The Beatles Brian Epstein • • • • Bob Wooler and My Bonnie by the Beatles Pride in his ability Decca, Brian Poole and the Tremeloes Stu Sutcliffe dies George Martin and the Parlophone • June 1962, Beatles audition • Pete Best • Richard Starkey and Ringo The Heroes of Liverpool • Radio, television and tour appearances Beatlemania—American Style • Real Rock ‘n’ Roll was not exclusively American music • Ed Sullivan I Want to Hold Your Hand • Recorded in October 1963 • Opening a compendium of 50s Rock and Roll • First two musical phrases demonstrate this Beatlemania—American Style • • • • • • Mass popularity in America Top 5 April 4, 1964 International popularity Lifestyle Drugs Third tour to the United States The Middle Period: Experimentation Yesterday • Written January 1964 but recorded June 1965 • Pre-rock pop song • Melody develops from a short, simple riff • Six sections in AABABA pattern • 32-measure AABA form Yesterday • McCartney’s singing • Simple acoustic guitar accompaniment outlines a delicate eight-beat rhythm • String accompaniment updated • Gone is the nuclear rock band of 2 guitars, bass and drums • Stronger connection between words and music Rubber Soul Drive My Car Rubber Soul Drive My Car • • • • • Cinematic Sexual tension Humorous possibility Accompaniment shows collaboration McCartney, all the details in place Rubber Soul Drive My Car • Otis Redding’s Respect • No rhythm guitar • Only chorus has solid chords (heard on piano) • Sounds like soul music Yesterday and Today Revolver Eleanor Rigby Revolver Eleanor Rigby • • • • Unprecedented topic Broke sharply with pop song conventions Detached delivery Time passes, without apparent purpose Revolver Eleanor Rigby • Musical setting as bleak as the words • String octet (four violins, two violas, two cellos) • String sound is sparse Revolver Eleanor Rigby • Chord progressions emulate rock accompaniment • Static melody and harmony • Repetitive rhythm of accompaniment Revolver Eleanor Rigby • Pop becoming Art? • Classical-style string accompaniment • Comparable to Schubert’s art songs Penny Lane and Strawberry Fields The Later Beatles: Revolution Sgt. Pepper’s Lonely Hearts Club Band Lucy in the Sky with Diamonds • Verse creates dreamy state • Lyrics contain numerous psychedelic images (marmalade skies) • Music floats in waltz time Lucy in the Sky with Diamonds • Impression of a person in the middle of an acid trip • Chorus is straight-ahead Rock and Roll • Conveys normalcy A Day in the Life • • Mundane vs. elevated consciousness Music with words vs. instrumental A Day in the Life Four Scenes 1. Lennon’s response to a man who dies in his car while, Lennon suspects, he was tripping 2. Lennon attending a film 3. Lennon in modern life—work is mundane and competitive 4. Lennon’s commentary on counting potholes A Day in the Life • Starts with soloist and guitar • Other instruments layer • Juxtaposed to massive orchestral block of sound • Echoes of Pendercki’s Threnody for Victims of Hiroshima (1960) A Day in the Life • Well-known vs. obscure music • Tasteful drumming: inventive bass lines • Doubling of the tempo in the “Woke up” section • Trills on “Laugh” and “photograph” • Transition to the acid trip A Day in the Life • Melodic leap followed by trill blends seamlessly into orchestral texture • Final chord • An “OM” • Striking ending The White Album Abbey Road The “Death” of Paul and the Beatles Break-Up • Back masking • The Paul-is-Dead hoax • By 1970, it was clear that the Beatles were each going separate ways Summary • Their influence on the music is undeniable • Other influences • Hard mainstream rock, avant-garde rock, psychedelic rock, symphonic rock, and light-hearted rock Summary • No longer was Rock simply fun music; it was serious • Four directions • John Lennon in the 1970s • Superstitions • Beatlemania end?