 53, Flemington, NJ 08822
David Gornston, 83-45 Broadway,
Elmhurst, NY 11373
Ditson (See TPC)
Dorabet Music Co., Dist. by CBC Pub.
P.O. Box 29128, San Antonio, TX 78229
Doblinger (See FMD)
Donemus (See TPC)
Dorn Publications, Inc., P.O. Box 206,
5 West Mill St., Medfield, MA 02052
Dover Publishers, 31 E. Second St.
Mineola, NY 11501
David A. Roth Music, david@roth-music.com
Drop 6 Media, Inc., P.O. Box 81,
Denton, TX 76202
Durand (See TPC)
49
DVL
Deutscher Verlag (See FMD, GSI & HLN)
EAC
EAM
EAR
EBI
ECK
ECS
EDB
EDI
EDM
EDP
EDS
EDT
EEL
EHA
EHM
ELK
ELL
ELV
EMA
EMC
EMB
EMI
EMR
EMS
EMT
EMU
ENC
ENO
ENP
ENS
ESA
ESC
ETH
ETL
EUL
EXC
Edward Arnold & Co. (See BAM)
European American Music Dist. Corp.,
P. O. Box 850, Valley Forge, PA 19482-0850
Earthsongs Publ., 220 NW 29th St.
Corvallis, OR 97330
Elan Brass Impressions, 463 E. Deerfield,
Mt. Pleasant, MI 48858
E. C. Kerby Ltd., 198 Davenport Rd.,
Toronto 5, Ontario, Canada
E. C. Schirmer Music Co., 138 Ipswish St.
Boston, MA 02215
Edition BIM, P.O. Box 576, CH-1360,
BULLE 1 (Switzerland)
Educational Ideas
Edition Musica Budapest (See BHI)
Edition Peters Publishing (See CFP)
Edition Schuberth (Write Music Dealer Service,
243 Veterans Blvd., Carlstadt, NJ 07072)
Editions Musicales Transatlantiques, Paris
(See TPC)
Emerson Ed. LTD, Windmill Farm,
North Yorkshire, England YO6 4HF
Earl Hatch Publications, 5140 Vinceland Ave.,
North Hollywood, CA 91601
Edwin H. Morris & Co. (See HMM)
Elkin & Co., Ltd. (See ECS)
Edition De L’Oisseau Lyre (See BRE)
Elkan-Vogel Co. (See TPC)
Editions Maurer, Bruxelles 15, Avenue
Du Versea 7, Watermanlaan
Embassy Music Corp., (See MSC)
Education Music Bureau
Elkin Music International, www.elkinmusic.com
Editions Marc Reift, 8126 Zumikon, Switzerland
Educational Music Service
Editions Metropolis (See TPC)
Edition Musicus, P. O. Box 1341,
Stamford, CT 06924
Encore Music Pub.
Eighth Note Publications, 25 Robinson St.,
Markham, Ontario, L3PIN5 CANADA
Ensemble Publications, Box 98,
Bidwell Sta., Buffalo, NY 14222
Ensemble Publications (See ENP)
Edition Salabert, 22 Rue Chauchat,
Paris, France, or 575 Madison Ave.,
New York, NY 10022
Eschig, 48 Rue de Rome, Paris 8, France
(See GSI, HLN & TPC)
Ethos Publications, P.O. Box 2043,
Oswego, NY 13126
Etoile (See MMB)
Eulenberg (See EAM)
Excelsior Music Publ.
FAB
FCI
FCL
FDS
FER
Faber Music LTD. IK (see KNG)
Frederick Charles, Inc. (See SHP)
Franco Colombo, Inc. (See BMP)
Frank’s Drum Shop, 226 S. Wabash Ave.,
Chicago, IL 60604
Fereol Pub., Box 6007, Alexandria, VA 22313
FET
FHP
FIN
FLN
FLW
FMC
FMD
FMH
FMI FOL
FOR
FOX
FRB
FRE
FRN
FRP
FTR
FTZ
Fentone Music LTD (See TPC)
Falls House Press, P.O. Box 7121,
Nashua, NH 03060
Fink Publishing Co., 1206 Piping Rock Lane,
Denton, TX 76201
Flute.Net, 1301 S. Walter Reed Dr. Suite 204,
Arlington, VA 22204
Flute World, P.O. Box 250248, Franklin MI 48025
www.fluteworld.com
Frank Music Co., 119 W. 57th St.
New York, NY 10019 (HLN)
Foreign Music Distributors, 13 Elkay Drive,
Chester NY 10918
Fillmore Music House Edition (See CFM)
FEMA Music Publication, (See WJM)
Charles Foley Co., 156 W. 44th St.
New York, NY 10036 (See BMP, CFM)
Forster Music Publishing Co.,
216 S. Wabash Ave., Chicago, IL 60604
Fox Publishing Co.
Forberg (See CFP)
Forest R. Etling, 1790 Joseph Court,
Elgin, IL 60120
Samuel French, 25 W. 45th St.
New York, NY 10036
Fredonia Press, 3947 Fredonia Drive,
Hollywood, CA 90068
Fetter (see RKC)
H. T. FitzSimons Co. (See ANT)
GAV
GBS
GEN
GFB
GFM
GHM
GIA
GMC
GMP
GMU
GOL
GPE
GRD
GRL
GRM
GSI
GTM
GUA
GVT
GWM
GWN
Generally Available
George B. Stone & Sons, Inc.,
27 School St., Boston, MA 02106
Gentry Publications (See TPC)
George F. Briegel, Inc.
Go Fish Music
Gamble Hinged Music Co. (See MPH)
GIA Publications, 7404 South Mason Ave.
Chicago, IL 60638
Galaxy Music Co., (See ECS)
General Music Publishing Co. (See NAK)
General Music Publishing Co.,
Hastings-on-Hudson, NY 13076
Goldsen (See CMC)
Great Performance Edition (See BRE)
Gordon Music Pub. Co., P. O. Box 2250,
Canoga Park, CA 91307
Grahl
Gehrmans Musicforlag (See BHI)
G. Schirmer, Inc., (See HLN)
Gene Thomas Music Group, 1451 Elm Hill Pike,
Nashville, TN 37210
Guager, Thomas, Symphony Hall,
Boston, MA 02115
Gordon V. Thompson Ltd. (See WBR)
G. W. Music Co., 1614 Magnolia,
South Bend, IN 46613
Gwyn Publishing Co., Box 5900,
Sherman Oaks, CA 91413
HBI
Harold Branch, 42 Cornell Dr.
Plainview, NY 11803
HED
Hunt Edition, 40 Portland Rd.,
London, England W114LG
HEM
Henri Elkan Music Publisher, P. O. Box 7720,
FDR Station, New York, NY 10150
HEU
Heugel Inc. (See TPC & SMC)
HFI
Harold Flammer, Inc. (SEE SHP)
HFM
Hoffmeister (See FMD)
HGP
Highgate Press (See ECS)
HIC
Hickey’s Music, www.hickeys.com ,
104 Adams St., Ithaca, NY 14850
HIM
Hickman Music Editions,
www.hickmanmusiceditions.com
HIN
Hinshaw Music Inc., P. O. Box 470
Chapel Hill, NC 27514
HIP
Hip-Bone Music, Inc., 119 W. 71st St., #88,
New York, NY 10023
HLM
Henry Lemoine (See TPC)
HLN
Hal Leonard Music Inc., 7777 W. Bluemound Rd.,
P. O. Box 13819, Milwaukee, WI 53213
HMI
Hinshaw Music Co., P. O. Box 470
Chapel Hill, NC 27514
HMM Charles Hansen Music Corp., 1804 West Ave.,
Miami Beach, FL 33139
HMP
Heritage Music Publication, Inc. (See LOR)
HMR HaMar Percussion Pub. (See BHI)
HNA
Hornarama, Australia, www.hornarama.com
HNN
Hornists’ Nest, P.O. Box 33, Buffalo, NY 14231
HOF
Hoffman Music Publisher, 1615 Briggs,
Wichita, KS
HPC
Hope Publishing Co., 380 South Main Place
Carol Stream, IL 60188
HPE
Hans Pizka Editions, www.pizka.de
HRG
Hargail Music Press, Hargail Music Inc.,
28 W. 38th St., New York, NY 10018
HRI
Harms, Inc. (See WBP)
HRS
Hinrichsen (See CFP)
HUE
Henle Urtext Editions, 2446 Centerline
Industrial Drive, Maryland Heights, MO
63043-0753
HUG
Hug & Co., Zurich (See MAG)
HWG H. W. Gray Co. (See BMP)
IMD
International Music Diffusion,
www.sheetmusicplus.com
IMG Intrada Music Group, 2222 Hill St.,
Anderson, IN 46012
INO
International Opus, P.O. Box 4852,
Richmond, VA 23220
INP
Innovative Percussion, Inc.,
501 Metroplex Dr. Suite 109,
Nashville, TN 37211
INT
International Music Co., (See BOU)
IRA
Israeli Music Publications, Ltd., (See TPC)
ITA
International Trombone Association Press,
138 Fine Arts Bldg., University of Missouri
Columbia, Columbia, MO 65211
ITG
International Trumpet Guild,
www.trumpetguild.org
ITL Interlochen Press (See FMI)
JBI
JCS
50
Joseph Broonin, Inc., Box 2124,
South Hackensack, NJ 07606
J. Curwen & Sons Ltd. (See GSI & HLN)
JEN
Jenson Publications, Inc., (See HLN)
JER
Jerona Music Corp., P. O. Box 5010,
Hackensack, NJ 07606-4210 (See MNM)
JFB
J. Fisher & Bro. (See BMP)
JHL
Julius Hainauer, Ltd.
JOB
Jobert Publishers, Paris 844, Rue Du
Colisée, (See TPC)
JPM
Joseph Patelson Music House, 160 W. 56th St.
New York, NY 10019
JSM
Spratt Music Publishers (See PLY)
JTL
JTL Pub., 1405 Fox Knoll Dr.
Colonial Heights, VA 23834
JWC
J & W Chester, Ltd. (See MSC)
KAL
KAS
KBE
KEN
KGG
KNG
KNZ
KPM
KPP
KSM
KSP
LPI
LUD
LWM
LYC
Edwin F. Kalmus, P. O. Box 5011
Boca Raton, FL 33433-8011
Kastuck Percussion Studio, Inc.
1357 Senseny Rd., Winchester, VA 22602
Kagarice Brass Editions, www.kagarice.com
Kendor Music Inc., P. O. Box 278,
Main & Grove Sts., Delevan, NY 14042
Karl Gilbert Percussion Studio, www.kgpercussion.com
825 N. Carter, Greentown, IN 46936
Robert King Music Sales Inc., 140 Main St.
North Easton, MA 02356
Edition Kunzelmann-USA (See FMD)
Keith Prowse Music Pub. Co. Ltd. (See SFP)
Keyboard Percussion Publications
K S M Publishing Co., (See HIN)
Kistner & Siegel (See CON)
LAN
Lang Percussion, (See PLY)
LAT
Latham Music, Ltd., 145 Forest Drive,
Winston-Salem, NC 27104 www.latham-music.com
LAU
Laudamus Press, Intrada Music Group,
P.O. Box 1240, Anderson, IN 46012
LED
Leduc (See DER, LIB, TPC, & SMC)
LEM
Edition Lemoine & Co. (see TPC)
LEO
Les Editions Ourvieres (See GAL)
LEP
Kevin Lepper, Advantage Network,
7163 Longmeadow Lane,
Hanover Park, IL 60103 Ph: 800/779-0103
LEU
Leuckart, Salomonstrasse, Leipzig, Germany
(See HLN)
LEY
Leyerle Publishers, P.O. Box 384,
Geneseo, NY 14454
LGM
Lawson-Gould Music Pub., Inc. (See ALF)
LIB
Liben Music Publishers, 6265 Dawes Lane,
Cincinnati, OH 45230
LKS
Luck’s Music Library, Inc., P. O. Box 71397,
32300 Edward, Madison Heights, MI 48071-0397
LMC
Leeds Music Corp. (See MCA & HLN)
LMM Lemur Music, 32238 Paseo Adelanto, Suite B,
San Juan Capistrano, CA 92675-3624,
www.lemur-music.com
LMP
Lang Music Publications
LMS
Lilly Music Service, 980 Centennial Road,
Martinsville, IN 46151
LNG
Lengnick (See MSC)
LOM
Lombardo Music Publ., P.O. Box 3037,
Trenton, NJ 08619
LOR
Lorenz Publishing Co., 501 E. 3rd St.
Dayton, OH 45401
51
LeBlanc Publications Inc., 7019 30th Ave.,
Kenosha, WI 53141 (See SMC)
Ludwig Music Publishing Co.
Laurence Wyman, Music Dept. SUNY,
Fredonia, NY 14036
Lyceum Press, P.O. Box 747, Ithaca, NY 14850
MAG Magnamusic Distributors, Inc., Rte. 4
Sharon, CT 06069
MAL
Mallet Arts, See KPP
MAM Marvin Music
MAN Manduca Music, P.O. Box 10550,
Portland, ME 04104
MAP
Marimba Productions, 487 West End Ave.
New York, NY 10024
MAR Edward B. Marks Music Corp., (See HLN & TPC)
MAS
David Maslanka www.davidmaslanka.com
MBC
M. Baron Co., Box 149, Oyster Bay, NY 11771
MBP
Mel Bay Publications, 107 W. Jefferson Ave.,
Kirkwood, MO 63122
MCA
MCA Music, 1755 Broadway, 8th Floor
New York, NY 10022 (See HLN)
MCC
McCoy’s Horn Library, Houston, Minn.
MCL
McLaughlin & Reilly, (See WBR & SBP)
MCP
McClaren Publication
MDM Medici Music Press, 4206 Ridgewood Ave.
Bellingham, WA 98226
MED
Meredith (See PLY)
MEM Merion Music Inc. (See TPC)
MEN
Mentor Music Co., Hempstead, L. I. NY
(See PDP)
MEP
Merson Musical Products Corp.
MER
Mercury Music Corp. (see TPC)
MET
Metropolis (See HEM)
MFM Mark Foster Music, Box 4012,
Champaign, IL 61820
MFP
Music for Percussion, (See PLY)
MGB Magnamusic-Baton, Inc.,
10370 Page Industrial Blvd.,
St. Louis, MO 63132
MGM McGinnis & Marx, 236 W. 26th St., #11S,
New York, NY 10001-6736
MHA Marty Hurley and Associates, P. O. Box 8058
New Orleans, LA 70182
MIL
Mills/Belwin (See BMP & TPC)
MKV Moeck Verlag, Celle (See EAM)
MMB M M B Music, Inc., 10370 Page Industrial Blvd.,
St. Louis, MO 63132
MMC M. M. Cole Publishing Co., 251 E. Grand Ave.,
Chicago, IL 60611
MMI
Mills Music, Inc., 1790 Broadway,
New York, NY 10019 (See BMP)
MMP Modern Music
MMU Masters Music Publications (See LUD)
MNM Margun Music, 167 Dudley,
Newton Centre, MA 02159
MOD Modern Editions
MOL
Molenaar (See HEM)
MOP
Marimba One Publ
MOR Erik Morales Music, www.moralesmusic.com
MOS
Moseler (See DER)
MPC
Music Publishing Co., 5003 Ridgebury Blvd.,
Cleveland, OH 44124
MPH
MPI
MPM
MPR
MPT
MSC
MSD
MSI
MSS
MTP
MUC
MUF
MUL
MUP
MUR
MUS
MUX
Music Publishers Holding Corp. (See WBR)
Music Press Inc. (See TPC)
Mitchell Peters Music (See MTP)
Merrymount Press (See TPC)
Music Press (See TPC)
Music Sales Corp., P. O. Box 572
Chester, NY 10918
Musikverlag Schwann, Dusseldorf, Germany
Music 70 (See PLY)
M. S. Publications, 946 S. Wesley,
Oak Park, IL 60304
Mitchell Peters, 3231 Benda Place,
Los Angeles, CA 90028
Music Corp. of America (See HLN & MCA)
Music for Percussion, 17 W. 60th St.
New York, NY 10023
Marimbas Unlimited, 5140 Vineland Ave.,
North Hollywood, CA
Musicians Publications, 1076 River Rd.,
Trenton, NJ 08628
Music Arts Co.
Musica Rara (France)
Music Express
NAK
NCI
NEA
NEM
NGV
NKV
NME
NMP
NOE
NOR
NOV
NSP
NWM
NWP
Neil A. Kjos Music Co., 4382 Jutland Drive,
San Diego, CA 92117-0894
National Cello Institute, 956 Sentinel Dr.
La Verne, CA 91750
Jeff Nearpass, 3514 E. 98th St.
Carmel, IN 46033
National Educational Music (See VLK)
Nagel Verlag (See FMD)
Norsk Musicforlag, A. S. Osla (See MMB)
New Music Edition (See TPC)
National Music Publishers, Box 868,
Tustin, CA 92680
Heinrichshofen’s-Verlag (See CFP)
Northeastern Music Pub., P.O. Box 517,
Glenmoore, PA 19343
Novello & Co. (See TPC)
Nick Stamon Press, 4380 Middlesex Drive,
San Diego, CA 92116
New World Music Corp. (See WBR)
Nourse Wind Publ., 7 Ronan Ave.,
Toronto, Ontario, Canada M4N 2X8
PAU
Paul-Mueller Studios, 3049 W. 71st.
Indianapolis, IN 46268
PAX
Paxman, www.paxman.com.uk
PAY
Albert Payson, 1478 Van Buren,
Des Plaines, IL 60016
PDS
Professional Drum Shop, Inc., 854 Vine St.
Hollywood, CA
PER
PercMaster Publications, www.percmaster.com
PET
C. F. Peters Corp., 373 Park Ave. S.,
New York, NY 10016
PHC
Philharmusica Corp., Box 180,
West Nyack, NY 10994
PIC
Peer International Corp., 810 Seventh Ave.,
New York, NY 10019 (See TPC, PSC)
PIE
Piedmont Music Co., Inc. (See HLN & MAR)
PIO
Pioneer Percussion, Box 10822, Burke, VA 22009
PIP
Little Piper, P. O. Box 14038,
Detroit, MI 48214
PLY
Plymouth Music Co., Inc., 170 N. E. 33rd St.
Fort Lauderdale, FL 33334
PMC
Paramount Music Corp., 1619 Broadway,
New York, NY
PMP
Phoenix Music Publ., www.hornarama.com
PMS
Presto Music Service (See DER)
PNO
P. Noel, 24 Bld. Poissoniere, Paris (1Xe)
(See MBC)
POD
Podium Music Inc., 4 Broadway,
Valhalla, NY 10595
POP
Penn Oak Press, P. O. Box 20885,
Philadelphia, PA 19141
POT
Potsdam Publications
PPB
Permus Pub., Box 02033, Columbus, OH 43202
PPM
PP Music
PPP
Paul Price Pub. (See PLY)
PRO
Pro- Art Publications (See HPC)
PRP
Preludio Publications c/o Shar Products Co.,
Ann Arbor, MI
PVM
Providence Music Press (See HPC)
PYR
Pyraminx, 358 Aldrich Rd., Fairport, NY 14450
OAK
Oak Publications (See MSC)
OAM O.A.M.E. Press, Box 806, Montebello, CA 90640
OME
Omega Music Edition (See SFP)
OOL
Ooolitic Music, 1111 E. Wylie, Bloomington, IN
47401, www.oooliticmusic.com
OOP
Out of Print (permanently)
OPE
OU Percussion Press
OPM
Samuels Publication, Orient Point Music Publ., 143 W. 27th St., New York, NY 1001
OUP
Oxford University Press, 170 N. E. 33rd Street,
Ft. Lauderdale, FL 33334
PAC
PAP
PAT
Paris Conservatory Publishers
Papagena Press, Box 20484 Park West Station,
New York, NY 10025
Paterson’s Publications (See TPC)
52
QCB
Queen City Brass (See MAN)
RAH
RAL
RBC
RBO
RCP
RDC
RDP
RDR
REC
REM
RGM
RIC
RLP
RMC
R. A. Hoffman (See ANT)
Raldon Music Corp., Jericho, L. I., NY 11753
RBC Music Co., P.O. Box 29128,
San Antonio, TX 78229
Rebo Music Co., 842 S. Franklin,
Denver, CO 80809
Roncorp, P. O. Box 724, Cherry Hill, NJ 08003
Rudall Carte (See BHI)
Roger Dean Publishing Co., 324 W. Jackson,
Macomb, IL 62455
Richard D. Row Music Co. (See CFM)
Recital Publications, P.O. Box 1697, Huntsville,
TX 77342, www.recitalpublications.com
Remick Music Corp. (See MPH)
Really Good Music, LLC, 121 E. Polk Ave.,
Eau Claire, WI 54701
G. Ricordi & Co. (See RMP, GSI)
Row-Loff Productions, P. O. Box 292671,
Nashville, TN 37229
Robbins Music Corp. (See BTM, BMP)
RMP
RMW
RNH
ROC
RON
ROS
RPP
RPR
RUB
Rochester Music Pub. Inc., 358 Aldrich Rd.,
Fairport, NY 14450
R.M. Williams, www.rmwpublishing.com
Ernest Reinhardt, Basel (See MGM)
Roncorp Inc., P.O. Box 724,
Cherry Hill, NJ 08003
Rongwen Music (See BRE)
Rosehill Publications
Rudimental Percussion Publications,
P. O. Box 17163, Hattiesburg, MS 39404-7163
Richmond Music Press, Box 465-PP Sta.,
Richmond, IN 47374
Rubank, Inc., (See HLN)
STP
Standard Music Pub. Inc., Box 1043,
Whitman Square, Tunerville, NJ 08012
TAP
Tap Music Sales, 1992 Hunter Ave. Newton, Iowa 50208www.tapmusic.com
TBI
The Bass Project, Inc., 8908 Eastbourne Lane,
Laurel, MD 20708
TBP
The Brass Press, 136 Eighth Ave. North
Nashville, TN 37203
TEM
Tempo Music Publications, Inc., Box 392,
Chicago, IL 60690
TEN
Tenuto Pub. (See TPC)
TEP
Tuba-Euphonium Press,
www.tubaeuphoniumnpress.com
TET
Tetra Music Corporation (See PLY)
TEZ
Mark Tezak (Germany)
THE
Thompson Edition, Inc. (see KNG)
TIE
Tieroliff Muziekcentarle (Nederland)
TMC
Transcontinental Music Corp., 838 Fifth Ave.,
New York, NY 10021
TOM
M. Tompkins, Publisher
42821 Woodvale Ln., Columbiana, OH 44408
TOU
Touch of Brass (Canada)
TPC
Theodore Presser Co., 1 Presser Place,
New York, NY 10021
TPL
Triplo Press, 806 White Oak Drive,
Oxford, OH 45056
TRI
Trigram Music Inc., 1801 Century Park East,
Suite 2400, Los Angeles, CA 90067
TRM
Tromba Publications
TRN
TRN Music Publisher, trnmusic@trnmusic.com
TRO
TRO Music (See PDS)
TRP
Tritone Press (See TPC)
TRY
Try Pub. (See PDS)
TSP
Tap Space Publications, P.O. Box 55753,
Portland, OR 97238-5753
TTF
To The Fore Pub., www.totheforepublishers.com
TUB
Tuba Press Editor, David Miles, TUBA,
3811 Ridge Road, Annandale, VA 22003
TUS
Tuskeegee Music
SAI
Sweet Adelines, Inc., 5334 E. 46th St.
P. O. Box 45168, Tulsa, OK 74145
SAL Editions Salabert, (See HLN & GSI)
SAN Sansone (See SMC)
SBC Silver Burdett Co., Park Ave. & Columbia Rd.,
Morristown, NJ 07960
SBP Summy-Birchard Pub. Inc., (See WBR)
SBR Shapiro-Bernstein (See PLY)
SCH Schott & Co. (See EAM)
SCI Sprague-Coleman, Inc. (See MCA & HLN)
SCN Schneider, 60 Avenue Poincare,
Paris 16, France
SCP Scott Publications
SEE Seesaw Music Corp., 2067 Broadway,
New York, NY 10023
SFP Sam Fox Publishing Co. (SEE PLY)
SHM
Schmitt, Hall & McCreary Co. (See BMP)
SHP
Shawnee Press Inc., Waring Drive,
Delaware Water Gap, PA 18327
SHU
Schumann Music Co. (See BOU)
SIE
Sierra Music, P. O. Box 543, S. 1210 Star Lane,
Liberty Lake, WA 99019 Ph: 509/255-6551
SIK
Sikorski, Hamburg (See HLN & GSI)
SIS
Simon & Schuster, Inc., Rockefeller Center,
630 Fifth Ave., New York, NY 10020
SKD
Skidmore Music Inc. (See SBR)
SLP
Slingerland Pub., 6633 N. Milwaukee Ave.,
Niles, IL 60648
SMC
Southern Music Co., P. O. Box 329,
1100 Broadway, San Antonio, TX 78292
SMP
Southern Music Pub. Co., 1619 Broadway,
New York, NY 10025 (See TPC & SBP)
SMR
Simrock (See TPC)
SMS
Somerset Music Press, Inc. (See CFM)
SNB
Santa Barbara Music Publishing, P.O. Box 41003,
Santa Barbara, CA 93140
SOM
Somers Music Publications, 45 Kibbe Dr.
Somers, CT 06071
SPE
S.P.E.B.S.Q.S.A., Inc., Box 575,
Kenosha, WI 53141
SPP
Spencer Blume Pub., 1717 Broadview Lane,
#214, Ann Arbor, MI 48105
Ph: 313/662-4497
SPR
Studio P/R, Inc. (See BMP)
STB
Stainer & Bell, Ltd. (See ECS)
STD
Studio 4 (See ALF)
STI
STIM-Swedish Performing Rights Society
Email info@stim.se
UED
Universal Editions (Austria)
UME
Union Musical Espagnola
(See MCS, GSI & HLN)
UMI
University of Miami Pub., Coral Gables, FL
(See SFP)
UMM University of Miami Music Publications,
(SEE PLY)
UMP
University Music Press, Box 1267,
Ann Arbor, MI 48106
UNI
Universal Edition, Inc., 254 W. 31st St., 15th floor
NY, NY 10001 www.universaledition.com
UNV
Universal Musical Instrument Co.,
732 Broadway, New York, NY 10019
UTP
Universal Edition (See EAM)
VIR
VLK
VMP
VOR
53
Virgo Music Publishing, 9018 Waldon Rd.
Silver Springs, MD 20901
Volkwein Bros., Inc., (See BMP)
Viola World Publications, 14 Fenwood Rd.,
Huntington Station, NY 11746
Voice of the Rockies, P.O. Box 1043,
Boulder, CO 80306 (see IMG)
WAL
Walton Music Corp., 170 N. E. 33rd. St.
Fort Lauderdale, FL 33334 (See PLY)
WAR
Warwick Music U.K., Holloway House The
Market Place, Warwick, England CV34 4SJ
WAT
Waterloo, 3 Regina St., N. Waterloo,
Ontario, Canada
WBM Whitney Blake Music Pub. (Out of Business)
WBR Warner Bros., Inc., 265 Secaucus Rd.,
Secaucus, NJ 07096-2037
WDM Watchdog Music www.watchdogmusic.com
WEH Wehr’s Music House, 3533 Baxter Dr.,
Winter Park, FL 32792,
www.wehrs-music-house.com
WEI
Josef Weinberger (See BHI)
WFL
William F. Ludwig Drum Co.,
1827-40 N. Damon Ave., Chicago, IL 60647
WHH Wilhelm Hansen, Copenhagen (See MSC)
WHL
Whaling Music Publishers (See CIM)
WHM William Holab Music
WIB
Wimbledon Music, Inc. (See TRI)
WIL
Williams Music Publishing Co.
WIM
Western International Music, 3707 65th Ave.,
Greeley, CO 80634-9626, www.wiminc.com
WIT
M. Witmark & Sons (See WBR)
WJM
Wingert-Jones Music, 2026 Broadway,
Box 419878, Kansas City, MO 64141
WLC
Jos. Williams Co. (See ECS)
WLD Wilder Music (See PLY & TPC)
WLE
Weaner Levant (See TPC)
WLM Willis Music Co., 7380 Industrial Rd.,
Florence, KY 41042
WLS
Willis Music Corp., (See WLM)
WMI
Williamson Music Inc. (See HLN)
WNT Weintraub Music Co. (See MSC)
WOO John Wooten, Southern Station Box 5032,
Hattiesburg, MS 39406-5032
WPU
Wick Publishing Co., 3936 43rd St.
Minneapolis, MN 55400
WRE
Otto Wrede, Wiesbade, W. Germany
WTB
Weintraub (See MSC)
YBM
YED
Ybarra Music, Box 665, Lemongrove, CA 92045
Yorke Edition (See ECS)
ZAN
ZIM
Zanibon, Piazza del Signori 24,
35100 Padore, Italy
Zimmerman (See CFP)
54