Detailed Contents Rhetorical Contents Preface Part One Introduction 1 The Circle of Reading, Writing, and Critical Thinking How Writing Improves Reading How Reading Improves Writing How Reading and Writing Improve Thinking What Is Reading? The Four Levels of Reading The Purposes of Reading Improving Your Reading What Is Writing? Differences Between Speaking and Writing Importance of Audience The Five Levels of Writing The Importance of Purpose The Purposes of Writing Improving Your Writing Reading, Writing, Thinking, and This Book 2 Essential Tools for College Writers: The Skills for Success The Essay: A Format Combining Reading, Writing, and Critical Thinking Research in Academic Writing Avoiding Plagiarism Documenting Your Sources The Essay: Writing a Personal Essay Cyber College: Writing, Reading, Thinking— and Computers The Computer Skills You’ll Need Computer Tips Evaluation: Essay Exams, the Writing Process, and Portfolios English as a Second Language (ESL) and This Book Reading and Vocabulary Keeping Lists xiv xvii 1 2 2 3 3 6 7 9 10 12 12 13 13 16 17 18 19 20 20 25 26 27 28 33 34 34 37 38 38 39 iii iv D E TA I L E D C O N T E N T S Steps in the Reading and Writing Process Group Work Using the Skills of College Reading, Writing, and Thinking 3 Five Readings for Analysis “Measuring Success” by Renee Loth “My Father’s Tribal Rule” by Mark Mathabane “Getting Off the Welfare Carousel” by Teresa McCrary “A Hanging” by George Orwell “The Story of an Hour” by Kate Chopin Part Two Using Essential Strategies for Writing Essays 4 5 39 40 40 41 41 42 46 48 52 55 Reading in College: Surveying, Annotating, Reviewing, Evaluating 56 Step 1. Prepare to Read: Open Up the Topic Step 2. Survey Before Reading: Get the Big Picture Step 3. Read Actively Step 4. Review Check Vocabulary Answer Your Own Questions Restate the Main Idea in Your Own Words Reread the Material Step 5. Evaluate Whose Ideas? Recognizing the Author’s Tone Recognizing Your Own Biases Step 6. Use the Reading as a Model 56 58 61 65 65 66 67 68 69 72 73 74 75 Analyzing the Assignment for an Essay: Understanding the Question What Are You Expected to Focus On? What Actions Are You Expected to Take? If the Prompt Contains Direct Commands If the Prompt Contains Indirect Commands If the Prompt Contains Questions How Will You Bring the Focus and Actions Together? Identifying the Focus Identifying the Actions Bringing the Focus and the Actions Together 78 78 79 80 82 83 85 85 86 86 D E TA I L E D C O N T E N T S Analyzing More Difficult Prompts Analysis Rhetorical Analysis Critique Literary Prompts Narrowing the Prompt Refocusing the Prompt Arguing Against the Assumption of the Prompt 6 7 v 89 89 90 90 90 94 94 95 Prewriting: Freewriting, Listing, Mapping, Questioning 99 What Is Prewriting? How Much Prewriting Is Required? Prewriting About a Reading Focused Freewriting Listing Mapping and Clustering Questioning Prewriting About Your Own Ideas and Experiences Focused Freewriting Listing Mapping and Clustering Questioning Prewriting Through Collaboration 99 100 101 101 102 103 105 107 108 109 110 112 113 Organizing the Material: Planning, Outlining, and Thinking About Audience Reviewing the Prompt and Evaluating Your Prewriting Evaluating Prewriting About a Reading Eliminating Unrelated Material or Ideas Finding Repeated Material Matching Main Ideas to Examples and Details Listing Your Main Ideas Writing a Tentative Thesis Evaluating Prewriting About Your Own Reactions and Experience Eliminating Unrelated Material or Ideas Finding Repeated Material Matching Main Ideas to Examples and Details Grouping Related Items Do the Groups Complete the Actions Required by the Prompt? Listing Your Main Ideas 116 116 117 117 119 121 124 125 126 126 127 127 130 130 131 vi D E TA I L E D C O N T E N T S Is All This Really Necessary? Combining the Parts of Your Prewriting Audience Awareness Formulating Your Thesis Thinking About Your Purpose Thinking About Your Audience Ordering Ideas and Information Rogerian Argument Combining Organization Strategies Finding an Order Reviewing the Assignment 8 Writing Introductions Creating Drafts An Introduction That Responds to a Reading Providing Lead-Ins Author, Title, and Overview of the Reading The Author’s Thesis or Main Point Your Thesis Statement Using the Prompt to Determine Your Thesis Using Your Prewriting to Determine Your Thesis Plan of Development Putting the Introduction Together An Alternative Structure Introductions That Respond to Issues 9 Writing Body Paragraphs Body Paragraphs That Respond to a Reading Topic Sentences Transitions Clarifying the Author’s Ideas Responding to the Author Concluding Your Body Paragraph Putting the Body Paragraph Together Additional Body Paragraphs Body Paragraphs That Respond to Issues Providing Your Own Argument Narration Description Using Sources to Make Your Point 132 132 135 135 136 137 141 142 144 144 146 148 149 149 151 155 156 157 158 159 162 163 164 165 169 170 171 171 172 173 174 175 176 179 179 180 181 182 D E TA I L E D C O N T E N T S 10 Writing Conclusions The Components of a Conclusion Putting It All Together Conclusions to Essays on Issues 11 Revising: Improving Ideas, Organization, and Style The Process of Revision Step 1. Preparing to Revise Letting the Paper Cool Reading the Paper Again Consulting a Reader Step 2. Making Sure Your Thesis Answers the Question Evaluating Your Thesis Step 3. Checking Structure and Organization Are All the Parts of the Essay Present? Does the Main Idea of Each Body Paragraph Correspond to Some Part of the Thesis? Are the Paragraphs Arranged in the Best Order? Step 4. Checking Development Evaluating Your Introduction Evaluating Your Body Paragraphs Evaluating Your Conclusion The Revised Essay Using Checklists Developing Your Ideas with Research 12 Editing: Improving Grammar, Usage, and Punctuation Skills Writing and Speaking Standard English Taking Time to Edit Locating Errors Combining Tools to Locate Your Own Errors Correcting Errors Correcting Errors You Understand Finding Help for Errors You Don’t Understand Sample Entries in an Editing Log When to Use Your Editing Log Editing for Style Pronouns Verbs Word Choice (Diction) Sentence Variety vii 184 184 185 191 195 196 197 197 197 198 199 199 204 204 206 208 210 210 216 225 227 229 233 235 235 236 236 237 239 239 240 246 246 251 252 253 253 254 viii D E TA I L E D C O N T E N T S 13 Finishing the Essay: Formatting and Proofreading Formatting Your Essay Formatting on a Computer Handwritten Papers Headings and Page Numbers Cover Page and Works Cited List Proofreading Your Essay Proofreading as a Reading Process Looking for Typical Trouble Spots in the Final Draft An Overview of Proofreading Techniques Proofreading for Coherence: Does It All Fit Together? Tools and Techniques for Locating Specific Errors Combining Proofreading Tools to Locate Your Own Errors Examples of Errors Corrected in Proofreading The Final Product Part Three Essay Options 14 Writing For Evaluation Modifying the Process to Meet Your Needs Modifying the Process to Match Your Task Modifying the Process for Essay Exams Prewriting for Essay Exams Drafting the In-Class Essay Revising, Editing, and Proofreading: Readability vs. Neatness Creating a Portfolio What Do All Portfolios Have in Common? Portfolio Evaluation 15 Writing in the Expository Modes Narration Purpose Development Organization Description Purpose Development Organization 257 257 257 258 258 258 260 261 261 261 261 262 262 262 266 269 270 270 272 274 274 276 276 278 278 279 282 282 282 282 283 284 285 285 286 D E TA I L E D C O N T E N T S Definition Purpose Development Organization Classification Purpose Development Organization Comparison and Contrast Purpose Development Organization Illustration Purpose Development Organization Process Purpose Development Organization Cause and Effect Purpose Development Organization 16 Writing in the Argument and Persuasive Modes Persuasive Mode Purpose Development Organization Argumentative Mode Purpose Development Organization Being Logical 17 Writing About Literature Analyzing Literature Reading Literature Prepare to Read and Survey Read Actively and Form Interpretations Develop an Interpretation Review and Evaluate ix 287 287 288 289 290 290 291 292 293 293 293 294 296 296 296 297 298 298 298 299 300 300 300 301 303 303 303 304 305 306 306 306 307 308 310 310 310 311 312 313 317 x D E TA I L E D C O N T E N T S Developing a Writing Topic Prewriting and Planning Drafting Revising Editing and Proofreading 18 Conducting Research Conducting Secondary Research Types of Sources Evaluating Your Sources Conducting Searches Making Notes Collecting Information During Research MLA Style Guidelines Quoting Sources Works Cited Page APA Style Guidelines Quoting Sources References Page Conducting Primary Research Advantages to Primary Research Disadvantages to Primary Research Interviews and Surveys Observations Completing the Research Selecting Material to Use in Your Writing Sample MLA Style Paper Sample APA Style Paper Documentation Punctuation Exercises Part Four Working on Sentences 19 A Handbook for Writing Correct Sentences How to Use the Handbook 1. Sentence Basics 1.1 Recognizing Verbs 1.2 Recognizing Subjects 1.3 More Complicated Verbs and Subjects 1.4 Recognizing Prepositional Phrases 2. Sentence Boundaries 2.1 Fragments 2.2 Run-on Sentences, Comma Splices, and Fused Sentences 2.3 Distinguishing Fragments and Run-ons 318 319 321 323 325 328 328 329 329 330 333 334 335 335 337 340 340 342 344 344 345 345 347 348 350 350 352 354 357 358 358 359 360 361 361 364 364 365 368 371 D E TA I L E D C O N T E N T S 3. Word Endings 3.1 Noun Endings: Plurals and Apostrophes 3.2 Verb Endings 4. Agreement 4.1 Subject-Verb Agreement 4.2 Pronoun Agreement 5. Clarity 5.1 Choosing the Right Word 5.2 Writing Clear Sentences 5.3 Indirect Questions 5.4 Direct and Indirect Quotes and Paraphrasing 5.5 Parallelism 6. Frequently Used Punctuation and Styling Marks 6.1 Commas 6.2 Question Marks 6.3 Titles 6.4 Capitalization 6.5 Quotation Marks 7. English as a Second Language (ESL) 7.1 Articles 7.2 Prepositions 7.3 Verb Tense Part Five Essays and Readings 20 Essays by Student Writers “Rituals . . . for the Love of a Parent” by Keenan Johnson “Rituals: A Way of Life” by J. P. Myers “The Woman Chain: A Reflection of Women’s Roles” by Meg Christmas “Single Parents’ Adversities” by Larry Evans “Give the Needy a Break” by Rodell S. Johnson “The Single Female Families” by Benjamin W. Munden, Sr. “Capital Punishment” by Lois Johnson “Exposure of Public Executions” by Jane Smith “A Cry of Grief, or a Cry of Relief?” by Marilyn Mallory 21 Readings by Professional Writers xi 372 373 376 383 383 385 386 386 388 391 391 393 393 393 396 397 398 399 404 404 405 410 419 420 420 421 423 426 427 429 430 432 433 436 Family “Daddy Tucked the Blanket” by Randall Williams “Punished for the Sins of the Children” by John Leo “I, Too, Am a Good Parent” by Dorsett Bennett 436 440 443 xii D E TA I L E D C O N T E N T S “Fingers” by Margaret Visser “Where Have All the Parents Gone?” by Barbara Dafoe Whitehead “The Struggle to Be an All-American Girl” by Elizabeth Wong 446 451 458 Education “A Prison Education” by Malcolm X “The Sanctuary of School” by Lynda Barry “Lives on the Boundary” by Mike Rose “Thinking in Pictures” by Temple Grandin “How Good Are Your Opinions?” by Vincent Ryan Ruggiero 461 464 468 472 476 Choices “Pride” by Ian Frazier “Every Choice Has Its Consequences—Or at Least It Should” by Cindi Ross Scoppe “Is a Tree Worth a Life?” by Sally Thane Christensen “Beat on the Brat: The Economics of Spanking” by Steven E. Landsburg “Missed Time” by Ha Jin “Survivor” by James Scott, as told to Paige Williams 482 484 487 490 493 495 Haves and Have-Nots “Experiencing Poverty Might Do Us All Good” by Ernest L. Wiggins “Chopsticks” by Guanlong Cao “Champion of the World” by Maya Angelou “The Prisoner Who Wore Glasses” by Bessie Head “Alabanza: In Praise of Local 100” by Martín Espada 498 500 504 508 513 Media “The Media’s Image of Arabs” by Jack G. Shaheen “The Bias of Language, The Bias of Pictures” by Neil Postman and Steve Powers “The Myth of the Latin Woman: I Just Met a Girl Named Maria” by Judith Ortiz Cofer 516 519 525 Morality “Money for Morality” by Mary Arguelles “On Restoring the Moral Voice: Virtue and Community Pressure” by Amatai Etzioni “Why Nothing Is ‘Wrong’ Anymore” by Meg Greenfield 532 535 542 D E TA I L E D C O N T E N T S Answers for Chapter 19 Glossary Credits Index A brief overview of contents appears on the inside front cover. A list of proofreading symbols appears on the inside back cover. xiii 545 559 565 569