WOODLAND HILLS SECONDARY LESSON PLAN NAME __M.HUTTERER_____________________ Date 5/11/2015 _______ LENGTH OF LESSON: 1WKS. CONTENT AREA __PRINTMAKING WEBPAGE – X EDLINE -X STAGE I – DESIRED RESULTS LESSON TOPIC (Module, if applicable): SCREEN PRINTING. BIG IDEAS: (Content standards, assessment anchors, eligible content) objectives, and skill focus) PA ACADEMIC STANDARDS FOR THE ARTS AND HUMANITIES 9.1. PRODUCTION, PERFOMANCE AND EXHIBITION OF DANCE, MUSIC, THEATRE AND VISUAL ARTS 9.2. HISTORICAL AND CULTURAL CONTEXTS 9.3. CRITICAL RESPONSE 9.4. AESTHETIC RESPONSE PA STANDARDS Standards: 9.1.12 - A. Know and use the elements and principles of each art form to create works in the arts and humanities. C. Integrate and apply advanced vocabulary to the arts forms. E. Delineate a unifying theme through the production of a work of art that reflects skills in media processes and techniques. F. Analyze works of arts influenced by experiences or historical and cultural events, through production, performance, or exhibition. G. Analyze the effect of rehearsal and practice sessions. 9.2.12 - A. Explain the historical, cultural and social context of an individual work in the arts. F. Know and apply appropriate vocabulary used between social studies and the arts and humanities. L. Identify, explain and analyze common themes, forms and techniques from works in the arts. 9.3.12 - A. Explain and apply the critical examination processes of works in the arts and humanities. • Compare and contrast • Analyze • Interpret • Form and test hypotheses • Evaluate/form judgments F. Analyze the processes of criticism used to compare the meanings of a work in the arts in both its own and present time. 9.4.12 - A. Evaluate an individual’s philosophical statement on a work in the arts and its relationship to one’s own life based on knowledge and experience. 5 READING ANCHOR 11.A.2. COMMON CORE READING & WRITING 9.10.1.C UNDERSTANDING GOALS (CONCEPTS): STUDENTS WILL UNDERSTAND: STUDENTS WILL UNDERSTAND THE ART OF PRINTMAKING AND IT'S HISTORY FOR THIS LESSON STUDENTS WILL SUCCESSFULLY USE THEIR KNOWLEDGE OF POSITIVE/NEGATIVE SPACE AND BOLD DESIGN TECHNIQUES AND APPLY THAT TO THEIR DESIGN FOR THEIR SILKSCREENED PRINTS. ESSENTIAL QUESTIONS: WHAT IS A SILKSCREENED PRINT…HOW IS IT DONE? ART CRITICISM: DESCRIBE, ANALYZE, INTERPRET AND JUDGE VOCABULARY:STENCIL STUDENT OBJECTIVES (COMPETENCIES/OUTCOMES): XACTO KNIFE CUTTING POSITIVE/NEGATIVE SPACE FRAME SQUEGIE OBJECTIVES: • STUDENTS WILL LEARN CONSISTENCY IN PRINTING BY PRODUCING A SOLID DESIGN AND PRINTING IN MASS ON FABRIC ETC. • STUDENTS WILL BUILD ON THE PREVIOUS LESSONS AND UTILIZE NONREPRESENTATIONAL OR ABSTRACT QUALITIES TO ENHANCE THE MOOD OF THEIR ALTERED PRINTS. LINO BLOCK ULANO TRANSFER PRINTING STAGE II – ASSESSMENT EVIDENCE PERFORMANCE TASK: STUDENTS ENTER THE ROOM, RETRIEVE FOLDERS AND ALWAYS BEGIN WORKING ON THEIR PROJECTS AND LETTERING, INSTRUCTION FOLLOWS THE BELL WHEN NECESSARY, GROUP DISCUSSION AND DEMONSTRATION TAKE PLACE AFTER THE BELL FORMATIVE ASSESSMENTS: #1. OPEN ENDED QUESTIONS OTHERS: GUIDED DISCUSSION, FEEDBACK, SKETCHBOOKS1. FORMATIVE ASSESSMENTS • VISUAL REPRESENTATION • ADHERING TO DISCUSSIONS AND DEMONSTRATIONS • VISUAL AIDS • INFORMATIONAL READINGS • MEASURING SKILLS AND TOOLS APPLIED WHEN APPROPRIATE • SUMMARIZE AND REFLECT • RUBRIC FOR TECHNIQUE • WRITTEN STUDENT EVALUATION AND SKILLS MASTERED • WORKS IN PROGRESS ARE DAILY AND ONGOING INTERVIEW STAGE III: LEARNING PLAN INSTRUCTIONAL PROCEDURES: Do Now;FEATURED ARTIST-5 LINES Mini Lesson: Guided Practice: Independent Practice: Summations/Formative Assessments: Reflections: Active Engagements used: #1. Higher Level Thinking Skills #2. Compare and Contrast Others: Describe usage: Scaffolding used: #1. Build on Prior Knowledge #2. Provide Visual Support Others: Teacher Prompting Describe usage: Other techniques used1. Formative Assessments • Visual representation • Adhering to discussions and demonstrations • Visual aids • Informational readings • Measuring skills and tools applied when appropriate • Summarize and reflect • Rubric for technique MATERIALS AND RESOURCES: ALL NECESSARY MATERIALS INTERVENTIONS: INDIVIDUAL HELP AS NEEDED STUDENTS WILL BE EVALUATED ON FOLLOWING DIRECTIONS REFERENCE BOOKS, ROLLING INTERVIEWS AND ASSESSMENT RUBRIC AS WELL AS CLASS PARTICIPATION AND KEEPING UP WITH THEIR PORTFOLIOS • Peer Response Critique: Exchange your prints with another student (not at your table). Include the Peer Response Page of your packet with your edition and altered prints. They will answer the questions about your work and you will respond to their work. • Complete the Self- ASSIGNMENTS: WORK SHEETS, FOR PRACTICE STUDENTS WILL BE EXPECTED TO COPY VOCABULARY FOR REFERENCE STUDENTS ARE ASSIGNED THE TASK OF FINDING A SILHOUETTE TO REPRESENT THEIR INTEREST AS WELL AS MAKE A LIST OF AT LEAST 20 WORDS AND SMALL CONTOUR ICONS DO NOWS READING/WRITING ACTIVITIES ART CRITICISM PROJECTS DISCUSSIONS CRITIQUES EVALUATION/REFLECTION • Written student evaluation and skills mastered • Works in progress are daily and on-going intervie Evaluation on the front of the packet and turn in all your completed process work and final prints for grading.