COLLIN COUNTY COMMUNITY COLLEGE DISTRICT DIVISION OF FINE ARTS FACULTY SYLLABUS

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COLLIN COUNTY COMMUNITY COLLEGE DISTRICT

DIVISION OF FINE ARTS

FACULTY SYLLABUS

Spring 2010

COURSE NUMBER: ARTS 2334 .

S01

COURSE TITLE: Printmaking II

COURSE DESCRIPTION:

Continued application of the intaglio and relief printing processes and gaining experience in composition and problem solving in various techniques.

COURSE CREDIT HOURS: 3 LECTURE HOURS: 2 LAB HOURS: 4

PRE-REQUISITES: ARTS 2333

COURSE DELIVERY METHOD:

The various teaching methods used will be lectures, slides, and video, field trips and media presentations. The teacher will also demonstrate the techniques required for successful completion of the various processes. Slides and actual artwork will be presented as examples of possible ways to explore the processes. Group critiques will involve everyone in the critical thinking that goes into solving pictorial and technical problems.

INSTRUCTOR’S INFORMATION:

INSTRUCTOR’S NAME:

Carter Scaggs

OFFICE NUMBER:

OFFICE HOURS:

A249

MW 1:00-3:30 p.m. (SCC-A249)

TTH 4:00-4:30 p.m. (PRC-L131)

CONTACT INFORMATION: Phone: 972.881.5867

E-mail: cscaggs@collin.edu

Emergencies: Fine Arts Office: 972.881.5107

CLASS INFORMATION:

CLASS MEETING TIMES: Tuesdays and Thursdays, 9:30-12:20 p.m

CLASS MEETING LOCATION: A182

TEXTBOOK:

RecommendedThe Complete Printmaker. Second edition. Ross. Free Press, 1990.

Please see online resources and LRC collection as well.

SUPPLIES:

Based on the individual student’s needs. See attached sheet.

STUDENT LEARNING OUTCOMES:

1. Demonstrate creative problem-solving skills.

2. Critically evaluate one’s own artwork and the work of others.

3. Demonstrate knowledge of the basic printmaking techniques.

4. Gain a working knowledge of historical and contemporary printmaking.

5. Incorporate printmaking skills into one’s overall growth as an artist.

6. Accomplish more advanced printmaking techniques and multiple plates.

7. Demonstrate the beginning on one’s personal printmaking style.

COURSE REQUIREMENTS:

1. Help set up lab for class and clean up afterwards.

2. Participate in class critiques.

3. Complete all exercises and composition assignments both inside and outside class.

4. Attend all scheduled classes.

5. Complete all tests.

METHODS OF EVALUATION:

Each project will be graded and returned with an evaluation sheet which points out strengths and weaknesses of the artwork. Artwork will be critiqued individually and the class will participate in group critiques to involve others in the process. Each student will be evaluated in terms of his or her own work. Quality, effort expended and progress made are all important. The number of prints each student produces will be determined by the complexity of those prints. Printmaking II students are required to try more advanced techniques such as multiple plate prints in either intaglio or relief.

The maximum points for each assignment are:

Final Portfolio: 800 pts.

Participation in extracurricular endeavors: 200 pts.

The extracurricular endeavor grade will be based on the student completing one of the

following tasks (for which the student must submit documentation of participation):

a. attendance at an Artist Talk or an exhibition of prints

b. entry of completed class work in a juried exhibition, competition or display

c. completion of a written project assigned by the instructor

Final grades will be computed using a 1000 pt. scale as follows:

A = 1000-900

B = 899-800

C = 799-700

D = 699-600

F = 599-0

Note: Work that is missed due to unexcused absence or tardy is the student’s

responsibility and will result in a lower course grade. All late work will receive an

automatic deduction of one letter grade. Course work will not be accepted more

than seven (7) calendar days after the original due date.

ATTENDANCE POLICY:

See the current Collin Registration Guide for the last day to withdraw.

Attendance is mandatory because: a. Observing the demonstrations is crucial to understanding the assignments.

b. Students who produce their art projects during scheduled classes have

the opportunity for individual help from the professor. c. Working during scheduled classes provides the discipline needed to complete

the assignments on time. d. Class attendance is directly correlated with successful achievement in

college.

NOTE: More than 3 unexcused absences may result in a lower course grade. More than 6 unexcused absences will result in a performance grade of “F”. Please contact the instructor within 24 hours of an unexcused absence to determine whether the absence is excusable and if any missed assignment can be made up. Please contact the instructor in advance if you know you will be absent at any time during the semester.

Withdrawal procedure: If you are having trouble with this class or believe that you must drop, please contact me. If you are unable to complete this course, it is your responsibility to initiate the drop procedures. You must go to the Registrar’s Office and complete the appropriate paperwork. If you stop attending and do not formally withdraw, you will receive a final grade of

“F”.

Attendance dates to remember:

MLK Holiday-Monday, January 18th (Campuses closed)

LAST DAY TO WITHDRAW with a “W”-Friday, March 12th

Spring Break-Monday, March 15 – Sunday, March 21 (campuses closed)

FINAL EXAM DATE-Section S01: Tuesday, May 11, 9:30-11:30 p.m.

RELIGIOUS HOLY DAYS : please refer to the current Collin Student Handbook

ADA STATEMENT: It is the policy of Collin County Community college to provide reasonable accommodations for qualified individuals who are students with disabilities.

This College will adhere to all applicable federal, state and local laws, regulations and guidelines with respect to providing reasonable accommodations as required to afford equal educational opportunity. It is the student’s responsibility to contact the ACCESS office, SCC-G200 or 972.881.5898 (V/TTD: 972-881-5950) in a timely manner to arrange for appropriate accommodations.

ACADEMIC ETHICS: The College District may initiate disciplinary proceedings against a student accused of scholastic dishonesty. Scholastic dishonesty includes, but is not limited to, statements, acts, or omissions related to applications for enrollment or the award of a degree, and/or the submission as one’s own work material that is not one’s own. Scholastic dishonesty may involve, but is not limited to, one or more of the following acts: cheating, plagiarism, collusion, use of annotated texts or teacher’s editions, and/or falsifying academic records.

Plagiarism is the use of an author’s words or ideas as if they were one’s own without giving credit to the source, including, but not limited to, failure to acknowledge a direct quotation.

Cheating is the willful giving or receiving of information in an unauthorized manner during an examination, illicitly obtaining examination questions in advance, copying computer or

Internet files, using someone else’s work for assignments as if it were one’s own, or any other dishonest means of attempting to fulfill the requirements of a course.

Collusion is intentionally aiding or attempting to aid another in an act of scholastic dishonesty, including but not limited to, providing a paper or project to another student; providing an inappropriate level of assistance; communicating answers to a classmate during an examination; removing tests or answer sheets from a test site, and allowing a classmate to copy answers.

TENTATIVE COURSE CALENDAR

Week One

Introduction

Statement of Intent assigned

Week Two Through Fourteen

Review of techniques.

Development of personal themes and advanced works

Week Fifteen

Final portfolios due

Thursday, May 6th @ 5 p.m.

Week Sixteen

Final Critique and shop clean-up

Tuesday, May 11th @ 9:30 a.m.

SUPPLY LIST

1 each scraper, burnisher, and etching needle

2 pair white cotton work gloves

1 box vinyle or nitrile gloves

1 package white tissue paper for slip sheeting editions

3 to 4 each brushes 4” to ½” in size masonite matboard fabrics found objects wall paper scraps modeling paste shellac acrylic mediums gesso acrylic texture gels

2 each plexiglass or lexan sheet 18” x 24” cloth rags

9-tips cotton balls

Rives BFK white paper

Arches Buff paper

Arches White paper

Foilo paper

Tableau paper

1 speedball brayer 6” wide white pine wood plywood linoleum birch

1 set speedball linocut tools (handle and cutters) newsprint

Strathmore 400 series paper

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