Carbon microphone Roman Doronin Vitaliy Matiunin Aleksandr Severinov Vladislav Tumanov Maksim Tumakov Russia IYPT The problem For many years, a design of microphone has involved the use of carbon granules. Varying pressure on the granules produced by incident sound waves produces an electrical output signal. Investigate the components of such a device and determine its characteristics. 2 3 The principle of a carbon microphone 4 Design of a carbon microphone Front plate = diaphragm Carbon granules Back plate Battery Output voltage Transformer Edison’s microphones 5 Concept of a “loose contact” z The electrical resistance of a carbon powder changes under strain due to: z z a change in the number of microscopic hills which are in contact with each other; a change in the area of their junctions. 6 7 Pressure experiment Carbon microphone MK-16 8 9 Scheme of experimental setup Buttery and ammeter Pressure recorder Microphone Pressure sensor Current (A) Pressure & current vs. time Pressure (kPa) Time (s) Time (s) 10 11 Frequency response 12 Ratio of output/input intensities Frequency response graph Frequency Measuring the frequency response z 13 There are some ways to measure the frequency response of a microphone. z z The first way is to sweep a constant-amplitude pure tone through the operating range. The second way is to apply a signal with a constant power spectrum density and to observe the spectral response. White noise White noise is a random signal with a flat power spectrum density. 14 Experimental procedure Spectrum analyzer White noise generator Microphone 15 16 MK-16 frequency response +10 dB +5 dB –0 dB –5 dB –10 dB 100 Hz 1000 Hz 10000 Hz Frequency response of audio path Sound card Loudspeaker Microphone Sound card 17 18 Test procedure Sound card Loudspeakers Microphone 1 Microphone 2 Sound card Electret microphone MIC-01 19 +10 dB +5 dB 0 dB –5 dB –10 dB 100 Hz 1000 Hz 10000 Hz 20 Hand-made construction Design of our microphone 21 22 Frequency response +10 dB +5 dB 0 dB –5 dB –10 dB 100 Hz 1000 Hz 10000 Hz 23 High-frequency response 24 Forced oscillations Equation of motion mx = F0e iω t Steady oscillations x(t ) = x0e F0 x0 (ω) = − 2 mω Amplitude decreases as the square of frequency iω t Resistance — current — power The variable component of the resistance is proportional to the amplitude of oscillations: a iω t R = R0 + 2 e ω The variable component of the current is proportional to the amplitude of oscillations: ⎛ U a iω t ⎞ I = ≈ I 0 ⎜1 − e ⎟ 2 R ⎠ ⎝ R0ω The power of oscillated signal is proportional to the square of the amplitude: a2 N∼ 4 ω 25 26 High-frequency response 0 dB –10 dB –20 dB 104 times –30 dB –40 dB 10 times 100 Hz 1000 Hz 10000 Hz 27 Resonant frequencies 28 Frequency response +10 dB +5 dB 0 dB –5 dB –10 dB 100 Hz 1000 Hz 10000 Hz Oscillations of the diaphragm Video 1000 fps oscillation frequency = 95 Hz 29 Natural tones of the box z 10 cm z 30 Sound wave length 4 · 0,1 m = 0,4 m Oscillation frequency 340 m/s : 0,4 m ≈ 850 Hz 31 Frequency response 800 Гц = air oscillations in the enclosure ? +10 dB +5 dB 0 dB –5 dB –10 dB 0 Hz 1000 Hz 2000 Hz 32 Filling the box with foam rubber Decreasing of the resonance ? +10 dB +5 dB 0 dB –5 dB –10 dB 0 Hz 1000 Hz 2000 Hz 33 Quality of carbon 34 Coking anthracite +10 dB +5 dB 0 dB –5 dB –10 dB 100 Hz 1000 Hz 10000 Hz 35 Pounded charcoal +10 dB +5 dB 0 dB –5 dB –10 dB 100 Hz 1000 Hz 10000 Hz 36 Microphone with charcoal tablets Design of the microphone Charcoal tablets, R0 ≈ 200 Om 37 The surface of a charcoal tablet 100 μm 38 39 Frequency response +10 dB +5 dB 0 dB –5 dB –10 dB 100 Hz 1000 Hz 10000 Hz 40 Response linearity 41 Scheme of experimental setup Voltage Loudspeaker Sound level meter Microphone Current Resistance vs. time Nonlinearity R (Om) 145 85 Frequency = 1000 Hz, volume of sound = 113 dB 42 43 Excitation of high harmonics 1000 Hz 1000 Hz 2000 Hz 3000 Hz 4000 Hz … 44 Response to 1000 Hz 24 dB 1000 Hz 2000 Hz 26 dB 3000 Hz 33 dB 4000 Hz 31 dB 5000 Hz 45 Summary Conclusions z z z 46 The carbon microphone operates on the principle of varying the resistance of loosely packed carbon granules as they change their contact area under the varying pressure of sound waves. To study the frequency response of an acoustic path a white noise can be used. Response of a carbon microphone decreases sharply at frequencies > 3000 Hz. This decreasing is explained by the inertia of the mechanical parts of the system. References z z 47 Goucher F. S. (1934) “The carbon microphone: An account of some researches bearing on its action”. J. Franklin Inst. 217, 407–442 Calvert J. B. (2003) Microphones. 48 Thank you for your attention!