Publications for Catriona Moore 2012 2015

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Publications for Catriona Moore
Publications for Catriona Moore
2012
2015
Moore, C., Doley, K. (2012). Contemporary
Australia: Feminism (A conversation between
Catriona Moore and Kelly Doley). Sexes,
Sydney, (pp. 12 - 17). Sydney, Australia:
Performance Space.
Millner, J., Moore, C., Cole, G. (2015). Art and
Feminism: Twenty-First Century Perspectives.
Australian and New Zealand Journal of Art,
15(2), 143-149. <a
href="http://dx.doi.org/10.1080/14434318.2015.
1089816">[More Information]</a>
Millner, J., Moore, C. (2015). ‘Performing
Oneself Badly?’ Neo-Burlesque and
Contemporary Feminist Performance Art.
Australian and New Zealand Journal of Art,
15(1), 20-36. <a
href="http://dx.doi.org/10.1080/14434318.2015.
1042625">[More Information]</a>
2014
Moore, C. (2014). 'Backflip': Feminism and
Humour in Contemporary Art. Eyeline, 80,
106-107.
Moore, C. (2014). [In Press]. Expressionism in
Australia. Routledge Encyclopedia of Australian
Art. Routledge.
Moore, C. (2014). [In Press]. Grace Cossington
Smith. Routledge Encyclopedia of Australian
Art. Routledge.
Moore, C. (2014). [In Press]. Margaret Preston.
Routledge Encyclopedia of Australian Art.
Routledge.
Moore, C. (2014). [In Press]. Social Realism.
Routledge Encyclopedia of Australian Art.
Routledge.
Moore, C. (2014). [In Press]. The Antipodeans.
Routledge Encyclopedia of Australian Art.
Routledge.
Moore, C. (2014). Feminist Curating: The First
Hundred Years. Curating Feminism, (pp. 16 21). Sydney, Australia: Sydney College of the
Arts, University of Sydney.
2013
Moore, C. (2013). Modern Women: Full
Throttle. Sydney Moderns: Art for a New World,
(pp. 86 - 91). Sydney, Australia: Art Gallery of
New South Wales.
Moore, C. (2013). Susan Norrie: 1. Grand Luxe
1987 2. Untitled 1988-89 (Peripherique).
Important Australian Art from the Collection of
Reg Grundy AC OBE and Joy
Chambers-Grundy, Paddington, Australia:
Bonhams.
Moore, C. (2013). The More Things Change:
Feminist Aesthetics, Then and Now. Artlink:
Contemporary art of Australia and Asia-Pacific,
33(3), 22-24.
2010
Moore, C., Holder, J. (2010). Beauty of distance:
postmortems Catriona Moore. Contemporary
Visual Art + Culture: Broadsheet 39(3), volume
39 issue 3, (pp. 204 - 207). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Moore, C., Holder, J. (2010). Do biennales do it
better? Contemporary Visual Art + Culture:
Broadsheet 39 (2), (pp. 100 - 101). Adelaide,
Australia: Contemporary Art Centre of South
Australia (CACSA).
Moore, C. (2010). Local Internationals or
International Locals? Edge of Elsewhere, (pp. 57
- 60). Sydney, Australia: Campbelltown Arts
Centre.
Moore, C. (2010). Notes from the front line.
n.paradoxa (print), 26(9), 19-19.
2009
Moore, C. (2009). Book Review: WACK!: Art
and the Feminist Revolution, by Maura Reilly
and Linda Nochlin, eds. Australian and New
Zealand Journal of Art, 9(1/2), 247-250.
2007
Moore, C. (2007). Not Just a Pretty Picture: Art
as Ecological Communication. In Gavin Birch
(Eds.), Water Wind Art and Debate - How
environmental concerns impact on disciplinary
research, (pp. 345-392). Sydney: Sydney
University Press.
2006
Moore, C. (2006). Round-tables and Square
Holes. Artlink: Contemporary art of Australia
and Asia-Pacific, 26(1).
2005
Moore, C., Holder, J. (2005). Beauty and the
Beast: Grace Cossington Smith at the National
Gallery of Australia. Eyeline, 58(Spring).
Moore, C. (2005). Decoration, aspiration,
nostalgia: Recent Australian photography. Art
and Australia, 42(3), 424-433.
Moore, C. (2005). Margaret Preston At Home.
In Rex Butler (Eds.), Radical revisionism : an
anthology of writings on Australian art, (pp.
200-212). Brisbane: Institute of Modern Art.
Moore, C. (2005). Margaret Preston in an
Publications for Catriona Moore
international frame. Margaret Preston
Symposium, Sydney: Art Gallery of New South
Wales.
Moore, C. (2005), Margaret Preston: Self
Portrait, 1932.
Moore, C. (2005). Reviews - Caroline Jordan Picturesque pursuits: Colonial Women Artists
and the Amateur Tradition. Australian and New
Zealand Journal of Art: Masculinities, volume 6,
number 1, (pp. 134 - 138). Sydney, Australia:
Allen Lane.
Moore, C. (2005). Welcome Stranger!. Photofile,
76, 42-45.
2004
Moore, C., Holder, J. (2004). Hearts and Minds
(will win the war). In Blair French, Adam
Geczy and Nicholas Tsoutas (Eds.), Criticism +
Engagement + Thought: 2004 Biennale of
Sydney, (pp. 9-17). Sydney: Artspace.
Moore, C. (2004). Joan Kerr’s Third Way. Art
Association of Australia and New Zealand,
Caufield East, Melbourne: Art Association of
Australia and New Zealand.
Moore, C. (2004). The Big Picture: A Planning
Matrix For The Visual Arts (3 Chapters:
"Economic Environment", "Globalisation",
"Community Attitudes").
2002
Moore, C. (2002), Guest Lecture: "Modern
Australian Women".
Moore, C. (2002). Modern Women Artists at the
Colonial Periphery. Art Association of Australia
and New Zealand, Caufield East, Melbourne: Art
Association of Australia and New Zealand.
Moore, C. (2002). Photo-Documentary's
Fluctuating Fortune. In Stuart Koop (Eds.),
Value Added Goods: Essays on Contemporary
Photography, Art and Ideas, (pp. 27-34).
Australia: Centre For Contemporary
Photography.
Moore, C., Holder, J. (2002). Waltz in Matilda.
In Rachel Kent, Russell Storer, Vivienne Webb
(Eds.), Meridian: Focus on Contemporary
Australian Art, (pp. 24-27). Sydney: Museum of
Contemporary Art.
2001
Moore, C. (2001). Artists in the Agora. In Brad
Buckley and John Conomos (Eds.), Republics of
Ideas: Republicanism Culture Visual Arts, (pp.
182-197). Australia: Pluto Press.
Moore, C. (2001), Public Lecture: Recent
Australian Photography.
Moore, C. (2001), Telling Tales.
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