Publications for Michael Halliwell
Publications for Michael Halliwell
2015
Halliwell, M., Miller, D. (2015). That Bloody
Game: Australian World War I Songs, CD,
Wollongong, Australia: Wirripang.
Halliwell, M., Bernhart, W. (2015). Letters from
Venice [Portfolio Halliwell: Music, Narrative,
and the Moving Image]. Music, Narrative, and
the Moving Image. Fordham University, New
York City, NY, United States of America:
Fordham University.
Halliwell, M., Schaer, C., Bernhart, W. (2015).
Six Nietzsche Fragments [Portfolio Halliwell:
Music, Narrative, and the Moving Image].
Music, Narrative, and the Moving Image.
Fordham University, New York City, NY,
United States of America: Fordham University.
2014
Halliwell, M., Miller, D. (2014). The Guns of
August: World War I in Song, Recital Hall West,
Sydney Conservatorium of Music, Sydney,
Australia: Sydney Conservatorium of Music.
Halliwell, M. (2014). "Her throat, full of aching,
grieving beauty": Reflections on Voice in the
Operatic Adaptations of The Great Gatsby and
Sophie's Choice. In Walter Bernhart, Lawrence
Kramer (Eds.), On Voice, (pp. 1-27).
Amsterdam: Rodopi.
Halliwell, M. (2014). 'Blow, Winds, and Crack
your Cheeks!' Shakespeare and Wagner. Context:
Journal of Music Research, 39, 1-12.
The Oriental Song-Cycles, London, United
Kingdom: Toccata Classics.
Halliwell, M., Miller, D. (2014). Johann Michael
Vogl Schubert's First Interpreter. Chamber
Works Series. Recital Hall West, Sydney
Conservatorium of Music, Sydney, Australia:
Sydney Conservatorium of Music.
Halliwell, M., Miller, D. (2014). Six Songs from
'On Jhelum River' (1906): 11.
I Jhelum Boat Song 12. II The Song of the Bride
13. III Will the red sun never set? 14. IV Ashoo
at her Lattice 15. V Only a Rose 16. VI
Kingfisher Blue. On Amy Woodforde-Finden:
The Oriental Song-Cycles, CD, London, United
Kingdom: Toccata Classics.
Halliwell, M. (2014). The Voice of the Poet.
Musicology Australia, 36(1), 121-129. <a
href="http://dx.doi.org/10.1080/08145857.2014.
911063">[More Information]</a>
2013
Halliwell, M., Miller, D. (2013). O For A Muse
Of Fire, CD, Sydney, Australia: Australian
Music Centre.
Halliwell, M., Miller, D. (2013). 1. Four Indian
Love Lyrics 2. A Lover in Damascus 3. A Dream
of Egypt 4. Stars of the Desert 5. The Myrtles of
Damascus. Cocktail Hour Concert. Recital Hall
West, Sydney Conservatorium of Music, Sydney,
Australia: Sydney Conservatorium of Music.
Halliwell, M. (2013). Albert Herring and its
source. Albert Herring, Benjamin Britten, (pp. 24
- 30). Sydney, Australia: Opera Australia.
Halliwell, M. (2014). 'Schauerliche Lieder':
Schubert's Songs and His Contemporaries. The
Voice and History of Emotion: 1500-1800. The
Old School, The University of Sydney, Sydney,
Australia: ARC Centre of Excellence for the
History of Emotions.
Halliwell, M., Miller, D. (2013). Bards of
Empire: Kipling and Grainger. Bards of Empire:
Kipling and Grainger. Recital Hall East, Sydney
Conservatorium of Music, Sydney, Australia:
Sydney Conservatorium of Music.
Halliwell, M. (2014). 'The Last Cry of the Bel
Canto': Verdi's Otello. Otello: Opera Australia,
(pp. 18 - 26). Sydney, Australia: Opera Australia.
Halliwell, M. (2013). I'll drown my book:
Shakespeare and Wagner. Der Ring Des
Nibelungen, (pp. 75 - 83). Sydney, Australia:
Opera Australia.
Halliwell, M. (2014). 'Voices within the Voice':
Conceiving Voice in Contemporary Opera.
Musicology Australia, 36(2), 254-272. <a
href="http://dx.doi.org/10.1080/08145857.2014.
958271">[More Information]</a>
Halliwell, M., Miller, D. (2014). A Dream of
Egypt: 17. Beside the lonely Nile 18. Within the
Sphinx's solemn shade 19. Pomegranate is your
mouth 20. I envy every circlet 25. I wakened
when the moon; Stars of the Desert: 22. Stars of
the Desert 23. You are all that is lovely 24. The
rice was under water 25. Fate; The Myrtles of
Damascus: 26. The Myrtles of Damascus 27.
After Drought 28. At Nightfall 29. I did not
know 30. L'envoi. On Amy Woodforde-Finden:
Lodato, S., Halliwell, M., Dayan, P., Bernhardt,
W. (2013). Paroles pour musique (peut-etre): 1.
L'univers 2. Une visite 3. Condoleance et
reproche 4. Une dentiste. Silence, Absence ..
Chancellors Hall, Senate House, University of
London, London, United Kingdom: International
Association for Word and Music Studies.
Halliwell, M., Bernhardt, W. (2013). Songs and
Silences to Poems by Wallace Stevens .
Silence, Absence .. Chancellors Hall, Senate
House, University of London, London, United
Kingdom: International Association for Word
and Music Studies.
Halliwell, M. (2013). Songs of the Sea. Far From
Publications for Michael Halliwell
Home: Adventures, Treks, Exiles, Migration The Zest Festival 2013. Allen Centre, Kalbarri,
Australia: Zest Festival and the ARC Centre for
Excellence: History of Emotions.
Halliwell, M., Dixon, W. (2013). Was Not This
Love. Grevillea Ensemble Recital Series. The
Flute Tree, Sydney, Australia: Grevillea
Ensemble.
2012
Halliwell, M., Miller, D. (2012). Cocktail Hour
Recital Series | O for a Muse of Fire, Recital
Hall West, Sydney, Australia: Sydney
Conservatorium.
Halliwell, M. (2012). Intrusive Narrators: The
representation of Narration and Narrators in the
Operatic Adaptations of The Great Gatsby and
Sophie's Choice. Forum for Modern Language
Studies, 48(2), 222-235. <a
href="http://dx.doi.org/10.1093/fmls/cqs007">[
More Information]</a>
Halliwell, M. (2012). Operatic Mythmaking and
Bliss: Peter Carey's Novel as Film and Opera.
Musicology Australia, 34(2), 233-257. <a
href="http://dx.doi.org/10.1080/08145857.2012.
681844">[More Information]</a>
Halliwell, M. (2012). Salome: the daughter of
many fathers. Salome: Richard Strauss, (pp. 30 36). Sydney, Australia: Opera Australia.
Halliwell, M. (2012). The Literary Song Recital
with Special Reference to Maud. In Anne
Marshman (Eds.), Performers Voices Across
Centuries and Cultures, (pp. 137-150). London:
Imperial College Press.
2011
Halliwell, M. (2011). "Singing from the
Margins": Postcolonial Themes in Voss and
Waiting for the Barbarians. In Pamela
Karantonis and Dylan Robinson (Eds.), Opera
Indigene: Re/presenting First Nations and
Indigenous Cultures. Farnham: Ashgate.
Halliwell, M., Miller, D. (2011). 1. Three Songs
of the War 2. Four Whitman Songs 3. War
Scenes 4. Voices from World War II. The Pity of
War: 20th Century American Songs. Recital Hall
West, Sydney Conservatorium of Music, Sydney,
NSW, Australia: Sydney Conservatorium of
Music, Cocktail Hour Concerts.
Lodato, S., Halliwell, M., Williams, S., Bernhart,
W. (2011). Crossing the Water. Word and Music
Studies: Eighth International Conference. Santa
Fe Opera House Stieren Pavilion, Santa Fe, New
Mexico, United States of America: International
Association for Word and Music Studies.
Halliwell, M. (2011). Macbeth: A vocal
psychodrama. Macbeth: Opera Australia, April
2011, (pp. 7 - 16). Sydney, Australia: Opera
Australia.
Halliwell, M. (2011). Modern Opera's Literary
Success Story. Quadrant, 480, Vol LV, No 10,
(pp. 86 - 90). Sydney, Australia: Quadrant
Magazine Ltd.
Halliwell, M. (2011). Of Mice and Men: The Art
of Adaptation. Of Mice and Men, July 2011, (pp.
13 - 20). Sydney, Australia: Opera Australia.
Halliwell, M. (2011). The Women of Troy:
Barrie Kosky's 'operatic' version of Euripides.
Didaskalia, 8(9), 48-57.
Halliwell, M., Newsome, S., Miller, D. (2011).
Three Songs from 'Two Moon Smile': 1. Song of
the Bees 2. All Skinned Out 3. Lavender Air.
Cocktail Hour Recital Series | The Opera
Connection. Recital Hall East, Sydney
Conservatorium of Music, Sydney, NSW,
Australia: Sydney Conservatorium of Music.
Halliwell, M. (2011). Vocal Embodiment and
Performing Language in Waiting for the
Barbarians: Philip Glass's Adaptation of J. M.
Coetzee's novel. In Walter Bernhart and
Michael Halliwell (Eds.), Word and Music
Studies: Essays on Performativity and on
Surveying the Field, (pp. 173-189). Amsterdam:
Rodopi.
2010
Halliwell, M. (2010). 'The Play's the Thing':
Self- and Metareference in Contemporary
Operatic Adaptation of Twentieth-Century
Drama. In Walter Bernhart and Werner Wolf
(Eds.), Self-Reference in Literature and Music,
(pp. 105-139). Amsterdam: Rodopi.
Halliwell, M., Miller, D. (2010). 1. Elvershoh 2.
Die Uhr 3. Heinrich der Vogler 4. Prinz Eugen
5. Goldschmieds Tochterlein 5. Tom der Reimer
6. Erlkonig 7. Edward 8. Archibald Douglas.
The Schubert of the North. Recital Hall West,
Sydney, Australia: Sydney Conservatorium of
Music.
Halliwell, M. (2010). Bliss: from Novel to
Libretto to opera. Australian Music Centre,
18/03/2010.
Halliwell, M. (2010). Communicating from the
Margins: Postcolonial Themes in Voss and
Waiting for the Barbarians. Musicology
Australia, 32(1), 45-67. <a
href="http://dx.doi.org/10.1080/0814585100379
3994">[More Information]</a>
Halliwell, M., Pratt, D. (2010). Serenade Op. 2.
Conductor's Series Concert. Music Workshop,
Sydney, Australia: Sydney Conservatorium of
Music.
Halliwell, M., Agostino, R. (2010). Shadows: A
Song Cycle for Baritone and Guitar. The Guitar
Publications for Michael Halliwell
in Focus. Recital Hall East, Sydney, Australia:
Sydney Conservatorium of Music.
Halliwell, M. (2010). What's in a word? Britten's
A Midsummer Night's Dream. A Midsummer
Night's Dream, (pp. 2 - 7). Sydney, Australia:
Opera Australia.
2009
Halliwell, M., Miller, D. (2009). 1. A Shropshire
Lad 2. Cycle from A Shropshire Lad 3. Songs
from A Shropshire Lad. Cocktail Hour Recital
Series - A Shropshire Lad. Recital Hall West,
SCM, Sydney, Australia: Sydney
Conservatorium of Music.
Halliwell, M. (2009). Shakespeare's 'Bastard
Children'!. I Capuleti e i Montecchi, (pp. 14 25). Sydney, Australia: Playbill/Showbill.
Halliwell, M., Bernhart, W., Lodato, S. (2009).
Song Acts: Nine Songs to texts by Ezra Pound.
Word and Music Studies: Seventh International
Conference. Franz-Listz-Saal, Vienna, Austria:
The International Association for Word and
Music Studies (WMA).
Halliwell, M. (2009). The island's full of noises,
sounds and sweet airs. Thomas Ades' version of
The Tempest. In Mackinlay, Elizabeth;
Barney, Katelyn; Bartleet, Brydie-Leigh
(Eds.), Musical Islands: Exploring connections
between Music, Place and Research, (pp.
360-380). Newcastle upon Tyne, United
Kingdom: Cambridge Scholars Publishing.
Halliwell, M. (2009). The Madness of Peter
Grimes. Peter Grimes, (pp. 1 - 7). Sydney,
Australia: Opera Australia.
2008
Halliwell, M., Miller, D. (2008). Cocktail Hour
Recital Series, Recital Hall West, Sydney,
Australia: Sydney Conservatorium of Music,
University of Sydney.
Halliwell, M. (2008). "An Inside Narrative":
Melville, Forster and Britten. Billy Budd, (pp. 11
- 22). Sydney, Australia: Opera Australia.
Halliwell, M. (2008). "Edwardian Songs and
Duets". Pitt St Uniting Church, Sydney,
Australia: The New South Wales History Week.
Halliwell, M. (2008). "Schubert and Goethe". St
Peter's Church, North Sydney, Sydney, Australia:
Schubert Society.
Halliwell, M. (2008). 19th and 20th Century
Shakespeare Settings. University of Otago,
Dunedin, New Zealand: Australia and New
Zealand Shakespeare Association.
Halliwell, M. (2008). Don Giovanni's
magnificent obsession: Kierkegaard and
Hoffmann. Don Giovanni, (pp. 21 - 31). Sydney,
Australia: Opera Australia.
Halliwell, M. (2008). From novel into film into
opera: multiple transformations of Emily
Bronte's Wuthering Heights. In David Francis
Urrows (Eds.), Essays on World/Music
Adaptation and on Surveying the Field, (pp.
29-57). Amsterdam: Rodopi.
Halliwell, M., Miller, D. (2008). When the
Empire calls: "Barrack-Room Ballads".
Roseville Uniting Church, Sydney, Australia:
The Kipling Society of Australia.
2007
Miller, D., Halliwell, M. (2007). Cocktail Hour
Recital Series, Recital West Hall, Sydney,
Australia: SCM, University of Sydney.
Evans, A., Halliwell, M., Miller, D. (2007). '.. to
cast a shadow again'. Reictal Hall West, Sydney
Conservatorium of Music, Sydney, Australia:
Sydney Conservatorium of Music.
Halliwell, M. (2007). Carmina Burana.
Verbrugghen Hall, Sydney Conservatorium,
Sydney, Australia: Sydney Conservatorium of
Music.
Halliwell, M., Bernhart, W. (2007). Five Songs
and an Epilogue from "The Wings of A Dove".
Edinburgh University, Edinburgh, United
Kingdom: University of Edinburgh.
Halliwell, M. (2007). From Page or Stage to
(Lyric) Stage: Contemporary American Opera. A
Streetcar Named Desire, (pp. 16 - 26). Sydney,
Australia: Opera Australia.
Halliwell, M., Miller, D. (2007). Let Us
Garlands Bring: Celebration of Shakespeare's
Birthday. Cocktail Hour Recital Series. Recital
Hall West, SCM, Sydney, Australia:
Conservatorium of Music Sydney.
2006
Halliwell, M., Miller, D. (2006). "Song as
Opera": Romantic 19th Century German
Ballads. Song as Opera: Romantic 19th Century
German Ballads. Conservatorium Recital Hall
West, Sydney, Australia: Sydney
Conservatorium of Music.
Halliwell, M. (2006). Schubert Ballads. St Peter's
Church, Sydney, Australia: Shubert Society of
Australia.
Halliwell, M., Carrigan, J. (2006). Schubert's
Dramatic Lieder. Schubert's Dramatic Lieder. St
Peter's Church, North Sydney, Australia:
Schubert Society.
Halliwell, M. (2006). The Soldier's Tale.
Verbrugghen Hall, Sydney, Australia:
Conservatorium & ABC Classic FM.
Halliwell, M. (2006). Victorian Concert. Pitt St
Publications for Michael Halliwell
Uniting Church, Sydney, Australia: History
Council of NSW.
Liederbuch. Conservatorium West Recital Hall,
Sydney, Australia: Sydney University.
2005
2002
Halliwell, M., Miller, D. (2005). When the
Empire Calls: Barrack-Room Ballads of
Rudyard Kipling and Popular Songs of the Boer
War, CD, Sydney, Australia: ABC Classics.
Halliwell, M. (2002). "The Mask of Janus":
Douglas Moore's opera, The Wings of the Dove.
The International Conference of the Henry
James Society, Usa: Johns Hopkins University
Press.
Halliwell, M., Miller, D. (2005). SCM Vocal
series, Recital Hall West, Sydney, Australia:
SCM.
Halliwell, M. (2005). Duets. Conservatorium
Recital Hall West, Sydney, Australia.
Halliwell, M. (2005). German Requiem Brahms. University Great Hall, Sydney,
Australia: Sydney University.
Halliwell, M. (2002). 'A Comfortable Society' the 1950s and Opera in Australia. In Suzanne
M. Lodato, Suzanne Aspden & Walter Bernhart
(Eds.), Word and Music Studies - Essays in
Honor of Steven Paul Scher and on Cultural
Identity and the Musical Stage, (pp. 277-297).
Amsterdam, Netherlands and New York, NY,
USA: Rodopi.
Halliwell, M., Miller, D. (2005). Maud: Song
Cycle based on Tennyson's poem. Vocal Series.
Conservatorium Recital Hall West, Sydney
University, Sydney, Australia: SCM.
Halliwell, M., Miller, D., Ryan, B. (2002). <i>1.
The Battle Eve
Halliwell, M. (2005). Opera about Opera'
Self-Referentiality in Opera with Particular
Reference to Dominick Argento's The Aspern
Papers. In Suzanne Lodato / David Francis
Urrows (Eds.), Essays on Music and the Spoken
word and on Surveying the Field, (pp. 51-80).
Amsterdam / New York: Rodopi.
3. Tit Willow
Halliwell, M. (2005). Opera and the Novel, the
case of Henry James. New York: Rodopi.
Halliwell, M. (2005). Schubert Ballads.
Geiringer Hall: Department of Music. University
of California, Santa Barbara, United States of
America: University of California.
2. The Dicky Bird and the Owl
4. The Moon has raised her Lamp above
5. The Wee Cooper of Fire
6. Long ago in Alcala
7. Flow gently, Deva
8. Excelsior</i>. Masterpiece: Staff Series. East
Recital Hall, Sydney Conservatorium of Music,
Sydney, Australia: University of Sydney
Condervatorium of Music.
Halliwell, M. (2002). Schubert - Winterreise.
Kendall, NSW, Australia: Camden Haven Music
Festival.
Halliwell, M. (2005). The voice of the 'Master':
Henry James and Opera. American Studies
(Poland), 22, 11-34.
Halliwell, M. (2002). Wolf - Italienische
Liederbuch. Conservatorium East Recital Hall,
Sydney, Australia: The University of Sydney.
2004
2001
Halliwell, M., Miller, D., Edwards, J. (2004).
Masterpiece series: American Anthems: From
Tin-Pan-Alley to Carnegie Hall, Conservatorium
West Recital Hall, Sydney, Australia: SCM.
Halliwell, M. (2001). Words and Music Studies
3. In Walter Bernhart, Lawrence Kramer,
Suzanne M Lodato, Steven Paul Scher, Werner
W (Eds.), Word and Music Studies: Essays on
the Song Cycle and on Defining the Field, (pp.
25-48). Amsterdam - Altanta GA: Sage
Publications.
Pedersen, G., Powell, E., McCallum, S., Miller,
D., Halliwell, M. (2004). 1.Sonata for Cello
and Piano 2.Ropartz. SCM Masterpiece series.
Australia: SCM.
Halliwell, M. (2004). Kinderszenenlieder
(Conservatorium Masterpiece). Conservatorium
West Recital Hall, Sydney, Australia.
2003
Halliwell, M. (2003). Recital for Singapore
Philharmonic Society 2003. Victoria Concert
Hall, Singapore, Singapore: Singapore
Philharmonic Society.
Halliwell, M. (2003). Wolf - Spaniches