Publications for Adam Geczy
Publications for Adam Geczy
2014
2016
Geczy, A. (2014). S/M Wonderland. Australian
Centre for Photography (ACP), Sydney,
Australia.
Geczy, A., Karaminas, V. (2016). Fashion
Double: Representations of Fashion in Painting,
Photography and Film. Great Britain:
Bloomsbury.
Geczy, A., Karaminas, V. (2016). Walter
Benjamin: Fashion, Modernity and the City
Street. In Anges Rocamora and Anneke Smelik
(Eds.), Thinking Through Fashion: A Guide To
Key Theorists, (pp. 81-96). United Kingdon: IB
Tauris.
2015
Geczy, A., Hill, A. (2015). 1. Blakward Pawn,
2015 2. Look Left, Look Right, Look Left Again,
2015 3. Another Way of Thinking About 26
January 2015, or, Five Live Sentences, 2015 4.
Soul Train, 2015 5. Racial Opportunism, 2015 6.
Ausfailure, 2015 7. Dedfern, 2015 8. The Most
Gaoled Race on Earth, 2015. In: Blakattak.
Sydney College of the Arts. SCA Galleries,
Sydney, Australia.
Geczy, A. (2015). A Chamber of Whispers.
China Through The Looking Glass, (pp. 22 - 29).
New York, United States of America: The
Metropolitan Museum of Art.
Geczy, A., Millner, J. (2015). Fashionable Art.
London: Bloomsbury Academic.
Geczy, A. (2015). Fifty Ways to Kill Renny
Kodgers. Eyeline, 82, 78-79.
Geczy, A. (2015). from participatory art to
participatory criticism: the big noise.
Contemporary Visual Art + Culture: Broadsheet,
44(1), 10-19.
Geczy, A. (2015). Good Art. Contemporary
Visual Art + Culture: Broadsheet, 44(3), 45-46.
Geczy, A. (2015). Kate Mitchell: future fallout.
Eyeline, 82, 84-84.
Geczy, A. (2015). Robot Girl in a World without
Death. Justene Williams. Eyeline, 83, 14-19.
Geczy, A. (2015). The Art-Fashion Crossover.
In Tamya Zoe Robinson (Eds.), The Art of Wool,
(pp. 16-18). Armidale: New England Regional
Art Museum.
Geczy, A. (2014). A queer history of fashion:
From the closet to the catwalk, Valerie Steele
(ED.)(2013). The Australasian Journal of
Popular Culture, 3(2), 239-242.
Geczy, A. (2014). Be careful what you wish for.
Contemporary Visual Art + Culture: Broadsheet,
43(2), 26-29.
Geczy, A. (2014). Beret. In Annette Lynch,
Mitchell D. Strauss (Eds.), Ethnic Dress in the
United States | A Cultural Encyclopedia. (pp.
27-28). Maryland, U.S.A: Rowman & Littlefield
Publishers Inc.
Geczy, A. (2014). Big Arms. In: Enduring
Parallels. The Lock-Up Cultural Centre. The
Lock-Up, Newcastle, Australia.
Geczy, A. (2014). Bolero Jacket. In Annette
Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress
in the United States | A Cultural Encyclopedia.
(pp. 39-41). Maryland, U.S.A: Rowman &
Littlefield Publishers Inc.
Geczy, A. (2014). Chador. In Annette Lynch,
Mitchell D. Strauss (Eds.), Ethnic Dress in the
United States | A Cultural Encyclopedia. (pp.
66-67). Maryland, U.S.A: Rowman & Littlefield
Publishers Inc.
Geczy, A. (2014). drained and confused.
Contemporary Visual Art + Culture: Broadsheet,
43(4), 6-11.
Geczy, A. (2014). Eisenstein/Jugendstil. In: The
illusion of remembering | Eisenstein/Jugendstil.
Poimena Gallery. Poimena Gallery Launceston,
Launceston, Australia.
Geczy, A. (2014). EssenEssen. In: 11th
International Sound Art Festival Berlin 2014
(listening, watching, smelling, tasting, feeling).
11th International Sound Art Festival Berlin
2014. Mitte Museum, Berlin, Germany.
Geczy, A. (2014). From 'Australia' to 'America':
Painting a nation. Art Monthly Australia,
268(April 2014), 42-45.
Geczy, A. (2015). True Fairytales of Violence:
Art and the Holocaust in Hungary. Artlink:
Contemporary art of Australia and Asia-Pacific,
35(1), 68-71.
Geczy, A. (2014). Hanbok. In Annette Lynch,
Mitchell D. Strauss (Eds.), Ethnic Dress in the
United States | A Cultural Encyclopedia. (pp.
133-135). Maryland, U.S.A: Rowman &
Littlefield Publishers Inc.
Geczy, A., Preston, J. (2015). Virtually POP.
College of Creative Arts, Massey University,
Wellington, New Zealand: Popular Culture
Association of Australia and New Zealand
(popCAANZ).
Geczy, A. (2014). Hijab. In Annette Lynch,
Mitchell D. Strauss (Eds.), Ethnic Dress in the
United States | A Cultural Encyclopedia. (pp.
148-150). Maryland, U.S.A: Rowman &
Littlefield Publishers Inc.
Geczy, A. (2014). Lederhosen. In Annette
Publications for Adam Geczy
Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress
in the United States | A Cultural Encyclopedia.
(pp. 185-186). Maryland, U.S.A: Rowman &
Littlefield Publishers Inc.
Geczy, A. (2014). Sarong. In Annette Lynch,
Mitchell D. Strauss (Eds.), Ethnic Dress in the
United States | A Cultural Encyclopedia. (pp.
258-259). Maryland, U.S.A: Rowman &
Littlefield Publishers Inc.
Geczy, A. (2014). Science Fiction and the
Antinomy of Images: Peter Alwast. Eyeline,
80(1), 22-27.
Geczy, A. (2014). Shawl. In Annette Lynch,
Mitchell D. Strauss (Eds.), Ethnic Dress in the
United States | A Cultural Encyclopedia. (pp.
264-266). Maryland, U.S.A: Rowman &
Littlefield Publishers Inc.
Darwin, Australia.
Geczy, A. (2013). Contemporary Visual Art +
Culture Broadsheet | In whose house? Craig
Walsh embedded. Contemporary Visual Art +
Culture: Broadsheet, 42(4), 250-253.
Geczy, A. (2013). Everything Falls Apart. Art
and Australia, 50(3), 474-474.
Geczy, A. (2013). Fashion and Orientalism:
Dress, Textiles and Culture from the 17th to the
21st Century. London: Bloomsbury Academic.
Geczy, A., Cope, M., Bell, R., McFarlane, J.,
Albert, T. (2013). Insurgence at the Museum of
Democracy: An Interview. Art Monthly
Australia, 266(Summer 2013), 13-15.
Geczy, A., Karaminas, V. (2013). Queer Style.
London: Bloomsbury Academic.
Geczy, A. (2014). Special Moves. Eyeline, 80,
(pp. 101 - 101). Brisbane, Australia: Eyeline
Publishing Limited.
Geczy, A. (2013). S/M Wonderland. Screen,
Sydney, Australia: Sydney Underground Film
Festival.
Geczy, A. (2014). Straight internet porn and the
Natrificial: Body and dress. Fashion Theory: The
Journal of Dress Body and Culture, 18(2),
169-188. <a
href="http://dx.doi.org/10.2752/175174114X138
90223974542">[More Information]</a>
Geczy, A. (2013). The ACP Files. Photofile,
93(Spring/Summer 2013-14), 123-125.
Geczy, A. (2014). The new textuality for the
visual arts: entrenchment in the academy.
Contemporary Visual Art + Culture: Broadsheet,
43(3), 68-71.
Geczy, A. (2013). They don't make art like they
used to: Late last year in the Wall Street Journal,
Camille Paglia mounted a frontal onslaught on
contemporary art. Contemporary Visual Art +
Culture: Broadsheet, 42(1), 26-29.
Geczy, A. (2014). Ugg Footwear. In Annette
Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress
in the United States | A Cultural Encyclopedia.
(pp. 297-298). Maryland, U.S.A: Rowman &
Littlefield Publishers Inc.
Geczy, A. (2014). Uncertainty is certain. Eyeline,
81, 18-22.
2013
Geczy, A. (2013). The Room of Mirrors Phase.
To Kill the Saudade, (pp. 2 - 4). Adelaide,
Australia: Contemporary Art Centre of South
Australia (CACSA).
Geczy, A. (2013). Touching reality.
Contemporary Visual Art + Culture: Broadsheet,
42(3), 193-195.
Geczy, A. (2013). Who own dots? or, spirituality
for the highest bidder, or, can you buy aura?
Contemporary Visual Art + Culture: Broadsheet,
42(3), 163-165.
Hill, A., Geczy, A. (2013). Bomb. Museum of
Contemporary Aboriginal Art. AAMU Museum
of contemporary Aboriginal art, Utrecht,
Netherlands.
2012
Geczy, A. (2013). 1000 Churches (Dedicated to
the bishop of Bruges). In: 2013 projectcluster 1.
Croxhapox Contemporary Art House, Ghent,
Belgium.
Geczy, A. (2012). A Dish Served Lukewarm.
Contemporary Visual Art + Culture: Broadsheet,
41(3), 175-177.
Geczy, A., McLean, I., Mellor, D., Hill, A.
(2013). Appropriation: no longer appropriate?
Contemporary Visual Art + Culture: Broadsheet,
42(1), 23-25.
Geczy, A. (2013). Art Monthly Australia
Editorial. Art Monthly Australia, 257(March
2013), 3-3.
Hill, A., Geczy, A. (2013). Blackward pawn. In:
Treaty, Yeah? Chan Contemporary Art Space,
Geczy, A. (2012). Beautiful Cities. Artspace.
Artspace Contemporary Art Centre, Sydney,
Australia.
Geczy, A. (2012). C'mon Let's Stick Together:
On Collaboration, Inclusion and Consonance in
the 18th Biennale of Sydney. Contemporary
Visual Art + Culture: Broadsheet, 41(2), 94-97.
Geczy, A. (2012). Digging Deep: 'Excavation',
The Armory Exhibition 2012. Art Monthly
Australia, (254), 30-32.
Geczy, A., Karaminas, V. (2012). Fashion and
Art. London: Berg Publishers.
Publications for Adam Geczy
Geczy, A., Karaminas, V. (2012). Fashion and
Art: Critical Crossovers. In Adam Geczy and
Vicki Karaminas (Eds.), Fashion and Art, (pp.
1-12). London: Berg Publishers.
Broadsheet, 40(1), 70-72.
Geczy, A. (2012). Is There Such a Thing as
Global Curating? Contemporary Visual Art +
Culture: Broadsheet, 41(1), 40-45.
Geczy, A. (2011). Contested Pleasures. Oxford
Art Journal, 34(02), 295-297.
Geczy, A. (2012). Modernity: Three Defining
Moments in the Crossover of Art and Fashion.
In Adam Geczy and Vicki Karaminas (Eds.),
Fashion and Art, (pp. 55-66). London: Berg
Publishers.
Geczy, A. (2012). Nasim Nasr: Symbols of
rebirth. Eyeline, Summer 2012/2013(77), 52-57.
Geczy, A. (2011). Breed of the Dead. In: Breed
of the Dead. Chalk horse. Chalk horse, Surry
hills, Sydney, Australia: Chalk horse.
Geczy, A. (2011). Cultural Juxtaposition: Tell
me, tell me: Australian and Korean Art 1976 2011. Art Monthly Australia, September(243),
11-13.
Geczy, A. (2011). Events in the suburbs. Once
was a field, (pp. 5 - 6). Sydney, Australia:
Parramatta Artist Studios.
Geczy, A. (2012). Party Time: 18th Biennale of
Sydney. Art Monthly Australia, (252), 5-9.
Geczy, A., Karaminas, V. (2011). Fashion and
Art: Critical Crossovers. Art Monthly Australia,
August(242), 5-10.
Geczy, A. (2012). Syntax of fetish and fashion:
Love Lace, Powerhouse Museum, Sydney. Art
Monthly Australia, (248), 20-23.
Geczy, A. (2011). I think therefore I Mash:
Soda_Jerk. Eyeline, 74, 26-32.
Geczy, A. (2012). The Air-Conditioned Desert:
curating Aboriginal art. Art Monthly Australia,
(250), 44-46.
Geczy, A., Garstang, L. (2012). With eyelids cut
off. In: With eyelids cut off. Wagga Wagga Art
Gallery, Wagga Wagga, Australia.
Geczy, A. (2012). With eyelids cut off. Eyeline,
(pp. 28 - 28). Melbourne, Australia: Print
Council of Australia.
2011
Geczy, A. (2011). Michael Snape, (pp. 3 - 3).
Sydney, Australia: Australian Galleries.
Geczy, A., Guy, J. (2011). 1. Bird Paraphenalia
2. Bird Remains: Museological Paragon 3.
Swarm 4. Nature-Re-Nature I 5.
Nature-Re-Nature II. In: An Unnatural History
of Nature. Hazelhurst Regional Gallery & Arts
Centre, Sydney, Australia.
Geczy, A. (2011). 1. Drakula 1-18 2.
Transylvania 1-6. In: Beheaded - Tracing
Dracula Vampire Myths. Esterhazy Palace.
Municipal Museum of Art, Gyor Art Museum,
Gyor, Hungary.
Hill, A., Geczy, A. (2011). Aboriginal art
diagnostic. Contemporary Visual Art + Culture:
Broadsheet, 40.2 (June), 132-135.
Geczy, A. (2011). Adam Geczy:
Kleist-Coppelia-Kuball: the doll, the double and
the shadow. Mirrors, Doubles, Shadows, Caves:
Plato and Contemporary Art, Sydney: Artspace.
Geczy, A. (2011). Photography and Place Australian landscape photography: 1970s until
now. Art Monthly Australia, June (240), 18-20.
Geczy, A. (2011). Staying mumme. Eyeline, 73,
23-27.
Geczy, A. (2011). The Great Debate. We are
here, Sydney: Firstdraft Gallery.
Geczy, A. (2011). Transorientalism and the
pavilion attitude to race and idenity.
Contemporary Visual Art + Culture: Broadsheet,
40.3 (September), 210-211.
Geczy, A. (2011). Transorientalism and the
Pavilion Attitude to Race and Identity.
Broadsheet @ 40: The Australian Contemporary
one day symposium, South Australia:
Contemporary Art Centre of South Australia
(CACSA).
2010
Geczy, A., Guy, J. (2010). 1. Scaly-breasted
Lorikeet (Trichoglossus cholorolepidotus)
(chicken) 2. Eastern yellow robin (Eopsaltria
australis) (turkey) 3. Untitled (fired chicken
bones) 4. Untitled (fired turkey bones)5. Forest
kingfisher (Todiramphus macleayii) (quail). In:
Ceramic Surgery- Adam Geczy & Jan Guy.
Criterion Gallery, Hobart, Tasmania, Australia.
Geczy, A. (2010). Art, Fashion and Performance:
The Ballets Russes. Art Monthly Australia,
236(Summer 2010), 24-27.
Geczy, A., Gerwin, T. (2011). Area Contra
Punctus 7. video, galleriBOX. Akureyri, Iceland:
galleriBox.
Geczy, A. (2010). beauty of
distance:postmortems, Adam Geczy. Broadsheet,
(pp. 205 - 205). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Geczy, A. (2011). Art Apartheid in the South
Pacific. Contemporary Visual Art + Culture:
Geczy, A. (2010). Beginning the present in the
past. Column, 6(1), 50-54.
Publications for Adam Geczy
Geczy, A. (2010). biennale baroque: unveiling
the 17th biennale of sydney. Broadsheet, (pp. 90
- 95). Adelaide, Australia: Contemporary Art
Centre of South Australia (CACSA).
Geczy, A. (2010). Conversations to infinity: on
arts schools and art education, Adam Geczy.
Broadsheet, (pp. 208 - 213). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Geczy, A. (2010). critical or congratulatory?
Broadsheet, (pp. 20 - 20). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Geczy, A. (2010), Doin' Stuff: Marley Dawson's
Machine-Sites. Eyeline, 72, 21-25.
Geczy, A. (2010), Ian North and the
Anti-Picturesque. Eyeline, 71, 36-39.
Geczy, A. (2010), Making it New. Art Monthly
Australia, 227(March), 13-15.
Geczy, A. (2010), Remember to Forget the
Congo. Art Monthly Australia, 231(July), 28-29.
Geczy, A. (2010). Remember to Forget the
Congo. In: Remember to Forget the Congo.
Croxhapox Gallery, Ghent, Belgium.
Művészeti Központ Kht, Győr, Hungary.
Harmónia Művészeti Központ Kht,
Győr, Hungary.
Geczy, A. (2009). Art is not research.
Broadsheet, (pp. 207 - 209). Sydney, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Geczy, A., Hill, A. (2009). Australia - the trailer.
In: Australia - the trailer. 24HRArt Northern
Territory Center for Contemporary Art. Northern
Territory Center for Contemporary Art, Darwin,
Northern Territory, Australia.
Geczy, A. (2009). Better than a hole in the head.
Eyeline, (70), 34-37.
Geczy, A. (2009). Debra Phillips. Eyeline, 70,
Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2009). Grumpy Old Men of Paris
#1-8. In: Remembering Paris. Macquarie
University. Macquarie University Art Gallery,
North Ryde, NSW, Australia.
Geczy, A. (2009), Korean dreams. Art Monthly
Australia, (222), 32-32.
Geczy, A. (2009), Monet and the Impressionists.
Art Monthly Australia, (217), 40-43.
Geczy, A. (2010). Review of The Infinity
Machine: Mike Parr's Performance Art
1971-2005, Edward
Geczy, A. (2009). Mutant Media. Art &
Australia, 46:4, (pp. 336 - 336). Sydney, NSW,
Australia: Art and Australia Pty Ltd.
Scheer (Melbourne: Schwartz City Press 2009)
Geczy, A. (2009). Portrait of my great aunt
Rosemary may she rest in peace. In: Print
Matters: Salon for Independent Book Art and
Artist’s Books’. Chauvel Cinema,
Sydney, NSW, Australia.
Mike Parr: Performances 1971-2008, Mike Parr
(Melbourne: Schwartz City Press 2008).
Performance Paradigm, June, (pp. 96 - 99).
Sydney, Australia: Performance Paradigm
Publications.
Geczy, A. (2010), Review: The 17th Biennale of
Sydney. Art and Australia, 48(1 Spring 2010),
147-149.
Geczy, A., Gerwin, T. (2010). Sydney
Underground Film Festival. Sydney, Australia:
Sydney Underground Film Festival.
Geczy, A. (2009). Sail away: Ian North. Artlink,
29:3, (pp. 92 - 92). Adelaide, Australia: Artlink
Australia.
Geczy, A. (2009). The Artist Resident:
Holidaymaker and Cultural Performer. BE
magazine, 16, (pp. 106 - 115). Berlin, Germany:
Kunstlerhaus Bethanien.
Geczy, A. (2010). the australia effect.
Broadsheet, (pp. 239 - 241). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Geczy, A. (2009). The Asia Pacific Triennial: A
dialogue. Contemporary Visual Art & Culture
Broadsheet, 38.4, (pp. 241 - 249). Parkside,
South Australia, Australia: Contemporary Art
Centre of South Australia (CACSA).
Geczy, A. (2010). the solid fraud of outsider art.
broadsheet, (pp. 66 - 69). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Geczy, A. (2009). Transylvania II. In: Langue
Froide/Cold Tongue. Connie Dietzschold
Gallery, Sydney, NSW, Australia.
2009
2008
Geczy, A. (2009). 1. Eyes close 2. Clothes
carpets. In: Diaspora gathered. Nexus
Multicultural Art Center. Nexus Gallery,
Adelaide, South Australia, Australia.
Geczy, A. (2009). 1989. In: 1989. Harmónia
Geczy, A. (2008). 1. Concert for Mike Parr
(2005) 2. Concert to Myself (2008). In: Concerts.
Lake Macquarie City Art Gallery, Lake
Macquarie, Australia.
Geczy, A., Gerwin, T. (2008).
AreaContraPunctus IV 2006 - 2008.
Publications for Adam Geczy
video/installation and electroacoustic
composition, Museum of Contemporary Art.
Sydney, Australia: Museum of Contemporary
Art. Curated by Russell Storer.
Geczy, A. (2008). Art: Histories, Theories and
Exceptions. Oxford, UK: Berg Publishers.
Geczy, A. (2008). Buried Alive (Again). In:
Buried Alive (Again). Croxhapox Experimental
Art House, Ghent, Belgium.
Geczy, A. (2008). Eisenstein/Jugendstil.
National Library. NOASS centre for art and
culture, Riga, Latvia.
Geczy, A. (2008), Humbert or Humbug? Art
Monthly Australia, 211(July), 9-13.
Geczy, A. (2008). Music+Video = I See Music.
Video Logic, (pp. 67 - 74). Sydney, Australia:
Museum of Contemporary Art.
Geczy, A. (2008). Spectres of video: the ends of
video art. Contemporary Art and Visual Culture:
Broadsheet, 37/4, (pp. 283 - 285). Adelaide,
Australia: broadsheet.
Geczy, A., Sculthorpe, P. (2008). Thoughts of
Home. Hobart, Australia: Criterion Gallery.
Geczy, A. (2008). World wide web: the twilight
girls. Eyeline, 67, (pp. 58 - 58). Brisbane,
Queensland, Australia: Eyeline Publishing
Limited.
2007
Geczy, A. (2007). 1. Abuse of Power 2. Long
Ago 3. Buried Alive 4. Girls La-la-la. In: Buried
Alive. Contemporary Art Centre of South
Australia, Adelaide, Australia.
Geczy, A. (2007). catalogue?. In: The Night
Before the Son. Convento de Sao Francisco,
Montemor-o-Novo, Portugal.
Geczy, A. (2007). CHECK. Every Great Idea
Begins as a Heresy, Canada.
Geczy, A. (2007). For this defect, and for no
other guilt, we here are lost. The Glittering City,
(pp. 6 - 9). Campbelltown, Australia:
Campbelltown Arts Centre.
Geczy, A. (2007). Proust and Fashion. Fashion
and Fiction Conference, Not published: Not
Published.
Geczy, A. (2007). Revelation of the Brand.
Contemporary Visual Arts + Culture Braodsheet,
36.1, (pp. 44 - 45). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Geczy, A. (2007). The King of Quirk (Stephen
Birch) : Looking out my back door in Sydney.
Art Monthly Australia, July, Issue 201, (pp. 37 38). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2007). The New Academicism.
Realtime, Australia.
Geczy, A. (2007). The Theatre of Innocence:
Sadie Chandler's Nirvana Office. In Reuben
Keehan (Eds.), Artspace Projects 2005, (pp.
8-15). sydney: Artspace.
Geczy, A. (2007). Thingness of light: the work of
William Seeto. Sydney: Artspace.
2006
Geczy, A. (2006). Air Born, (pp. 1 - 9).
Devonport, Australia: Devonport Regional
Gallery.
Geczy, A. (2006). 1. Grumpy Old Men of Paris
2. Paris Requiem. In: Paris Requiem. Cite
Internationale des Arts, Paris, France.
Geczy, A. (2006). 4th Dadao Live Art Festival
Beijing 01/01/2006. Beijing, China, Beijing,
China, China (excludes SARs and Taiwan
Province).
Geczy, A. (2006). Abuse of Power 2006. In:
Experimental Intermedia. Ghent, Belgium.
Geczy, A. (2006). Art and the Loss of Vision.
Broadsheet, (pp. 94 - 97). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Geczy, A. (2006). Blind Ned Leading the Blind.
(pp. 1 - 3). Australia: broadsheet.
Geczy, A. (2006). catalogue?. In: Domestic
Violence. Rawspace, Brisbane, Australia.
Geczy, A. (2006). catalogue?. In: The House of
the Man Whose Children Hanged Themselves.
Queensland Centre of Photography, Brisbane,
Australia.
Geczy, A. (2006). catalogue?. In: The Man Who
Died. Gallery Tyko, Nurmes, Finland.
Geczy, A. (2006). Dilapidated Realism | article?
+Plus Factors, (pp. 40-11). Melbourne:
Australian Centre for Contemporary Art.
Geczy, A. (2006). Fatwhitestraightbaldguy. In
Blair French (Eds.), Who's Afraid of
Avant-garde?, (pp. 1-11). Sydney: Performance
Space.
Geczy, A. (2006). Future Forecast 06. Future
Forecast 06, Not published: Not Published.
Geczy, A. (2006). Here, There, Nowhere, Dead:
Performance Art and the Cybernetic Involution.
In Nicholas Tsoutas, Adam Geczy, Edward
Scheer (Eds.), Mike Parr: Blood Box, (pp. 8-30).
Sydney: Artspace Visual Arts Centre Ltd.
Geczy, A. (2006). I Hate Australia. Southerly,
66, (pp. 97 - 103). Sydney, Australia.
Geczy, A., Gerwin, T. (2006). Intermix @
Areal28 Berlin, Germany. Areal28, Berlin,
Publications for Adam Geczy
Germany, Germany.
Publishing Limited.
Geczy, A. (2006). Juan Davila. Art Monthly
Australia, Summer, Issue 196, (pp. 3 - 4).
Canberra, Australia: Art Monthly Australia.
Geczy, A. (2005). At the Limit: William Seeto.
ArtAsia Pacific, Issue 46, (pp. 1 - 2). Hong
Kong, Hong Kong (SAR of China): Art Asia
Pacific Publishing, Llc..
Geczy, A. (2006). Justene Williams: Blue Foto,
Red Foto, Green Foto. eyeline, Summer : Issue
59, (pp. 1 - 3). Queensland, Australia: Eyeline
Publishing Limited.
Geczy, A., Sculthorpe, P. (2006). Long Ago.
Hobart, Australia: Criterion Gallery.
Geczy, A. (2006). Phillip George: Night Vision
and the Post-Oriental. ArtAsia Pacific, Winter,
Issue 47, (pp. 1 - 2). Hong Kong, Hong Kong
(SAR of China): Art Asia Pacific Publishing,
Llc..
Carter, M., Geczy, A. (2006). Reframing Art.
Sydney: University of New South Wales
(UNSW) Press.
Geczy, A. (2006). Reframing Art: the Future of
Theory. Symposium, Artspace, Not Published:
Not Published.
Geczy, A., Gerwin, T. (2006). Son + feu
d'arti+fice |DOC?. Projections, Cite
Internationale des Arts.
Geczy, A. (2006). The artist, the thief, the flag
and sedition. Art Monthly Australia, (pp. 6 - 8).
Canberra, Australia: Art Monthly Australia.
Geczy, A. (2006). The Ecstasy of St. Juan. (pp.
228 - 231). Adelaide, Australia: Contemporary
Art Centre of South Australia (CACSA).
Geczy, A. (2005). Destiny Deacon. Art
AsiaPacific, Spring, Issue 44, (pp. 1 - 2). Hong
Kong, Hong Kong (SAR of China): Art Asia
Pacific Publishing, Llc..
Geczy, A. (2005).
FATWHITESTRAIGHTBALDGUY: Tony
Schwensen. Performance Space, Redfern,
Australia: Blair French, Associate Director.
Geczy, A. (2005), Forum: Artists' Fees: From
Obstacle to Opportunity.
Geczy, A. (2005). Hard-core, Soft-core. (pp. 1 4). Australia.
Geczy, A. (2005). I hate australia. In: I HATE
AUSTRALIA. Canberra Contemporary Art
Space, Canberra, Australia.
Geczy, A. (2005). Koli Cantata Nurmes,
Finland. In: Koli Cantata. Nurmes Museum,
Nurmes, Finland.
Geczy, A. (2005). Metaresistance. Visual Arts +
Culture Broadsheet, 34.4, (pp. 220 - 223).
Adelaide, Australia: Contemporary Art Centre of
South Australia (CACSA).
Geczy, A. (2005). Neo-Medievalism. Art
Monthly Australia, Aug. 2005(no. 182), 34-36.
Geczy, A. (2006). titles?. Mori Gallery, Sydney,
Australia.
Geczy, A. (2005). Nothing sits outside of the
gaze of contemporary art. Art Monthly Australia,
Canberra, Australia: Art Monthly Australia.
Geczy, A. (2006). titles?. In: Group Action 2.
Criterion Gallery, Hobart, Australia.
Geczy, A. (2005), Panel discussion: Interesting
Times.
Geczy, A. (2006). titles?. In: Single Currency.
Victorian College of Arts Gallery, Melbourne,
Australia.
Geczy, A. (2005). Powerlessness. Monograph.
Geczy, A. (2006). titles?. In: Ensemble(s).
Cité Internationale des Arts, Paris, France.
Geczy, A. (2006). titles?. In: Klanglabor:zeit.
Galerie Nord, Berlin, Germany.
Geczy, A. (2006). titles?. In: Who cares? Agder
Regional Art Centre, Kristiansand, Norway.
Carter, R., Geczy, A. (2006). Where is it? Art in
the Digital Age. In Michael Carter, Adam
Geczy (Eds.), Reframing Art, (pp. 210-234).
Sydney: University of New South Wales
(UNSW) Press.
2005
Geczy, A. (2005). 'Crossing Country: the
alchemy of western arnhem land art' and
'Binocular: looking closely at country'. Eyeline,
(pp. 47 - 47). Brisbane, Australia: Eyeline
Geczy, A. (2005). The Language of Suicide Part
I. In: Cultural Illumination. The University of
Adelaide. Barr Smith Library, Adelaide,
Australia.
Geczy, A. (2005). The Language of Suicide Part
II. In: The Language of Suicide Part II. Nexus
Multicultural Arts Centre, Adelaide, Australia.
Geczy, A. (2005). The Secret of the Trick.
Criterion Gallery, Afghanistan.
Geczy, A. (2005). titles?. In: The Placard
Project. Mori Gallery, Sydney, Australia.
Geczy, A. (2005). titles?. In: Colour(less). Lake
Macquarie City Art Gallery, Lake Macquarie,
Australia.
Geczy, A. (2005). titles?. In: Klak!05.
Kulturbahnhof, Kassel, Germany.
Geczy, A. (2005). Tony Schwensen:
Fatwhitestraightbaldguy. Eyeline, (pp. 19 - 21).
Publications for Adam Geczy
Brisbane, Australia: Eyeline Publishing Limited.
Art Centre, Joensuu, Finland.
Geczy, A. (2005). Who's Afraid of the
Avant-Garde 3? Broadsheet, Vol 34 no 4, (pp.
251 - 251). Adelaide, Australia: Contemporary
Art Centre of South Australia (CACSA).
Geczy, A. (2004). titles?. In: Klak!04.
Kulturbarnhof, Kassel, Germany.
2004
Geczy, A. (2004). titles?. In: The Anthology of
Art (Atelier Jochen Gerz). Martin-Gropius-Bau,
Berlin, Germany.
Geczy, A., Sculthorpe, P. (2004). <i>1. From a
Remote, Lonely Place (Port Arthur Elegy) 2003
2. Light on dark (Point Puer)
3. Zip-a-dee-doo-dah, zip-a-dee-ay</i>. In: 2004
Adelaide Biennial of Australian Art:
Contemporary Photo-Media. Art Gallery of
South Australia, Adelaide Bank 04 Festival of
Arts. Art Gallery of South Australia, Adelaide,
Australia.
Geczy, A. (2004). Art, craft and ecology meet at
the Styx Forest. Art Monthly Australia, (pp. 14 16). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2004). article? Michael Zavros at
Schubert Gallery, Main Beach,QLD, Australia.
Geczy, A. (2004). Collecting, Coating, Covering:
Lauren Berkowitz. In Sally Breen and Reuben
Keehan (Eds.), Tide, (pp. 7-10). Sydney:
Artspace.
Geczy, A. (2004). Conversations with Absent
Others. Alex Kershaw, (pp. 1 - 2). Sydney,
Australia: Grantpirrie Gallery.
French, B., Geczy, A., Tsoutas, N. (2004).
Criticism + Engagement + Thought: 2004
Biennale of Sydney. Sydney: Artspace.
Geczy, A. (2004). Gateway to the Sublime |
article? State of the Arts.
Geczy, A. (2004). Grotesk II. In: Grotesk II.
Gallery Tyko, Finland.
Geczy, A. (2004). Landscape Heartbeat. Kolin
Ryynänen, Finland.
Geczy, A. (2004). No Big Picture III. Australia:
broadsheet.
Geczy, A. (2004). Reason, emotion etc. In Blair
French, Adam Geczy and Nicholas Tsoutas
(Eds.), Criticism + Engagement + Thought:
2004 Biennale of Sydney, (pp. 73-78). Sydney:
Artspace.
Geczy, A. (2004). Review - Brad Buckley:
etiquette. Eyeline, 53, Brisbane, Australia:
Eyeline Publishing Limited.
Geczy, A., Parr, M. (2004). The Mass
Psychology of Fascism, Zip-a-dee-doo-dah,
Zip-a-dee-ay. In: The Mass Psychology of
Fascism, Zip-a-dee-doo-dah, Zip-a-dee-ay. Art
Gallery of New South Wales, Sydney, Australia.
Geczy, A. (2004). titles?. In: Groteskin Taiteen
Museo/The Museum of Grotesque Art. Art Ahjo
Geczy, A. (2004). titles?. In: Blood, Severance,
Magic. Mars Lounge, Sydney, Australia.
Geczy, A., Parr, M. (2004). Transborder
Languages. In: Transborder Languages. First
Dashanzi International Arts Festival, Beijing,
China.
Geczy, A. (2004). Video Magic at the
Performance Space, Sydney. Art Monthly
Australia, (pp. 3 - 6). Canberra, Australia: Art
Monthly Australia.
Geczy, A. (2004). When art is no object.
Contemporary Visual Art + Culture: Broadsheet,
(pp. 178 - 180). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Geczy, A. (2004). Who's That Girl? The Work of
Fiona Clark. Eye Line, 54, (pp. 35 - 37).
Brisbane, Australia: Eyeline Publishing Limited.
2003
Geczy, A. (2003). Adam Geczy on Picasso: The
Last Decades. Art and Australia 40(4), (pp. 680 680). Sydney, Australia: Eleonora Triguboff.
Geczy, A. (2003). Adam Geczy on Zhong Chen.
Art and Australia 41(2), (pp. 315 - 315). Sydney,
Australia: Eleonora Triguboff.
Geczy, A. (2003). Art Training. Art Monthly
Australia (161) July, (pp. 10 - 11). Canberra,
Australia: Art Monthly Australia.
Geczy, A. (2003). Commentary: Yang Jiechang.
Contemporary Visual Arts and Culture:
Broadsheet, (pp. 33 - 33). Adelaide, Australia.
Geczy, A., Parr, M. (2003). Film noir, politique
blanche. In: Film noir, politique blanche.
Queensland College of Art Gallery. Queensland
Contemporary Art Gallery, Griffith Artworks,
Brisbane, Australia.
Geczy, A. (2003). Mike Parr: Close the
Concentration Camps. Artlink: Australian
contemporary art quarterly, (pp. 45 - 47).
Australia: Artlink Australia.
Geczy, A. (2003). Natural Disasters in Sao
Paulo. Art Monthly Australia (177) March, (pp.
43 - 44). Canberra, Australia: Art Monthly
Australia.
Geczy, A. (2003). Recent political art exhibitions
in Australia. Art Monthly Australia, , 7-8.
Geczy, A. (2003). Review - Dennis Del Favero:
Publications for Adam Geczy
Sottovoce. Australia: Eyeline Publishing
Limited.
Geczy, A. (2003). Review: Liquid Sea. ART
AsiaPacific, New York, United States of
America.
Geczy, A. (2003). The Partial Architecture of
Ruins. In Germaine Koh (Eds.), Germaine Koh
: homemaking : 8 May-31 May 2003, (pp. 1-3).
Sydney: Artspace.
Geczy, A. (2003). titles?. In: Origami: World
Without Elements. Asian-Australian Arts Centre,
Gallery 4A, Sydney, Australia.
Geczy, A. (2003). titles?. In: Carcinoma. Three
Foot Square Gallery , COFA, Sydney, Australia.
Geczy, A. (2003). titles?. In: Get Back. Mori
Gallery, Australia.
Geczy, A. (2003). titles?. In: Barking Up the
Wrong Tree. Mori Gallery, Sydney, Australia.
2002
Geczy, A. (2002). Art is a rigorous practice.
RealTime, 50.
Geczy, A. (2002). Essay: The Jewel is Any
Event. The Installations of Lindy Lee. Art Asia
Pacific.
Geczy, A. (2002). Mike Parr: Internet
Performance. RealTime, 52.
Geczy, A. (2002). New Media: New
Megalomania? Eyeline, 48.
Geczy, A. (2002). Review: Alex Gawronski:
testing ground. Eyeline, 50.
Geczy, A. (2002). Review: Buddha. Art Asia
Pacific, 34.
Geczy, A. (2002). Review: Crypto-realism. Art
Monthly.
Geczy, A. (2002). Self-Portrait - Dead Flow: a
collaborative project. Art and Australia, 40(1),
74-75.
Geczy, A. (2002). Symbolism, Not Symbols: The
Art of Eugenia Raskopoulos. Postwest, 20.
Geczy, A. (2002), Translation (German):
Konstanze Thümmel, 'You can't set up a camera
here!': Artspace.
Geczy, A. (2002). What's the point of painting
these days? Art Monthly.
Geczy, A. (2002). ZKM, Sydney and the Art and
New Media Detente. RealTime, 47.
2001
Geczy, A. (2001), Der Knabentanz (Little Boy
Dancing).
Geczy, A. (2001). Essay: Simone Mangos'
Anti-monuments and quiet memorials. Art and
Australia, 39(2).
Geczy, A. (2001). Review: Australian Art by
Andrew Sayers. Art and Australia.
Geczy, A. (2001). Review: Space Odyssesys:
light visions. RealTime: +onscreen, 45.
Geczy, A. (2001). The Same Old Song? Art
Monthly, August.
Geczy, A., Genocchio, B. (2001). What Is
Installation?: An Anthology of Writings on
Australian Installation Art. Australia: Power
Publications.
Geczy, A. (2001). What's New in New Media,
And what do we see in video? Art Monthly.
Geczy, A. (2001). World Without End. Postwest,
18.